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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF5F3F it is the complementary color #40A0C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF5F3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF5F3F shade: #C45F3A, #D5714D, #E68360, #F79573 and #FFA786

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF5F3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF5F3F shade: #BF5F3F, #AE4D2C, #9D3B19, #8C2906 and #7B1700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF5F3F shade: #BF5F3F and #BF3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF5F3F shade: #BF5F3F, #BF823F, #BFA43F, #B7BF3F and #95BF3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF5F3F shade matches the following richer shades: #BF5F3F, #D3552B, #E84A16 and #FD4001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF5F3F shade: #BF5F3F, #AA6954, #957469, #817E7D and #6C8892

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF5F3F shade: #BF3F63, #BF3F41, #BF5F3F, #BF813F and #BFA33F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF5F3F shade: #81402B, #A05035, #BF5F3F, #C9795E and #D3937D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF5F3F shade: #BF5F3F, #85BF3F and #3F52BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF5F3F shade: #BF5F3F, #3FBF5F and #5F3FBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF5F3F shade: #BF5F3F, #85BF3F, #3F9FBF and #793FBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF5F3F shade: #BF5F3F, #5FBF3F, #3F9FBF and #9F3FBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 67 / 25

HEX #BF5F3F

RGB 191 95 63

HSL 15, 0.5%, 0.5%

LAB 51.4, 36, 35.74

 

Complementary color

CMYK 67 / 17 / 0 / 25

HEX #40A0C0

RGB 64 160 192

HSL 195, 0.5%, 0.5%

LAB 61.69, -17.95, -24.75

 

CMYK 0 / 52 / 70 / 23

HEX #C45F3A

RGB 196 95 58

HSL 16.09, 0.54%, 0.5%

LAB 52.09, 37.69, 39.43

 

CMYK 0 / 47 / 64 / 16

HEX #D5714D

RGB 213 113 77

HSL 15.88, 0.62%, 0.57%

LAB 58.5, 36.18, 37.3

 

CMYK 0 / 43 / 58 / 10

HEX #E68360

RGB 230 131 96

HSL 15.67, 0.73%, 0.64%

LAB 64.88, 34.79, 35.36

 

CMYK 0 / 40 / 53 / 3

HEX #F79573

RGB 247 149 115

HSL 15.45, 0.89%, 0.71%

LAB 71.22, 33.52, 33.6

 

CMYK 0 / 35 / 47 / 0

HEX #FFA786

RGB 255 167 134

HSL 16.36, 1%, 0.76%

LAB 76.45, 28.91, 30.42

 

CMYK 0 / 50 / 67 / 25

HEX #BF5F3F

RGB 191 95 63

HSL 15, 0.5%, 0.5%

LAB 51.4, 36, 35.74

 

CMYK 0 / 56 / 75 / 32

HEX #AE4D2C

RGB 174 77 44

HSL 15.23, 0.6%, 0.43%

LAB 44.93, 37.56, 38.03

 

CMYK 0 / 62 / 84 / 38

HEX #9D3B19

RGB 157 59 25

HSL 15.45, 0.73%, 0.36%

LAB 38.49, 39.14, 40.35

 

CMYK 0 / 71 / 96 / 45

HEX #8C2906

RGB 140 41 6

HSL 15.67, 0.92%, 0.29%

LAB 32.2, 40.54, 42.02

 

CMYK 0 / 81 / 100 / 52

HEX #7B1700

RGB 123 23 0

HSL 11.22, 1%, 0.24%

LAB 26.23, 41.36, 38.29

 

CMYK 0 / 50 / 67 / 25

HEX #BF5F3F

RGB 191 95 63

HSL 15, 0.5%, 0.5%

LAB 51.4, 36, 35.74

 

CMYK 0 / 67 / 67 / 25

HEX #BF3F3F

RGB 191 63 63

HSL 0, 0.5%, 0.5%

LAB 45.62, 51.13, 28.8

 

CMYK 0 / 50 / 67 / 25

HEX #BF5F3F

RGB 191 95 63

HSL 15, 0.5%, 0.5%

LAB 51.4, 36, 35.74

 

CMYK 0 / 32 / 67 / 25

HEX #BF823F

RGB 191 130 63

HSL 31.41, 0.5%, 0.5%

LAB 59.34, 17.05, 44.79

 

CMYK 0 / 14 / 67 / 25

HEX #BFA43F

RGB 191 164 63

HSL 47.34, 0.5%, 0.5%

LAB 68.01, -1.5, 54.15

 

CMYK 4 / 0 / 67 / 25

HEX #B7BF3F

RGB 183 191 63

HSL 63.75, 0.5%, 0.5%

LAB 74.63, -18.91, 60.77

 

CMYK 22 / 0 / 67 / 25

HEX #95BF3F

RGB 149 191 63

HSL 79.69, 0.5%, 0.5%

LAB 72.24, -32.77, 57.55

 

CMYK 0 / 50 / 67 / 25

HEX #BF5F3F

RGB 191 95 63

HSL 15, 0.5%, 0.5%

LAB 51.4, 36, 35.74

 

CMYK 0 / 60 / 80 / 17

HEX #D3552B

RGB 211 85 43

HSL 15, 0.66%, 0.5%

LAB 52.42, 47.58, 48.13

 

CMYK 0 / 68 / 91 / 9

HEX #E84A16

RGB 232 74 22

HSL 14.86, 0.83%, 0.5%

LAB 54.14, 58.99, 59.63

 

CMYK 0 / 75 / 100 / 1

HEX #FD4001

RGB 253 64 1

HSL 15, 0.99%, 0.5%

LAB 56.64, 68.8, 68.12

 

