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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF65DB it is the complementary color #409A24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF65DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF65DB shade: #C465D6, #D577E9, #E689FC, #F79BFF and #FFADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF65DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF65DB shade: #BF65DB, #AE53C8, #9D41B5, #8C2FA2 and #7B1D8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF65DB shade: #BF66DB, #DB66D7, #DB66B7, #DB6698 and #DB6678

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF65DB shade: #BF66DB, #9F66DB, #8066DB and #6666DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF65DB shade matches the following richer shades: #BF66DB, #C756EA and #CF47F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF65DB shade: #BF66DB, #B775CB, #AF84BC, #A793AD and #9FA39E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF65DB shade: #7F66DB, #9E66DB, #BD66DB, #DB66D9 and #DB66B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF65DB shade: #9E2DC1, #B144D3, #BF66DB, #CD87E2 and #DBA8EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF65DB shade: #BF65DB, #DB666C and #66DB8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF65DB shade: #BF65DB, #DBBD66 and #66DBBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF65DB shade: #BF65DB, #DB666C, #83DB66 and #66DBD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF65DB shade: #BF65DB, #DB8366, #83DB66 and #66BDDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 54 / 0 / 14

HEX #BF65DB

RGB 191 101 219

HSL 285.76, 0.62%, 0.63%

LAB 57.56, 54.25, -45.7

 

Complementary color

CMYK 58 / 0 / 77 / 40

HEX #409A24

RGB 64 154 36

HSL 105.76, 0.62%, 0.37%

LAB 56.42, -48.15, 50.35

 

CMYK 8 / 53 / 0 / 16

HEX #C465D6

RGB 196 101 214

HSL 290.44, 0.58%, 0.62%

LAB 57.94, 54.6, -42.23

 

CMYK 9 / 49 / 0 / 9

HEX #D577E9

RGB 213 119 233

HSL 289.47, 0.72%, 0.69%

LAB 64.34, 53.93, -42.65

 

CMYK 9 / 46 / 0 / 1

HEX #E689FC

RGB 230 137 252

HSL 288.52, 0.95%, 0.76%

LAB 70.69, 53.2, -42.99

 

CMYK 3 / 39 / 0 / 0

HEX #F79BFF

RGB 247 155 255

HSL 295.2, 1%, 0.8%

LAB 76.34, 49.47, -35.69

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 13 / 54 / 0 / 14

HEX #BF65DB

RGB 191 101 219

HSL 285.76, 0.62%, 0.63%

LAB 57.56, 54.25, -45.7

 

CMYK 13 / 59 / 0 / 22

HEX #AE53C8

RGB 174 83 200

HSL 286.67, 0.52%, 0.55%

LAB 51.1, 54.85, -45.26

 

CMYK 13 / 64 / 0 / 29

HEX #9D41B5

RGB 157 65 181

HSL 287.59, 0.47%, 0.48%

LAB 44.64, 55.25, -44.65

 

CMYK 14 / 71 / 0 / 36

HEX #8C2FA2

RGB 140 47 162

HSL 288.52, 0.55%, 0.41%

LAB 38.23, 55.25, -43.75

 

CMYK 14 / 80 / 0 / 44

HEX #7B1D8F

RGB 123 29 143

HSL 289.47, 0.66%, 0.34%

LAB 31.97, 54.52, -42.37

 

CMYK 13 / 53 / 0 / 14

HEX #BF66DB

RGB 191 102 219

HSL 285.64, 0.62%, 0.63%

LAB 57.75, 53.75, -45.4

 

CMYK 0 / 53 / 2 / 14

HEX #DB66D7

RGB 219 102 215

HSL 302.05, 0.62%, 0.63%

LAB 61.19, 60.49, -37.48

 

CMYK 0 / 53 / 16 / 14

HEX #DB66B7

RGB 219 102 183

HSL 318.46, 0.62%, 0.63%

LAB 59.87, 55.34, -21.36

 

CMYK 0 / 53 / 31 / 14

HEX #DB6698

RGB 219 102 152

HSL 334.36, 0.62%, 0.63%

LAB 58.82, 51.06, -5.07

 

CMYK 0 / 53 / 45 / 14

HEX #DB6678

RGB 219 102 120

HSL 350.77, 0.62%, 0.63%

LAB 57.96, 47.45, 12.33

 

CMYK 13 / 53 / 0 / 14

HEX #BF66DB

RGB 191 102 219

HSL 285.64, 0.62%, 0.63%

LAB 57.75, 53.75, -45.4

 

CMYK 27 / 53 / 0 / 14

HEX #9F66DB

RGB 159 102 219

HSL 269.23, 0.62%, 0.63%

LAB 54.01, 45.45, -51.56

 

CMYK 42 / 53 / 0 / 14

HEX #8066DB

RGB 128 102 219

HSL 253.33, 0.62%, 0.63%

LAB 50.93, 37.91, -56.67

 

CMYK 53 / 53 / 0 / 14

HEX #6666DB

RGB 102 102 219

HSL 240, 0.62%, 0.63%

LAB 48.81, 32.29, -60.18

 

CMYK 13 / 53 / 0 / 14

HEX #BF66DB

RGB 191 102 219

HSL 285.64, 0.62%, 0.63%

LAB 57.75, 53.75, -45.4

 

CMYK 15 / 63 / 0 / 8

HEX #C756EA

RGB 199 86 234

HSL 285.81, 0.78%, 0.63%

LAB 56.82, 66.15, -55.23

 

CMYK 17 / 71 / 0 / 2

HEX #CF47F9

RGB 207 71 249

HSL 285.84, 0.94%, 0.63%

LAB 56.69, 76.6, -63.74

 

