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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF8F86 it is the complementary color #407079. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF8F86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF8F86 shade: #C48F81, #D5A194, #E6B3A7, #F7C5BA and #FFD7CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF8F86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF8F86 shade: #BF8F86, #AE7D73, #9D6B60, #8C594D and #7B473A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF8F86 shade: #BF8F86 and #BF8686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF8F86 shade: #BF8F86, #BF9F86, #BFAE86, #BFBD86 and #B2BF86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF8F86 shade matches the following richer shades: #BF8F86, #CE8577, #DD7B69, #EC715A and #FB674B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF8F86 shade: #BF8F86, #B09995, #A1A4A4, #93AEB3 and #84B8C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF8F86 shade: #BF869C, #BF868D, #BF8F86, #BF9E86 and #BFAD86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF8F86 shade: #9F6054, #B1766B, #BF8F86, #CDA8A1 and #DCC1BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF8F86 shade: #BF8F86, #ABBF86 and #8694BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF8F86 shade: #BF8F86, #86BF8F and #8F86BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF8F86 shade: #BF8F86, #ABBF86, #86B7BF and #9A86BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF8F86 shade: #BF8F86, #9ABF86, #86B7BF and #AB86BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 30 / 25

HEX #BF8F86

RGB 191 143 134

HSL 9.47, 0.31%, 0.64%

LAB 63.71, 16.89, 11.87

 

Complementary color

CMYK 47 / 7 / 0 / 53

HEX #407079

RGB 64 112 121

HSL 189.47, 0.31%, 0.36%

LAB 44.32, -13.7, -10.08

 

CMYK 0 / 27 / 34 / 23

HEX #C48F81

RGB 196 143 129

HSL 12.54, 0.36%, 0.64%

LAB 64.13, 18.19, 15.36

 

CMYK 0 / 24 / 31 / 16

HEX #D5A194

RGB 213 161 148

HSL 12, 0.44%, 0.71%

LAB 70.71, 17.45, 14.25

 

CMYK 0 / 22 / 27 / 10

HEX #E6B3A7

RGB 230 179 167

HSL 11.43, 0.56%, 0.78%

LAB 77.19, 16.79, 13.23

 

CMYK 0 / 20 / 25 / 3

HEX #F7C5BA

RGB 247 197 186

HSL 10.82, 0.79%, 0.85%

LAB 83.57, 16.2, 12.28

 

CMYK 0 / 16 / 20 / 0

HEX #FFD7CD

RGB 255 215 205

HSL 12, 1%, 0.9%

LAB 89.05, 12.42, 10.12

 

CMYK 0 / 25 / 30 / 25

HEX #BF8F86

RGB 191 143 134

HSL 9.47, 0.31%, 0.64%

LAB 63.71, 16.89, 11.87

 

CMYK 0 / 28 / 34 / 32

HEX #AE7D73

RGB 174 125 115

HSL 10.17, 0.27%, 0.57%

LAB 56.98, 17.66, 12.99

 

CMYK 0 / 32 / 39 / 38

HEX #9D6B60

RGB 157 107 96

HSL 10.82, 0.24%, 0.5%

LAB 50.13, 18.53, 14.24

 

CMYK 0 / 36 / 45 / 45

HEX #8C594D

RGB 140 89 77

HSL 11.43, 0.29%, 0.43%

LAB 43.15, 19.56, 15.67

 

CMYK 0 / 42 / 53 / 52

HEX #7B473A

RGB 123 71 58

HSL 12, 0.36%, 0.35%

LAB 36.03, 20.76, 17.35

 

CMYK 0 / 25 / 30 / 25

HEX #BF8F86

RGB 191 143 134

HSL 9.47, 0.31%, 0.64%

LAB 63.71, 16.89, 11.87

 

CMYK 0 / 30 / 30 / 25

HEX #BF8686

RGB 191 134 134

HSL 0, 0.31%, 0.64%

LAB 61.52, 21.88, 8.78

 

