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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFA06D it is the complementary color #405F92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFA06D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFA06D shade: #C4A068, #D5B27B, #E6C48E, #F7D6A1 and #FFE8B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFA06D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFA06D shade: #BFA06D, #AE8E5A, #9D7C47, #8C6A34 and #7B5821

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFA06D shade: #BFA06D, #BF8A6D, #BF746D and #BF6D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFA06D shade: #BFA06D, #BFB66D, #B2BF6D, #9CBF6D and #86BF6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFA06D shade matches the following richer shades: #BFA06D, #D0A45C, #E1A84B and #F1AC3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFA06D shade: #BFA06D, #AE9C7E, #9D988F, #8C94A0 and #7B8FB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFA06D shade: #BF746D, #BF8A6D, #BF9F6D, #BFB56D and #B2BF6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFA06D shade: #977742, #B28D51, #BFA06D, #CBB38A and #D8C5A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFA06D shade: #BFA06D, #7CBF6D and #7F6DBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFA06D shade: #BFA06D, #6DBF9F and #9F6DBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFA06D shade: #BFA06D, #7CBF6D, #6D8CBF and #B06DBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFA06D shade: #BFA06D, #6DBF77, #6D8CBF and #BF6DB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 43 / 25

HEX #BFA06D

RGB 191 160 109

HSL 37.32, 0.39%, 0.59%

LAB 67.52, 4.49, 30.82

 

Complementary color

CMYK 56 / 35 / 0 / 43

HEX #405F92

RGB 64 95 146

HSL 217.32, 0.39%, 0.41%

LAB 40.16, 4.46, -31.53

 

CMYK 0 / 18 / 47 / 23

HEX #C4A068

RGB 196 160 104

HSL 36.52, 0.44%, 0.59%

LAB 67.93, 6.04, 34.11

 

CMYK 0 / 16 / 42 / 16

HEX #D5B27B

RGB 213 178 123

HSL 36.67, 0.52%, 0.66%

LAB 74.46, 5.31, 32.81

 

CMYK 0 / 15 / 38 / 10

HEX #E6C48E

RGB 230 196 142

HSL 36.82, 0.64%, 0.73%

LAB 80.88, 4.69, 31.59

 

CMYK 0 / 13 / 35 / 3

HEX #F7D6A1

RGB 247 214 161

HSL 36.98, 0.84%, 0.8%

LAB 87.21, 4.14, 30.44

 

CMYK 0 / 9 / 29 / 0

HEX #FFE8B4

RGB 255 232 180

HSL 41.6, 1%, 0.85%

LAB 92.69, 0.28, 28.19

 

CMYK 0 / 16 / 43 / 25

HEX #BFA06D

RGB 191 160 109

HSL 37.32, 0.39%, 0.59%

LAB 67.52, 4.49, 30.82

 

CMYK 0 / 18 / 48 / 32

HEX #AE8E5A

RGB 174 142 90

HSL 37.14, 0.34%, 0.52%

LAB 60.85, 5.24, 32.14

 

CMYK 0 / 21 / 55 / 38

HEX #9D7C47

RGB 157 124 71

HSL 36.98, 0.38%, 0.45%

LAB 54.07, 6.14, 33.55

 

CMYK 0 / 24 / 63 / 45

HEX #8C6A34

RGB 140 106 52

HSL 36.82, 0.46%, 0.38%

LAB 47.15, 7.24, 34.99

 

CMYK 0 / 28 / 73 / 52

HEX #7B5821

RGB 123 88 33

HSL 36.67, 0.58%, 0.31%

LAB 40.08, 8.63, 36.35

 

CMYK 0 / 16 / 43 / 25

HEX #BFA06D

RGB 191 160 109

HSL 37.32, 0.39%, 0.59%

LAB 67.52, 4.49, 30.82

 

CMYK 0 / 28 / 43 / 25

HEX #BF8A6D

RGB 191 138 109

HSL 21.22, 0.39%, 0.59%

LAB 61.96, 16.56, 23.5

 

