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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEEE7F it is the complementary color #411180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEEE7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEEE7F shade: #C3EE7A, #D4FF8D, #E5FFA0, #F6FFB3 and #FFFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEEE7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEEE7F shade: #BEEE7F, #ADDC6C, #9CCA59, #8BB846 and #7AA633

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEEE7F shade: #BFEE80, #DCEE80, #EEE280, #EEC580 and #EEA780

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEEE7F shade: #BFEE80, #A1EE80, #83EE80, #80EE9B and #80EEB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEEE7F shade matches the following richer shades: #BFEE80 and #C0FA75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEEE7F shade: #BFEE80, #BDE38C, #BBD797, #BACBA3 and #B8C0AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEEE7F shade: #EEE180, #DEEE80, #C0EE80, #A3EE80 and #86EE80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEEE7F shade: #9AE537, #ACE95C, #BFEE80, #D1F3A5 and #E3F8C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEEE7F shade: #BEEE7F, #80EEC4 and #EE80EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEEE7F shade: #BEEE7F, #80C0EE and #EE80C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEEE7F shade: #BEEE7F, #80EEC4, #AE80EE and #EE80AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEEE7F shade: #BEEE7F, #80EEE5, #AE80EE and #EE8089

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 47 / 7

HEX #BEEE7F

RGB 190 238 127

HSL 85.95, 0.77%, 0.72%

LAB 88.75, -33.23, 48.52

 

Complementary color

CMYK 49 / 87 / 0 / 50

HEX #411180

RGB 65 17 128

HSL 265.95, 0.77%, 0.28%

LAB 20.37, 45.32, -52.26

 

CMYK 18 / 0 / 49 / 7

HEX #C3EE7A

RGB 195 238 122

HSL 82.24, 0.77%, 0.71%

LAB 89, -31.93, 51.26

 

CMYK 17 / 0 / 45 / 0

HEX #D4FF8D

RGB 212 255 141

HSL 82.63, 1%, 0.78%

LAB 94.92, -31.55, 49.81

 

CMYK 10 / 0 / 37 / 0

HEX #E5FFA0

RGB 229 255 160

HSL 76.42, 1%, 0.81%

LAB 96.29, -23.18, 42.62

 

CMYK 4 / 0 / 30 / 0

HEX #F6FFB3

RGB 246 255 179

HSL 67.11, 1%, 0.85%

LAB 97.78, -14.63, 35.41

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 20 / 0 / 47 / 7

HEX #BEEE7F

RGB 190 238 127

HSL 85.95, 0.77%, 0.72%

LAB 88.75, -33.23, 48.52

 

CMYK 21 / 0 / 51 / 14

HEX #ADDC6C

RGB 173 220 108

HSL 85.18, 0.62%, 0.64%

LAB 82.46, -33.17, 49.64

 

CMYK 23 / 0 / 56 / 21

HEX #9CCA59

RGB 156 202 89

HSL 84.42, 0.52%, 0.57%

LAB 76.09, -33.06, 50.7

 

CMYK 24 / 0 / 62 / 28

HEX #8BB846

RGB 139 184 70

HSL 83.68, 0.45%, 0.5%

LAB 69.62, -32.86, 51.64

 

CMYK 27 / 0 / 69 / 35

HEX #7AA633

RGB 122 166 51

HSL 82.96, 0.53%, 0.43%

LAB 63.05, -32.54, 52.29

 

CMYK 20 / 0 / 46 / 7

HEX #BFEE80

RGB 191 238 128

HSL 85.64, 0.76%, 0.72%

LAB 88.82, -32.75, 48.15

 

CMYK 8 / 0 / 46 / 7

HEX #DCEE80

RGB 220 238 128

HSL 69.82, 0.76%, 0.72%

LAB 90.74, -21.89, 50.95

 

CMYK 0 / 5 / 46 / 7

HEX #EEE280

RGB 238 226 128

HSL 53.45, 0.76%, 0.72%

LAB 88.98, -8.96, 49.1

 

