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Color name
HEX #BF26A6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF26A6 it is the complementary color #40D959. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF26A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF26A6 shade: #C426A1, #D538B4, #E64AC7, #F75CDA and #FF6EED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF26A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF26A6 shade: #BF26A6, #AE1493, #9D0280, #8C006D and #7B005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF26A6 shade: #BF25A6, #BF257D, #BF2553, #BF252A and #BF2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF26A6 shade: #BF25A6, #AF25BF, #8525BF, #5C25BF and #3225BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF26A6 shade matches the following richer shades: #BF25A6, #D213B3 and #E400BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF26A6 shade: #BF25A6, #AD389A, #9A4B8D, #875D81 and #757074

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF26A6 shade: #8425BF, #AD25BF, #BF25A8, #BF257F and #BF2556

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF26A6 shade: #7A186A, #9D1F88, #BF25A6, #D737BD and #DE59C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF26A6 shade: #BF26A6, #BF5B25 and #25BF99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF26A6 shade: #BF26A6, #A8BF25 and #25A8BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF26A6 shade: #BF26A6, #BF5B25, #25BF3C and #2589BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF26A6 shade: #BF26A6, #BF8925, #25BF3C and #255BBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 13 / 25

HEX #BF26A6

RGB 191 38 166

HSL 309.8, 0.67%, 0.45%

LAB 45.93, 69.91, -33.4

 

Complementary color

CMYK 71 / 0 / 59 / 15

HEX #40D959

RGB 64 217 89

HSL 129.8, 0.67%, 0.55%

LAB 76.94, -65.06, 50.76

 

CMYK 0 / 81 / 18 / 23

HEX #C426A1

RGB 196 38 161

HSL 313.29, 0.68%, 0.46%

LAB 46.57, 70.31, -29.35

 

CMYK 0 / 74 / 15 / 16

HEX #D538B4

RGB 213 56 180

HSL 312.61, 0.65%, 0.53%

LAB 52.14, 71.68, -31.64

 

CMYK 0 / 68 / 13 / 10

HEX #E64AC7

RGB 230 74 199

HSL 311.92, 0.76%, 0.6%

LAB 57.89, 72.34, -33.44

 

CMYK 0 / 63 / 12 / 3

HEX #F75CDA

RGB 247 92 218

HSL 311.23, 0.91%, 0.66%

LAB 63.75, 72.52, -34.88

 

CMYK 0 / 57 / 7 / 0

HEX #FF6EED

RGB 255 110 237

HSL 307.45, 1%, 0.72%

LAB 68.41, 70.05, -38.11

 

CMYK 0 / 80 / 13 / 25

HEX #BF26A6

RGB 191 38 166

HSL 309.8, 0.67%, 0.45%

LAB 45.93, 69.91, -33.4

 

CMYK 0 / 89 / 16 / 32

HEX #AE1493

RGB 174 20 147

HSL 310.52, 0.79%, 0.38%

LAB 40.58, 67.56, -30.58

 

CMYK 0 / 99 / 18 / 38

HEX #9D0280

RGB 157 2 128

HSL 311.23, 0.97%, 0.31%

LAB 35.54, 64.04, -27.02

 

CMYK 0 / 100 / 22 / 45

HEX #8C006D

RGB 140 0 109

HSL 313.29, 1%, 0.27%

LAB 31.07, 58.49, -22.24

 

CMYK 0 / 100 / 27 / 52

HEX #7B005A

RGB 123 0 90

HSL 316.1, 1%, 0.24%

LAB 26.59, 52.58, -17.11

 

CMYK 0 / 81 / 13 / 25

HEX #BF25A6

RGB 191 37 166

HSL 309.74, 0.68%, 0.45%

LAB 45.84, 70.16, -33.53

 

CMYK 0 / 81 / 35 / 25

HEX #BF257D

RGB 191 37 125

HSL 325.71, 0.68%, 0.45%

LAB 44.06, 65.06, -11.48

 