CMYK 0 / 50 / 67 / 25

HEX #BF5F3F

RGB 191 95 63

HSL 15, 0.5%, 0.5%

LAB 51.4, 36, 35.74

 

CMYK 0 / 38 / 51 / 33

HEX #AA6954

RGB 170 105 84

HSL 14.65, 0.34%, 0.5%

LAB 51.02, 23.71, 22.73

 

CMYK 0 / 22 / 30 / 42

HEX #957469

RGB 149 116 105

HSL 15, 0.17%, 0.5%

LAB 51.72, 11.26, 11.03

 

CMYK 0 / 2 / 3 / 49

HEX #817E7D

RGB 129 126 125

HSL 15, 0.02%, 0.5%

LAB 53.03, 0.94, 0.94

 

CMYK 26 / 7 / 0 / 43

HEX #6C8892

RGB 108 136 146

HSL 195.79, 0.15%, 0.5%

LAB 54.94, -7.51, -8.62

 

CMYK 0 / 67 / 48 / 25

HEX #BF3F63

RGB 191 63 99

HSL 343.13, 0.5%, 0.5%

LAB 46.35, 53.78, 7.88

 

CMYK 0 / 67 / 66 / 25

HEX #BF3F41

RGB 191 63 65

HSL 359.06, 0.5%, 0.5%

LAB 45.65, 51.24, 27.64

 

CMYK 0 / 50 / 67 / 25

HEX #BF5F3F

RGB 191 95 63

HSL 15, 0.5%, 0.5%

LAB 51.4, 36, 35.74

 

CMYK 0 / 32 / 67 / 25

HEX #BF813F

RGB 191 129 63

HSL 30.94, 0.5%, 0.5%

LAB 59.1, 17.61, 44.52

 

CMYK 0 / 15 / 67 / 25

HEX #BFA33F

RGB 191 163 63

HSL 46.88, 0.5%, 0.5%

LAB 67.75, -0.96, 53.87

 

CMYK 0 / 50 / 67 / 49

HEX #81402B

RGB 129 64 43

HSL 14.65, 0.5%, 0.34%

LAB 35.02, 26.11, 25.41

 

CMYK 0 / 50 / 67 / 37

HEX #A05035

RGB 160 80 53

HSL 15.14, 0.5%, 0.42%

LAB 43.46, 30.88, 30.81

 

CMYK 0 / 50 / 67 / 25

HEX #BF5F3F

RGB 191 95 63

HSL 15, 0.5%, 0.5%

LAB 51.4, 36, 35.74

 

CMYK 0 / 40 / 53 / 21

HEX #C9795E

RGB 201 121 94

HSL 15.14, 0.5%, 0.58%

LAB 58.88, 28.46, 28.05

 

CMYK 0 / 30 / 41 / 17

HEX #D3937D

RGB 211 147 125

HSL 15.35, 0.49%, 0.66%

LAB 66.67, 21.45, 21.34

 

CMYK 0 / 50 / 67 / 25

HEX #BF5F3F

RGB 191 95 63

HSL 15, 0.5%, 0.5%

LAB 51.4, 36, 35.74

 

CMYK 30 / 0 / 67 / 25

HEX #85BF3F

RGB 133 191 63

HSL 87.19, 0.5%, 0.5%

LAB 71.29, -38.86, 56.27

 

CMYK 67 / 57 / 0 / 25

HEX #3F52BF

RGB 63 82 191

HSL 231.09, 0.5%, 0.5%

LAB 39.33, 28.49, -59.54

 

CMYK 0 / 50 / 67 / 25

HEX #BF5F3F

RGB 191 95 63

HSL 15, 0.5%, 0.5%

LAB 51.4, 36, 35.74

 

CMYK 67 / 0 / 50 / 25

HEX #3FBF5F

RGB 63 191 95

HSL 135, 0.5%, 0.5%

LAB 68.86, -55.33, 38.22

 

CMYK 50 / 67 / 0 / 25

HEX #5F3FBF

RGB 95 63 191

HSL 255, 0.5%, 0.5%

LAB 37.39, 45.38, -62.59

 

CMYK 0 / 50 / 67 / 25

HEX #BF5F3F

RGB 191 95 63

HSL 15, 0.5%, 0.5%

LAB 51.4, 36, 35.74

 

CMYK 30 / 0 / 67 / 25

HEX #85BF3F

RGB 133 191 63

HSL 87.19, 0.5%, 0.5%

LAB 71.29, -38.86, 56.27

 

CMYK 67 / 17 / 0 / 25

HEX #3F9FBF

RGB 63 159 191

HSL 195, 0.5%, 0.5%

LAB 61.32, -17.9, -24.75

 

CMYK 37 / 67 / 0 / 25

HEX #793FBF

RGB 121 63 191

HSL 267.19, 0.5%, 0.5%

LAB 40.22, 50.39, -57.87

 

CMYK 0 / 50 / 67 / 25

HEX #BF5F3F

RGB 191 95 63

HSL 15, 0.5%, 0.5%

LAB 51.4, 36, 35.74

 

CMYK 50 / 0 / 67 / 25

HEX #5FBF3F

RGB 95 191 63

HSL 105, 0.5%, 0.5%

LAB 69.51, -51.46, 53.84

 

CMYK 67 / 17 / 0 / 25

HEX #3F9FBF

RGB 63 159 191

HSL 195, 0.5%, 0.5%

LAB 61.32, -17.9, -24.75

 

CMYK 17 / 67 / 0 / 25

HEX #9F3FBF

RGB 159 63 191

HSL 285, 0.5%, 0.5%

LAB 45.2, 58.59, -49.58

 

Description

Color code: HEX #BF5F3F | qconv.com Color code: HEX #BF5F3F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 95 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 95 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 67 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 67% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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