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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEC87D it is the complementary color #413782. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEC87D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEC87D shade: #C3C878, #D4DA8B, #E5EC9E, #F6FEB1 and #FFFFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEC87D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEC87D shade: #BEC87D, #ADB66A, #9CA457, #8B9244 and #7A8031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEC87D shade: #BEC87D, #C8BE7D, #C8AA7D, #C8957D and #C8817D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEC87D shade: #BEC87D, #AAC87D, #96C87D, #81C87D and #7DC88D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEC87D shade matches the following richer shades: #BEC87D, #C9D76E, #D4E65F and #DFF551

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEC87D shade: #BEC87D, #B3B98C, #A9AB9B, #9E9CAA and #938DB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEC87D shade: #C8AA7D, #C8BE7D, #BEC87D, #AAC87D and #96C87D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEC87D shade: #9EAB47, #B0BC60, #BEC87D, #CDD59A and #DBE1B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEC87D shade: #BEC87D, #7DC896 and #B47DC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEC87D shade: #BEC87D, #7DBEC8 and #C87DBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEC87D shade: #BEC87D, #7DC896, #877DC8 and #C87DAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEC87D shade: #BEC87D, #7DC8AD, #877DC8 and #C87D99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 38 / 22

HEX #BEC87D

RGB 190 200 125

HSL 68, 0.41%, 0.64%

LAB 78.31, -15.1, 36.38

 

Complementary color

CMYK 50 / 58 / 0 / 49

HEX #413782

RGB 65 55 130

HSL 248, 0.41%, 0.36%

LAB 28.03, 25.4, -41.05

 

CMYK 3 / 0 / 40 / 22

HEX #C3C878

RGB 195 200 120

HSL 63.75, 0.42%, 0.63%

LAB 78.62, -13.71, 39.39

 

CMYK 3 / 0 / 36 / 15

HEX #D4DA8B

RGB 212 218 139

HSL 64.56, 0.52%, 0.7%

LAB 85, -13.98, 38.23

 

CMYK 3 / 0 / 33 / 7

HEX #E5EC9E

RGB 229 236 158

HSL 65.38, 0.67%, 0.77%

LAB 91.29, -14.2, 37.1

 

CMYK 3 / 0 / 30 / 0

HEX #F6FEB1

RGB 246 254 177

HSL 66.23, 0.97%, 0.85%

LAB 97.49, -14.39, 36.03

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 5 / 0 / 38 / 22

HEX #BEC87D

RGB 190 200 125

HSL 68, 0.41%, 0.64%

LAB 78.31, -15.1, 36.38

 

CMYK 5 / 0 / 42 / 29

HEX #ADB66A

RGB 173 182 106

HSL 67.11, 0.34%, 0.56%

LAB 71.81, -14.86, 37.56

 

CMYK 5 / 0 / 47 / 36

HEX #9CA457

RGB 156 164 87

HSL 66.23, 0.31%, 0.49%

LAB 65.21, -14.56, 38.76

 

CMYK 5 / 0 / 53 / 43

HEX #8B9244

RGB 139 146 68

HSL 65.38, 0.36%, 0.42%

LAB 58.47, -14.16, 39.95

 

CMYK 5 / 0 / 62 / 50

HEX #7A8031

RGB 122 128 49

HSL 64.56, 0.45%, 0.35%

LAB 51.61, -13.62, 41.02

 

CMYK 5 / 0 / 38 / 22

HEX #BEC87D

RGB 190 200 125

HSL 68, 0.41%, 0.64%

LAB 78.31, -15.1, 36.38

 

CMYK 0 / 5 / 38 / 22

HEX #C8BE7D

RGB 200 190 125

HSL 52, 0.41%, 0.64%

LAB 76.43, -6.02, 34.1

 

CMYK 0 / 15 / 38 / 22

HEX #C8AA7D

RGB 200 170 125

HSL 36, 0.41%, 0.64%

LAB 71.22, 4.57, 27.26

 

