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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEF2D5 it is the complementary color #410D2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEF2D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEF2D5 shade: #C3F2D0, #D4FFE3, #E5FFF6 and #F6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEF2D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEF2D5 shade: #BEF2D5, #ADE0C2, #9CCEAF, #8BBC9C and #7AAA89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEF2D5 shade: #BFF2D5, #BFF2C7, #C4F2BF, #D1F2BF and #DFF2BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEF2D5 shade: #BFF2D5, #BFF2E3, #BFF2F1, #BFE5F2 and #BFD7F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEF2D5 shade matches the following richer shades: #BFF2D5, #B8F8D5 and #B2FED4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEF2D5 shade: #BFF2D5, #C5ECD6, #CBE5D7, #D1DFD7 and #D7D9D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEF2D5 shade: #C4F2BF, #BFF2C7, #BFF2D5, #BFF2E3 and #BFF2F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEF2D5 shade: #7AE4A9, #9CEBBF, #BFF2D5 and #E1F9EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEF2D5 shade: #BEF2D5, #BFD1F2 and #F2C0BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEF2D5 shade: #BEF2D5, #D5BFF2 and #F2D5BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEF2D5 shade: #BEF2D5, #BFD1F2, #F2BFDC and #F2DFBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEF2D5 shade: #BEF2D5, #BFC2F2, #F2BFDC and #F2EEBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 12 / 5

HEX #BEF2D5

RGB 190 242 213

HSL 146.54, 0.67%, 0.85%

LAB 91.35, -22.2, 8.6

 

Complementary color

CMYK 0 / 80 / 35 / 75

HEX #410D2A

RGB 65 13 42

HSL 326.54, 0.67%, 0.15%

LAB 13.1, 27.91, -5.52

 

CMYK 19 / 0 / 14 / 5

HEX #C3F2D0

RGB 195 242 208

HSL 136.6, 0.64%, 0.86%

LAB 91.53, -21.54, 11.49

 

CMYK 17 / 0 / 11 / 0

HEX #D4FFE3

RGB 212 255 227

HSL 140.93, 1%, 0.92%

LAB 96.44, -18.98, 8.84

 

CMYK 10 / 0 / 4 / 0

HEX #E5FFF6

RGB 229 255 246

HSL 159.23, 1%, 0.95%

LAB 97.97, -10.06, 1.42

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 21 / 0 / 12 / 5

HEX #BEF2D5

RGB 190 242 213

HSL 146.54, 0.67%, 0.85%

LAB 91.35, -22.2, 8.6

 

CMYK 23 / 0 / 13 / 12

HEX #ADE0C2

RGB 173 224 194

HSL 144.71, 0.45%, 0.78%

LAB 85.04, -22.37, 9.36

 

CMYK 24 / 0 / 15 / 19

HEX #9CCEAF

RGB 156 206 175

HSL 142.8, 0.34%, 0.71%

LAB 78.64, -22.55, 10.17

 

CMYK 26 / 0 / 17 / 26

HEX #8BBC9C

RGB 139 188 156

HSL 140.82, 0.27%, 0.64%

LAB 72.13, -22.76, 11.03

 

CMYK 28 / 0 / 19 / 33

HEX #7AAA89

RGB 122 170 137

HSL 138.75, 0.22%, 0.57%

LAB 65.51, -22.99, 11.94

 

CMYK 21 / 0 / 12 / 5

HEX #BFF2D5

RGB 191 242 213

HSL 145.88, 0.66%, 0.85%

LAB 91.41, -21.89, 8.69

 

CMYK 21 / 0 / 18 / 5

HEX #BFF2C7

RGB 191 242 199

HSL 129.41, 0.66%, 0.85%

LAB 91.1, -24.43, 15.5

 

CMYK 19 / 0 / 21 / 5

HEX #C4F2BF

RGB 196 242 191

HSL 114.12, 0.66%, 0.85%

LAB 91.24, -24.15, 19.86

 