CMYK 0 / 39 / 43 / 25

HEX #BF746D

RGB 191 116 109

HSL 5.12, 0.39%, 0.59%

LAB 56.75, 28.69, 16.44

 

CMYK 0 / 43 / 43 / 25

HEX #BF6D6D

RGB 191 109 109

HSL 0, 0.39%, 0.59%

LAB 55.19, 32.48, 14.29

 

CMYK 0 / 16 / 43 / 25

HEX #BFA06D

RGB 191 160 109

HSL 37.32, 0.39%, 0.59%

LAB 67.52, 4.49, 30.82

 

CMYK 0 / 5 / 43 / 25

HEX #BFB66D

RGB 191 182 109

HSL 53.41, 0.39%, 0.59%

LAB 73.31, -7.24, 38.21

 

CMYK 7 / 0 / 43 / 25

HEX #B2BF6D

RGB 178 191 109

HSL 69.51, 0.39%, 0.59%

LAB 74.72, -17.11, 39.76

 

CMYK 18 / 0 / 43 / 25

HEX #9CBF6D

RGB 156 191 109

HSL 85.61, 0.39%, 0.59%

LAB 73.18, -25.65, 37.49

 

CMYK 30 / 0 / 43 / 25

HEX #86BF6D

RGB 134 191 109

HSL 101.71, 0.39%, 0.59%

LAB 71.85, -33.66, 35.53

 

CMYK 0 / 16 / 43 / 25

HEX #BFA06D

RGB 191 160 109

HSL 37.32, 0.39%, 0.59%

LAB 67.52, 4.49, 30.82

 

CMYK 0 / 21 / 56 / 18

HEX #D0A45C

RGB 208 164 92

HSL 37.24, 0.55%, 0.59%

LAB 69.99, 7.82, 43.12

 

CMYK 0 / 25 / 67 / 12

HEX #E1A84B

RGB 225 168 75

HSL 37.2, 0.71%, 0.59%

LAB 72.58, 11.69, 54.72

 

CMYK 0 / 29 / 76 / 5

HEX #F1AC3A

RGB 241 172 58

HSL 37.38, 0.87%, 0.59%

LAB 75.15, 15.52, 65.04

 

CMYK 0 / 16 / 43 / 25

HEX #BFA06D

RGB 191 160 109

HSL 37.32, 0.39%, 0.59%

LAB 67.52, 4.49, 30.82

 

CMYK 0 / 10 / 28 / 32

HEX #AE9C7E

RGB 174 156 126

HSL 37.5, 0.23%, 0.59%

LAB 65.19, 1.87, 18.15

 

CMYK 0 / 3 / 9 / 38

HEX #9D988F

RGB 157 152 143

HSL 38.57, 0.07%, 0.59%

LAB 63.02, 0.18, 5.37

 

CMYK 13 / 7 / 0 / 37

HEX #8C94A0

RGB 140 148 160

HSL 216, 0.1%, 0.59%

LAB 61.04, -0.37, -7.3

 

CMYK 31 / 19 / 0 / 31

HEX #7B8FB1

RGB 123 143 177

HSL 217.78, 0.26%, 0.59%

LAB 59, 0.98, -20.15

 

CMYK 0 / 39 / 43 / 25

HEX #BF746D

RGB 191 116 109

HSL 5.12, 0.39%, 0.59%

LAB 56.75, 28.69, 16.44

 

CMYK 0 / 28 / 43 / 25

HEX #BF8A6D

RGB 191 138 109

HSL 21.22, 0.39%, 0.59%

LAB 61.96, 16.56, 23.5

 

CMYK 0 / 17 / 43 / 25

HEX #BF9F6D

RGB 191 159 109

HSL 36.59, 0.39%, 0.59%

LAB 67.26, 5.03, 30.48

 

CMYK 0 / 5 / 43 / 25

HEX #BFB56D

RGB 191 181 109

HSL 52.68, 0.39%, 0.59%

LAB 73.04, -6.72, 37.88

 

