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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF5AF6 it is the complementary color #40A509. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF5AF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF5AF6 shade: #C45AF1, #D56CFF, #E67EFF, #F790FF and #FFA2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF5AF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF5AF6 shade: #BF5AF6, #AE48E3, #9D36D0, #8C24BD and #7B12AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF5AF6 shade: #BF5AF6, #E95AF6, #F65AD9, #F65AAF and #F65A85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF5AF6 shade: #BF5AF6, #955AF6, #6B5AF6 and #5A5AF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF5AF6 shade matches the following richer shades: #BF5AF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF5AF6 shade: #BF5AF6, #BB68E8, #B776DA, #B284CC and #AE92BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF5AF6 shade: #695AF6, #935AF6, #BD5AF6, #E65AF6 and #F65ADC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF5AF6 shade: #A00CF1, #B033F4, #BF5AF6, #CE81F8 and #DDA8FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF5AF6 shade: #BF5AF6, #F65A74 and #5AF67E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF5AF6 shade: #BF5AF6, #F6BD5A and #5AF6BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF5AF6 shade: #BF5AF6, #F65A74, #93F65A and #5AF6DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF5AF6 shade: #BF5AF6, #F66F5A, #93F65A and #5AE1F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 63 / 0 / 4

HEX #BF5AF6

RGB 191 90 246

HSL 278.85, 0.9%, 0.66%

LAB 57.12, 65, -61.51

 

Complementary color

CMYK 61 / 0 / 95 / 35

HEX #40A509

RGB 64 165 9

HSL 98.85, 0.9%, 0.34%

LAB 59.91, -53.32, 60.01

 

CMYK 19 / 63 / 0 / 5

HEX #C45AF1

RGB 196 90 241

HSL 282.12, 0.84%, 0.65%

LAB 57.46, 65.09, -58.14

 

CMYK 16 / 58 / 0 / 0

HEX #D56CFF

RGB 213 108 255

HSL 282.86, 1%, 0.71%

LAB 63.42, 63.59, -56.25

 

CMYK 10 / 51 / 0 / 0

HEX #E67EFF

RGB 230 126 255

HSL 288.37, 1%, 0.75%

LAB 68.73, 59.25, -47.72

 

CMYK 3 / 44 / 0 / 0

HEX #F790FF

RGB 247 144 255

HSL 295.68, 1%, 0.78%

LAB 74.15, 55.03, -39.08

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 22 / 63 / 0 / 4

HEX #BF5AF6

RGB 191 90 246

HSL 278.85, 0.9%, 0.66%

LAB 57.12, 65, -61.51

 

CMYK 23 / 68 / 0 / 11

HEX #AE48E3

RGB 174 72 227

HSL 279.48, 0.73%, 0.59%

LAB 50.9, 65.33, -60.98

 

CMYK 25 / 74 / 0 / 18

HEX #9D36D0

RGB 157 54 208

HSL 280.13, 0.62%, 0.51%

LAB 44.75, 65.26, -60.18

 

CMYK 26 / 81 / 0 / 26

HEX #8C24BD

RGB 140 36 189

HSL 280.78, 0.68%, 0.44%

LAB 38.74, 64.52, -58.97

 

CMYK 28 / 89 / 0 / 33

HEX #7B12AA

RGB 123 18 170

HSL 281.45, 0.81%, 0.37%

LAB 33.02, 62.71, -57.11

 

CMYK 22 / 63 / 0 / 4

HEX #BF5AF6

RGB 191 90 246

HSL 278.85, 0.9%, 0.66%

LAB 57.12, 65, -61.51

 

CMYK 5 / 63 / 0 / 4

HEX #E95AF6

RGB 233 90 246

HSL 295, 0.9%, 0.66%

LAB 62.75, 74.4, -52.19

 

CMYK 0 / 63 / 12 / 4

HEX #F65AD9

RGB 246 90 217

HSL 311.15, 0.9%, 0.66%

LAB 63.27, 72.9, -35.07

 

CMYK 0 / 63 / 29 / 4

HEX #F65AAF

RGB 246 90 175

HSL 327.31, 0.9%, 0.66%

LAB 61.65, 67.29, -13.69

 

CMYK 0 / 63 / 46 / 4

HEX #F65A85

RGB 246 90 133

HSL 343.46, 0.9%, 0.66%

LAB 60.43, 62.85, 8.83

 

CMYK 22 / 63 / 0 / 4

HEX #BF5AF6

RGB 191 90 246

HSL 278.85, 0.9%, 0.66%

LAB 57.12, 65, -61.51

 

CMYK 39 / 63 / 0 / 4

HEX #955AF6

RGB 149 90 246

HSL 262.69, 0.9%, 0.66%

LAB 52.24, 56.18, -69.63

 

CMYK 57 / 63 / 0 / 4

HEX #6B5AF6

RGB 107 90 246

HSL 246.54, 0.9%, 0.66%

LAB 48.38, 48.56, -76.08

 

CMYK 63 / 63 / 0 / 4

HEX #5A5AF6

RGB 90 90 246

HSL 240, 0.9%, 0.66%

LAB 47.16, 46.01, -78.12

 

CMYK 22 / 63 / 0 / 4

HEX #BF5AF6

RGB 191 90 246

HSL 278.85, 0.9%, 0.66%

LAB 57.12, 65, -61.51

 

CMYK 22 / 63 / 0 / 4

HEX #BF5AF6

RGB 191 90 246

HSL 278.85, 0.9%, 0.66%

LAB 57.12, 65, -61.51

 

