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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF6526 it is the complementary color #409AD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF6526. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF6526 shade: #C46521, #D57734, #E68947, #F79B5A and #FFAD6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF6526. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF6526 shade: #BF6526, #AE5313, #9D4100, #8C2F00 and #7B1D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF6526 shade: #BF6525, #BF3B25 and #BF2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF6526 shade: #BF6525, #BF8E25, #BFB825, #9DBF25 and #74BF25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF6526 shade matches the following richer shades: #BF6525, #D26113 and #E45E00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF6526 shade: #BF6525, #AD6838, #9A6B4B, #876F5D and #757270

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF6526 shade: #BF253A, #BF3A25, #BF6325, #BF8C25 and #BFB525

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF6526 shade: #7A4018, #9D531F, #BF6525, #D77937 and #DE9059

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF6526 shade: #BF6526, #63BF25 and #2525BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF6526 shade: #BF6526, #25BF63 and #6325BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF6526 shade: #BF6526, #63BF25, #2582BF and #8225BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF6526 shade: #BF6526, #35BF25, #2582BF and #B025BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 80 / 25

HEX #BF6526

RGB 191 101 38

HSL 24.71, 0.67%, 0.45%

LAB 52.42, 31.67, 49.35

 

Complementary color

CMYK 71 / 29 / 0 / 15

HEX #409AD9

RGB 64 154 217

HSL 204.71, 0.67%, 0.55%

LAB 60.97, -6.37, -39.83

 

CMYK 0 / 48 / 83 / 23

HEX #C46521

RGB 196 101 33

HSL 25.03, 0.71%, 0.45%

LAB 53.12, 33.56, 52.34

 

CMYK 0 / 44 / 76 / 16

HEX #D57734

RGB 213 119 52

HSL 24.97, 0.66%, 0.52%

LAB 59.51, 31.72, 51.05

 

CMYK 0 / 40 / 69 / 10

HEX #E68947

RGB 230 137 71

HSL 24.91, 0.76%, 0.59%

LAB 65.88, 30.06, 49.46

 

CMYK 0 / 37 / 64 / 3

HEX #F79B5A

RGB 247 155 90

HSL 24.84, 0.91%, 0.66%

LAB 72.2, 28.58, 47.82

 

CMYK 0 / 32 / 57 / 0

HEX #FFAD6D

RGB 255 173 109

HSL 26.3, 1%, 0.71%

LAB 77.43, 23.67, 44.72

 

CMYK 0 / 47 / 80 / 25

HEX #BF6526

RGB 191 101 38

HSL 24.71, 0.67%, 0.45%

LAB 52.42, 31.67, 49.35

 

CMYK 0 / 52 / 89 / 32

HEX #AE5313

RGB 174 83 19

HSL 24.77, 0.8%, 0.38%

LAB 45.95, 33.63, 50.22

 

CMYK 0 / 59 / 100 / 38

HEX #9D4100

RGB 157 65 0

HSL 24.84, 1%, 0.31%

LAB 39.49, 35.69, 50.19

 

CMYK 0 / 66 / 100 / 45

HEX #8C2F00

RGB 140 47 0

HSL 20.14, 1%, 0.27%

LAB 33.15, 37.78, 45.08

 

CMYK 0 / 76 / 100 / 52

HEX #7B1D00

RGB 123 29 0

HSL 14.15, 1%, 0.24%

LAB 26.99, 39.24, 38.97

 

CMYK 0 / 47 / 81 / 25

HEX #BF6525

RGB 191 101 37

HSL 24.94, 0.68%, 0.45%

LAB 52.42, 31.63, 49.77

 

CMYK 0 / 69 / 81 / 25

HEX #BF3B25

RGB 191 59 37

HSL 8.57, 0.68%, 0.45%

LAB 44.71, 51.6, 42.42

 

CMYK 0 / 81 / 81 / 25

HEX #BF2525

RGB 191 37 37

HSL 0, 0.68%, 0.45%

LAB 42.05, 59, 39.79

 

CMYK 0 / 47 / 81 / 25

HEX #BF6525

RGB 191 101 37

HSL 24.94, 0.68%, 0.45%

LAB 52.42, 31.63, 49.77

 

CMYK 0 / 26 / 81 / 25

HEX #BF8E25

RGB 191 142 37

HSL 40.91, 0.68%, 0.45%

LAB 62.13, 9.22, 58.65

 

CMYK 0 / 4 / 81 / 25

HEX #BFB825

RGB 191 184 37

HSL 57.27, 0.68%, 0.45%

LAB 73.21, -13.12, 68.42

 

CMYK 18 / 0 / 81 / 25

HEX #9DBF25

RGB 157 191 37

HSL 73.25, 0.68%, 0.45%

LAB 72.6, -30.95, 66.89

 

CMYK 39 / 0 / 81 / 25

HEX #74BF25

RGB 116 191 37

HSL 89.22, 0.68%, 0.45%

LAB 70.25, -46.51, 63.89

 

CMYK 0 / 47 / 81 / 25

HEX #BF6525

RGB 191 101 37

HSL 24.94, 0.68%, 0.45%

LAB 52.42, 31.63, 49.77

 

CMYK 0 / 54 / 91 / 18

HEX #D26113

RGB 210 97 19

HSL 24.5, 0.83%, 0.45%

LAB 54.34, 40.87, 59

 

CMYK 0 / 59 / 100 / 11

HEX #E45E00

RGB 228 94 0

HSL 24.74, 1%, 0.45%

LAB 56.58, 48.89, 65.89

 

CMYK 0 / 47 / 81 / 25

HEX #BF6525

RGB 191 101 37

HSL 24.94, 0.68%, 0.45%

LAB 52.42, 31.63, 49.77

 

