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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFA6A7 it is the complementary color #405958. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFA6A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFA6A7 shade: #C4A6A2, #D5B8B5, #E6CAC8, #F7DCDB and #FFEEEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFA6A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFA6A7 shade: #BFA6A7, #AE9494, #9D8281, #8C706E and #7B5E5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFA6A7 shade: #BEA6A7 and #BEA6A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFA6A7 shade: #BEA6A7, #BEA6AD, #BEA6B4, #BEA6BB and #BBA6BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFA6A7 shade matches the following richer shades: #BEA6A7, #CB999B, #D78D90, #E38185 and #F07479

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFA6A7 shade: #BEA6A7, #B2B2B2, #A5BFBE, #99CBC9 and #8DD7D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFA6A7 shade: #BEA6B4, #BEA6AE, #BEA6A7, #BEABA6 and #BEB2A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFA6A7 shade: #9C7677, #AD8E8F, #BEA6A7, #D0BEBE and #E1D6D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFA6A7 shade: #BFA6A7, #BBBEA6 and #A6B1BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFA6A7 shade: #BFA6A7, #A7BEA6 and #A6A7BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFA6A7 shade: #BFA6A7, #BBBEA6, #A6BEBD and #A9A6BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFA6A7 shade: #BFA6A7, #B3BEA6, #A6BEBD and #B1A6BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 13 / 25

HEX #BFA6A7

RGB 191 166 167

HSL 357.6, 0.16%, 0.7%

LAB 70.27, 9.26, 2.83

 

Complementary color

CMYK 28 / 0 / 1 / 65

HEX #405958

RGB 64 89 88

HSL 177.6, 0.16%, 0.3%

LAB 35.87, -9.6, -2.48

 

CMYK 0 / 15 / 17 / 23

HEX #C4A6A2

RGB 196 166 162

HSL 7.06, 0.22%, 0.7%

LAB 70.61, 10.31, 6.14

 

CMYK 0 / 14 / 15 / 16

HEX #D5B8B5

RGB 213 184 181

HSL 5.62, 0.28%, 0.77%

LAB 77.14, 9.88, 5.35

 

CMYK 0 / 12 / 13 / 10

HEX #E6CAC8

RGB 230 202 200

HSL 4, 0.38%, 0.84%

LAB 83.57, 9.49, 4.6

 

CMYK 0 / 11 / 11 / 3

HEX #F7DCDB

RGB 247 220 219

HSL 2.14, 0.64%, 0.91%

LAB 89.89, 9.14, 3.88

 

CMYK 0 / 7 / 7 / 0

HEX #FFEEEE

RGB 255 238 238

HSL 0, 1%, 0.97%

LAB 95.41, 5.73, 2.05

 

CMYK 0 / 13 / 13 / 25

HEX #BFA6A7

RGB 191 166 167

HSL 357.6, 0.16%, 0.7%

LAB 70.27, 9.26, 2.83

 

CMYK 0 / 15 / 15 / 32

HEX #AE9494

RGB 174 148 148

HSL 0, 0.14%, 0.63%

LAB 63.6, 9.68, 3.59

 

CMYK 0 / 17 / 18 / 38

HEX #9D8281

RGB 157 130 129

HSL 2.14, 0.13%, 0.56%

LAB 56.8, 10.16, 4.41

 

CMYK 0 / 20 / 21 / 45

HEX #8C706E

RGB 140 112 110

HSL 4, 0.12%, 0.49%

LAB 49.85, 10.69, 5.29

 

CMYK 0 / 24 / 26 / 52

HEX #7B5E5B

RGB 123 94 91

HSL 5.63, 0.15%, 0.42%

LAB 42.72, 11.33, 6.27

 

CMYK 0 / 13 / 12 / 25

HEX #BEA6A7

RGB 190 166 167

HSL 357.5, 0.16%, 0.7%

LAB 70.18, 8.9, 2.69

 

CMYK 0 / 13 / 13 / 25

HEX #BEA6A6

RGB 190 166 166

HSL 0, 0.16%, 0.7%

LAB 70.16, 8.73, 3.21

 