CMYK 0 / 81 / 57 / 25

HEX #BF2553

RGB 191 37 83

HSL 342.08, 0.68%, 0.45%

LAB 42.8, 61.3, 12.84

 

CMYK 0 / 81 / 78 / 25

HEX #BF252A

RGB 191 37 42

HSL 358.05, 0.68%, 0.45%

LAB 42.1, 59.16, 37.03

 

CMYK 0 / 81 / 81 / 25

HEX #BF2525

RGB 191 37 37

HSL 0, 0.68%, 0.45%

LAB 42.05, 59, 39.79

 

CMYK 0 / 81 / 13 / 25

HEX #BF25A6

RGB 191 37 166

HSL 309.74, 0.68%, 0.45%

LAB 45.84, 70.16, -33.53

 

CMYK 8 / 81 / 0 / 25

HEX #AF25BF

RGB 175 37 191

HSL 293.77, 0.68%, 0.45%

LAB 44.52, 70.83, -50.54

 

CMYK 30 / 81 / 0 / 25

HEX #8525BF

RGB 133 37 191

HSL 277.4, 0.68%, 0.45%

LAB 37.97, 63.46, -61.45

 

CMYK 52 / 81 / 0 / 25

HEX #5C25BF

RGB 92 37 191

HSL 261.43, 0.68%, 0.45%

LAB 32.61, 57.5, -70.43

 

CMYK 74 / 81 / 0 / 25

HEX #3225BF

RGB 50 37 191

HSL 245.06, 0.68%, 0.45%

LAB 28.81, 53.31, -76.85

 

CMYK 0 / 81 / 13 / 25

HEX #BF25A6

RGB 191 37 166

HSL 309.74, 0.68%, 0.45%

LAB 45.84, 70.16, -33.53

 

CMYK 0 / 91 / 15 / 18

HEX #D213B3

RGB 210 19 179

HSL 309.74, 0.83%, 0.45%

LAB 48.79, 78.95, -36.35

 

CMYK 0 / 100 / 16 / 11

HEX #E400BF

RGB 228 0 191

HSL 309.74, 1%, 0.45%

LAB 52.12, 85.37, -37.88

 

CMYK 0 / 81 / 13 / 25

HEX #BF25A6

RGB 191 37 166

HSL 309.74, 0.68%, 0.45%

LAB 45.84, 70.16, -33.53

 

CMYK 0 / 68 / 11 / 32

HEX #AD389A

RGB 173 56 154

HSL 309.74, 0.51%, 0.45%

LAB 44.3, 58.22, -29

 

CMYK 0 / 51 / 8 / 40

HEX #9A4B8D

RGB 154 75 141

HSL 309.87, 0.34%, 0.45%

LAB 43.98, 42.04, -21.89

 

CMYK 0 / 31 / 4 / 47

HEX #875D81

RGB 135 93 129

HSL 308.57, 0.18%, 0.45%

LAB 45.03, 23.36, -13.26

 

CMYK 0 / 4 / 1 / 54

HEX #757074

RGB 117 112 116

HSL 312, 0.02%, 0.45%

LAB 47.79, 2.73, -1.53

 

CMYK 31 / 81 / 0 / 25

HEX #8425BF

RGB 132 37 191

HSL 277.01, 0.68%, 0.45%

LAB 37.82, 63.3, -61.69

 

CMYK 9 / 81 / 0 / 25

HEX #AD25BF

RGB 173 37 191

HSL 292.99, 0.68%, 0.45%

LAB 44.19, 70.46, -51.09

 

CMYK 0 / 81 / 12 / 25

HEX #BF25A8

RGB 191 37 168

HSL 308.96, 0.68%, 0.45%

LAB 45.94, 70.44, -34.56

 

CMYK 0 / 81 / 34 / 25

HEX #BF257F

RGB 191 37 127

HSL 324.94, 0.68%, 0.45%

LAB 44.13, 65.28, -12.6

 

CMYK 0 / 81 / 55 / 25

HEX #BF2556

RGB 191 37 86

HSL 340.91, 0.68%, 0.45%

LAB 42.87, 61.52, 11.05

 

