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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF9BA0 it is the complementary color #40645F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF9BA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF9BA0 shade: #C49B9B, #D5ADAE, #E6BFC1, #F7D1D4 and #FFE3E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF9BA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF9BA0 shade: #BF9BA0, #AE898D, #9D777A, #8C6567 and #7B5354

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF9BA0 shade: #BF9BA0 and #BF9B9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF9BA0 shade: #BF9BA0, #BF9BAA, #BF9BB3, #BF9BBD and #B79BBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF9BA0 shade matches the following richer shades: #BF9BA0, #CC8E96, #D9818D, #E67383 and #F4667A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF9BA0 shade: #BF9BA0, #B2A8A9, #A4B5B3, #97C3BD and #8AD0C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF9BA0 shade: #BF9BB3, #BF9BAA, #BF9BA0, #BF9F9B and #BFA99B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF9BA0 shade: #9F6970, #AF8288, #BF9BA0, #CFB4B8 and #DFCDD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF9BA0 shade: #BF9BA0, #BDBF9B and #9BAFBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF9BA0 shade: #BF9BA0, #A0BF9B and #9BA0BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF9BA0 shade: #BF9BA0, #BDBF9B, #9BBFB9 and #9D9BBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF9BA0 shade: #BF9BA0, #B2BF9B, #9BBFB9 and #A89BBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 16 / 25

HEX #BF9BA0

RGB 191 155 160

HSL 351.67, 0.22%, 0.68%

LAB 67.32, 14.15, 2.44

 

Complementary color

CMYK 36 / 0 / 5 / 61

HEX #40645F

RGB 64 100 95

HSL 171.67, 0.22%, 0.32%

LAB 39.63, -14.14, -1.27

 

CMYK 0 / 21 / 21 / 23

HEX #C49B9B

RGB 196 155 155

HSL 0, 0.26%, 0.69%

LAB 67.68, 15.24, 5.82

 

CMYK 0 / 19 / 18 / 16

HEX #D5ADAE

RGB 213 173 174

HSL 358.5, 0.32%, 0.76%

LAB 74.25, 14.7, 4.99

 

CMYK 0 / 17 / 16 / 10

HEX #E6BFC1

RGB 230 191 193

HSL 356.92, 0.44%, 0.83%

LAB 80.7, 14.21, 4.21

 

CMYK 0 / 15 / 14 / 3

HEX #F7D1D4

RGB 247 209 212

HSL 355.26, 0.7%, 0.89%

LAB 87.06, 13.76, 3.47

 

CMYK 0 / 11 / 9 / 0

HEX #FFE3E7

RGB 255 227 231

HSL 351.43, 1%, 0.95%

LAB 92.56, 10.24, 1.56

 

CMYK 0 / 19 / 16 / 25

HEX #BF9BA0

RGB 191 155 160

HSL 351.67, 0.22%, 0.68%

LAB 67.32, 14.15, 2.44

 

CMYK 0 / 21 / 19 / 32

HEX #AE898D

RGB 174 137 141

HSL 353.51, 0.19%, 0.61%

LAB 60.62, 14.7, 3.25

 

CMYK 0 / 24 / 22 / 38

HEX #9D777A

RGB 157 119 122

HSL 355.26, 0.16%, 0.54%

LAB 53.78, 15.32, 4.12

 

CMYK 0 / 28 / 26 / 45

HEX #8C6567

RGB 140 101 103

HSL 356.92, 0.16%, 0.47%

LAB 46.79, 16.03, 5.09

 

CMYK 0 / 33 / 32 / 52

HEX #7B5354

RGB 123 83 84

HSL 358.5, 0.19%, 0.4%

LAB 39.64, 16.86, 6.19

 

CMYK 0 / 19 / 16 / 25

HEX #BF9BA0

RGB 191 155 160

HSL 351.67, 0.22%, 0.68%

LAB 67.32, 14.15, 2.44

 

CMYK 0 / 19 / 19 / 25

HEX #BF9B9B

RGB 191 155 155

HSL 0, 0.22%, 0.68%

LAB 67.19, 13.36, 5.05

 