CMYK 0 / 40 / 68 / 32

HEX #AD6838

RGB 173 104 56

HSL 24.62, 0.51%, 0.45%

LAB 50.77, 23.32, 38.11

 

CMYK 0 / 31 / 51 / 40

HEX #9A6B4B

RGB 154 107 75

HSL 24.3, 0.34%, 0.45%

LAB 49.37, 14.92, 25.37

 

CMYK 0 / 18 / 31 / 47

HEX #876F5D

RGB 135 111 93

HSL 25.71, 0.18%, 0.45%

LAB 48.65, 6.61, 13.57

 

CMYK 0 / 3 / 4 / 54

HEX #757270

RGB 117 114 112

HSL 24, 0.02%, 0.45%

LAB 48.24, 0.76, 1.51

 

CMYK 0 / 81 / 70 / 25

HEX #BF253A

RGB 191 37 58

HSL 351.82, 0.68%, 0.45%

LAB 42.32, 59.82, 27.76

 

CMYK 0 / 70 / 81 / 25

HEX #BF3A25

RGB 191 58 37

HSL 8.18, 0.68%, 0.45%

LAB 44.57, 52, 42.27

 

CMYK 0 / 48 / 81 / 25

HEX #BF6325

RGB 191 99 37

HSL 24.16, 0.68%, 0.45%

LAB 51.99, 32.69, 49.37

 

CMYK 0 / 27 / 81 / 25

HEX #BF8C25

RGB 191 140 37

HSL 40.13, 0.68%, 0.45%

LAB 61.62, 10.31, 58.2

 

CMYK 0 / 5 / 81 / 25

HEX #BFB525

RGB 191 181 37

HSL 56.1, 0.68%, 0.45%

LAB 72.4, -11.59, 67.71

 

CMYK 0 / 48 / 80 / 52

HEX #7A4018

RGB 122 64 24

HSL 24.49, 0.67%, 0.29%

LAB 33.71, 21.96, 34.25

 

CMYK 0 / 47 / 80 / 38

HEX #9D531F

RGB 157 83 31

HSL 24.76, 0.67%, 0.37%

LAB 43.44, 26.86, 42.18

 

CMYK 0 / 47 / 81 / 25

HEX #BF6525

RGB 191 101 37

HSL 24.94, 0.68%, 0.45%

LAB 52.42, 31.63, 49.77

 

CMYK 0 / 44 / 74 / 16

HEX #D77937

RGB 215 121 55

HSL 24.75, 0.67%, 0.53%

LAB 60.25, 31.61, 50.5

 

CMYK 0 / 35 / 60 / 13

HEX #DE9059

RGB 222 144 89

HSL 24.81, 0.67%, 0.61%

LAB 66.67, 24.2, 41.04

 

CMYK 0 / 47 / 80 / 25

HEX #BF6526

RGB 191 101 38

HSL 24.71, 0.67%, 0.45%

LAB 52.42, 31.67, 49.35

 

CMYK 48 / 0 / 81 / 25

HEX #63BF25

RGB 99 191 37

HSL 95.84, 0.68%, 0.45%

LAB 69.5, -52.04, 62.93

 

CMYK 81 / 81 / 0 / 25

HEX #2525BF

RGB 37 37 191

HSL 240, 0.68%, 0.45%

LAB 28.06, 52.49, -78.11

 

CMYK 0 / 47 / 80 / 25

HEX #BF6526

RGB 191 101 38

HSL 24.71, 0.67%, 0.45%

LAB 52.42, 31.67, 49.35

 

CMYK 81 / 0 / 48 / 25

HEX #25BF63

RGB 37 191 99

HSL 144.16, 0.68%, 0.45%

LAB 68.43, -58.58, 35.59

 

CMYK 48 / 81 / 0 / 25

HEX #6325BF

RGB 99 37 191

HSL 264.16, 0.68%, 0.45%

LAB 33.43, 58.4, -69.06

 

CMYK 0 / 47 / 80 / 25

HEX #BF6526

RGB 191 101 38

HSL 24.71, 0.67%, 0.45%

LAB 52.42, 31.67, 49.35

 

CMYK 48 / 0 / 81 / 25

HEX #63BF25

RGB 99 191 37

HSL 95.84, 0.68%, 0.45%

LAB 69.5, -52.04, 62.93

 

CMYK 81 / 32 / 0 / 25

HEX #2582BF

RGB 37 130 191

HSL 203.77, 0.68%, 0.45%

LAB 51.97, -5.06, -39.35

 

CMYK 32 / 81 / 0 / 25

HEX #8225BF

RGB 130 37 191

HSL 276.23, 0.68%, 0.45%

LAB 37.54, 62.98, -62.17

 

CMYK 0 / 47 / 80 / 25

HEX #BF6526

RGB 191 101 38

HSL 24.71, 0.67%, 0.45%

LAB 52.42, 31.67, 49.35

 

CMYK 72 / 0 / 81 / 25

HEX #35BF25

RGB 53 191 37

HSL 113.77, 0.68%, 0.45%

LAB 68.13, -63.11, 61.16

 

CMYK 81 / 32 / 0 / 25

HEX #2582BF

RGB 37 130 191

HSL 203.77, 0.68%, 0.45%

LAB 51.97, -5.06, -39.35

 

CMYK 8 / 81 / 0 / 25

HEX #B025BF

RGB 176 37 191

HSL 294.16, 0.68%, 0.45%

LAB 44.68, 71.02, -50.27

 

Description

Color code: HEX #BF6526 | qconv.com Color code: HEX #BF6526 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 101 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 101 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 80 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 80% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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