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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF1FFA it is the complementary color #40E005. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF1FFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF1FFA shade: #C41FF5, #D531FF, #E643FF, #F755FF and #FF67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF1FFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF1FFA shade: #BF1FFA, #AE0DE7, #9D00D4, #8C00C1 and #7B00AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF1FFA shade: #BF1EFA, #FA1EFA, #FA1EBE, #FA1E83 and #FA1E48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF1FFA shade: #BF1EFA, #831EFA, #481EFA and #1E1EFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF1FFA shade matches the following richer shades: #BF1EFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF1FFA shade: #BF1EFA, #B630E7, #AD43D5, #A555C2 and #9C68B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF1FFA shade: #461EFA, #811EFA, #BB1EFA, #F61EFA and #FA1EC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF1FFA shade: #8E03C2, #AC04EA, #BF1EFA, #CA46FB and #D66EFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF1FFA shade: #BF1FFA, #FA1E30 and #1EFA63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF1FFA shade: #BF1FFA, #FABB1E and #1EFABB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF1FFA shade: #BF1FFA, #FA1E30, #5CFA1E and #1EFAE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF1FFA shade: #BF1FFA, #FA4D1E, #5CFA1E and #1ECAFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 88 / 0 / 2

HEX #BF1FFA

RGB 191 31 250

HSL 283.84, 0.96%, 0.55%

LAB 50.64, 85.04, -74.21

 

Complementary color

CMYK 71 / 0 / 98 / 12

HEX #40E005

RGB 64 224 5

HSL 103.84, 0.96%, 0.45%

LAB 78.7, -72.37, 75.74

 

CMYK 20 / 87 / 0 / 4

HEX #C41FF5

RGB 196 31 245

HSL 286.26, 0.91%, 0.54%

LAB 51.05, 84.88, -70.71

 

CMYK 16 / 81 / 0 / 0

HEX #D531FF

RGB 213 49 255

HSL 287.77, 1%, 0.6%

LAB 55.65, 85.41, -68.71

 

CMYK 10 / 74 / 0 / 0

HEX #E643FF

RGB 230 67 255

HSL 292.02, 1%, 0.63%

LAB 59.94, 83.41, -61.67

 

CMYK 3 / 67 / 0 / 0

HEX #F755FF

RGB 247 85 255

HSL 297.18, 1%, 0.67%

LAB 64.56, 80.87, -54.16

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 24 / 88 / 0 / 2

HEX #BF1FFA

RGB 191 31 250

HSL 283.84, 0.96%, 0.55%

LAB 50.64, 85.04, -74.21

 

CMYK 25 / 94 / 0 / 9

HEX #AE0DE7

RGB 174 13 231

HSL 284.31, 0.89%, 0.48%

LAB 45.71, 81.92, -71.65

 

CMYK 26 / 100 / 0 / 17

HEX #9D00D4

RGB 157 0 212

HSL 284.43, 1%, 0.42%

LAB 41.09, 77.61, -68.43

 

CMYK 27 / 100 / 0 / 24

HEX #8C00C1

RGB 140 0 193

HSL 283.52, 1%, 0.38%

LAB 36.79, 72.02, -64.5

 

CMYK 29 / 100 / 0 / 32

HEX #7B00AE

RGB 123 0 174

HSL 282.41, 1%, 0.34%

LAB 32.41, 66.32, -60.51

 

CMYK 24 / 88 / 0 / 2

HEX #BF1EFA

RGB 191 30 250

HSL 283.91, 0.96%, 0.55%

LAB 50.58, 85.22, -74.3

 

CMYK 0 / 88 / 0 / 2

HEX #FA1EFA

RGB 250 30 250

HSL 300, 0.96%, 0.55%

LAB 60.03, 94.29, -58.58

 

CMYK 0 / 88 / 24 / 2

HEX #FA1EBE

RGB 250 30 190

HSL 316.36, 0.96%, 0.55%

LAB 57.05, 86.56, -29.32

 

CMYK 0 / 88 / 48 / 2

HEX #FA1E83

RGB 250 30 131

HSL 332.45, 0.96%, 0.55%

LAB 54.96, 80.88, 2.25

 

CMYK 0 / 88 / 71 / 2

HEX #FA1E48

RGB 250 30 72

HSL 348.55, 0.96%, 0.55%

LAB 53.73, 77.41, 35.9

 

CMYK 24 / 88 / 0 / 2

HEX #BF1EFA

RGB 191 30 250

HSL 283.91, 0.96%, 0.55%

LAB 50.58, 85.22, -74.3

 

CMYK 48 / 88 / 0 / 2

HEX #831EFA

RGB 131 30 250

HSL 267.55, 0.96%, 0.55%

LAB 42.24, 77.97, -88.29

 

CMYK 71 / 88 / 0 / 2

HEX #481EFA

RGB 72 30 250

HSL 251.45, 0.96%, 0.55%

LAB 36.38, 73.54, -98.18

 

CMYK 88 / 88 / 0 / 2

HEX #1E1EFA

RGB 30 30 250

HSL 240, 0.96%, 0.55%

LAB 34.2, 72.08, -101.86

 

CMYK 24 / 88 / 0 / 2

HEX #BF1EFA

RGB 191 30 250

HSL 283.91, 0.96%, 0.55%

LAB 50.58, 85.22, -74.3

 

CMYK 24 / 88 / 0 / 2

HEX #BF1EFA

RGB 191 30 250

HSL 283.91, 0.96%, 0.55%

LAB 50.58, 85.22, -74.3

 