CMYK 0 / 25 / 30 / 25

HEX #BF8F86

RGB 191 143 134

HSL 9.47, 0.31%, 0.64%

LAB 63.71, 16.89, 11.87

 

CMYK 0 / 17 / 30 / 25

HEX #BF9F86

RGB 191 159 134

HSL 26.32, 0.31%, 0.64%

LAB 67.72, 8.08, 17.47

 

CMYK 0 / 9 / 30 / 25

HEX #BFAE86

RGB 191 174 134

HSL 42.11, 0.31%, 0.64%

LAB 71.6, -0.04, 22.79

 

CMYK 0 / 1 / 30 / 25

HEX #BFBD86

RGB 191 189 134

HSL 57.89, 0.31%, 0.64%

LAB 75.57, -7.95, 28.13

 

CMYK 7 / 0 / 30 / 25

HEX #B2BF86

RGB 178 191 134

HSL 73.68, 0.31%, 0.64%

LAB 75.11, -14.01, 27.33

 

CMYK 0 / 25 / 30 / 25

HEX #BF8F86

RGB 191 143 134

HSL 9.47, 0.31%, 0.64%

LAB 63.71, 16.89, 11.87

 

CMYK 0 / 35 / 42 / 19

HEX #CE8577

RGB 206 133 119

HSL 9.66, 0.47%, 0.64%

LAB 62.7, 26.42, 19.19

 

CMYK 0 / 44 / 52 / 13

HEX #DD7B69

RGB 221 123 105

HSL 9.31, 0.63%, 0.64%

LAB 62.13, 36.2, 26.63

 

CMYK 0 / 52 / 62 / 7

HEX #EC715A

RGB 236 113 90

HSL 9.45, 0.79%, 0.64%

LAB 61.98, 45.74, 35.2

 

CMYK 0 / 59 / 70 / 2

HEX #FB674B

RGB 251 103 75

HSL 9.55, 0.96%, 0.64%

LAB 62.27, 54.93, 44.21

 

CMYK 0 / 25 / 30 / 25

HEX #BF8F86

RGB 191 143 134

HSL 9.47, 0.31%, 0.64%

LAB 63.71, 16.89, 11.87

 

CMYK 0 / 13 / 15 / 31

HEX #B09995

RGB 176 153 149

HSL 8.89, 0.15%, 0.64%

LAB 65.11, 7.83, 5.22

 

CMYK 2 / 0 / 0 / 36

HEX #A1A4A4

RGB 161 164 164

HSL 180, 0.02%, 0.64%

LAB 67.13, -1.06, -0.38

 

CMYK 18 / 3 / 0 / 30

HEX #93AEB3

RGB 147 174 179

HSL 189.38, 0.17%, 0.64%

LAB 69.28, -8.15, -5.67

 

CMYK 32 / 5 / 0 / 24

HEX #84B8C2

RGB 132 184 194

HSL 189.68, 0.34%, 0.64%

LAB 71.61, -14.55, -10.55

 

CMYK 0 / 30 / 18 / 25

HEX #BF869C

RGB 191 134 156

HSL 336.84, 0.31%, 0.64%

LAB 62.11, 25.14, -2.92

 

CMYK 0 / 30 / 26 / 25

HEX #BF868D

RGB 191 134 141

HSL 352.63, 0.31%, 0.64%

LAB 61.7, 22.86, 5.04

 

CMYK 0 / 25 / 30 / 25

HEX #BF8F86

RGB 191 143 134

HSL 9.47, 0.31%, 0.64%

LAB 63.71, 16.89, 11.87

 

CMYK 0 / 17 / 30 / 25

HEX #BF9E86

RGB 191 158 134

HSL 25.26, 0.31%, 0.64%

LAB 67.47, 8.63, 17.12

 

CMYK 0 / 9 / 30 / 25

HEX #BFAD86

RGB 191 173 134

HSL 41.05, 0.31%, 0.64%

LAB 71.34, 0.5, 22.43

 

