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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF8011 it is the complementary color #407FEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF8011. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF8011 shade: #C4800C, #D5921F, #E6A432, #F7B645 and #FFC858

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF8011. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF8011 shade: #BF8011, #AE6E00, #9D5C00, #8C4A00 and #7B3800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF8011 shade: #C08010, #C05110, #C02210 and #C01010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF8011 shade: #C08010, #C0B010, #A1C010, #71C010 and #42C010

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF8011 shade matches the following richer shades: #C08010

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF8011 shade: #C08010, #AF7C21, #9E7732, #8D7243 and #7C6E54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF8011 shade: #C02210, #C05110, #C07F10, #C0AE10 and #A3C010

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF8011 shade: #744D0A, #9A670D, #C08010, #E69A14 and #EDAB36

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF8011 shade: #BF8011, #2EC010 and #3910C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF8011 shade: #BF8011, #10C07F and #7F10C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF8011 shade: #BF8011, #2EC010, #1051C0 and #A310C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF8011 shade: #BF8011, #10C028, #1051C0 and #C010A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 91 / 25

HEX #BF8011

RGB 191 128 17

HSL 38.28, 0.84%, 0.41%

LAB 58.56, 16.41, 61.45

 

Complementary color

CMYK 73 / 47 / 0 / 7

HEX #407FEE

RGB 64 127 238

HSL 218.28, 0.84%, 0.59%

LAB 54.49, 17.09, -61.81

 

CMYK 0 / 35 / 94 / 23

HEX #C4800C

RGB 196 128 12

HSL 37.83, 0.88%, 0.41%

LAB 59.16, 18.54, 63.17

 

CMYK 0 / 31 / 85 / 16

HEX #D5921F

RGB 213 146 31

HSL 37.91, 0.75%, 0.48%

LAB 65.59, 16.53, 64.52

 

CMYK 0 / 29 / 78 / 10

HEX #E6A432

RGB 230 164 50

HSL 38, 0.78%, 0.55%

LAB 71.96, 14.78, 64.59

 

CMYK 0 / 26 / 72 / 3

HEX #F7B645

RGB 247 182 69

HSL 38.09, 0.92%, 0.62%

LAB 78.26, 13.26, 63.97

 

CMYK 0 / 22 / 65 / 0

HEX #FFC858

RGB 255 200 88

HSL 40.24, 1%, 0.67%

LAB 83.59, 8.21, 61.75

 

CMYK 0 / 33 / 91 / 25

HEX #BF8011

RGB 191 128 17

HSL 38.28, 0.84%, 0.41%

LAB 58.56, 16.41, 61.45

 

CMYK 0 / 37 / 100 / 32

HEX #AE6E00

RGB 174 110 0

HSL 37.93, 1%, 0.34%

LAB 52.01, 18.59, 59.11

 

CMYK 0 / 41 / 100 / 38

HEX #9D5C00

RGB 157 92 0

HSL 35.16, 1%, 0.31%

LAB 45.39, 21.09, 53.73

 

CMYK 0 / 47 / 100 / 45

HEX #8C4A00

RGB 140 74 0

HSL 31.71, 1%, 0.27%

LAB 38.68, 23.67, 48.3

 

CMYK 0 / 54 / 100 / 52

HEX #7B3800

RGB 123 56 0

HSL 27.32, 1%, 0.24%

LAB 31.9, 26.26, 42.78

 

CMYK 0 / 33 / 92 / 25

HEX #C08010

RGB 192 128 16

HSL 38.18, 0.85%, 0.41%

LAB 58.68, 16.83, 61.81

 

CMYK 0 / 58 / 92 / 25

HEX #C05110

RGB 192 81 16

HSL 22.16, 0.85%, 0.41%

LAB 48.42, 41.71, 54.3

 

CMYK 0 / 82 / 92 / 25

HEX #C02210

RGB 192 34 16

HSL 6.14, 0.85%, 0.41%

LAB 41.83, 59.61, 49.71

 

CMYK 0 / 92 / 92 / 25

HEX #C01010

RGB 192 16 16

HSL 0, 0.85%, 0.41%

LAB 40.6, 63.12, 48.88

 

CMYK 0 / 33 / 92 / 25

HEX #C08010

RGB 192 128 16

HSL 38.18, 0.85%, 0.41%

LAB 58.68, 16.83, 61.81

 

CMYK 0 / 8 / 92 / 25

HEX #C0B010

RGB 192 176 16

HSL 54.55, 0.85%, 0.41%

LAB 71.07, -9.06, 71.23

 

CMYK 16 / 0 / 92 / 25

HEX #A1C010

RGB 161 192 16

HSL 70.57, 0.85%, 0.41%

LAB 73.1, -30.36, 71.77

 

CMYK 41 / 0 / 92 / 25

HEX #71C010

RGB 113 192 16

HSL 86.93, 0.85%, 0.41%

LAB 70.35, -48.65, 68.4

 

CMYK 66 / 0 / 92 / 25

HEX #42C010

RGB 66 192 16

HSL 102.95, 0.85%, 0.41%

LAB 68.68, -61.8, 66.33

 

CMYK 0 / 33 / 92 / 25

HEX #C08010

RGB 192 128 16

HSL 38.18, 0.85%, 0.41%

LAB 58.68, 16.83, 61.81

 

CMYK 0 / 33 / 92 / 25

HEX #C08010

RGB 192 128 16

HSL 38.18, 0.85%, 0.41%

LAB 58.68, 16.83, 61.81

 

