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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF4EA6 it is the complementary color #40B159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF4EA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF4EA6 shade: #C44EA1, #D560B4, #E672C7, #F784DA and #FF96ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF4EA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF4EA6 shade: #BF4EA6, #AE3C93, #9D2A80, #8C186D and #7B065A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF4EA6 shade: #BF4EA6, #BF4E88, #BF4E69 and #BF4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF4EA6 shade: #BF4EA6, #BA4EBF, #9B4EBF, #7D4EBF and #5E4EBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF4EA6 shade matches the following richer shades: #BF4EA6, #D23BB1, #E628BC and #F914C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF4EA6 shade: #BF4EA6, #AC629B, #987590, #858886 and #719C7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF4EA6 shade: #9B4EBF, #B94EBF, #BF4EA7, #BF4E89 and #BF4E6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF4EA6 shade: #8A3176, #A83C90, #BF4EA6, #CA6DB5 and #D58BC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF4EA6 shade: #BF4EA6, #BF7D4E and #4EBFAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF4EA6 shade: #BF4EA6, #A7BF4E and #4EA7BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF4EA6 shade: #BF4EA6, #BF7D4E, #4EBF67 and #4E90BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF4EA6 shade: #BF4EA6, #BF9F4E, #4EBF67 and #4E6EBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 13 / 25

HEX #BF4EA6

RGB 191 78 166

HSL 313.27, 0.47%, 0.53%

LAB 51.01, 55.68, -25.47

 

Complementary color

CMYK 64 / 0 / 50 / 31

HEX #40B159

RGB 64 177 89

HSL 133.27, 0.47%, 0.47%

LAB 64.37, -50.81, 35.65

 

CMYK 0 / 60 / 18 / 23

HEX #C44EA1

RGB 196 78 161

HSL 317.8, 0.5%, 0.54%

LAB 51.56, 56.34, -21.62

 

CMYK 0 / 55 / 15 / 16

HEX #D560B4

RGB 213 96 180

HSL 316.92, 0.58%, 0.61%

LAB 57.85, 55.93, -22.8

 

CMYK 0 / 50 / 13 / 10

HEX #E672C7

RGB 230 114 199

HSL 316.03, 0.7%, 0.67%

LAB 64.15, 55.35, -23.77

 

CMYK 0 / 47 / 12 / 3

HEX #F784DA

RGB 247 132 218

HSL 315.13, 0.88%, 0.74%

LAB 70.41, 54.69, -24.6

 

CMYK 0 / 41 / 7 / 0

HEX #FF96ED

RGB 255 150 237

HSL 310.29, 1%, 0.79%

LAB 75.57, 51.26, -27.04

 

CMYK 0 / 59 / 13 / 25

HEX #BF4EA6

RGB 191 78 166

HSL 313.27, 0.47%, 0.53%

LAB 51.01, 55.68, -25.47

 

CMYK 0 / 66 / 16 / 32

HEX #AE3C93

RGB 174 60 147

HSL 314.21, 0.49%, 0.46%

LAB 44.71, 55.81, -24.13

 

CMYK 0 / 73 / 18 / 38

HEX #9D2A80

RGB 157 42 128

HSL 315.13, 0.58%, 0.39%

LAB 38.52, 55.44, -22.36

 

CMYK 0 / 83 / 22 / 45

HEX #8C186D

RGB 140 24 109

HSL 316.03, 0.71%, 0.32%

LAB 32.55, 54.16, -19.93

 

CMYK 0 / 95 / 27 / 52

HEX #7B065A

RGB 123 6 90

HSL 316.92, 0.91%, 0.25%

LAB 26.96, 51.49, -16.53

 

CMYK 0 / 59 / 13 / 25

HEX #BF4EA6

RGB 191 78 166

HSL 313.27, 0.47%, 0.53%

LAB 51.01, 55.68, -25.47

 

CMYK 0 / 59 / 29 / 25

HEX #BF4E88

RGB 191 78 136

HSL 329.2, 0.47%, 0.53%

LAB 49.86, 51.38, -9.43

 

