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Color name
HEX #BF5B47

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF5B47 it is the complementary color #40A4B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF5B47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF5B47 shade: #C45B42, #D56D55, #E67F68, #F7917B and #FFA38E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF5B47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF5B47 shade: #BF5B47, #AE4934, #9D3721, #8C250E and #7B1300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF5B47 shade: #BE5A46 and #BE4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF5B47 shade: #BE5A46, #BE7A46, #BE9A46, #BEBB46 and #A0BE46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF5B47 shade matches the following richer shades: #BE5A46, #D24C31, #E63F1D and #FA3109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF5B47 shade: #BE5A46, #A9675A, #95756E, #818282 and #6D8F96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF5B47 shade: #BE4672, #BE4652, #BE5A46, #BE7A46 and #BE9A46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF5B47 shade: #833C2E, #A14A38, #BE5A46, #C87564 and #D39083

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF5B47 shade: #BF5B47, #92BE46 and #4662BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF5B47 shade: #BF5B47, #46BE5A and #5A46BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF5B47 shade: #BF5B47, #92BE46, #46AABE and #7246BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF5B47 shade: #BF5B47, #6EBE46, #46AABE and #9646BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 63 / 25

HEX #BF5B47

RGB 191 91 71

HSL 10, 0.48%, 0.51%

LAB 50.7, 38.57, 30.4

 

Complementary color

CMYK 65 / 11 / 0 / 28

HEX #40A4B8

RGB 64 164 184

HSL 190, 0.48%, 0.49%

LAB 62.59, -22.55, -18.88

 

CMYK 0 / 54 / 66 / 23

HEX #C45B42

RGB 196 91 66

HSL 11.54, 0.52%, 0.51%

LAB 51.39, 40.16, 34.25

 

CMYK 0 / 49 / 60 / 16

HEX #D56D55

RGB 213 109 85

HSL 11.25, 0.6%, 0.58%

LAB 57.79, 38.78, 32.03

 

CMYK 0 / 45 / 55 / 10

HEX #E67F68

RGB 230 127 104

HSL 10.95, 0.72%, 0.65%

LAB 64.16, 37.48, 30.06

 

CMYK 0 / 41 / 50 / 3

HEX #F7917B

RGB 247 145 123

HSL 10.65, 0.89%, 0.73%

LAB 70.49, 36.27, 28.32

 

CMYK 0 / 36 / 44 / 0

HEX #FFA38E

RGB 255 163 142

HSL 11.15, 1%, 0.78%

LAB 75.7, 31.77, 25.13

 

CMYK 0 / 52 / 63 / 25

HEX #BF5B47

RGB 191 91 71

HSL 10, 0.48%, 0.51%

LAB 50.7, 38.57, 30.4

 

CMYK 0 / 58 / 70 / 32

HEX #AE4934

RGB 174 73 52

HSL 10.33, 0.54%, 0.44%

LAB 44.25, 39.95, 32.86

 

CMYK 0 / 65 / 79 / 38

HEX #9D3721

RGB 157 55 33

HSL 10.65, 0.65%, 0.37%

LAB 37.86, 41.28, 35.63

 

CMYK 0 / 74 / 90 / 45

HEX #8C250E

RGB 140 37 14

HSL 10.95, 0.82%, 0.3%

LAB 31.65, 42.32, 38.35

 

CMYK 0 / 85 / 100 / 52

HEX #7B1300

RGB 123 19 0

HSL 9.27, 1%, 0.24%

LAB 25.79, 42.58, 37.89

 

CMYK 0 / 53 / 63 / 25

HEX #BE5A46

RGB 190 90 70

HSL 10, 0.48%, 0.51%

LAB 50.34, 38.63, 30.49

 

CMYK 0 / 63 / 63 / 25

HEX #BE4646

RGB 190 70 70

HSL 0, 0.48%, 0.51%

LAB 46.67, 48.21, 25.9

 

CMYK 0 / 53 / 63 / 25

HEX #BE5A46

RGB 190 90 70

HSL 10, 0.48%, 0.51%

LAB 50.34, 38.63, 30.49

 

CMYK 0 / 36 / 63 / 25

HEX #BE7A46

RGB 190 122 70

HSL 26, 0.48%, 0.51%

LAB 57.37, 21.49, 38.95

 

CMYK 0 / 19 / 63 / 25

HEX #BE9A46

RGB 190 154 70

HSL 42, 0.48%, 0.51%

LAB 65.36, 3.89, 48.07

 

CMYK 0 / 2 / 63 / 25

HEX #BEBB46

RGB 190 187 70

HSL 58.5, 0.48%, 0.51%

LAB 74.14, -13.52, 57.6

 

CMYK 16 / 0 / 63 / 25

HEX #A0BE46

RGB 160 190 70

HSL 75, 0.48%, 0.51%

LAB 72.72, -27.43, 55.41

 

CMYK 0 / 53 / 63 / 25

HEX #BE5A46

RGB 190 90 70

HSL 10, 0.48%, 0.51%

LAB 50.34, 38.63, 30.49

 

CMYK 0 / 64 / 77 / 18

HEX #D24C31

RGB 210 76 49

HSL 10.06, 0.64%, 0.51%

LAB 50.79, 51.45, 43.43

 

CMYK 0 / 73 / 87 / 10

HEX #E63F1D

RGB 230 63 29

HSL 10.15, 0.8%, 0.51%

LAB 52.36, 62.46, 55.59

 

CMYK 0 / 80 / 96 / 2

HEX #FA3109

RGB 250 49 9

HSL 9.96, 0.96%, 0.51%

LAB 54.6, 72.18, 65.09

 