CMYK 0 / 17 / 46 / 7

HEX #EEC580

RGB 238 197 128

HSL 37.64, 0.76%, 0.72%

LAB 81.66, 5.88, 39.96

 

CMYK 0 / 30 / 46 / 7

HEX #EEA780

RGB 238 167 128

HSL 21.27, 0.76%, 0.72%

LAB 74.43, 21.7, 30.61

 

CMYK 20 / 0 / 46 / 7

HEX #BFEE80

RGB 191 238 128

HSL 85.64, 0.76%, 0.72%

LAB 88.82, -32.75, 48.15

 

CMYK 32 / 0 / 46 / 7

HEX #A1EE80

RGB 161 238 128

HSL 102, 0.76%, 0.72%

LAB 87.14, -43.17, 45.69

 

CMYK 45 / 0 / 46 / 7

HEX #83EE80

RGB 131 238 128

HSL 118.36, 0.76%, 0.72%

LAB 85.77, -52.38, 43.69

 

CMYK 46 / 0 / 35 / 7

HEX #80EE9B

RGB 128 238 155

HSL 134.73, 0.76%, 0.72%

LAB 86.06, -49.08, 30.65

 

CMYK 46 / 0 / 23 / 7

HEX #80EEB8

RGB 128 238 184

HSL 150.55, 0.76%, 0.72%

LAB 86.6, -43.73, 16.5

 

CMYK 20 / 0 / 46 / 7

HEX #BFEE80

RGB 191 238 128

HSL 85.64, 0.76%, 0.72%

LAB 88.82, -32.75, 48.15

 

CMYK 23 / 0 / 53 / 2

HEX #C0FA75

RGB 192 250 117

HSL 86.17, 0.93%, 0.72%

LAB 92.07, -38.97, 57.18

 

CMYK 20 / 0 / 46 / 7

HEX #BFEE80

RGB 191 238 128

HSL 85.64, 0.76%, 0.72%

LAB 88.82, -32.75, 48.15

 

CMYK 17 / 0 / 38 / 11

HEX #BDE38C

RGB 189 227 140

HSL 86.21, 0.61%, 0.72%

LAB 85.83, -26.9, 38.48

 

CMYK 13 / 0 / 30 / 16

HEX #BBD797

RGB 187 215 151

HSL 86.25, 0.44%, 0.72%

LAB 82.59, -20.32, 28.59

 

CMYK 8 / 0 / 20 / 20

HEX #BACBA3

RGB 186 203 163

HSL 85.5, 0.28%, 0.72%

LAB 79.5, -12.86, 18.05

 

CMYK 4 / 0 / 9 / 25

HEX #B8C0AE

RGB 184 192 174

HSL 86.67, 0.13%, 0.72%

LAB 76.65, -6.04, 8.11

 

CMYK 0 / 5 / 46 / 7

HEX #EEE180

RGB 238 225 128

HSL 52.91, 0.76%, 0.72%

LAB 88.73, -8.46, 48.79

 

CMYK 7 / 0 / 46 / 7

HEX #DEEE80

RGB 222 238 128

HSL 68.73, 0.76%, 0.72%

LAB 90.89, -21.13, 51.15

 

CMYK 19 / 0 / 46 / 7

HEX #C0EE80

RGB 192 238 128

HSL 85.09, 0.76%, 0.72%

LAB 88.88, -32.39, 48.24

 

CMYK 32 / 0 / 46 / 7

HEX #A3EE80

RGB 163 238 128

HSL 100.91, 0.76%, 0.72%

LAB 87.24, -42.51, 45.84

 

CMYK 44 / 0 / 46 / 7

HEX #86EE80

RGB 134 238 128

HSL 116.73, 0.76%, 0.72%

LAB 85.89, -51.53, 43.87

 