CMYK 0 / 59 / 45 / 25

HEX #BF4E69

RGB 191 78 105

HSL 345.66, 0.47%, 0.53%

LAB 48.94, 47.8, 7.89

 

CMYK 0 / 59 / 59 / 25

HEX #BF4E4E

RGB 191 78 78

HSL 0, 0.47%, 0.53%

LAB 48.35, 45.45, 23.34

 

CMYK 0 / 59 / 13 / 25

HEX #BF4EA6

RGB 191 78 166

HSL 313.27, 0.47%, 0.53%

LAB 51.01, 55.68, -25.47

 

CMYK 3 / 59 / 0 / 25

HEX #BA4EBF

RGB 186 78 191

HSL 297.35, 0.47%, 0.53%

LAB 51.44, 58.52, -39.43

 

CMYK 19 / 59 / 0 / 25

HEX #9B4EBF

RGB 155 78 191

HSL 280.88, 0.47%, 0.53%

LAB 47.21, 50.64, -46.4

 

CMYK 35 / 59 / 0 / 25

HEX #7D4EBF

RGB 125 78 191

HSL 264.96, 0.47%, 0.53%

LAB 43.61, 43.33, -52.37

 

CMYK 51 / 59 / 0 / 25

HEX #5E4EBF

RGB 94 78 191

HSL 248.5, 0.47%, 0.53%

LAB 40.56, 36.51, -57.45

 

CMYK 0 / 59 / 13 / 25

HEX #BF4EA6

RGB 191 78 166

HSL 313.27, 0.47%, 0.53%

LAB 51.01, 55.68, -25.47

 

CMYK 0 / 72 / 16 / 18

HEX #D23BB1

RGB 210 59 177

HSL 313.11, 0.63%, 0.53%

LAB 51.84, 69.6, -30.39

 

CMYK 0 / 83 / 18 / 10

HEX #E628BC

RGB 230 40 188

HSL 313.26, 0.79%, 0.53%

LAB 54, 80.54, -33.18

 

CMYK 0 / 92 / 20 / 2

HEX #F914C7

RGB 249 20 199

HSL 313.1, 0.95%, 0.53%

LAB 56.84, 88.63, -34.83

 

CMYK 0 / 59 / 13 / 25

HEX #BF4EA6

RGB 191 78 166

HSL 313.27, 0.47%, 0.53%

LAB 51.01, 55.68, -25.47

 

CMYK 0 / 43 / 10 / 33

HEX #AC629B

RGB 172 98 155

HSL 313.78, 0.31%, 0.53%

LAB 51.69, 38.11, -18.18

 

CMYK 0 / 23 / 5 / 40

HEX #987590

RGB 152 117 144

HSL 313.71, 0.15%, 0.53%

LAB 53.4, 18.41, -9.38

 

CMYK 2 / 0 / 1 / 47

HEX #858886

RGB 133 136 134

HSL 140, 0.01%, 0.53%

LAB 56.4, -1.5, 0.68

 

CMYK 28 / 0 / 21 / 39

HEX #719C7B

RGB 113 156 123

HSL 133.95, 0.18%, 0.53%

LAB 60.53, -21.62, 12.65

 

CMYK 19 / 59 / 0 / 25

HEX #9B4EBF

RGB 155 78 191

HSL 280.88, 0.47%, 0.53%

LAB 47.21, 50.64, -46.4

 

CMYK 3 / 59 / 0 / 25

HEX #B94EBF

RGB 185 78 191

HSL 296.81, 0.47%, 0.53%

LAB 51.3, 58.26, -39.67

 

CMYK 0 / 59 / 13 / 25

HEX #BF4EA7

RGB 191 78 167

HSL 312.74, 0.47%, 0.53%

LAB 51.05, 55.83, -25.99

 

CMYK 0 / 59 / 28 / 25

HEX #BF4E89

RGB 191 78 137

HSL 328.67, 0.47%, 0.53%

LAB 49.9, 51.51, -9.97

 

