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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF8244 it is the complementary color #407DBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF8244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF8244 shade: #C4823F, #D59452, #E6A665, #F7B878 and #FFCA8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF8244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF8244 shade: #BF8244, #AE7031, #9D5E1E, #8C4C0B and #7B3A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF8244 shade: #BF8244, #BF6144 and #BF4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF8244 shade: #BF8244, #BFA344, #B9BF44, #98BF44 and #77BF44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF8244 shade matches the following richer shades: #BF8244, #D38230, #E7821C and #FB8308

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF8244 shade: #BF8244, #AB8259, #96826D, #828281 and #6E8195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF8244 shade: #BF4448, #BF6144, #BF8244, #BFA244 and #BBBF44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF8244 shade: #84592D, #A36D37, #BF8244, #C99763 and #D4AB82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF8244 shade: #BF8244, #69BF44 and #5144BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF8244 shade: #BF8244, #44BF82 and #8244BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF8244 shade: #BF8244, #69BF44, #4482BF and #9A44BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF8244 shade: #BF8244, #44BF44, #4482BF and #BF44BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 64 / 25

HEX #BF8244

RGB 191 130 68

HSL 30.24, 0.49%, 0.51%

LAB 59.4, 17.37, 42.36

 

Complementary color

CMYK 66 / 33 / 0 / 27

HEX #407DBB

RGB 64 125 187

HSL 210.24, 0.49%, 0.49%

LAB 51.09, 0.16, -38.4

 

CMYK 0 / 34 / 68 / 23

HEX #C4823F

RGB 196 130 63

HSL 30.23, 0.53%, 0.51%

LAB 59.94, 19.2, 45.62

 

CMYK 0 / 31 / 62 / 16

HEX #D59452

RGB 213 148 82

HSL 30.23, 0.61%, 0.58%

LAB 66.47, 17.82, 44.13

 

CMYK 0 / 28 / 56 / 10

HEX #E6A665

RGB 230 166 101

HSL 30.23, 0.72%, 0.65%

LAB 72.91, 16.62, 42.64

 

CMYK 0 / 26 / 51 / 3

HEX #F7B878

RGB 247 184 120

HSL 30.24, 0.89%, 0.72%

LAB 79.28, 15.57, 41.22

 

CMYK 0 / 21 / 45 / 0

HEX #FFCA8B

RGB 255 202 139

HSL 32.59, 1%, 0.77%

LAB 84.67, 11.11, 38.54

 

CMYK 0 / 32 / 64 / 25

HEX #BF8244

RGB 191 130 68

HSL 30.24, 0.49%, 0.51%

LAB 59.4, 17.37, 42.36

 

CMYK 0 / 36 / 72 / 32

HEX #AE7031

RGB 174 112 49

HSL 30.24, 0.56%, 0.44%

LAB 52.74, 18.88, 43.84

 

CMYK 0 / 40 / 81 / 38

HEX #9D5E1E

RGB 157 94 30

HSL 30.24, 0.68%, 0.37%

LAB 46, 20.65, 45.05

 

CMYK 0 / 46 / 92 / 45

HEX #8C4C0B

RGB 140 76 11

HSL 30.23, 0.85%, 0.3%

LAB 39.19, 22.74, 45.3

 

CMYK 0 / 53 / 100 / 52

HEX #7B3A00

RGB 123 58 0

HSL 28.29, 1%, 0.24%

LAB 32.34, 25.14, 43.08

 

CMYK 0 / 32 / 64 / 25

HEX #BF8244

RGB 191 130 68

HSL 30.24, 0.49%, 0.51%

LAB 59.4, 17.37, 42.36

 

CMYK 0 / 49 / 64 / 25

HEX #BF6144

RGB 191 97 68

HSL 14.15, 0.49%, 0.51%

LAB 51.89, 35.27, 33.54

 

CMYK 0 / 64 / 64 / 25

HEX #BF4444

RGB 191 68 68

HSL 0, 0.49%, 0.51%

LAB 46.48, 49.3, 26.89

 

CMYK 0 / 32 / 64 / 25

HEX #BF8244

RGB 191 130 68

HSL 30.24, 0.49%, 0.51%

LAB 59.4, 17.37, 42.36

 

CMYK 0 / 15 / 64 / 25

HEX #BFA344

RGB 191 163 68

HSL 46.34, 0.49%, 0.51%

LAB 67.79, -0.66, 51.7

 

CMYK 3 / 0 / 64 / 25

HEX #B9BF44

RGB 185 191 68

HSL 62.93, 0.49%, 0.51%

LAB 74.82, -17.77, 59.02

 

CMYK 20 / 0 / 64 / 25

HEX #98BF44

RGB 152 191 68

HSL 79.02, 0.49%, 0.51%

LAB 72.46, -31.23, 55.82

 

CMYK 38 / 0 / 64 / 25

HEX #77BF44

RGB 119 191 68

HSL 95.12, 0.49%, 0.51%

LAB 70.59, -43.43, 53.25

 

CMYK 0 / 32 / 64 / 25

HEX #BF8244

RGB 191 130 68

HSL 30.24, 0.49%, 0.51%

LAB 59.4, 17.37, 42.36

 

CMYK 0 / 38 / 77 / 17

HEX #D38230

RGB 211 130 48

HSL 30.18, 0.65%, 0.51%

LAB 61.68, 24.86, 54.86

 

CMYK 0 / 44 / 88 / 9

HEX #E7821C

RGB 231 130 28

HSL 30.15, 0.81%, 0.51%

LAB 64.19, 32.59, 65.21

 

CMYK 0 / 48 / 97 / 2

HEX #FB8308

RGB 251 131 8

HSL 30.37, 0.97%, 0.51%

LAB 67.1, 39.84, 72.63

 