CMYK 14 / 0 / 21 / 5

HEX #D1F2BF

RGB 209 242 191

HSL 98.82, 0.66%, 0.85%

LAB 92.05, -19.76, 21.12

 

CMYK 8 / 0 / 21 / 5

HEX #DFF2BF

RGB 223 242 191

HSL 82.35, 0.66%, 0.85%

LAB 92.99, -14.88, 22.57

 

CMYK 21 / 0 / 12 / 5

HEX #BFF2D5

RGB 191 242 213

HSL 145.88, 0.66%, 0.85%

LAB 91.41, -21.89, 8.69

 

CMYK 21 / 0 / 6 / 5

HEX #BFF2E3

RGB 191 242 227

HSL 162.35, 0.66%, 0.85%

LAB 91.74, -19.19, 1.89

 

CMYK 21 / 0 / 0 / 5

HEX #BFF2F1

RGB 191 242 241

HSL 178.82, 0.66%, 0.85%

LAB 92.1, -16.33, -4.86

 

CMYK 21 / 5 / 0 / 5

HEX #BFE5F2

RGB 191 229 242

HSL 195.29, 0.66%, 0.85%

LAB 88.7, -9.57, -10.42

 

CMYK 21 / 11 / 0 / 5

HEX #BFD7F2

RGB 191 215 242

HSL 211.76, 0.66%, 0.85%

LAB 85.04, -2.33, -15.89

 

CMYK 21 / 0 / 12 / 5

HEX #BFF2D5

RGB 191 242 213

HSL 145.88, 0.66%, 0.85%

LAB 91.41, -21.89, 8.69

 

CMYK 26 / 0 / 14 / 3

HEX #B8F8D5

RGB 184 248 213

HSL 147.19, 0.82%, 0.85%

LAB 92.63, -26.95, 10.39

 

CMYK 30 / 0 / 17 / 0

HEX #B2FED4

RGB 178 254 212

HSL 146.84, 0.97%, 0.85%

LAB 93.93, -31.76, 12.7

 

CMYK 21 / 0 / 12 / 5

HEX #BFF2D5

RGB 191 242 213

HSL 145.88, 0.66%, 0.85%

LAB 91.41, -21.89, 8.69

 

CMYK 17 / 0 / 9 / 7

HEX #C5ECD6

RGB 197 236 214

HSL 146.15, 0.51%, 0.85%

LAB 90.19, -16.84, 6.46

 

CMYK 11 / 0 / 6 / 10

HEX #CBE5D7

RGB 203 229 215

HSL 147.69, 0.33%, 0.85%

LAB 88.75, -11.2, 3.91

 

CMYK 6 / 0 / 4 / 13

HEX #D1DFD7

RGB 209 223 215

HSL 145.71, 0.18%, 0.85%

LAB 87.6, -6.15, 2.29

 

CMYK 1 / 0 / 0 / 15

HEX #D7D9D8

RGB 215 217 216

HSL 150, 0.03%, 0.85%

LAB 86.52, -0.85, 0.24

 

CMYK 19 / 0 / 21 / 5

HEX #C4F2BF

RGB 196 242 191

HSL 114.12, 0.66%, 0.85%

LAB 91.24, -24.15, 19.86

 

CMYK 21 / 0 / 18 / 5

HEX #BFF2C7

RGB 191 242 199

HSL 129.41, 0.66%, 0.85%

LAB 91.1, -24.43, 15.5

 

CMYK 21 / 0 / 12 / 5

HEX #BFF2D5

RGB 191 242 213

HSL 145.88, 0.66%, 0.85%

LAB 91.41, -21.89, 8.69

 

CMYK 21 / 0 / 6 / 5

HEX #BFF2E3

RGB 191 242 227

HSL 162.35, 0.66%, 0.85%

LAB 91.74, -19.19, 1.89

 