CMYK 33 / 0 / 76 / 10

HEX #9AE537

RGB 154 229 55

HSL 85.86, 0.77%, 0.56%

LAB 83.54, -48.1, 71.66

 

CMYK 26 / 0 / 61 / 9

HEX #ACE95C

RGB 172 233 92

HSL 85.96, 0.76%, 0.64%

LAB 85.92, -40.89, 60.75

 

CMYK 20 / 0 / 46 / 7

HEX #BFEE80

RGB 191 238 128

HSL 85.64, 0.76%, 0.72%

LAB 88.82, -32.75, 48.15

 

CMYK 14 / 0 / 32 / 5

HEX #D1F3A5

RGB 209 243 165

HSL 86.15, 0.76%, 0.8%

LAB 91.85, -24.05, 34.08

 

CMYK 8 / 0 / 19 / 3

HEX #E3F8C9

RGB 227 248 201

HSL 86.81, 0.77%, 0.88%

LAB 95.03, -14.91, 20.31

 

CMYK 20 / 0 / 47 / 7

HEX #BEEE7F

RGB 190 238 127

HSL 85.95, 0.77%, 0.72%

LAB 88.75, -33.23, 48.52

 

CMYK 46 / 0 / 18 / 7

HEX #80EEC4

RGB 128 238 196

HSL 157.09, 0.76%, 0.72%

LAB 86.86, -41.25, 10.62

 

CMYK 0 / 46 / 1 / 7

HEX #EE80EC

RGB 238 128 236

HSL 301.09, 0.76%, 0.72%

LAB 69.23, 57, -36.44

 

CMYK 20 / 0 / 47 / 7

HEX #BEEE7F

RGB 190 238 127

HSL 85.95, 0.77%, 0.72%

LAB 88.75, -33.23, 48.52

 

CMYK 46 / 19 / 0 / 7

HEX #80C0EE

RGB 128 192 238

HSL 205.09, 0.76%, 0.72%

LAB 75.12, -8.35, -29.18

 

CMYK 0 / 46 / 19 / 7

HEX #EE80C0

RGB 238 128 192

HSL 325.09, 0.76%, 0.72%

LAB 67.59, 49.92, -14.5

 

CMYK 20 / 0 / 47 / 7

HEX #BEEE7F

RGB 190 238 127

HSL 85.95, 0.77%, 0.72%

LAB 88.75, -33.23, 48.52

 

CMYK 46 / 0 / 18 / 7

HEX #80EEC4

RGB 128 238 196

HSL 157.09, 0.76%, 0.72%

LAB 86.86, -41.25, 10.62

 

CMYK 27 / 46 / 0 / 7

HEX #AE80EE

RGB 174 128 238

HSL 265.09, 0.76%, 0.72%

LAB 62.18, 39.61, -49.12

 

CMYK 0 / 46 / 29 / 7

HEX #EE80AA

RGB 238 128 170

HSL 337.09, 0.76%, 0.72%

LAB 66.91, 46.87, -3.13

 

CMYK 20 / 0 / 47 / 7

HEX #BEEE7F

RGB 190 238 127

HSL 85.95, 0.77%, 0.72%

LAB 88.75, -33.23, 48.52

 

CMYK 46 / 0 / 4 / 7

HEX #80EEE5

RGB 128 238 229

HSL 175.09, 0.76%, 0.72%

LAB 87.68, -33.74, -5.46

 

CMYK 27 / 46 / 0 / 7

HEX #AE80EE

RGB 174 128 238

HSL 265.09, 0.76%, 0.72%

LAB 62.18, 39.61, -49.12

 

CMYK 0 / 46 / 42 / 7

HEX #EE8089

RGB 238 128 137

HSL 355.09, 0.76%, 0.72%

LAB 66.08, 43, 14.33

 

Description

Color code: HEX #BEEE7F | qconv.com Color code: HEX #BEEE7F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 238 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 238 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 47 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 47% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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