CMYK 0 / 32 / 64 / 25

HEX #BF8244

RGB 191 130 68

HSL 30.24, 0.49%, 0.51%

LAB 59.4, 17.37, 42.36

 

CMYK 0 / 24 / 48 / 33

HEX #AB8259

RGB 171 130 89

HSL 30, 0.33%, 0.51%

LAB 57.41, 10.55, 28.23

 

CMYK 0 / 13 / 27 / 41

HEX #96826D

RGB 150 130 109

HSL 30.73, 0.16%, 0.51%

LAB 55.64, 4.24, 14.19

 

CMYK 0 / 0 / 1 / 49

HEX #828281

RGB 130 130 129

HSL 60, 0%, 0.51%

LAB 54.34, -0.19, 0.53

 

CMYK 26 / 13 / 0 / 42

HEX #6E8195

RGB 110 129 149

HSL 210.77, 0.16%, 0.51%

LAB 53.15, -2.14, -13.03

 

CMYK 0 / 64 / 62 / 25

HEX #BF4448

RGB 191 68 72

HSL 358.05, 0.49%, 0.51%

LAB 46.55, 49.56, 24.59

 

CMYK 0 / 49 / 64 / 25

HEX #BF6144

RGB 191 97 68

HSL 14.15, 0.49%, 0.51%

LAB 51.89, 35.27, 33.54

 

CMYK 0 / 32 / 64 / 25

HEX #BF8244

RGB 191 130 68

HSL 30.24, 0.49%, 0.51%

LAB 59.4, 17.37, 42.36

 

CMYK 0 / 15 / 64 / 25

HEX #BFA244

RGB 191 162 68

HSL 45.85, 0.49%, 0.51%

LAB 67.53, -0.12, 51.41

 

CMYK 2 / 0 / 64 / 25

HEX #BBBF44

RGB 187 191 68

HSL 61.95, 0.49%, 0.51%

LAB 74.98, -16.93, 59.23

 

CMYK 0 / 33 / 66 / 48

HEX #84592D

RGB 132 89 45

HSL 30.34, 0.49%, 0.35%

LAB 41.59, 13.02, 32.1

 

CMYK 0 / 33 / 66 / 36

HEX #A36D37

RGB 163 109 55

HSL 30, 0.5%, 0.43%

LAB 50.69, 16.08, 38.19

 

CMYK 0 / 32 / 64 / 25

HEX #BF8244

RGB 191 130 68

HSL 30.24, 0.49%, 0.51%

LAB 59.4, 17.37, 42.36

 

CMYK 0 / 25 / 51 / 21

HEX #C99763

RGB 201 151 99

HSL 30.59, 0.49%, 0.59%

LAB 66.1, 12.54, 34.54

 

CMYK 0 / 19 / 39 / 17

HEX #D4AB82

RGB 212 171 130

HSL 30, 0.49%, 0.67%

LAB 72.72, 9.43, 26.78

 

CMYK 0 / 32 / 64 / 25

HEX #BF8244

RGB 191 130 68

HSL 30.24, 0.49%, 0.51%

LAB 59.4, 17.37, 42.36

 

CMYK 45 / 0 / 64 / 25

HEX #69BF44

RGB 105 191 68

HSL 101.95, 0.49%, 0.51%

LAB 69.95, -48.01, 52.37

 

CMYK 58 / 64 / 0 / 25

HEX #5144BF

RGB 81 68 191

HSL 246.34, 0.49%, 0.51%

LAB 37.2, 40.08, -62.96

 

CMYK 0 / 32 / 64 / 25

HEX #BF8244

RGB 191 130 68

HSL 30.24, 0.49%, 0.51%

LAB 59.4, 17.37, 42.36

 

CMYK 64 / 0 / 32 / 25

HEX #44BF82

RGB 68 191 130

HSL 150.24, 0.49%, 0.51%

LAB 69.54, -48.17, 21

 

CMYK 32 / 64 / 0 / 25

HEX #8244BF

RGB 130 68 191

HSL 270.24, 0.49%, 0.51%

LAB 42.22, 49.77, -54.58

 

CMYK 0 / 32 / 64 / 25

HEX #BF8244

RGB 191 130 68

HSL 30.24, 0.49%, 0.51%

LAB 59.4, 17.37, 42.36

 

CMYK 45 / 0 / 64 / 25

HEX #69BF44

RGB 105 191 68

HSL 101.95, 0.49%, 0.51%

LAB 69.95, -48.01, 52.37

 

CMYK 64 / 32 / 0 / 25

HEX #4482BF

RGB 68 130 191

HSL 209.76, 0.49%, 0.51%

LAB 52.9, -0.73, -37.83

 

CMYK 19 / 64 / 0 / 25

HEX #9A44BF

RGB 154 68 191

HSL 281.95, 0.49%, 0.51%

LAB 45.31, 55.22, -49.44

 

CMYK 0 / 32 / 64 / 25

HEX #BF8244

RGB 191 130 68

HSL 30.24, 0.49%, 0.51%

LAB 59.4, 17.37, 42.36

 

CMYK 64 / 0 / 64 / 25

HEX #44BF44

RGB 68 191 68

HSL 120, 0.49%, 0.51%

LAB 68.68, -57.75, 50.61

 

CMYK 64 / 32 / 0 / 25

HEX #4482BF

RGB 68 130 191

HSL 209.76, 0.49%, 0.51%

LAB 52.9, -0.73, -37.83

 

CMYK 0 / 64 / 0 / 25

HEX #BF44BF

RGB 191 68 191

HSL 300, 0.49%, 0.51%

LAB 50.65, 63.96, -40.62

 

Description

Color code: HEX #BF8244 | qconv.com Color code: HEX #BF8244 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 130 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 130 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 64 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 64% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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