CMYK 0 / 13 / 12 / 25

HEX #BEA6A7

RGB 190 166 167

HSL 357.5, 0.16%, 0.7%

LAB 70.18, 8.9, 2.69

 

CMYK 0 / 13 / 9 / 25

HEX #BEA6AD

RGB 190 166 173

HSL 342.5, 0.16%, 0.7%

LAB 70.34, 9.92, -0.4

 

CMYK 0 / 13 / 5 / 25

HEX #BEA6B4

RGB 190 166 180

HSL 325, 0.16%, 0.7%

LAB 70.54, 11.17, -3.98

 

CMYK 0 / 13 / 2 / 25

HEX #BEA6BB

RGB 190 166 187

HSL 307.5, 0.16%, 0.7%

LAB 70.74, 12.45, -7.55

 

CMYK 2 / 13 / 0 / 25

HEX #BBA6BE

RGB 187 166 190

HSL 292.5, 0.16%, 0.7%

LAB 70.56, 11.98, -9.5

 

CMYK 0 / 13 / 12 / 25

HEX #BEA6A7

RGB 190 166 167

HSL 357.5, 0.16%, 0.7%

LAB 70.18, 8.9, 2.69

 

CMYK 0 / 25 / 24 / 20

HEX #CB999B

RGB 203 153 155

HSL 357.6, 0.32%, 0.7%

LAB 67.91, 18.98, 6.24

 

CMYK 0 / 34 / 33 / 16

HEX #D78D90

RGB 215 141 144

HSL 357.57, 0.48%, 0.7%

LAB 66.14, 28.52, 10.06

 

CMYK 0 / 43 / 41 / 11

HEX #E38185

RGB 227 129 133

HSL 357.55, 0.64%, 0.7%

LAB 64.74, 38.06, 14.51

 

CMYK 0 / 52 / 50 / 6

HEX #F07479

RGB 240 116 121

HSL 357.58, 0.81%, 0.7%

LAB 63.67, 48.11, 20.11

 

CMYK 0 / 13 / 12 / 25

HEX #BEA6A7

RGB 190 166 167

HSL 357.5, 0.16%, 0.7%

LAB 70.18, 8.9, 2.69

 

CMYK 0 / 0 / 0 / 30

HEX #B2B2B2

RGB 178 178 178

HSL 0, 0%, 0.7%

LAB 72.57, 0, -0.01

 

CMYK 14 / 0 / 1 / 25

HEX #A5BFBE

RGB 165 191 190

HSL 177.69, 0.17%, 0.7%

LAB 75.44, -8.98, -2.47

 

CMYK 25 / 0 / 1 / 20

HEX #99CBC9

RGB 153 203 201

HSL 177.6, 0.32%, 0.7%

LAB 78.29, -16.61, -4.31

 

CMYK 34 / 0 / 1 / 16

HEX #8DD7D4

RGB 141 215 212

HSL 177.57, 0.48%, 0.7%

LAB 81.3, -23.54, -5.83

 

CMYK 0 / 13 / 5 / 25

HEX #BEA6B4

RGB 190 166 180

HSL 325, 0.16%, 0.7%

LAB 70.54, 11.17, -3.98

 

CMYK 0 / 13 / 8 / 25

HEX #BEA6AE

RGB 190 166 174

HSL 340, 0.16%, 0.7%

LAB 70.37, 10.1, -0.91

 

CMYK 0 / 13 / 12 / 25

HEX #BEA6A7

RGB 190 166 167

HSL 357.5, 0.16%, 0.7%

LAB 70.18, 8.9, 2.69

 

CMYK 0 / 10 / 13 / 25

HEX #BEABA6

RGB 190 171 166

HSL 12.5, 0.16%, 0.7%

LAB 71.44, 6, 5.06

 

CMYK 0 / 6 / 13 / 25

HEX #BEB2A6

RGB 190 178 166

HSL 30, 0.16%, 0.7%

LAB 73.25, 2.22, 7.66

 