CMYK 0 / 40 / 47 / 38

HEX #9F6054

RGB 159 96 84

HSL 9.6, 0.31%, 0.48%

LAB 47.46, 24.24, 17.74

 

CMYK 0 / 33 / 40 / 31

HEX #B1766B

RGB 177 118 107

HSL 9.43, 0.31%, 0.56%

LAB 55.45, 21.79, 15.53

 

CMYK 0 / 25 / 30 / 25

HEX #BF8F86

RGB 191 143 134

HSL 9.47, 0.31%, 0.64%

LAB 63.71, 16.89, 11.87

 

CMYK 0 / 18 / 21 / 20

HEX #CDA8A1

RGB 205 168 161

HSL 9.55, 0.31%, 0.72%

LAB 71.93, 12.44, 8.7

 

CMYK 0 / 12 / 15 / 14

HEX #DCC1BC

RGB 220 193 188

HSL 9.37, 0.31%, 0.8%

LAB 80.17, 8.74, 6.02

 

CMYK 0 / 25 / 30 / 25

HEX #BF8F86

RGB 191 143 134

HSL 9.47, 0.31%, 0.64%

LAB 63.71, 16.89, 11.87

 

CMYK 10 / 0 / 30 / 25

HEX #ABBF86

RGB 171 191 134

HSL 81.05, 0.31%, 0.64%

LAB 74.6, -16.66, 26.56

 

CMYK 30 / 23 / 0 / 25

HEX #8694BF

RGB 134 148 191

HSL 225.26, 0.31%, 0.64%

LAB 61.66, 5.02, -23.93

 

CMYK 0 / 25 / 30 / 25

HEX #BF8F86

RGB 191 143 134

HSL 9.47, 0.31%, 0.64%

LAB 63.71, 16.89, 11.87

 

CMYK 30 / 0 / 25 / 25

HEX #86BF8F

RGB 134 191 143

HSL 129.47, 0.31%, 0.64%

LAB 72.44, -28.29, 18.44

 

CMYK 25 / 30 / 0 / 25

HEX #8F86BF

RGB 143 134 191

HSL 249.47, 0.31%, 0.64%

LAB 58.65, 15.83, -28.51

 

CMYK 0 / 25 / 30 / 25

HEX #BF8F86

RGB 191 143 134

HSL 9.47, 0.31%, 0.64%

LAB 63.71, 16.89, 11.87

 

CMYK 10 / 0 / 30 / 25

HEX #ABBF86

RGB 171 191 134

HSL 81.05, 0.31%, 0.64%

LAB 74.6, -16.66, 26.56

 

CMYK 30 / 4 / 0 / 25

HEX #86B7BF

RGB 134 183 191

HSL 188.42, 0.31%, 0.64%

LAB 71.35, -14.17, -9.28

 

CMYK 19 / 30 / 0 / 25

HEX #9A86BF

RGB 154 134 191

HSL 261.05, 0.31%, 0.64%

LAB 59.6, 19.25, -26.97

 

CMYK 0 / 25 / 30 / 25

HEX #BF8F86

RGB 191 143 134

HSL 9.47, 0.31%, 0.64%

LAB 63.71, 16.89, 11.87

 

CMYK 19 / 0 / 30 / 25

HEX #9ABF86

RGB 154 191 134

HSL 98.95, 0.31%, 0.64%

LAB 73.45, -22.93, 24.82

 

CMYK 30 / 4 / 0 / 25

HEX #86B7BF

RGB 134 183 191

HSL 188.42, 0.31%, 0.64%

LAB 71.35, -14.17, -9.28

 

CMYK 10 / 30 / 0 / 25

HEX #AB86BF

RGB 171 134 191

HSL 278.95, 0.31%, 0.64%

LAB 61.19, 24.7, -24.38

 

Description

Color code: HEX #BF8F86 | qconv.com Color code: HEX #BF8F86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 143 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 143 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 30 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 30% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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