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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF504E it is the complementary color #40AFB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF504E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF504E shade: #C45049, #D5625C, #E6746F, #F78682 and #FF9895

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF504E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF504E shade: #BF504E, #AE3E3B, #9D2C28, #8C1A15 and #7B0802

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF504E shade: #BF504E and #BF4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF504E shade: #BF504E, #BF6F4E, #BF8D4E, #BFAB4E and #B4BF4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF504E shade matches the following richer shades: #BF504E, #D23E3B, #E62B28 and #F91814

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF504E shade: #BF504E, #AC6362, #987675, #858888 and #719B9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF504E shade: #BF4E89, #BF4E6A, #BF504E, #BF6E4E and #BF8C4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF504E shade: #8A3331, #A83E3C, #BF504E, #CA6E6D and #D58C8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF504E shade: #BF504E, #A7BF4E and #4E7ABF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF504E shade: #BF504E, #4EBF50 and #504EBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF504E shade: #BF504E, #A7BF4E, #4EBDBF and #674EBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF504E shade: #BF504E, #85BF4E, #4EBDBF and #894EBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 59 / 25

HEX #BF504E

RGB 191 80 78

HSL 1.06, 0.47%, 0.53%

LAB 48.72, 44.5, 23.81

 

Complementary color

CMYK 64 / 1 / 0 / 31

HEX #40AFB1

RGB 64 175 177

HSL 181.06, 0.47%, 0.47%

LAB 65.69, -30.14, -10.3

 

CMYK 0 / 59 / 63 / 23

HEX #C45049

RGB 196 80 73

HSL 3.41, 0.51%, 0.53%

LAB 49.44, 45.95, 27.84

 

CMYK 0 / 54 / 57 / 16

HEX #D5625C

RGB 213 98 92

HSL 2.98, 0.59%, 0.6%

LAB 55.74, 44.81, 25.43

 

CMYK 0 / 50 / 52 / 10

HEX #E6746F

RGB 230 116 111

HSL 2.52, 0.7%, 0.67%

LAB 62.05, 43.65, 23.36

 

CMYK 0 / 46 / 47 / 3

HEX #F78682

RGB 247 134 130

HSL 2.05, 0.88%, 0.74%

LAB 68.34, 42.53, 21.57

 

CMYK 0 / 40 / 42 / 0

HEX #FF9895

RGB 255 152 149

HSL 1.7, 1%, 0.79%

LAB 73.47, 38.18, 18.26

 

CMYK 0 / 58 / 59 / 25

HEX #BF504E

RGB 191 80 78

HSL 1.06, 0.47%, 0.53%

LAB 48.72, 44.5, 23.81

 

CMYK 0 / 64 / 66 / 32

HEX #AE3E3B

RGB 174 62 59

HSL 1.57, 0.49%, 0.46%

LAB 42.4, 45.52, 26.54

 

CMYK 0 / 72 / 75 / 38

HEX #9D2C28

RGB 157 44 40

HSL 2.05, 0.59%, 0.39%

LAB 36.22, 46.24, 29.84

 

CMYK 0 / 81 / 85 / 45

HEX #8C1A15

RGB 140 26 21

HSL 2.52, 0.74%, 0.32%

LAB 30.32, 46.33, 33.67

 

CMYK 0 / 93 / 98 / 52

HEX #7B0802

RGB 123 8 2

HSL 2.98, 0.97%, 0.25%

LAB 24.92, 45.16, 36.25

 

CMYK 0 / 58 / 59 / 25

HEX #BF504E

RGB 191 80 78

HSL 1.06, 0.47%, 0.53%

LAB 48.72, 44.5, 23.81

 

CMYK 0 / 59 / 59 / 25

HEX #BF4E4E

RGB 191 78 78

HSL 0, 0.47%, 0.53%

LAB 48.35, 45.45, 23.34

 

CMYK 0 / 58 / 59 / 25

HEX #BF504E

RGB 191 80 78

HSL 1.06, 0.47%, 0.53%

LAB 48.72, 44.5, 23.81

 

CMYK 0 / 42 / 59 / 25

HEX #BF6F4E

RGB 191 111 78

HSL 17.52, 0.47%, 0.53%

LAB 55.07, 28.51, 31.87

 

CMYK 0 / 26 / 59 / 25

HEX #BF8D4E

RGB 191 141 78

HSL 33.45, 0.47%, 0.53%

LAB 62.23, 12.02, 40.56

 

CMYK 0 / 10 / 59 / 25

HEX #BFAB4E

RGB 191 171 78

HSL 49.38, 0.47%, 0.53%

LAB 70, -4.23, 49.54

 

CMYK 6 / 0 / 59 / 25

HEX #B4BF4E

RGB 180 191 78

HSL 65.84, 0.47%, 0.53%

LAB 74.52, -19.16, 54.33

 

CMYK 0 / 58 / 59 / 25

HEX #BF504E

RGB 191 80 78

HSL 1.06, 0.47%, 0.53%

LAB 48.72, 44.5, 23.81

 

CMYK 0 / 70 / 72 / 18

HEX #D23E3B

RGB 210 62 59

HSL 1.19, 0.63%, 0.53%

LAB 48.84, 57.48, 35.79

 

CMYK 0 / 81 / 83 / 10

HEX #E62B28

RGB 230 43 40

HSL 0.95, 0.79%, 0.53%

LAB 50.34, 68.57, 48.84

 

CMYK 0 / 90 / 92 / 2

HEX #F91814

RGB 249 24 20

HSL 1.05, 0.95%, 0.53%

LAB 52.78, 76.73, 60.97

 

CMYK 0 / 58 / 59 / 25

HEX #BF504E

RGB 191 80 78

HSL 1.06, 0.47%, 0.53%

LAB 48.72, 44.5, 23.81

 

