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Color name
HEX #BF7A85

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF7A85 it is the complementary color #40857A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF7A85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF7A85 shade: #C47A80, #D58C93, #E69EA6, #F7B0B9 and #FFC2CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF7A85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF7A85 shade: #BF7A85, #AE6872, #9D565F, #8C444C and #7B3239

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF7A85 shade: #BE7883 and #BE7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF7A85 shade: #BE7883, #BE7896, #BE78A9, #BE78BC and #AD78BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF7A85 shade matches the following richer shades: #BE7883, #CE6878, #DE586D, #EE4862 and #FE3858

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF7A85 shade: #BE7883, #AE888E, #9E9899, #8EA9A4 and #7DB9AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF7A85 shade: #BE78A9, #BE7896, #BE7884, #BE7F78 and #BE9278

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF7A85 shade: #9A4A57, #B05C6A, #BE7883, #CB949D and #D9B0B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF7A85 shade: #BF7A85, #BCBE78 and #78A0BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF7A85 shade: #BF7A85, #84BE78 and #7884BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF7A85 shade: #BF7A85, #BCBE78, #78BEB2 and #7B78BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF7A85 shade: #BF7A85, #A7BE78, #78BEB2 and #8F78BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 30 / 25

HEX #BF7A85

RGB 191 122 133

HSL 350.43, 0.35%, 0.61%

LAB 58.69, 28.36, 5.3

 

Complementary color

CMYK 52 / 0 / 8 / 48

HEX #40857A

RGB 64 133 122

HSL 170.43, 0.35%, 0.39%

LAB 51, -24.65, -0.75

 

CMYK 0 / 38 / 35 / 23

HEX #C47A80

RGB 196 122 128

HSL 355.14, 0.39%, 0.62%

LAB 59.17, 29.6, 8.96

 

CMYK 0 / 34 / 31 / 16

HEX #D58C93

RGB 213 140 147

HSL 354.25, 0.46%, 0.69%

LAB 65.76, 28.7, 7.79

 

CMYK 0 / 31 / 28 / 10

HEX #E69EA6

RGB 230 158 166

HSL 353.33, 0.59%, 0.76%

LAB 72.25, 27.88, 6.74

 

CMYK 0 / 29 / 25 / 3

HEX #F7B0B9

RGB 247 176 185

HSL 352.39, 0.82%, 0.83%

LAB 78.65, 27.13, 5.78

 

CMYK 0 / 24 / 20 / 0

HEX #FFC2CC

RGB 255 194 204

HSL 350.16, 1%, 0.88%

LAB 84.07, 23.25, 3.49

 

CMYK 0 / 36 / 30 / 25

HEX #BF7A85

RGB 191 122 133

HSL 350.43, 0.35%, 0.61%

LAB 58.69, 28.36, 5.3

 

CMYK 0 / 40 / 34 / 32

HEX #AE6872

RGB 174 104 114

HSL 351.43, 0.3%, 0.55%

LAB 51.97, 29.28, 6.49

 

CMYK 0 / 45 / 39 / 38

HEX #9D565F

RGB 157 86 95

HSL 352.39, 0.29%, 0.48%

LAB 45.15, 30.29, 7.88

 

CMYK 0 / 51 / 46 / 45

HEX #8C444C

RGB 140 68 76

HSL 353.33, 0.35%, 0.41%

LAB 38.25, 31.37, 9.55

 

CMYK 0 / 59 / 54 / 52

HEX #7B3239

RGB 123 50 57

HSL 354.25, 0.42%, 0.34%

LAB 31.32, 32.46, 11.67

 

CMYK 0 / 37 / 31 / 25

HEX #BE7883

RGB 190 120 131

HSL 350.57, 0.35%, 0.61%

LAB 58.05, 28.81, 5.53

 

CMYK 0 / 37 / 37 / 25

HEX #BE7878

RGB 190 120 120

HSL 0, 0.35%, 0.61%

LAB 57.79, 27.39, 11.51

 