CMYK 0 / 59 / 45 / 25

HEX #BF4E6A

RGB 191 78 106

HSL 345.13, 0.47%, 0.53%

LAB 48.97, 47.9, 7.33

 

CMYK 0 / 64 / 14 / 46

HEX #8A3176

RGB 138 49 118

HSL 313.48, 0.48%, 0.37%

LAB 35.81, 45.99, -20.6

 

CMYK 0 / 64 / 14 / 34

HEX #A83C90

RGB 168 60 144

HSL 313.33, 0.47%, 0.45%

LAB 43.61, 53.72, -24.11

 

CMYK 0 / 59 / 13 / 25

HEX #BF4EA6

RGB 191 78 166

HSL 313.27, 0.47%, 0.53%

LAB 51.01, 55.68, -25.47

 

CMYK 0 / 46 / 10 / 21

HEX #CA6DB5

RGB 202 109 181

HSL 313.55, 0.47%, 0.61%

LAB 58.82, 46.39, -22.03

 

CMYK 0 / 35 / 8 / 16

HEX #D58BC5

RGB 213 139 197

HSL 312.97, 0.47%, 0.69%

LAB 67.01, 36.9, -18.48

 

CMYK 0 / 59 / 13 / 25

HEX #BF4EA6

RGB 191 78 166

HSL 313.27, 0.47%, 0.53%

LAB 51.01, 55.68, -25.47

 

CMYK 0 / 35 / 59 / 25

HEX #BF7D4E

RGB 191 125 78

HSL 24.96, 0.47%, 0.53%

LAB 58.31, 20.84, 35.86

 

CMYK 59 / 0 / 11 / 25

HEX #4EBFAA

RGB 78 191 170

HSL 168.85, 0.47%, 0.53%

LAB 70.72, -37.08, 1.03

 

CMYK 0 / 59 / 13 / 25

HEX #BF4EA6

RGB 191 78 166

HSL 313.27, 0.47%, 0.53%

LAB 51.01, 55.68, -25.47

 

CMYK 13 / 0 / 59 / 25

HEX #A7BF4E

RGB 167 191 78

HSL 72.74, 0.47%, 0.53%

LAB 73.56, -24.48, 53

 

CMYK 59 / 13 / 0 / 25

HEX #4EA7BF

RGB 78 167 191

HSL 192.74, 0.47%, 0.53%

LAB 64.18, -19.5, -20.34

 

CMYK 0 / 59 / 13 / 25

HEX #BF4EA6

RGB 191 78 166

HSL 313.27, 0.47%, 0.53%

LAB 51.01, 55.68, -25.47

 

CMYK 0 / 35 / 59 / 25

HEX #BF7D4E

RGB 191 125 78

HSL 24.96, 0.47%, 0.53%

LAB 58.31, 20.84, 35.86

 

CMYK 59 / 0 / 46 / 25

HEX #4EBF67

RGB 78 191 103

HSL 133.27, 0.47%, 0.53%

LAB 69.37, -50.98, 34.94

 

CMYK 59 / 25 / 0 / 25

HEX #4E90BF

RGB 78 144 191

HSL 204.96, 0.47%, 0.53%

LAB 57.39, -6.96, -30.78

 

CMYK 0 / 59 / 13 / 25

HEX #BF4EA6

RGB 191 78 166

HSL 313.27, 0.47%, 0.53%

LAB 51.01, 55.68, -25.47

 

CMYK 0 / 17 / 59 / 25

HEX #BF9F4E

RGB 191 159 78

HSL 43.01, 0.47%, 0.53%

LAB 66.84, 2.19, 45.94

 

CMYK 59 / 0 / 46 / 25

HEX #4EBF67

RGB 78 191 103

HSL 133.27, 0.47%, 0.53%

LAB 69.37, -50.98, 34.94

 

CMYK 59 / 42 / 0 / 25

HEX #4E6EBF

RGB 78 110 191

HSL 223.01, 0.47%, 0.53%

LAB 47.67, 13.35, -46.09

 

Description

Color code: HEX #BF4EA6 | qconv.com Color code: HEX #BF4EA6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 78 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 78 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 13 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 13% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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