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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEC609 it is the complementary color #4139F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEC609. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEC609 shade: #C3C604, #D4D817, #E5EA2A, #F6FC3D and #FFFF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEC609. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEC609 shade: #BEC609, #ADB400, #9CA200, #8B9000 and #7A7E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEC609 shade: #BFC709, #C79C09, #C76909, #C73509 and #C70909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEC609 shade: #BFC709, #8CC709, #59C709, #25C709 and #09C720

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEC609 shade matches the following richer shades: #BFC709

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEC609 shade: #BFC709, #B0B61A, #A0A52B, #91943C and #81844D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEC609 shade: #C76809, #C79B09, #C1C709, #8EC709 and #5BC709

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEC609 shade: #747805, #99A007, #BFC709, #E5EF0B and #ECF52E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEC609 shade: #BEC609, #09C735 and #8109C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEC609 shade: #BEC609, #09C1C7 and #C709C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEC609 shade: #BEC609, #09C735, #0F09C7 and #C7099B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEC609 shade: #BEC609, #09C76E, #0F09C7 and #C70962

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 95 / 22

HEX #BEC609

RGB 190 198 9

HSL 62.54, 0.91%, 0.41%

LAB 76.89, -21.15, 76.45

 

Complementary color

CMYK 74 / 77 / 0 / 4

HEX #4139F6

RGB 65 57 246

HSL 242.54, 0.91%, 0.59%

LAB 39.08, 61.36, -91.47

 

CMYK 2 / 0 / 98 / 22

HEX #C3C604

RGB 195 198 4

HSL 60.93, 0.96%, 0.4%

LAB 77.28, -19.06, 77.41

 

CMYK 2 / 0 / 89 / 15

HEX #D4D817

RGB 212 216 23

HSL 61.24, 0.81%, 0.47%

LAB 83.53, -20.44, 80.57

 

CMYK 2 / 0 / 82 / 8

HEX #E5EA2A

RGB 229 234 42

HSL 61.56, 0.82%, 0.54%

LAB 89.71, -21.64, 82.47

 

CMYK 2 / 0 / 76 / 1

HEX #F6FC3D

RGB 246 252 61

HSL 61.88, 0.97%, 0.61%

LAB 95.81, -22.67, 83.38

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF50

RGB 255 255 80

HSL 60, 1%, 0.66%

LAB 97.37, -19.67, 79.05

 

CMYK 4 / 0 / 95 / 22

HEX #BEC609

RGB 190 198 9

HSL 62.54, 0.91%, 0.41%

LAB 76.89, -21.15, 76.45

 

CMYK 4 / 0 / 100 / 29

HEX #ADB400

RGB 173 180 0

HSL 62.33, 1%, 0.35%

LAB 70.54, -19.65, 72.08

 

CMYK 4 / 0 / 100 / 36

HEX #9CA200

RGB 156 162 0

HSL 62.22, 1%, 0.32%

LAB 64.09, -18.02, 66.71

 

CMYK 3 / 0 / 100 / 44

HEX #8B9000

RGB 139 144 0

HSL 62.08, 1%, 0.28%

LAB 57.5, -16.36, 61.23

 

CMYK 3 / 0 / 100 / 51

HEX #7A7E00

RGB 122 126 0

HSL 61.9, 1%, 0.25%

LAB 50.76, -14.65, 55.63

 

CMYK 4 / 0 / 95 / 22

HEX #BFC709

RGB 191 199 9

HSL 62.53, 0.91%, 0.41%

LAB 77.25, -21.21, 76.75

 

CMYK 0 / 22 / 95 / 22

HEX #C79C09

RGB 199 156 9

HSL 46.42, 0.91%, 0.41%

LAB 66.47, 4.56, 69.06

 

CMYK 0 / 47 / 95 / 22

HEX #C76909

RGB 199 105 9

HSL 30.32, 0.91%, 0.41%

LAB 54.31, 32.22, 60.51

 

CMYK 0 / 73 / 95 / 22

HEX #C73509

RGB 199 53 9

HSL 13.89, 0.91%, 0.41%

LAB 45.23, 55.9, 54.75

 

CMYK 0 / 95 / 95 / 22

HEX #C70909

RGB 199 9 9

HSL 0, 0.91%, 0.41%

LAB 41.78, 65.66, 52.82

 

CMYK 4 / 0 / 95 / 22

HEX #BFC709

RGB 191 199 9

HSL 62.53, 0.91%, 0.41%

LAB 77.25, -21.21, 76.75

 

CMYK 30 / 0 / 95 / 22

HEX #8CC709

RGB 140 199 9

HSL 78.63, 0.91%, 0.41%

LAB 73.83, -41.97, 72.63

 

CMYK 55 / 0 / 95 / 22

HEX #59C709

RGB 89 199 9

HSL 94.74, 0.91%, 0.41%

LAB 71.55, -58.75, 69.84

 

CMYK 81 / 0 / 95 / 22

HEX #25C709

RGB 37 199 9

HSL 111.16, 0.91%, 0.41%

LAB 70.36, -68.83, 68.38

 

CMYK 95 / 0 / 84 / 22

HEX #09C720

RGB 9 199 32

HSL 127.26, 0.91%, 0.41%

LAB 70.18, -70.18, 64.18

 