CMYK 0 / 37 / 31 / 25

HEX #BE7883

RGB 190 120 131

HSL 350.57, 0.35%, 0.61%

LAB 58.05, 28.81, 5.53

 

CMYK 0 / 37 / 21 / 25

HEX #BE7896

RGB 190 120 150

HSL 334.29, 0.35%, 0.61%

LAB 58.59, 31.55, -4.68

 

CMYK 0 / 37 / 11 / 25

HEX #BE78A9

RGB 190 120 169

HSL 318, 0.35%, 0.61%

LAB 59.2, 34.63, -14.7

 

CMYK 0 / 37 / 1 / 25

HEX #BE78BC

RGB 190 120 188

HSL 301.71, 0.35%, 0.61%

LAB 59.9, 38.03, -24.49

 

CMYK 9 / 37 / 0 / 25

HEX #AD78BE

RGB 173 120 190

HSL 285.43, 0.35%, 0.61%

LAB 58.07, 33.02, -28.61

 

CMYK 0 / 37 / 31 / 25

HEX #BE7883

RGB 190 120 131

HSL 350.57, 0.35%, 0.61%

LAB 58.05, 28.81, 5.53

 

CMYK 0 / 50 / 42 / 19

HEX #CE6878

RGB 206 104 120

HSL 350.59, 0.51%, 0.61%

LAB 56.46, 41.87, 9.95

 

CMYK 0 / 60 / 51 / 13

HEX #DE586D

RGB 222 88 109

HSL 350.6, 0.67%, 0.61%

LAB 55.7, 53.97, 15.69

 

CMYK 0 / 70 / 59 / 7

HEX #EE4862

RGB 238 72 98

HSL 350.6, 0.83%, 0.61%

LAB 55.78, 64.62, 22.74

 

CMYK 0 / 78 / 65 / 0

HEX #FE3858

RGB 254 56 88

HSL 350.3, 0.99%, 0.61%

LAB 56.69, 73.62, 30.35

 

CMYK 0 / 37 / 31 / 25

HEX #BE7883

RGB 190 120 131

HSL 350.57, 0.35%, 0.61%

LAB 58.05, 28.81, 5.53

 

CMYK 0 / 22 / 18 / 32

HEX #AE888E

RGB 174 136 142

HSL 350.53, 0.19%, 0.61%

LAB 60.39, 15.43, 2.35

 

CMYK 0 / 4 / 3 / 38

HEX #9E9899

RGB 158 152 153

HSL 350, 0.03%, 0.61%

LAB 63.36, 2.38, 0.25

 

CMYK 16 / 0 / 3 / 34

HEX #8EA9A4

RGB 142 169 164

HSL 168.89, 0.14%, 0.61%

LAB 67.13, -10.33, -0.55

 

CMYK 32 / 0 / 5 / 27

HEX #7DB9AF

RGB 125 185 175

HSL 170, 0.3%, 0.61%

LAB 70.98, -21.55, -1.11

 

CMYK 0 / 37 / 11 / 25

HEX #BE78A9

RGB 190 120 169

HSL 318, 0.35%, 0.61%

LAB 59.2, 34.63, -14.7

 

CMYK 0 / 37 / 21 / 25

HEX #BE7896

RGB 190 120 150

HSL 334.29, 0.35%, 0.61%

LAB 58.59, 31.55, -4.68

 

CMYK 0 / 37 / 31 / 25

HEX #BE7884

RGB 190 120 132

HSL 349.71, 0.35%, 0.61%

LAB 58.08, 28.94, 4.99

 

CMYK 0 / 33 / 37 / 25

HEX #BE7F78

RGB 190 127 120

HSL 6, 0.35%, 0.61%

LAB 59.42, 23.54, 13.79

 

CMYK 0 / 23 / 37 / 25

HEX #BE9278

RGB 190 146 120

HSL 22.29, 0.35%, 0.61%

LAB 64.05, 13.02, 20.17

 