CMYK 0 / 19 / 16 / 25

HEX #BF9BA0

RGB 191 155 160

HSL 351.67, 0.22%, 0.68%

LAB 67.32, 14.15, 2.44

 

CMYK 0 / 19 / 11 / 25

HEX #BF9BAA

RGB 191 155 170

HSL 335, 0.22%, 0.68%

LAB 67.59, 15.82, -2.75

 

CMYK 0 / 19 / 6 / 25

HEX #BF9BB3

RGB 191 155 179

HSL 320, 0.22%, 0.68%

LAB 67.85, 17.41, -7.39

 

CMYK 0 / 19 / 1 / 25

HEX #BF9BBD

RGB 191 155 189

HSL 303.33, 0.22%, 0.68%

LAB 68.16, 19.25, -12.5

 

CMYK 4 / 19 / 0 / 25

HEX #B79BBF

RGB 183 155 191

HSL 286.67, 0.22%, 0.68%

LAB 67.48, 16.9, -14.71

 

CMYK 0 / 19 / 16 / 25

HEX #BF9BA0

RGB 191 155 160

HSL 351.67, 0.22%, 0.68%

LAB 67.32, 14.15, 2.44

 

CMYK 0 / 30 / 26 / 20

HEX #CC8E96

RGB 204 142 150

HSL 352.26, 0.38%, 0.68%

LAB 65.27, 24.65, 5.26

 

CMYK 0 / 41 / 35 / 15

HEX #D9818D

RGB 217 129 141

HSL 351.82, 0.54%, 0.68%

LAB 63.65, 35.3, 8.25

 

CMYK 0 / 50 / 43 / 10

HEX #E67383

RGB 230 115 131

HSL 351.65, 0.7%, 0.68%

LAB 62.27, 46.04, 12.25

 

CMYK 0 / 58 / 50 / 4

HEX #F4667A

RGB 244 102 122

HSL 351.55, 0.87%, 0.68%

LAB 61.78, 56.1, 17.04

 

CMYK 0 / 19 / 16 / 25

HEX #BF9BA0

RGB 191 155 160

HSL 351.67, 0.22%, 0.68%

LAB 67.32, 14.15, 2.44

 

CMYK 0 / 6 / 5 / 30

HEX #B2A8A9

RGB 178 168 169

HSL 354, 0.06%, 0.68%

LAB 69.71, 3.77, 0.77

 

CMYK 9 / 0 / 1 / 29

HEX #A4B5B3

RGB 164 181 179

HSL 172.94, 0.1%, 0.68%

LAB 72.36, -6.25, -1

 

CMYK 23 / 0 / 3 / 24

HEX #97C3BD

RGB 151 195 189

HSL 171.82, 0.27%, 0.68%

LAB 75.63, -15.74, -1.76

 

CMYK 34 / 0 / 5 / 18

HEX #8AD0C6

RGB 138 208 198

HSL 171.43, 0.43%, 0.68%

LAB 78.81, -24.13, -2.03

 

CMYK 0 / 19 / 6 / 25

HEX #BF9BB3

RGB 191 155 179

HSL 320, 0.22%, 0.68%

LAB 67.85, 17.41, -7.39

 

CMYK 0 / 19 / 11 / 25

HEX #BF9BAA

RGB 191 155 170

HSL 335, 0.22%, 0.68%

LAB 67.59, 15.82, -2.75

 

CMYK 0 / 19 / 16 / 25

HEX #BF9BA0

RGB 191 155 160

HSL 351.67, 0.22%, 0.68%

LAB 67.32, 14.15, 2.44

 

CMYK 0 / 17 / 19 / 25

HEX #BF9F9B

RGB 191 159 155

HSL 6.67, 0.22%, 0.68%

LAB 68.2, 11.15, 6.5

 

CMYK 0 / 12 / 19 / 25

HEX #BFA99B

RGB 191 169 155

HSL 23.33, 0.22%, 0.68%

LAB 70.75, 5.69, 10.13

 