CMYK 0 / 53 / 63 / 25

HEX #BE5A46

RGB 190 90 70

HSL 10, 0.48%, 0.51%

LAB 50.34, 38.63, 30.49

 

CMYK 0 / 39 / 47 / 34

HEX #A9675A

RGB 169 103 90

HSL 9.87, 0.31%, 0.51%

LAB 50.54, 25.03, 18.57

 

CMYK 0 / 21 / 26 / 42

HEX #95756E

RGB 149 117 110

HSL 10.77, 0.16%, 0.51%

LAB 52.11, 11.43, 8.64

 

CMYK 1 / 0 / 0 / 49

HEX #818282

RGB 129 130 130

HSL 180, 0%, 0.51%

LAB 54.29, -0.37, -0.14

 

CMYK 27 / 5 / 0 / 41

HEX #6D8F96

RGB 109 143 150

HSL 190.24, 0.16%, 0.51%

LAB 57.17, -10.11, -7.58

 

CMYK 0 / 63 / 40 / 25

HEX #BE4672

RGB 190 70 114

HSL 338, 0.48%, 0.51%

LAB 47.68, 52.01, 0.6

 

CMYK 0 / 63 / 57 / 25

HEX #BE4652

RGB 190 70 82

HSL 354, 0.48%, 0.51%

LAB 46.89, 49.06, 18.98

 

CMYK 0 / 53 / 63 / 25

HEX #BE5A46

RGB 190 90 70

HSL 10, 0.48%, 0.51%

LAB 50.34, 38.63, 30.49

 

CMYK 0 / 36 / 63 / 25

HEX #BE7A46

RGB 190 122 70

HSL 26, 0.48%, 0.51%

LAB 57.37, 21.49, 38.95

 

CMYK 0 / 19 / 63 / 25

HEX #BE9A46

RGB 190 154 70

HSL 42, 0.48%, 0.51%

LAB 65.36, 3.89, 48.07

 

CMYK 0 / 54 / 65 / 49

HEX #833C2E

RGB 131 60 46

HSL 9.88, 0.48%, 0.35%

LAB 34.51, 29.38, 23.05

 

CMYK 0 / 54 / 65 / 37

HEX #A14A38

RGB 161 74 56

HSL 10.29, 0.48%, 0.43%

LAB 42.4, 34.67, 27.83

 

CMYK 0 / 53 / 63 / 25

HEX #BE5A46

RGB 190 90 70

HSL 10, 0.48%, 0.51%

LAB 50.34, 38.63, 30.49

 

CMYK 0 / 42 / 50 / 22

HEX #C87564

RGB 200 117 100

HSL 10.2, 0.48%, 0.59%

LAB 57.96, 30.76, 23.44

 

CMYK 0 / 32 / 38 / 17

HEX #D39083

RGB 211 144 131

HSL 9.75, 0.48%, 0.67%

LAB 66.09, 23.77, 17.2

 

CMYK 0 / 52 / 63 / 25

HEX #BF5B47

RGB 191 91 71

HSL 10, 0.48%, 0.51%

LAB 50.7, 38.57, 30.4

 

CMYK 23 / 0 / 63 / 25

HEX #92BE46

RGB 146 190 70

HSL 82, 0.48%, 0.51%

LAB 71.81, -32.95, 54.16

 

CMYK 63 / 48 / 0 / 25

HEX #4662BE

RGB 70 98 190

HSL 226, 0.48%, 0.51%

LAB 43.88, 19.05, -51.59

 

CMYK 0 / 52 / 63 / 25

HEX #BF5B47

RGB 191 91 71

HSL 10, 0.48%, 0.51%

LAB 50.7, 38.57, 30.4

 

CMYK 63 / 0 / 53 / 25

HEX #46BE5A

RGB 70 190 90

HSL 130, 0.48%, 0.51%

LAB 68.65, -54.29, 40.47

 

CMYK 53 / 63 / 0 / 25

HEX #5A46BE

RGB 90 70 190

HSL 250, 0.48%, 0.51%

LAB 38.33, 40.18, -60.5

 

CMYK 0 / 52 / 63 / 25

HEX #BF5B47

RGB 191 91 71

HSL 10, 0.48%, 0.51%

LAB 50.7, 38.57, 30.4

 

CMYK 23 / 0 / 63 / 25

HEX #92BE46

RGB 146 190 70

HSL 82, 0.48%, 0.51%

LAB 71.81, -32.95, 54.16

 

CMYK 63 / 11 / 0 / 25

HEX #46AABE

RGB 70 170 190

HSL 190, 0.48%, 0.51%

LAB 64.78, -22.8, -18.89

 

CMYK 40 / 63 / 0 / 25

HEX #7246BE

RGB 114 70 190

HSL 262, 0.48%, 0.51%

LAB 40.7, 44.99, -56.55

 

CMYK 0 / 52 / 63 / 25

HEX #BF5B47

RGB 191 91 71

HSL 10, 0.48%, 0.51%

LAB 50.7, 38.57, 30.4

 

CMYK 42 / 0 / 63 / 25

HEX #6EBE46

RGB 110 190 70

HSL 100, 0.48%, 0.51%

LAB 69.88, -45.82, 51.5

 

CMYK 63 / 11 / 0 / 25

HEX #46AABE

RGB 70 170 190

HSL 190, 0.48%, 0.51%

LAB 64.78, -22.8, -18.89

 

CMYK 21 / 63 / 0 / 25

HEX #9646BE

RGB 150 70 190

HSL 280, 0.48%, 0.51%

LAB 45.06, 53.13, -49.3

 

Description

Color code: HEX #BF5B47 | qconv.com Color code: HEX #BF5B47 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 91 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 91 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 63 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 63% 25% C M Y K

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Provide designers and agencies with accurate color values.

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