CMYK 0 / 80 / 13 / 52

HEX #7A186A

RGB 122 24 106

HSL 309.8, 0.67%, 0.29%

LAB 28.98, 49.43, -23.83

 

CMYK 0 / 80 / 13 / 38

HEX #9D1F88

RGB 157 31 136

HSL 310, 0.67%, 0.37%

LAB 37.71, 60.02, -28.57

 

CMYK 0 / 81 / 13 / 25

HEX #BF25A6

RGB 191 37 166

HSL 309.74, 0.68%, 0.45%

LAB 45.84, 70.16, -33.53

 

CMYK 0 / 74 / 12 / 16

HEX #D737BD

RGB 215 55 189

HSL 309.75, 0.67%, 0.53%

LAB 52.79, 73.69, -35.84

 

CMYK 0 / 60 / 10 / 13

HEX #DE59C8

RGB 222 89 200

HSL 309.92, 0.67%, 0.61%

LAB 58.83, 64.6, -32.64

 

CMYK 0 / 80 / 13 / 25

HEX #BF26A6

RGB 191 38 166

HSL 309.8, 0.67%, 0.45%

LAB 45.93, 69.91, -33.4

 

CMYK 0 / 52 / 81 / 25

HEX #BF5B25

RGB 191 91 37

HSL 21.04, 0.68%, 0.45%

LAB 50.33, 36.85, 47.81

 

CMYK 81 / 0 / 20 / 25

HEX #25BF99

RGB 37 191 153

HSL 165.19, 0.68%, 0.45%

LAB 69.44, -47.29, 8.34

 

CMYK 0 / 80 / 13 / 25

HEX #BF26A6

RGB 191 38 166

HSL 309.8, 0.67%, 0.45%

LAB 45.93, 69.91, -33.4

 

CMYK 12 / 0 / 81 / 25

HEX #A8BF25

RGB 168 191 37

HSL 68.96, 0.68%, 0.45%

LAB 73.36, -26.42, 67.85

 

CMYK 81 / 12 / 0 / 25

HEX #25A8BF

RGB 37 168 191

HSL 188.96, 0.68%, 0.45%

LAB 63.48, -25.79, -21.5

 

CMYK 0 / 80 / 13 / 25

HEX #BF26A6

RGB 191 38 166

HSL 309.8, 0.67%, 0.45%

LAB 45.93, 69.91, -33.4

 

CMYK 0 / 52 / 81 / 25

HEX #BF5B25

RGB 191 91 37

HSL 21.04, 0.68%, 0.45%

LAB 50.33, 36.85, 47.81

 

CMYK 81 / 0 / 69 / 25

HEX #25BF3C

RGB 37 191 60

HSL 128.96, 0.68%, 0.45%

LAB 68.01, -63.67, 53.01

 

CMYK 81 / 28 / 0 / 25

HEX #2589BF

RGB 37 137 191

HSL 201.04, 0.68%, 0.45%

LAB 54.08, -9.12, -36.05

 

CMYK 0 / 80 / 13 / 25

HEX #BF26A6

RGB 191 38 166

HSL 309.8, 0.67%, 0.45%

LAB 45.93, 69.91, -33.4

 

CMYK 0 / 28 / 81 / 25

HEX #BF8925

RGB 191 137 37

HSL 38.96, 0.68%, 0.45%

LAB 60.87, 11.96, 57.52

 

CMYK 81 / 0 / 69 / 25

HEX #25BF3C

RGB 37 191 60

HSL 128.96, 0.68%, 0.45%

LAB 68.01, -63.67, 53.01

 

CMYK 81 / 52 / 0 / 25

HEX #255BBF

RGB 37 91 191

HSL 218.96, 0.68%, 0.45%

LAB 40.63, 19.37, -57.48

 

Description

Color code: HEX #BF26A6 | qconv.com Color code: HEX #BF26A6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 38 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 38 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 13 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 13% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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