CMYK 7 / 0 / 43 / 25

HEX #B2BF6D

RGB 178 191 109

HSL 69.51, 0.39%, 0.59%

LAB 74.72, -17.11, 39.76

 

CMYK 0 / 21 / 56 / 41

HEX #977742

RGB 151 119 66

HSL 37.41, 0.39%, 0.43%

LAB 52.02, 5.87, 33.61

 

CMYK 0 / 21 / 54 / 30

HEX #B28D51

RGB 178 141 81

HSL 37.11, 0.39%, 0.51%

LAB 60.88, 6.66, 37.05

 

CMYK 0 / 16 / 43 / 25

HEX #BFA06D

RGB 191 160 109

HSL 37.32, 0.39%, 0.59%

LAB 67.52, 4.49, 30.82

 

CMYK 0 / 12 / 32 / 20

HEX #CBB38A

RGB 203 179 138

HSL 37.85, 0.38%, 0.67%

LAB 74.04, 2.55, 24.13

 

CMYK 0 / 9 / 23 / 15

HEX #D8C5A7

RGB 216 197 167

HSL 36.73, 0.39%, 0.75%

LAB 80.36, 1.97, 17.48

 

CMYK 0 / 16 / 43 / 25

HEX #BFA06D

RGB 191 160 109

HSL 37.32, 0.39%, 0.59%

LAB 67.52, 4.49, 30.82

 

CMYK 35 / 0 / 43 / 25

HEX #7CBF6D

RGB 124 191 109

HSL 109.02, 0.39%, 0.59%

LAB 71.32, -37.06, 34.75

 

CMYK 34 / 43 / 0 / 25

HEX #7F6DBF

RGB 127 109 191

HSL 253.17, 0.39%, 0.59%

LAB 50.93, 25.87, -40.68

 

CMYK 0 / 16 / 43 / 25

HEX #BFA06D

RGB 191 160 109

HSL 37.32, 0.39%, 0.59%

LAB 67.52, 4.49, 30.82

 

CMYK 43 / 0 / 17 / 25

HEX #6DBF9F

RGB 109 191 159

HSL 156.59, 0.39%, 0.59%

LAB 71.57, -32.54, 8.38

 

CMYK 17 / 43 / 0 / 25

HEX #9F6DBF

RGB 159 109 191

HSL 276.59, 0.39%, 0.59%

LAB 54.1, 35.11, -35.48

 

CMYK 0 / 16 / 43 / 25

HEX #BFA06D

RGB 191 160 109

HSL 37.32, 0.39%, 0.59%

LAB 67.52, 4.49, 30.82

 

CMYK 35 / 0 / 43 / 25

HEX #7CBF6D

RGB 124 191 109

HSL 109.02, 0.39%, 0.59%

LAB 71.32, -37.06, 34.75

 

CMYK 43 / 27 / 0 / 25

HEX #6D8CBF

RGB 109 140 191

HSL 217.32, 0.39%, 0.59%

LAB 57.82, 2.56, -30

 

CMYK 8 / 43 / 0 / 25

HEX #B06DBF

RGB 176 109 191

HSL 289.02, 0.39%, 0.59%

LAB 56.02, 40.21, -32.35

 

CMYK 0 / 16 / 43 / 25

HEX #BFA06D

RGB 191 160 109

HSL 37.32, 0.39%, 0.59%

LAB 67.52, 4.49, 30.82

 

CMYK 43 / 0 / 38 / 25

HEX #6DBF77

RGB 109 191 119

HSL 127.32, 0.39%, 0.59%

LAB 70.76, -40.23, 28.71

 

CMYK 43 / 27 / 0 / 25

HEX #6D8CBF

RGB 109 140 191

HSL 217.32, 0.39%, 0.59%

LAB 57.82, 2.56, -30

 

CMYK 0 / 43 / 5 / 25

HEX #BF6DB5

RGB 191 109 181

HSL 307.32, 0.39%, 0.59%

LAB 57.41, 42.94, -24.3

 

Description

Color code: HEX #BFA06D | qconv.com Color code: HEX #BFA06D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 160 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 160 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 43 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 43% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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