CMYK 0 / 52 / 44 / 40

HEX #9A4A57

RGB 154 74 87

HSL 350.25, 0.35%, 0.45%

LAB 41.93, 34.72, 8.17

 

CMYK 0 / 48 / 40 / 31

HEX #B05C6A

RGB 176 92 106

HSL 350, 0.35%, 0.53%

LAB 49.41, 35.57, 7.64

 

CMYK 0 / 37 / 31 / 25

HEX #BE7883

RGB 190 120 131

HSL 350.57, 0.35%, 0.61%

LAB 58.05, 28.81, 5.53

 

CMYK 0 / 27 / 23 / 20

HEX #CB949D

RGB 203 148 157

HSL 350.18, 0.35%, 0.69%

LAB 66.76, 22.01, 3.46

 

CMYK 0 / 19 / 16 / 15

HEX #D9B0B6

RGB 217 176 182

HSL 351.22, 0.35%, 0.77%

LAB 75.56, 15.8, 2.57

 

CMYK 0 / 36 / 30 / 25

HEX #BF7A85

RGB 191 122 133

HSL 350.43, 0.35%, 0.61%

LAB 58.69, 28.36, 5.3

 

CMYK 1 / 0 / 37 / 25

HEX #BCBE78

RGB 188 190 120

HSL 61.71, 0.35%, 0.61%

LAB 75.37, -11.38, 35.14

 

CMYK 37 / 16 / 0 / 25

HEX #78A0BE

RGB 120 160 190

HSL 205.71, 0.35%, 0.61%

LAB 64.04, -6.05, -19.81

 

CMYK 0 / 36 / 30 / 25

HEX #BF7A85

RGB 191 122 133

HSL 350.43, 0.35%, 0.61%

LAB 58.69, 28.36, 5.3

 

CMYK 31 / 0 / 37 / 25

HEX #84BE78

RGB 132 190 120

HSL 109.71, 0.35%, 0.61%

LAB 71.62, -32.3, 29.52

 

CMYK 37 / 31 / 0 / 25

HEX #7884BE

RGB 120 132 190

HSL 229.71, 0.35%, 0.61%

LAB 56.3, 9.96, -31.73

 

CMYK 0 / 36 / 30 / 25

HEX #BF7A85

RGB 191 122 133

HSL 350.43, 0.35%, 0.61%

LAB 58.69, 28.36, 5.3

 

CMYK 1 / 0 / 37 / 25

HEX #BCBE78

RGB 188 190 120

HSL 61.71, 0.35%, 0.61%

LAB 75.37, -11.38, 35.14

 

CMYK 37 / 0 / 6 / 25

HEX #78BEB2

RGB 120 190 178

HSL 169.71, 0.35%, 0.61%

LAB 72.25, -24.78, -0.92

 

CMYK 35 / 37 / 0 / 25

HEX #7B78BE

RGB 123 120 190

HSL 242.57, 0.35%, 0.61%

LAB 53.34, 17.92, -36.34

 

CMYK 0 / 36 / 30 / 25

HEX #BF7A85

RGB 191 122 133

HSL 350.43, 0.35%, 0.61%

LAB 58.69, 28.36, 5.3

 

CMYK 12 / 0 / 37 / 25

HEX #A7BE78

RGB 167 190 120

HSL 79.71, 0.35%, 0.61%

LAB 73.8, -19.58, 32.8

 

CMYK 37 / 0 / 6 / 25

HEX #78BEB2

RGB 120 190 178

HSL 169.71, 0.35%, 0.61%

LAB 72.25, -24.78, -0.92

 

CMYK 25 / 37 / 0 / 25

HEX #8F78BE

RGB 143 120 190

HSL 259.71, 0.35%, 0.61%

LAB 55.06, 23.75, -33.52

 

Description

Color code: HEX #BF7A85 | qconv.com Color code: HEX #BF7A85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 122 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 122 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 30 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 30% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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