CMYK 0 / 26 / 38 / 22

HEX #C8957D

RGB 200 149 125

HSL 19.2, 0.41%, 0.64%

LAB 65.95, 15.99, 20.16

 

CMYK 0 / 36 / 38 / 22

HEX #C8817D

RGB 200 129 125

HSL 3.2, 0.41%, 0.64%

LAB 61.19, 26.95, 13.58

 

CMYK 5 / 0 / 38 / 22

HEX #BEC87D

RGB 190 200 125

HSL 68, 0.41%, 0.64%

LAB 78.31, -15.1, 36.38

 

CMYK 15 / 0 / 38 / 22

HEX #AAC87D

RGB 170 200 125

HSL 84, 0.41%, 0.64%

LAB 76.88, -22.77, 34.25

 

CMYK 25 / 0 / 38 / 22

HEX #96C87D

RGB 150 200 125

HSL 100, 0.41%, 0.64%

LAB 75.62, -30.05, 32.37

 

CMYK 36 / 0 / 38 / 22

HEX #81C87D

RGB 129 200 125

HSL 116.8, 0.41%, 0.64%

LAB 74.48, -37.13, 30.66

 

CMYK 38 / 0 / 30 / 22

HEX #7DC88D

RGB 125 200 141

HSL 132.8, 0.41%, 0.64%

LAB 74.57, -35.72, 22.35

 

CMYK 5 / 0 / 38 / 22

HEX #BEC87D

RGB 190 200 125

HSL 68, 0.41%, 0.64%

LAB 78.31, -15.1, 36.38

 

CMYK 7 / 0 / 49 / 16

HEX #C9D76E

RGB 201 215 110

HSL 68, 0.57%, 0.64%

LAB 82.99, -19.84, 49.78

 

CMYK 8 / 0 / 59 / 10

HEX #D4E65F

RGB 212 230 95

HSL 68, 0.73%, 0.64%

LAB 87.69, -24.02, 62.16

 

CMYK 9 / 0 / 67 / 4

HEX #DFF551

RGB 223 245 81

HSL 68.05, 0.89%, 0.64%

LAB 92.39, -27.67, 72.95

 

CMYK 5 / 0 / 38 / 22

HEX #BEC87D

RGB 190 200 125

HSL 68, 0.41%, 0.64%

LAB 78.31, -15.1, 36.38

 

CMYK 3 / 0 / 24 / 27

HEX #B3B98C

RGB 179 185 140

HSL 68, 0.24%, 0.64%

LAB 73.66, -9.68, 22.2

 

CMYK 1 / 0 / 9 / 33

HEX #A9AB9B

RGB 169 171 155

HSL 67.5, 0.09%, 0.64%

LAB 69.42, -3.62, 7.99

 

CMYK 7 / 8 / 0 / 33

HEX #9E9CAA

RGB 158 156 170

HSL 248.57, 0.08%, 0.64%

LAB 64.92, 3.49, -7.02

 

CMYK 20 / 23 / 0 / 28

HEX #938DB8

RGB 147 141 184

HSL 248.37, 0.23%, 0.64%

LAB 60.53, 11.36, -21.63

 

CMYK 0 / 15 / 38 / 22

HEX #C8AA7D

RGB 200 170 125

HSL 36, 0.41%, 0.64%

LAB 71.22, 4.57, 27.26

 

CMYK 0 / 5 / 38 / 22

HEX #C8BE7D

RGB 200 190 125

HSL 52, 0.41%, 0.64%

LAB 76.43, -6.02, 34.1

 

CMYK 5 / 0 / 38 / 22

HEX #BEC87D

RGB 190 200 125

HSL 68, 0.41%, 0.64%

LAB 78.31, -15.1, 36.38

 

CMYK 15 / 0 / 38 / 22

HEX #AAC87D

RGB 170 200 125

HSL 84, 0.41%, 0.64%

LAB 76.88, -22.77, 34.25

 

