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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF1CF8 it is the complementary color #40E307. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF1CF8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF1CF8 shade: #C41CF3, #D52EFF, #E640FF, #F752FF and #FF64FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF1CF8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF1CF8 shade: #BF1CF8, #AE0AE5, #9D00D2, #8C00BF and #7B00AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF1CF8 shade: #BE1BF7, #F71BF5, #F71BBA, #F71B7E and #F71B43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF1CF8 shade: #BE1BF7, #831BF7, #471BF7 and #1B1BF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF1CF8 shade matches the following richer shades: #BE1BF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF1CF8 shade: #BE1BF7, #B52EE4, #AC41D2, #A354BF and #9A67AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF1CF8 shade: #471BF7, #821BF7, #BD1BF7, #F71BF7 and #F71BBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF1CF8 shade: #8C05BB, #AA07E3, #BE1BF7, #CA43F9 and #D56BFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF1CF8 shade: #BF1CF8, #F71B2A and #1BF764

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF1CF8 shade: #BF1CF8, #F7BD1B and #1BF7BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF1CF8 shade: #BF1CF8, #F71B2A, #56F71B and #1BF7E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF1CF8 shade: #BF1CF8, #F74E1B, #56F71B and #1BC4F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 89 / 0 / 3

HEX #BF1CF8

RGB 191 28 248

HSL 284.45, 0.94%, 0.54%

LAB 50.32, 85.21, -73.61

 

Complementary color

CMYK 72 / 0 / 97 / 11

HEX #40E307

RGB 64 227 7

HSL 104.45, 0.94%, 0.46%

LAB 79.64, -73.24, 76.32

 

CMYK 19 / 88 / 0 / 5

HEX #C41CF3

RGB 196 28 243

HSL 286.88, 0.9%, 0.53%

LAB 50.73, 85.05, -70.1

 

CMYK 16 / 82 / 0 / 0

HEX #D52EFF

RGB 213 46 255

HSL 287.94, 1%, 0.59%

LAB 55.4, 86.13, -69.11

 

CMYK 10 / 75 / 0 / 0

HEX #E640FF

RGB 230 64 255

HSL 292.15, 1%, 0.63%

LAB 59.63, 84.32, -62.18

 

CMYK 3 / 68 / 0 / 0

HEX #F752FF

RGB 247 82 255

HSL 297.23, 1%, 0.66%

LAB 64.18, 81.92, -54.75

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 23 / 89 / 0 / 3

HEX #BF1CF8

RGB 191 28 248

HSL 284.45, 0.94%, 0.54%

LAB 50.32, 85.21, -73.61

 

CMYK 24 / 96 / 0 / 10

HEX #AE0AE5

RGB 174 10 229

HSL 284.93, 0.92%, 0.47%

LAB 45.46, 81.86, -70.92

 

CMYK 25 / 100 / 0 / 18

HEX #9D00D2

RGB 157 0 210

HSL 284.86, 1%, 0.41%

LAB 40.93, 77.25, -67.53

 

CMYK 27 / 100 / 0 / 25

HEX #8C00BF

RGB 140 0 191

HSL 283.98, 1%, 0.37%

LAB 36.63, 71.64, -63.59

 

CMYK 28 / 100 / 0 / 33

HEX #7B00AC

RGB 123 0 172

HSL 282.91, 1%, 0.34%

LAB 32.23, 65.94, -59.59

 

CMYK 23 / 89 / 0 / 3

HEX #BE1BF7

RGB 190 27 247

HSL 284.45, 0.93%, 0.54%

LAB 50.03, 85.05, -73.52

 

CMYK 0 / 89 / 1 / 3

HEX #F71BF5

RGB 247 27 245

HSL 300.55, 0.93%, 0.54%

LAB 59.11, 93.47, -57.29

 

CMYK 0 / 89 / 25 / 3

HEX #F71BBA

RGB 247 27 186

HSL 316.64, 0.93%, 0.54%

LAB 56.19, 85.93, -28.38

 

CMYK 0 / 89 / 49 / 3

HEX #F71B7E

RGB 247 27 126

HSL 333, 0.93%, 0.54%

LAB 54.1, 80.26, 3.93

 

CMYK 0 / 89 / 73 / 3

HEX #F71B43

RGB 247 27 67

HSL 349.09, 0.93%, 0.54%

LAB 52.91, 76.93, 37.71

 

CMYK 23 / 89 / 0 / 3

HEX #BE1BF7

RGB 190 27 247

HSL 284.45, 0.93%, 0.54%

LAB 50.03, 85.05, -73.52

 

CMYK 47 / 89 / 0 / 3

HEX #831BF7

RGB 131 27 247

HSL 268.36, 0.93%, 0.54%

LAB 41.73, 77.98, -87.45

 

CMYK 71 / 89 / 0 / 3

HEX #471BF7

RGB 71 27 247

HSL 252, 0.93%, 0.54%

LAB 35.67, 73.57, -97.67

 

CMYK 89 / 89 / 0 / 3

HEX #1B1BF7

RGB 27 27 247

HSL 240, 0.93%, 0.54%

LAB 33.42, 72.15, -101.48

 

CMYK 23 / 89 / 0 / 3

HEX #BE1BF7

RGB 190 27 247

HSL 284.45, 0.93%, 0.54%

LAB 50.03, 85.05, -73.52

 

CMYK 23 / 89 / 0 / 3

HEX #BE1BF7

RGB 190 27 247

HSL 284.45, 0.93%, 0.54%

LAB 50.03, 85.05, -73.52

 

