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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF44ED it is the complementary color #40BB12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF44ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF44ED shade: #C444E8, #D556FB, #E668FF, #F77AFF and #FF8CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF44ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF44ED shade: #BF44ED, #AE32DA, #9D20C7, #8C0EB4 and #7B00A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF44ED shade: #BF45EC, #EC45EC, #EC45BF, #EC4592 and #EC4565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF44ED shade: #BF45EC, #9245EC, #6445EC and #4545EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF44ED shade matches the following richer shades: #BF45EC and #C634FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF44ED shade: #BF45EC, #B755DC, #B066CB, #A876BB and #A187AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF44ED shade: #6445EC, #9045EC, #BD45EC, #E945EC and #EC45C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF44ED shade: #9914CB, #B21FE8, #BF45EC, #CC6AF0 and #D890F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF44ED shade: #BF44ED, #EC4553 and #45EC7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF44ED shade: #BF44ED, #ECBD45 and #45ECBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF44ED shade: #BF44ED, #EC4553, #74EC45 and #45ECDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF44ED shade: #BF44ED, #EC6945, #74EC45 and #45C8EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 71 / 0 / 7

HEX #BF44ED

RGB 191 68 237

HSL 283.67, 0.82%, 0.6%

LAB 53.3, 72.31, -62.61

 

Complementary color

CMYK 66 / 0 / 90 / 27

HEX #40BB12

RGB 64 187 18

HSL 103.67, 0.82%, 0.4%

LAB 67.03, -60.53, 64.6

 

CMYK 16 / 71 / 0 / 9

HEX #C444E8

RGB 196 68 232

HSL 286.83, 0.78%, 0.59%

LAB 53.7, 72.36, -59.12

 

CMYK 15 / 66 / 0 / 2

HEX #D556FB

RGB 213 86 251

HSL 286.18, 0.95%, 0.66%

LAB 59.68, 72.48, -60.02

 

CMYK 10 / 59 / 0 / 0

HEX #E668FF

RGB 230 104 255

HSL 290.07, 1%, 0.7%

LAB 64.92, 69.47, -53.74

 

CMYK 3 / 52 / 0 / 0

HEX #F77AFF

RGB 247 122 255

HSL 296.39, 1%, 0.74%

LAB 70.12, 65.61, -45.39

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 19 / 71 / 0 / 7

HEX #BF44ED

RGB 191 68 237

HSL 283.67, 0.82%, 0.6%

LAB 53.3, 72.31, -62.61

 

CMYK 20 / 77 / 0 / 15

HEX #AE32DA

RGB 174 50 218

HSL 284.29, 0.69%, 0.53%

LAB 47.42, 71.74, -61.47

 

CMYK 21 / 84 / 0 / 22

HEX #9D20C7

RGB 157 32 199

HSL 284.91, 0.72%, 0.45%

LAB 41.73, 70.38, -59.86

 

CMYK 22 / 92 / 0 / 29

HEX #8C0EB4

RGB 140 14 180

HSL 285.54, 0.86%, 0.38%

LAB 36.34, 67.84, -57.56

 

CMYK 24 / 100 / 0 / 37

HEX #7B00A1

RGB 123 0 161

HSL 285.84, 1%, 0.32%

LAB 31.31, 63.86, -54.46

 

CMYK 19 / 71 / 0 / 7

HEX #BF45EC

RGB 191 69 236

HSL 283.83, 0.81%, 0.6%

LAB 53.37, 71.74, -61.94

 

CMYK 0 / 71 / 0 / 7

HEX #EC45EC

RGB 236 69 236

HSL 300, 0.81%, 0.6%

LAB 60.02, 80.9, -50.94

 

CMYK 0 / 71 / 19 / 7

HEX #EC45BF

RGB 236 69 191

HSL 316.17, 0.81%, 0.6%

LAB 57.9, 74.4, -28.77

 

CMYK 0 / 71 / 38 / 7

HEX #EC4592

RGB 236 69 146

HSL 332.34, 0.81%, 0.6%

LAB 56.25, 69.13, -5.06

 

CMYK 0 / 71 / 57 / 7

HEX #EC4565

RGB 236 69 101

HSL 348.5, 0.81%, 0.6%

LAB 55.1, 65.29, 19.99

 

CMYK 19 / 71 / 0 / 7

HEX #BF45EC

RGB 191 69 236

HSL 283.83, 0.81%, 0.6%

LAB 53.37, 71.74, -61.94

 

CMYK 38 / 71 / 0 / 7

HEX #9245EC

RGB 146 69 236

HSL 267.66, 0.81%, 0.6%

LAB 47.53, 63.27, -71.69

 

CMYK 58 / 71 / 0 / 7

HEX #6445EC

RGB 100 69 236

HSL 251.14, 0.81%, 0.6%

LAB 42.8, 55.98, -79.61

 

CMYK 71 / 71 / 0 / 7

HEX #4545EC

RGB 69 69 236

HSL 240, 0.81%, 0.6%

LAB 40.54, 52.32, -83.41

 

CMYK 19 / 71 / 0 / 7

HEX #BF45EC

RGB 191 69 236

HSL 283.83, 0.81%, 0.6%

LAB 53.37, 71.74, -61.94

 

CMYK 22 / 79 / 0 / 1

HEX #C634FD

RGB 198 52 253

HSL 283.58, 0.98%, 0.6%

LAB 53.55, 81.8, -71.1

 

CMYK 19 / 71 / 0 / 7

HEX #BF45EC

RGB 191 69 236

HSL 283.83, 0.81%, 0.6%

LAB 53.37, 71.74, -61.94

 