CMYK 25 / 0 / 38 / 22

HEX #96C87D

RGB 150 200 125

HSL 100, 0.41%, 0.64%

LAB 75.62, -30.05, 32.37

 

CMYK 8 / 0 / 58 / 33

HEX #9EAB47

RGB 158 171 71

HSL 67.8, 0.41%, 0.47%

LAB 67.16, -18.79, 48.84

 

CMYK 6 / 0 / 49 / 26

HEX #B0BC60

RGB 176 188 96

HSL 67.83, 0.41%, 0.56%

LAB 73.57, -17.75, 44.77

 

CMYK 5 / 0 / 38 / 22

HEX #BEC87D

RGB 190 200 125

HSL 68, 0.41%, 0.64%

LAB 78.31, -15.1, 36.38

 

CMYK 4 / 0 / 28 / 16

HEX #CDD59A

RGB 205 213 154

HSL 68.14, 0.41%, 0.72%

LAB 83.39, -12.25, 28.33

 

CMYK 3 / 0 / 19 / 12

HEX #DBE1B7

RGB 219 225 183

HSL 68.57, 0.41%, 0.8%

LAB 88.13, -9.02, 19.91

 

CMYK 5 / 0 / 38 / 22

HEX #BEC87D

RGB 190 200 125

HSL 68, 0.41%, 0.64%

LAB 78.31, -15.1, 36.38

 

CMYK 38 / 0 / 25 / 22

HEX #7DC896

RGB 125 200 150

HSL 140, 0.41%, 0.64%

LAB 74.74, -34.07, 17.81

 

CMYK 10 / 38 / 0 / 22

HEX #B47DC8

RGB 180 125 200

HSL 284, 0.41%, 0.64%

LAB 60.37, 34.5, -30.66

 

CMYK 5 / 0 / 38 / 22

HEX #BEC87D

RGB 190 200 125

HSL 68, 0.41%, 0.64%

LAB 78.31, -15.1, 36.38

 

CMYK 38 / 5 / 0 / 22

HEX #7DBEC8

RGB 125 190 200

HSL 188, 0.41%, 0.64%

LAB 73.13, -18.11, -11.6

 

CMYK 0 / 38 / 5 / 22

HEX #C87DBE

RGB 200 125 190

HSL 308, 0.41%, 0.64%

LAB 62.22, 38.92, -21.96

 

CMYK 5 / 0 / 38 / 22

HEX #BEC87D

RGB 190 200 125

HSL 68, 0.41%, 0.64%

LAB 78.31, -15.1, 36.38

 

CMYK 38 / 0 / 25 / 22

HEX #7DC896

RGB 125 200 150

HSL 140, 0.41%, 0.64%

LAB 74.74, -34.07, 17.81

 

CMYK 33 / 38 / 0 / 22

HEX #877DC8

RGB 135 125 200

HSL 248, 0.41%, 0.64%

LAB 56.08, 21.03, -37.68

 

CMYK 0 / 38 / 13 / 22

HEX #C87DAF

RGB 200 125 175

HSL 320, 0.41%, 0.64%

LAB 61.69, 36.33, -14.26

 

CMYK 5 / 0 / 38 / 22

HEX #BEC87D

RGB 190 200 125

HSL 68, 0.41%, 0.64%

LAB 78.31, -15.1, 36.38

 

CMYK 38 / 0 / 14 / 22

HEX #7DC8AD

RGB 125 200 173

HSL 158.4, 0.41%, 0.64%

LAB 75.26, -29.4, 6.19

 

CMYK 33 / 38 / 0 / 22

HEX #877DC8

RGB 135 125 200

HSL 248, 0.41%, 0.64%

LAB 56.08, 21.03, -37.68

 

CMYK 0 / 38 / 24 / 22

HEX #C87D99

RGB 200 125 153

HSL 337.6, 0.41%, 0.64%

LAB 61, 32.87, -2.71

 

Description

Color code: HEX #BEC87D | qconv.com Color code: HEX #BEC87D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 200 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 200 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 38 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 38% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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