CMYK 21 / 80 / 0 / 11

HEX #B52EE4

RGB 181 46 228

HSL 284.51, 0.77%, 0.54%

LAB 48.73, 76.04, -64.99

 

CMYK 18 / 69 / 0 / 18

HEX #AC41D2

RGB 172 65 210

HSL 284.28, 0.62%, 0.54%

LAB 48.52, 64.36, -55.14

 

CMYK 15 / 56 / 0 / 25

HEX #A354BF

RGB 163 84 191

HSL 284.3, 0.46%, 0.54%

LAB 49.36, 49.69, -42.92

 

CMYK 10 / 40 / 0 / 33

HEX #9A67AC

RGB 154 103 172

HSL 284.35, 0.29%, 0.54%

LAB 51.32, 32.81, -28.88

 

CMYK 71 / 89 / 0 / 3

HEX #471BF7

RGB 71 27 247

HSL 252, 0.93%, 0.54%

LAB 35.67, 73.57, -97.67

 

CMYK 47 / 89 / 0 / 3

HEX #821BF7

RGB 130 27 247

HSL 268.09, 0.93%, 0.54%

LAB 41.6, 77.89, -87.66

 

CMYK 23 / 89 / 0 / 3

HEX #BD1BF7

RGB 189 27 247

HSL 284.18, 0.93%, 0.54%

LAB 49.88, 84.92, -73.78

 

CMYK 0 / 89 / 0 / 3

HEX #F71BF7

RGB 247 27 247

HSL 300, 0.93%, 0.54%

LAB 59.23, 93.76, -58.23

 

CMYK 0 / 89 / 23 / 3

HEX #F71BBD

RGB 247 27 189

HSL 315.82, 0.93%, 0.54%

LAB 56.32, 86.27, -29.91

 

CMYK 25 / 97 / 0 / 27

HEX #8C05BB

RGB 140 5 187

HSL 284.51, 0.95%, 0.38%

LAB 36.5, 70.29, -61.44

 

CMYK 25 / 97 / 0 / 11

HEX #AA07E3

RGB 170 7 227

HSL 284.45, 0.94%, 0.46%

LAB 44.58, 81.26, -71.24

 

CMYK 23 / 89 / 0 / 3

HEX #BE1BF7

RGB 190 27 247

HSL 284.45, 0.93%, 0.54%

LAB 50.03, 85.05, -73.52

 

CMYK 19 / 73 / 0 / 2

HEX #CA43F9

RGB 202 67 249

HSL 284.51, 0.94%, 0.62%

LAB 55.49, 77.05, -65.71

 

CMYK 15 / 57 / 0 / 2

HEX #D56BFA

RGB 213 107 250

HSL 284.48, 0.93%, 0.7%

LAB 62.98, 63.07, -54.2

 

CMYK 23 / 89 / 0 / 3

HEX #BF1CF8

RGB 191 28 248

HSL 284.45, 0.94%, 0.54%

LAB 50.32, 85.21, -73.61

 

CMYK 0 / 89 / 83 / 3

HEX #F71B2A

RGB 247 27 42

HSL 355.91, 0.93%, 0.54%

LAB 52.65, 76.18, 51.18

 

CMYK 89 / 0 / 60 / 3

HEX #1BF764

RGB 27 247 100

HSL 139.91, 0.93%, 0.54%

LAB 85.84, -77.17, 56.1

 

CMYK 23 / 89 / 0 / 3

HEX #BF1CF8

RGB 191 28 248

HSL 284.45, 0.94%, 0.54%

LAB 50.32, 85.21, -73.61

 

CMYK 0 / 23 / 89 / 3

HEX #F7BD1B

RGB 247 189 27

HSL 44.18, 0.93%, 0.54%

LAB 79.76, 8.3, 78.29

 

CMYK 89 / 0 / 23 / 3

HEX #1BF7BD

RGB 27 247 189

HSL 164.18, 0.93%, 0.54%

LAB 87.21, -61.32, 14.45

 

CMYK 23 / 89 / 0 / 3

HEX #BF1CF8

RGB 191 28 248

HSL 284.45, 0.94%, 0.54%

LAB 50.32, 85.21, -73.61

 

CMYK 0 / 89 / 83 / 3

HEX #F71B2A

RGB 247 27 42

HSL 355.91, 0.93%, 0.54%

LAB 52.65, 76.18, 51.18

 

CMYK 65 / 0 / 89 / 3

HEX #56F71B

RGB 86 247 27

HSL 103.91, 0.93%, 0.54%

LAB 86.3, -74.87, 79.67

 

CMYK 89 / 0 / 6 / 3

HEX #1BF7E9

RGB 27 247 233

HSL 176.18, 0.93%, 0.54%

LAB 88.27, -50.13, -6.91

 

CMYK 23 / 89 / 0 / 3

HEX #BF1CF8

RGB 191 28 248

HSL 284.45, 0.94%, 0.54%

LAB 50.32, 85.21, -73.61

 

CMYK 0 / 68 / 89 / 3

HEX #F74E1B

RGB 247 78 27

HSL 13.91, 0.93%, 0.54%

LAB 57.37, 62.41, 61.46

 

CMYK 65 / 0 / 89 / 3

HEX #56F71B

RGB 86 247 27

HSL 103.91, 0.93%, 0.54%

LAB 86.3, -74.87, 79.67

 

CMYK 89 / 21 / 0 / 3

HEX #1BC4F7

RGB 27 196 247

HSL 193.91, 0.93%, 0.54%

LAB 73.82, -22.15, -36.25

 

Description

Color code: HEX #BF1CF8 | qconv.com Color code: HEX #BF1CF8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 28 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 28 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 89 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 89% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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