CMYK 13 / 53 / 0 / 14

HEX #BF66DB

RGB 191 102 219

HSL 285.64, 0.62%, 0.63%

LAB 57.75, 53.75, -45.4

 

CMYK 10 / 42 / 0 / 20

HEX #B775CB

RGB 183 117 203

HSL 286.05, 0.45%, 0.63%

LAB 59.07, 40.42, -34.36

 

CMYK 7 / 30 / 0 / 26

HEX #AF84BC

RGB 175 132 188

HSL 286.07, 0.29%, 0.63%

LAB 61, 26.51, -22.95

 

CMYK 3 / 15 / 0 / 32

HEX #A793AD

RGB 167 147 173

HSL 286.15, 0.14%, 0.63%

LAB 63.43, 12.28, -10.86

 

CMYK 2 / 0 / 3 / 36

HEX #9FA39E

RGB 159 163 158

HSL 108, 0.03%, 0.63%

LAB 66.55, -2.38, 2.09

 

CMYK 42 / 53 / 0 / 14

HEX #7F66DB

RGB 127 102 219

HSL 252.82, 0.62%, 0.63%

LAB 50.84, 37.68, -56.82

 

CMYK 28 / 53 / 0 / 14

HEX #9E66DB

RGB 158 102 219

HSL 268.72, 0.62%, 0.63%

LAB 53.91, 45.2, -51.74

 

CMYK 14 / 53 / 0 / 14

HEX #BD66DB

RGB 189 102 219

HSL 284.62, 0.62%, 0.63%

LAB 57.5, 53.23, -45.81

 

CMYK 0 / 53 / 1 / 14

HEX #DB66D9

RGB 219 102 217

HSL 301.03, 0.62%, 0.63%

LAB 61.28, 60.83, -38.46

 

CMYK 0 / 53 / 16 / 14

HEX #DB66B9

RGB 219 102 185

HSL 317.44, 0.62%, 0.63%

LAB 59.95, 55.65, -22.39

 

CMYK 18 / 77 / 0 / 24

HEX #9E2DC1

RGB 158 45 193

HSL 285.81, 0.62%, 0.47%

LAB 42.76, 65.66, -54.68

 

CMYK 16 / 68 / 0 / 17

HEX #B144D3

RGB 177 68 211

HSL 285.73, 0.62%, 0.55%

LAB 49.72, 64.41, -53.75

 

CMYK 13 / 53 / 0 / 14

HEX #BF66DB

RGB 191 102 219

HSL 285.64, 0.62%, 0.63%

LAB 57.75, 53.75, -45.4

 

CMYK 9 / 40 / 0 / 11

HEX #CD87E2

RGB 205 135 226

HSL 286.15, 0.61%, 0.71%

LAB 66.37, 41.95, -35.68

 

CMYK 6 / 28 / 0 / 8

HEX #DBA8EA

RGB 219 168 234

HSL 286.36, 0.61%, 0.79%

LAB 75.45, 30.06, -25.92

 

CMYK 13 / 54 / 0 / 14

HEX #BF65DB

RGB 191 101 219

HSL 285.76, 0.62%, 0.63%

LAB 57.56, 54.25, -45.7

 

CMYK 0 / 53 / 51 / 14

HEX #DB666C

RGB 219 102 108

HSL 356.92, 0.62%, 0.63%

LAB 57.7, 46.33, 18.94

 

CMYK 53 / 0 / 35 / 14

HEX #66DB8F

RGB 102 219 143

HSL 141.03, 0.62%, 0.63%

LAB 79.31, -49.84, 27.58

 

CMYK 13 / 54 / 0 / 14

HEX #BF65DB

RGB 191 101 219

HSL 285.76, 0.62%, 0.63%

LAB 57.56, 54.25, -45.7

 

CMYK 0 / 14 / 53 / 14

HEX #DBBD66

RGB 219 189 102

HSL 44.62, 0.62%, 0.63%

LAB 77.53, -0.02, 47.45

 

CMYK 53 / 0 / 14 / 14

HEX #66DBBD

RGB 102 219 189

HSL 164.62, 0.62%, 0.63%

LAB 80.27, -40.28, 4.73

 

CMYK 13 / 54 / 0 / 14

HEX #BF65DB

RGB 191 101 219

HSL 285.76, 0.62%, 0.63%

LAB 57.56, 54.25, -45.7

 

CMYK 0 / 53 / 51 / 14

HEX #DB666C

RGB 219 102 108

HSL 356.92, 0.62%, 0.63%

LAB 57.7, 46.33, 18.94

 

CMYK 40 / 0 / 53 / 14

HEX #83DB66

RGB 131 219 102

HSL 105.13, 0.62%, 0.63%

LAB 79.87, -47.85, 48.81

 

CMYK 53 / 0 / 3 / 14

HEX #66DBD5

RGB 102 219 213

HSL 176.92, 0.62%, 0.63%

LAB 80.9, -34.37, -7.13

 

CMYK 13 / 54 / 0 / 14

HEX #BF65DB

RGB 191 101 219

HSL 285.76, 0.62%, 0.63%

LAB 57.56, 54.25, -45.7

 

CMYK 0 / 40 / 53 / 14

HEX #DB8366

RGB 219 131 102

HSL 14.87, 0.62%, 0.63%

LAB 63.55, 30.95, 30.1

 

CMYK 40 / 0 / 53 / 14

HEX #83DB66

RGB 131 219 102

HSL 105.13, 0.62%, 0.63%

LAB 79.87, -47.85, 48.81

 

CMYK 53 / 14 / 0 / 14

HEX #66BDDB

RGB 102 189 219

HSL 195.38, 0.62%, 0.63%

LAB 72.45, -17.95, -23.06

 

Description

Color code: HEX #BF65DB | qconv.com Color code: HEX #BF65DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 101 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 101 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 54 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 54% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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