CMYK 0 / 42 / 43 / 33

HEX #AC6362

RGB 172 99 98

HSL 0.81, 0.31%, 0.53%

LAB 50.19, 29.33, 13.43

 

CMYK 0 / 22 / 23 / 40

HEX #987675

RGB 152 118 117

HSL 1.71, 0.15%, 0.53%

LAB 52.86, 13.13, 5.65

 

CMYK 2 / 0 / 0 / 47

HEX #858888

RGB 133 136 136

HSL 180, 0.01%, 0.53%

LAB 56.46, -1.1, -0.39

 

CMYK 28 / 1 / 0 / 39

HEX #719B9C

RGB 113 155 156

HSL 181.4, 0.18%, 0.53%

LAB 61.09, -13.95, -5.15

 

CMYK 0 / 59 / 28 / 25

HEX #BF4E89

RGB 191 78 137

HSL 328.67, 0.47%, 0.53%

LAB 49.9, 51.51, -9.97

 

CMYK 0 / 59 / 45 / 25

HEX #BF4E6A

RGB 191 78 106

HSL 345.13, 0.47%, 0.53%

LAB 48.97, 47.9, 7.33

 

CMYK 0 / 58 / 59 / 25

HEX #BF504E

RGB 191 80 78

HSL 1.06, 0.47%, 0.53%

LAB 48.72, 44.5, 23.81

 

CMYK 0 / 42 / 59 / 25

HEX #BF6E4E

RGB 191 110 78

HSL 16.99, 0.47%, 0.53%

LAB 54.84, 29.06, 31.59

 

CMYK 0 / 27 / 59 / 25

HEX #BF8C4E

RGB 191 140 78

HSL 32.92, 0.47%, 0.53%

LAB 61.98, 12.57, 40.26

 

CMYK 0 / 63 / 64 / 46

HEX #8A3331

RGB 138 51 49

HSL 1.35, 0.48%, 0.37%

LAB 33.97, 36.97, 20.77

 

CMYK 0 / 63 / 64 / 34

HEX #A83E3C

RGB 168 62 60

HSL 1.11, 0.47%, 0.45%

LAB 41.37, 43.46, 24.42

 

CMYK 0 / 58 / 59 / 25

HEX #BF504E

RGB 191 80 78

HSL 1.06, 0.47%, 0.53%

LAB 48.72, 44.5, 23.81

 

CMYK 0 / 46 / 46 / 21

HEX #CA6E6D

RGB 202 110 109

HSL 0.65, 0.47%, 0.61%

LAB 56.89, 36.14, 16.87

 

CMYK 0 / 34 / 35 / 16

HEX #D58C8B

RGB 213 140 139

HSL 0.81, 0.47%, 0.69%

LAB 65.57, 27.68, 12.03

 

CMYK 0 / 58 / 59 / 25

HEX #BF504E

RGB 191 80 78

HSL 1.06, 0.47%, 0.53%

LAB 48.72, 44.5, 23.81

 

CMYK 13 / 0 / 59 / 25

HEX #A7BF4E

RGB 167 191 78

HSL 72.74, 0.47%, 0.53%

LAB 73.56, -24.48, 53

 

CMYK 59 / 36 / 0 / 25

HEX #4E7ABF

RGB 78 122 191

HSL 216.64, 0.47%, 0.53%

LAB 51.04, 5.97, -40.74

 

CMYK 0 / 58 / 59 / 25

HEX #BF504E

RGB 191 80 78

HSL 1.06, 0.47%, 0.53%

LAB 48.72, 44.5, 23.81

 

CMYK 59 / 0 / 58 / 25

HEX #4EBF50

RGB 78 191 80

HSL 121.06, 0.47%, 0.53%

LAB 69.08, -54.17, 45.79

 

CMYK 58 / 59 / 0 / 25

HEX #504EBF

RGB 80 78 191

HSL 241.06, 0.47%, 0.53%

LAB 39.44, 33.84, -59.31

 

CMYK 0 / 58 / 59 / 25

HEX #BF504E

RGB 191 80 78

HSL 1.06, 0.47%, 0.53%

LAB 48.72, 44.5, 23.81

 

CMYK 13 / 0 / 59 / 25

HEX #A7BF4E

RGB 167 191 78

HSL 72.74, 0.47%, 0.53%

LAB 73.56, -24.48, 53

 

CMYK 59 / 1 / 0 / 25

HEX #4EBDBF

RGB 78 189 191

HSL 181.06, 0.47%, 0.53%

LAB 70.72, -30.56, -10.47

 

CMYK 46 / 59 / 0 / 25

HEX #674EBF

RGB 103 78 191

HSL 253.27, 0.47%, 0.53%

LAB 41.37, 38.38, -56.1

 

CMYK 0 / 58 / 59 / 25

HEX #BF504E

RGB 191 80 78

HSL 1.06, 0.47%, 0.53%

LAB 48.72, 44.5, 23.81

 

CMYK 30 / 0 / 59 / 25

HEX #85BF4E

RGB 133 191 78

HSL 90.8, 0.47%, 0.53%

LAB 71.42, -37.59, 50.01

 

CMYK 59 / 1 / 0 / 25

HEX #4EBDBF

RGB 78 189 191

HSL 181.06, 0.47%, 0.53%

LAB 70.72, -30.56, -10.47

 

CMYK 28 / 59 / 0 / 25

HEX #894EBF

RGB 137 78 191

HSL 271.33, 0.47%, 0.53%

LAB 44.98, 46.2, -50.09

 

Description

Color code: HEX #BF504E | qconv.com Color code: HEX #BF504E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 80 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 80 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 59 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 59% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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