CMYK 21 / 0 / 1 / 5

HEX #BFF2F0

RGB 191 242 240

HSL 177.65, 0.66%, 0.85%

LAB 92.07, -16.54, -4.38

 

CMYK 46 / 0 / 26 / 11

HEX #7AE4A9

RGB 122 228 169

HSL 146.6, 0.66%, 0.69%

LAB 83.17, -43.84, 19.48

 

CMYK 34 / 0 / 19 / 8

HEX #9CEBBF

RGB 156 235 191

HSL 146.58, 0.66%, 0.77%

LAB 87.12, -33.39, 13.76

 

CMYK 21 / 0 / 12 / 5

HEX #BFF2D5

RGB 191 242 213

HSL 145.88, 0.66%, 0.85%

LAB 91.41, -21.89, 8.69

 

CMYK 10 / 0 / 5 / 2

HEX #E1F9EC

RGB 225 249 236

HSL 147.5, 0.67%, 0.93%

LAB 95.92, -10.2, 3.56

 

CMYK 21 / 0 / 12 / 5

HEX #BEF2D5

RGB 190 242 213

HSL 146.54, 0.67%, 0.85%

LAB 91.35, -22.2, 8.6

 

CMYK 21 / 14 / 0 / 5

HEX #BFD1F2

RGB 191 209 242

HSL 218.82, 0.66%, 0.85%

LAB 83.49, 0.83, -18.23

 

CMYK 0 / 21 / 21 / 5

HEX #F2C0BF

RGB 242 192 191

HSL 1.18, 0.66%, 0.85%

LAB 82.02, 17.72, 7.33

 

CMYK 21 / 0 / 12 / 5

HEX #BEF2D5

RGB 190 242 213

HSL 146.54, 0.67%, 0.85%

LAB 91.35, -22.2, 8.6

 

CMYK 12 / 21 / 0 / 5

HEX #D5BFF2

RGB 213 191 242

HSL 265.88, 0.66%, 0.85%

LAB 80.64, 17.32, -22.39

 

CMYK 0 / 12 / 21 / 5

HEX #F2D5BF

RGB 242 213 191

HSL 25.88, 0.66%, 0.85%

LAB 87.11, 6.71, 14.57

 

CMYK 21 / 0 / 12 / 5

HEX #BEF2D5

RGB 190 242 213

HSL 146.54, 0.67%, 0.85%

LAB 91.35, -22.2, 8.6

 

CMYK 21 / 14 / 0 / 5

HEX #BFD1F2

RGB 191 209 242

HSL 218.82, 0.66%, 0.85%

LAB 83.49, 0.83, -18.23

 

CMYK 0 / 21 / 9 / 5

HEX #F2BFDC

RGB 242 191 220

HSL 325.88, 0.66%, 0.85%

LAB 82.54, 22.8, -7.47

 

CMYK 0 / 8 / 21 / 5

HEX #F2DFBF

RGB 242 223 191

HSL 37.65, 0.66%, 0.85%

LAB 89.59, 1.54, 18.05

 

CMYK 21 / 0 / 12 / 5

HEX #BEF2D5

RGB 190 242 213

HSL 146.54, 0.67%, 0.85%

LAB 91.35, -22.2, 8.6

 

CMYK 21 / 20 / 0 / 5

HEX #BFC2F2

RGB 191 194 242

HSL 236.47, 0.66%, 0.85%

LAB 79.65, 8.86, -24.04

 

CMYK 0 / 21 / 9 / 5

HEX #F2BFDC

RGB 242 191 220

HSL 325.88, 0.66%, 0.85%

LAB 82.54, 22.8, -7.47

 

CMYK 0 / 2 / 21 / 5

HEX #F2EEBF

RGB 242 238 191

HSL 55.29, 0.66%, 0.85%

LAB 93.36, -6.08, 23.29

 

Description

Color code: HEX #BEF2D5 | qconv.com Color code: HEX #BEF2D5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 242 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 242 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 12 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 12% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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