CMYK 19 / 55 / 0 / 9

HEX #BB68E8

RGB 187 104 232

HSL 278.91, 0.74%, 0.66%

LAB 58.31, 54.41, -51.82

 

CMYK 16 / 46 / 0 / 15

HEX #B776DA

RGB 183 118 218

HSL 279, 0.57%, 0.66%

LAB 59.97, 43.03, -41.4

 

CMYK 13 / 35 / 0 / 20

HEX #B284CC

RGB 178 132 204

HSL 278.33, 0.41%, 0.66%

LAB 61.94, 30.83, -30.51

 

CMYK 8 / 23 / 0 / 25

HEX #AE92BE

RGB 174 146 190

HSL 278.18, 0.25%, 0.66%

LAB 64.38, 18.7, -18.92

 

CMYK 57 / 63 / 0 / 4

HEX #695AF6

RGB 105 90 246

HSL 245.77, 0.9%, 0.66%

LAB 48.22, 48.24, -76.33

 

CMYK 40 / 63 / 0 / 4

HEX #935AF6

RGB 147 90 246

HSL 261.92, 0.9%, 0.66%

LAB 52.03, 55.78, -69.97

 

CMYK 23 / 63 / 0 / 4

HEX #BD5AF6

RGB 189 90 246

HSL 278.08, 0.9%, 0.66%

LAB 56.87, 64.57, -61.93

 

CMYK 7 / 63 / 0 / 4

HEX #E65AF6

RGB 230 90 246

HSL 293.85, 0.9%, 0.66%

LAB 62.33, 73.72, -52.88

 

CMYK 0 / 63 / 11 / 4

HEX #F65ADC

RGB 246 90 220

HSL 310, 0.9%, 0.66%

LAB 63.4, 73.34, -36.55

 

CMYK 34 / 95 / 0 / 5

HEX #A00CF1

RGB 160 12 241

HSL 278.78, 0.91%, 0.5%

LAB 44.36, 82.17, -79.6

 

CMYK 28 / 79 / 0 / 4

HEX #B033F4

RGB 176 51 244

HSL 278.86, 0.9%, 0.58%

LAB 49.65, 76.82, -72.55

 

CMYK 22 / 63 / 0 / 4

HEX #BF5AF6

RGB 191 90 246

HSL 278.85, 0.9%, 0.66%

LAB 57.12, 65, -61.51

 

CMYK 17 / 48 / 0 / 3

HEX #CE81F8

RGB 206 129 248

HSL 278.82, 0.89%, 0.74%

LAB 66.21, 49.93, -48.03

 

CMYK 12 / 33 / 0 / 2

HEX #DDA8FA

RGB 221 168 250

HSL 278.78, 0.89%, 0.82%

LAB 76.24, 33.88, -33.36

 

CMYK 22 / 63 / 0 / 4

HEX #BF5AF6

RGB 191 90 246

HSL 278.85, 0.9%, 0.66%

LAB 57.12, 65, -61.51

 

CMYK 0 / 63 / 53 / 4

HEX #F65A74

RGB 246 90 116

HSL 350, 0.9%, 0.66%

LAB 60.04, 61.41, 18.18

 

CMYK 63 / 0 / 49 / 4

HEX #5AF67E

RGB 90 246 126

HSL 133.85, 0.9%, 0.66%

LAB 86.8, -65.49, 45.64

 

CMYK 22 / 63 / 0 / 4

HEX #BF5AF6

RGB 191 90 246

HSL 278.85, 0.9%, 0.66%

LAB 57.12, 65, -61.51

 

CMYK 0 / 23 / 63 / 4

HEX #F6BD5A

RGB 246 189 90

HSL 38.08, 0.9%, 0.66%

LAB 80.03, 10.32, 56.69

 

CMYK 63 / 0 / 23 / 4

HEX #5AF6BD

RGB 90 246 189

HSL 158.08, 0.9%, 0.66%

LAB 87.85, -54.06, 15.5

 

CMYK 22 / 63 / 0 / 4

HEX #BF5AF6

RGB 191 90 246

HSL 278.85, 0.9%, 0.66%

LAB 57.12, 65, -61.51

 

CMYK 0 / 63 / 53 / 4

HEX #F65A74

RGB 246 90 116

HSL 350, 0.9%, 0.66%

LAB 60.04, 61.41, 18.18

 

CMYK 40 / 0 / 63 / 4

HEX #93F65A

RGB 147 246 90

HSL 98.08, 0.9%, 0.66%

LAB 88.38, -54.98, 63.92

 

CMYK 63 / 0 / 11 / 4

HEX #5AF6DC

RGB 90 246 220

HSL 170, 0.9%, 0.66%

LAB 88.57, -46.85, 0.42

 

CMYK 22 / 63 / 0 / 4

HEX #BF5AF6

RGB 191 90 246

HSL 278.85, 0.9%, 0.66%

LAB 57.12, 65, -61.51

 

CMYK 0 / 55 / 63 / 4

HEX #F66F5A

RGB 246 111 90

HSL 8.08, 0.9%, 0.66%

LAB 63.09, 50.32, 36.91

 

CMYK 40 / 0 / 63 / 4

HEX #93F65A

RGB 147 246 90

HSL 98.08, 0.9%, 0.66%

LAB 88.38, -54.98, 63.92

 

CMYK 63 / 9 / 0 / 4

HEX #5AE1F6

RGB 90 225 246

HSL 188.08, 0.9%, 0.66%

LAB 83.27, -30.35, -21.13

 

Description

Color code: HEX #BF5AF6 | qconv.com Color code: HEX #BF5AF6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 90 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 90 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 63 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 63% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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