CMYK 17 / 61 / 0 / 14

HEX #B755DC

RGB 183 85 220

HSL 283.56, 0.66%, 0.6%

LAB 53.74, 60.13, -52.39

 

CMYK 13 / 50 / 0 / 20

HEX #B066CB

RGB 176 102 203

HSL 283.96, 0.49%, 0.6%

LAB 55.12, 46.42, -40.61

 

CMYK 10 / 37 / 0 / 27

HEX #A876BB

RGB 168 118 187

HSL 283.48, 0.34%, 0.6%

LAB 56.95, 31.94, -28.68

 

CMYK 5 / 21 / 0 / 33

HEX #A187AA

RGB 161 135 170

HSL 284.57, 0.17%, 0.6%

LAB 59.71, 16.4, -14.8

 

CMYK 58 / 71 / 0 / 7

HEX #6445EC

RGB 100 69 236

HSL 251.14, 0.81%, 0.6%

LAB 42.8, 55.98, -79.61

 

CMYK 39 / 71 / 0 / 7

HEX #9045EC

RGB 144 69 236

HSL 266.95, 0.81%, 0.6%

LAB 47.29, 62.91, -72.08

 

CMYK 20 / 71 / 0 / 7

HEX #BD45EC

RGB 189 69 236

HSL 283.11, 0.81%, 0.6%

LAB 53.09, 71.35, -62.41

 

CMYK 1 / 71 / 0 / 7

HEX #E945EC

RGB 233 69 236

HSL 298.92, 0.81%, 0.6%

LAB 59.56, 80.28, -51.7

 

CMYK 0 / 71 / 18 / 7

HEX #EC45C2

RGB 236 69 194

HSL 315.09, 0.81%, 0.6%

LAB 58.02, 74.8, -30.3

 

CMYK 25 / 90 / 0 / 20

HEX #9914CB

RGB 153 20 203

HSL 283.61, 0.82%, 0.44%

LAB 40.55, 73.02, -64.13

 

CMYK 23 / 87 / 0 / 9

HEX #B21FE8

RGB 178 31 232

HSL 283.88, 0.81%, 0.52%

LAB 47.33, 79.92, -69.56

 

CMYK 19 / 71 / 0 / 7

HEX #BF45EC

RGB 191 69 236

HSL 283.83, 0.81%, 0.6%

LAB 53.37, 71.74, -61.94

 

CMYK 15 / 56 / 0 / 6

HEX #CC6AF0

RGB 204 106 240

HSL 283.88, 0.82%, 0.68%

LAB 61.17, 59.34, -51.62

 

CMYK 11 / 41 / 0 / 4

HEX #D890F4

RGB 216 144 244

HSL 283.2, 0.82%, 0.76%

LAB 70.23, 44.02, -39.47

 

CMYK 19 / 71 / 0 / 7

HEX #BF44ED

RGB 191 68 237

HSL 283.67, 0.82%, 0.6%

LAB 53.3, 72.31, -62.61

 

CMYK 0 / 71 / 65 / 7

HEX #EC4553

RGB 236 69 83

HSL 354.97, 0.81%, 0.6%

LAB 54.78, 64.18, 30.17

 

CMYK 71 / 0 / 48 / 7

HEX #45EC7A

RGB 69 236 122

HSL 139.04, 0.81%, 0.6%

LAB 83.26, -66.22, 43.04

 

CMYK 19 / 71 / 0 / 7

HEX #BF44ED

RGB 191 68 237

HSL 283.67, 0.82%, 0.6%

LAB 53.3, 72.31, -62.61

 

CMYK 0 / 20 / 71 / 7

HEX #ECBD45

RGB 236 189 69

HSL 43.11, 0.81%, 0.6%

LAB 78.84, 4.96, 64.19

 

CMYK 71 / 0 / 20 / 7

HEX #45ECBD

RGB 69 236 189

HSL 163.11, 0.81%, 0.6%

LAB 84.45, -53.23, 10.61

 

CMYK 19 / 71 / 0 / 7

HEX #BF44ED

RGB 191 68 237

HSL 283.67, 0.82%, 0.6%

LAB 53.3, 72.31, -62.61

 

CMYK 0 / 71 / 65 / 7

HEX #EC4553

RGB 236 69 83

HSL 354.97, 0.81%, 0.6%

LAB 54.78, 64.18, 30.17

 

CMYK 51 / 0 / 71 / 7

HEX #74EC45

RGB 116 236 69

HSL 103.11, 0.81%, 0.6%

LAB 84.04, -61.97, 66.95

 

CMYK 71 / 0 / 6 / 7

HEX #45ECDE

RGB 69 236 222

HSL 174.97, 0.81%, 0.6%

LAB 85.27, -44.97, -5.53

 

CMYK 19 / 71 / 0 / 7

HEX #BF44ED

RGB 191 68 237

HSL 283.67, 0.82%, 0.6%

LAB 53.3, 72.31, -62.61

 

CMYK 0 / 56 / 71 / 7

HEX #EC6945

RGB 236 105 69

HSL 12.93, 0.81%, 0.6%

LAB 60.22, 48.4, 44.42

 

CMYK 51 / 0 / 71 / 7

HEX #74EC45

RGB 116 236 69

HSL 103.11, 0.81%, 0.6%

LAB 84.04, -61.97, 66.95

 

CMYK 71 / 15 / 0 / 7

HEX #45C8EC

RGB 69 200 236

HSL 192.93, 0.81%, 0.6%

LAB 75.22, -24.05, -28.12

 

Description

Color code: HEX #BF44ED | qconv.com Color code: HEX #BF44ED | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 68 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 68 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 71 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 71% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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