CMYK 0 / 34 / 30 / 38

HEX #9F6970

RGB 159 105 112

HSL 352.22, 0.22%, 0.52%

LAB 50.27, 22.63, 4.99

 

CMYK 0 / 26 / 22 / 31

HEX #AF8288

RGB 175 130 136

HSL 352, 0.22%, 0.6%

LAB 58.84, 18.24, 3.56

 

CMYK 0 / 19 / 16 / 25

HEX #BF9BA0

RGB 191 155 160

HSL 351.67, 0.22%, 0.68%

LAB 67.32, 14.15, 2.44

 

CMYK 0 / 13 / 11 / 19

HEX #CFB4B8

RGB 207 180 184

HSL 351.11, 0.22%, 0.76%

LAB 75.68, 10.34, 1.53

 

CMYK 0 / 8 / 7 / 13

HEX #DFCDD0

RGB 223 205 208

HSL 350, 0.22%, 0.84%

LAB 83.92, 6.77, 0.77

 

CMYK 0 / 19 / 16 / 25

HEX #BF9BA0

RGB 191 155 160

HSL 351.67, 0.22%, 0.68%

LAB 67.32, 14.15, 2.44

 

CMYK 1 / 0 / 19 / 25

HEX #BDBF9B

RGB 189 191 155

HSL 63.33, 0.22%, 0.68%

LAB 76.34, -6.8, 17.97

 

CMYK 19 / 8 / 0 / 25

HEX #9BAFBF

RGB 155 175 191

HSL 206.67, 0.22%, 0.68%

LAB 70.45, -3.47, -10.49

 

CMYK 0 / 19 / 16 / 25

HEX #BF9BA0

RGB 191 155 160

HSL 351.67, 0.22%, 0.68%

LAB 67.32, 14.15, 2.44

 

CMYK 16 / 0 / 19 / 25

HEX #A0BF9B

RGB 160 191 155

HSL 111.67, 0.22%, 0.68%

LAB 74.25, -17.34, 14.75

 

CMYK 19 / 16 / 0 / 25

HEX #9BA0BF

RGB 155 160 191

HSL 231.67, 0.22%, 0.68%

LAB 66.42, 4.79, -16.54

 

CMYK 0 / 19 / 16 / 25

HEX #BF9BA0

RGB 191 155 160

HSL 351.67, 0.22%, 0.68%

LAB 67.32, 14.15, 2.44

 

CMYK 1 / 0 / 19 / 25

HEX #BDBF9B

RGB 189 191 155

HSL 63.33, 0.22%, 0.68%

LAB 76.34, -6.8, 17.97

 

CMYK 19 / 0 / 3 / 25

HEX #9BBFB9

RGB 155 191 185

HSL 170, 0.22%, 0.68%

LAB 74.66, -13.26, -0.98

 

CMYK 18 / 19 / 0 / 25

HEX #9D9BBF

RGB 157 155 191

HSL 243.33, 0.22%, 0.68%

LAB 65.26, 8.24, -18.29

 

CMYK 0 / 19 / 16 / 25

HEX #BF9BA0

RGB 191 155 160

HSL 351.67, 0.22%, 0.68%

LAB 67.32, 14.15, 2.44

 

CMYK 7 / 0 / 19 / 25

HEX #B2BF9B

RGB 178 191 155

HSL 81.67, 0.22%, 0.68%

LAB 75.51, -10.88, 16.69

 

CMYK 19 / 0 / 3 / 25

HEX #9BBFB9

RGB 155 191 185

HSL 170, 0.22%, 0.68%

LAB 74.66, -13.26, -0.98

 

CMYK 12 / 19 / 0 / 25

HEX #A89BBF

RGB 168 155 191

HSL 261.67, 0.22%, 0.68%

LAB 66.16, 11.85, -16.84

 

Description

Color code: HEX #BF9BA0 | qconv.com Color code: HEX #BF9BA0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 155 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 155 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 16 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 16% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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