CMYK 21 / 79 / 0 / 9

HEX #B630E7

RGB 182 48 231

HSL 283.93, 0.79%, 0.55%

LAB 49.29, 76.19, -65.78

 

CMYK 19 / 69 / 0 / 16

HEX #AD43D5

RGB 173 67 213

HSL 283.56, 0.63%, 0.55%

LAB 49.13, 64.35, -55.86

 

CMYK 15 / 56 / 0 / 24

HEX #A555C2

RGB 165 85 194

HSL 284.04, 0.47%, 0.55%

LAB 49.97, 50.33, -43.68

 

CMYK 11 / 41 / 0 / 31

HEX #9C68B0

RGB 156 104 176

HSL 283.33, 0.31%, 0.55%

LAB 51.95, 33.73, -30.21

 

CMYK 72 / 88 / 0 / 2

HEX #461EFA

RGB 70 30 250

HSL 250.91, 0.96%, 0.55%

LAB 36.24, 73.44, -98.42

 

CMYK 48 / 88 / 0 / 2

HEX #811EFA

RGB 129 30 250

HSL 267, 0.96%, 0.55%

LAB 42, 77.77, -88.7

 

CMYK 25 / 88 / 0 / 2

HEX #BB1EFA

RGB 187 30 250

HSL 282.82, 0.96%, 0.55%

LAB 49.97, 84.67, -75.32

 

CMYK 2 / 88 / 0 / 2

HEX #F61EFA

RGB 246 30 250

HSL 298.91, 0.96%, 0.55%

LAB 59.36, 93.63, -59.68

 

CMYK 0 / 88 / 22 / 2

HEX #FA1EC3

RGB 250 30 195

HSL 315, 0.96%, 0.55%

LAB 57.26, 87.14, -31.87

 

CMYK 27 / 98 / 0 / 24

HEX #8E03C2

RGB 142 3 194

HSL 283.66, 0.97%, 0.39%

LAB 37.32, 72.09, -64.21

 

CMYK 26 / 98 / 0 / 8

HEX #AC04EA

RGB 172 4 234

HSL 283.83, 0.97%, 0.47%

LAB 45.36, 83.03, -73.94

 

CMYK 24 / 88 / 0 / 2

HEX #BF1EFA

RGB 191 30 250

HSL 283.91, 0.96%, 0.55%

LAB 50.58, 85.22, -74.3

 

CMYK 20 / 72 / 0 / 2

HEX #CA46FB

RGB 202 70 251

HSL 283.76, 0.96%, 0.63%

LAB 55.99, 76.37, -66.02

 

CMYK 15 / 56 / 0 / 1

HEX #D66EFC

RGB 214 110 252

HSL 283.94, 0.96%, 0.71%

LAB 63.73, 62.29, -54.09

 

CMYK 24 / 88 / 0 / 2

HEX #BF1FFA

RGB 191 31 250

HSL 283.84, 0.96%, 0.55%

LAB 50.64, 85.04, -74.21

 

CMYK 0 / 88 / 81 / 2

HEX #FA1E30

RGB 250 30 48

HSL 355.09, 0.96%, 0.55%

LAB 53.46, 76.63, 49.05

 

CMYK 88 / 0 / 60 / 2

HEX #1EFA63

RGB 30 250 99

HSL 138.82, 0.96%, 0.55%

LAB 86.77, -78, 57.61

 

CMYK 24 / 88 / 0 / 2

HEX #BF1FFA

RGB 191 31 250

HSL 283.84, 0.96%, 0.55%

LAB 50.64, 85.04, -74.21

 

CMYK 0 / 25 / 88 / 2

HEX #FABB1E

RGB 250 187 30

HSL 42.82, 0.96%, 0.55%

LAB 79.59, 10.68, 77.68

 

CMYK 88 / 0 / 25 / 2

HEX #1EFABB

RGB 30 250 187

HSL 162.82, 0.96%, 0.55%

LAB 88.08, -62.75, 16.72

 

CMYK 24 / 88 / 0 / 2

HEX #BF1FFA

RGB 191 31 250

HSL 283.84, 0.96%, 0.55%

LAB 50.64, 85.04, -74.21

 

CMYK 0 / 88 / 81 / 2

HEX #FA1E30

RGB 250 30 48

HSL 355.09, 0.96%, 0.55%

LAB 53.46, 76.63, 49.05

 

CMYK 63 / 0 / 88 / 2

HEX #5CFA1E

RGB 92 250 30

HSL 103.09, 0.96%, 0.55%

LAB 87.36, -74.5, 80.14

 

CMYK 88 / 0 / 7 / 2

HEX #1EFAE8

RGB 30 250 232

HSL 175.09, 0.96%, 0.55%

LAB 89.15, -51.52, -5.1

 

CMYK 24 / 88 / 0 / 2

HEX #BF1FFA

RGB 191 31 250

HSL 283.84, 0.96%, 0.55%

LAB 50.64, 85.04, -74.21

 

CMYK 0 / 69 / 88 / 2

HEX #FA4D1E

RGB 250 77 30

HSL 12.82, 0.96%, 0.55%

LAB 57.78, 63.78, 60.92

 

CMYK 63 / 0 / 88 / 2

HEX #5CFA1E

RGB 92 250 30

HSL 103.09, 0.96%, 0.55%

LAB 87.36, -74.5, 80.14

 

CMYK 88 / 19 / 0 / 2

HEX #1ECAFA

RGB 30 202 250

HSL 193.09, 0.96%, 0.55%

LAB 75.71, -24.04, -34.93

 

Description

Color code: HEX #BF1FFA | qconv.com Color code: HEX #BF1FFA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 31 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 31 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 88 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 88% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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