CMYK 0 / 29 / 81 / 31

HEX #AF7C21

RGB 175 124 33

HSL 38.45, 0.68%, 0.41%

LAB 55.72, 11.89, 53.63

 

CMYK 0 / 25 / 68 / 38

HEX #9E7732

RGB 158 119 50

HSL 38.33, 0.52%, 0.41%

LAB 52.61, 7.84, 42.65

 

CMYK 0 / 19 / 52 / 45

HEX #8D7243

RGB 141 114 67

HSL 38.11, 0.36%, 0.41%

LAB 49.62, 4.37, 29.88

 

CMYK 0 / 11 / 32 / 51

HEX #7C6E54

RGB 124 110 84

HSL 39, 0.19%, 0.41%

LAB 47.08, 1.23, 16.53

 

CMYK 0 / 82 / 92 / 25

HEX #C02210

RGB 192 34 16

HSL 6.14, 0.85%, 0.41%

LAB 41.83, 59.61, 49.71

 

CMYK 0 / 58 / 92 / 25

HEX #C05110

RGB 192 81 16

HSL 22.16, 0.85%, 0.41%

LAB 48.42, 41.71, 54.3

 

CMYK 0 / 34 / 92 / 25

HEX #C07F10

RGB 192 127 16

HSL 37.84, 0.85%, 0.41%

LAB 58.44, 17.38, 61.63

 

CMYK 0 / 9 / 92 / 25

HEX #C0AE10

RGB 192 174 16

HSL 53.86, 0.85%, 0.41%

LAB 70.54, -8.02, 70.81

 

CMYK 15 / 0 / 92 / 25

HEX #A3C010

RGB 163 192 16

HSL 69.89, 0.85%, 0.41%

LAB 73.24, -29.53, 71.93

 

CMYK 0 / 34 / 91 / 55

HEX #744D0A

RGB 116 77 10

HSL 37.92, 0.84%, 0.25%

LAB 36.07, 10.92, 41.72

 

CMYK 0 / 33 / 92 / 40

HEX #9A670D

RGB 154 103 13

HSL 38.3, 0.84%, 0.33%

LAB 47.75, 13.66, 52.15

 

CMYK 0 / 33 / 92 / 25

HEX #C08010

RGB 192 128 16

HSL 38.18, 0.85%, 0.41%

LAB 58.68, 16.83, 61.81

 

CMYK 0 / 33 / 91 / 10

HEX #E69A14

RGB 230 154 20

HSL 38.29, 0.84%, 0.49%

LAB 69.46, 19.35, 71.05

 

CMYK 0 / 28 / 77 / 7

HEX #EDAB36

RGB 237 171 54

HSL 38.36, 0.84%, 0.57%

LAB 74.44, 14.2, 65.72

 

CMYK 0 / 33 / 91 / 25

HEX #BF8011

RGB 191 128 17

HSL 38.28, 0.84%, 0.41%

LAB 58.56, 16.41, 61.45

 

CMYK 76 / 0 / 92 / 25

HEX #2EC010

RGB 46 192 16

HSL 109.77, 0.85%, 0.41%

LAB 68.25, -65.42, 65.81

 

CMYK 70 / 92 / 0 / 25

HEX #3910C0

RGB 57 16 192

HSL 253.98, 0.85%, 0.41%

LAB 26.87, 61.72, -80.64

 

CMYK 0 / 33 / 91 / 25

HEX #BF8011

RGB 191 128 17

HSL 38.28, 0.84%, 0.41%

LAB 58.56, 16.41, 61.45

 

CMYK 92 / 0 / 34 / 25

HEX #10C07F

RGB 16 192 127

HSL 157.84, 0.85%, 0.41%

LAB 69, -55.27, 21.73

 

CMYK 34 / 92 / 0 / 25

HEX #7F10C0

RGB 127 16 192

HSL 277.84, 0.85%, 0.41%

LAB 35.38, 68.06, -66.31

 

CMYK 0 / 33 / 91 / 25

HEX #BF8011

RGB 191 128 17

HSL 38.28, 0.84%, 0.41%

LAB 58.56, 16.41, 61.45

 

CMYK 76 / 0 / 92 / 25

HEX #2EC010

RGB 46 192 16

HSL 109.77, 0.85%, 0.41%

LAB 68.25, -65.42, 65.81

 

CMYK 92 / 58 / 0 / 25

HEX #1051C0

RGB 16 81 192

HSL 217.84, 0.85%, 0.41%

LAB 37.48, 24.89, -63.21

 

CMYK 15 / 92 / 0 / 25

HEX #A310C0

RGB 163 16 192

HSL 290.11, 0.85%, 0.41%

LAB 41.16, 73.15, -56.64

 

CMYK 0 / 33 / 91 / 25

HEX #BF8011

RGB 191 128 17

HSL 38.28, 0.84%, 0.41%

LAB 58.56, 16.41, 61.45

 

CMYK 92 / 0 / 79 / 25

HEX #10C028

RGB 16 192 40

HSL 128.18, 0.85%, 0.41%

LAB 67.99, -67.41, 59.98

 

CMYK 92 / 58 / 0 / 25

HEX #1051C0

RGB 16 81 192

HSL 217.84, 0.85%, 0.41%

LAB 37.48, 24.89, -63.21

 

CMYK 0 / 92 / 13 / 25

HEX #C010A8

RGB 192 16 168

HSL 308.18, 0.85%, 0.41%

LAB 44.81, 74.47, -36.34

 

Description

Color code: HEX #BF8011 | qconv.com Color code: HEX #BF8011 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 128 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 128 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 91 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 91% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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