CMYK 0 / 24 / 24 / 39

HEX #9C7677

RGB 156 118 119

HSL 358.42, 0.16%, 0.54%

LAB 53.34, 15.03, 5.23

 

CMYK 0 / 18 / 17 / 32

HEX #AD8E8F

RGB 173 142 143

HSL 358.06, 0.16%, 0.62%

LAB 61.84, 11.84, 3.86

 

CMYK 0 / 13 / 12 / 25

HEX #BEA6A7

RGB 190 166 167

HSL 357.5, 0.16%, 0.7%

LAB 70.18, 8.9, 2.69

 

CMYK 0 / 9 / 9 / 18

HEX #D0BEBE

RGB 208 190 190

HSL 0, 0.16%, 0.78%

LAB 78.44, 6.35, 2.29

 

CMYK 0 / 5 / 5 / 12

HEX #E1D6D6

RGB 225 214 214

HSL 0, 0.15%, 0.86%

LAB 86.48, 3.78, 1.34

 

CMYK 0 / 13 / 13 / 25

HEX #BFA6A7

RGB 191 166 167

HSL 357.6, 0.16%, 0.7%

LAB 70.27, 9.26, 2.83

 

CMYK 2 / 0 / 13 / 25

HEX #BBBEA6

RGB 187 190 166

HSL 67.5, 0.16%, 0.7%

LAB 76.16, -5.27, 11.77

 

CMYK 13 / 7 / 0 / 25

HEX #A6B1BE

RGB 166 177 190

HSL 212.5, 0.16%, 0.7%

LAB 71.74, -1.18, -7.93

 

CMYK 0 / 13 / 13 / 25

HEX #BFA6A7

RGB 191 166 167

HSL 357.6, 0.16%, 0.7%

LAB 70.27, 9.26, 2.83

 

CMYK 12 / 0 / 13 / 25

HEX #A7BEA6

RGB 167 190 166

HSL 117.5, 0.16%, 0.7%

LAB 74.7, -12.43, 9.49

 

CMYK 13 / 12 / 0 / 25

HEX #A6A7BE

RGB 166 167 190

HSL 237.5, 0.16%, 0.7%

LAB 69.08, 4.29, -11.89

 

CMYK 0 / 13 / 13 / 25

HEX #BFA6A7

RGB 191 166 167

HSL 357.6, 0.16%, 0.7%

LAB 70.27, 9.26, 2.83

 

CMYK 2 / 0 / 13 / 25

HEX #BBBEA6

RGB 187 190 166

HSL 67.5, 0.16%, 0.7%

LAB 76.16, -5.27, 11.77

 

CMYK 13 / 0 / 1 / 25

HEX #A6BEBD

RGB 166 190 189

HSL 177.5, 0.16%, 0.7%

LAB 75.21, -8.33, -2.26

 

CMYK 11 / 13 / 0 / 25

HEX #A9A6BE

RGB 169 166 190

HSL 247.5, 0.16%, 0.7%

LAB 69.06, 5.84, -11.91

 

CMYK 0 / 13 / 13 / 25

HEX #BFA6A7

RGB 191 166 167

HSL 357.6, 0.16%, 0.7%

LAB 70.27, 9.26, 2.83

 

CMYK 6 / 0 / 13 / 25

HEX #B3BEA6

RGB 179 190 166

HSL 87.5, 0.16%, 0.7%

LAB 75.55, -8.17, 10.83

 

CMYK 13 / 0 / 1 / 25

HEX #A6BEBD

RGB 166 190 189

HSL 177.5, 0.16%, 0.7%

LAB 75.21, -8.33, -2.26

 

CMYK 7 / 13 / 0 / 25

HEX #B1A6BE

RGB 177 166 190

HSL 267.5, 0.16%, 0.7%

LAB 69.71, 8.55, -10.86

 

Description

Color code: HEX #BFA6A7 | qconv.com Color code: HEX #BFA6A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 166 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 166 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 13 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 13% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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