CMYK 4 / 0 / 95 / 22

HEX #BFC709

RGB 191 199 9

HSL 62.53, 0.91%, 0.41%

LAB 77.25, -21.21, 76.75

 

CMYK 4 / 0 / 95 / 22

HEX #BFC709

RGB 191 199 9

HSL 62.53, 0.91%, 0.41%

LAB 77.25, -21.21, 76.75

 

CMYK 3 / 0 / 86 / 29

HEX #B0B61A

RGB 176 182 26

HSL 62.31, 0.75%, 0.41%

LAB 71.39, -18.93, 69.07

 

CMYK 3 / 0 / 74 / 35

HEX #A0A52B

RGB 160 165 43

HSL 62.46, 0.59%, 0.41%

LAB 65.4, -16.65, 58.51

 

CMYK 2 / 0 / 59 / 42

HEX #91943C

RGB 145 148 60

HSL 62.05, 0.42%, 0.41%

LAB 59.46, -13.3, 45.06

 

CMYK 2 / 0 / 42 / 48

HEX #81844D

RGB 129 132 77

HSL 63.27, 0.26%, 0.41%

LAB 53.71, -9.97, 29.28

 

CMYK 0 / 48 / 95 / 22

HEX #C76809

RGB 199 104 9

HSL 30, 0.91%, 0.41%

LAB 54.09, 32.74, 60.36

 

CMYK 0 / 22 / 95 / 22

HEX #C79B09

RGB 199 155 9

HSL 46.11, 0.91%, 0.41%

LAB 66.22, 5.1, 68.87

 

CMYK 3 / 0 / 95 / 22

HEX #C1C709

RGB 193 199 9

HSL 61.89, 0.91%, 0.41%

LAB 77.4, -20.36, 76.94

 

CMYK 29 / 0 / 95 / 22

HEX #8EC709

RGB 142 199 9

HSL 78, 0.91%, 0.41%

LAB 73.94, -41.21, 72.77

 

CMYK 54 / 0 / 95 / 22

HEX #5BC709

RGB 91 199 9

HSL 94.11, 0.91%, 0.41%

LAB 71.62, -58.21, 69.93

 

CMYK 3 / 0 / 96 / 53

HEX #747805

RGB 116 120 5

HSL 62.09, 0.92%, 0.25%

LAB 48.46, -14.11, 52.67

 

CMYK 4 / 0 / 96 / 37

HEX #99A007

RGB 153 160 7

HSL 62.75, 0.92%, 0.33%

LAB 63.28, -18.23, 65.04

 

CMYK 4 / 0 / 95 / 22

HEX #BFC709

RGB 191 199 9

HSL 62.53, 0.91%, 0.41%

LAB 77.25, -21.21, 76.75

 

CMYK 4 / 0 / 95 / 6

HEX #E5EF0B

RGB 229 239 11

HSL 62.63, 0.91%, 0.49%

LAB 90.97, -24.57, 88.22

 

CMYK 4 / 0 / 81 / 4

HEX #ECF52E

RGB 236 245 46

HSL 62.71, 0.91%, 0.57%

LAB 93.16, -23.91, 84.69

 

CMYK 4 / 0 / 95 / 22

HEX #BEC609

RGB 190 198 9

HSL 62.54, 0.91%, 0.41%

LAB 76.89, -21.15, 76.45

 

CMYK 95 / 0 / 73 / 22

HEX #09C735

RGB 9 199 53

HSL 133.89, 0.91%, 0.41%

LAB 70.29, -68.81, 57.95

 

CMYK 35 / 95 / 0 / 22

HEX #8109C7

RGB 129 9 199

HSL 277.89, 0.91%, 0.41%

LAB 35.96, 70.74, -69.45

 

CMYK 4 / 0 / 95 / 22

HEX #BEC609

RGB 190 198 9

HSL 62.54, 0.91%, 0.41%

LAB 76.89, -21.15, 76.45

 

CMYK 95 / 3 / 0 / 22

HEX #09C1C7

RGB 9 193 199

HSL 181.89, 0.91%, 0.41%

LAB 71.09, -36.9, -14.4

 

CMYK 0 / 95 / 3 / 22

HEX #C709C1

RGB 199 9 193

HSL 301.89, 0.91%, 0.41%

LAB 47.22, 79.9, -47.15

 

CMYK 4 / 0 / 95 / 22

HEX #BEC609

RGB 190 198 9

HSL 62.54, 0.91%, 0.41%

LAB 76.89, -21.15, 76.45

 

CMYK 95 / 0 / 73 / 22

HEX #09C735

RGB 9 199 53

HSL 133.89, 0.91%, 0.41%

LAB 70.29, -68.81, 57.95

 

CMYK 92 / 95 / 0 / 22

HEX #0F09C7

RGB 15 9 199

HSL 241.89, 0.91%, 0.41%

LAB 25.02, 63.91, -87.91

 

CMYK 0 / 95 / 22 / 22

HEX #C7099B

RGB 199 9 155

HSL 313.89, 0.91%, 0.41%

LAB 45.23, 74.88, -27.81

 

CMYK 4 / 0 / 95 / 22

HEX #BEC609

RGB 190 198 9

HSL 62.54, 0.91%, 0.41%

LAB 76.89, -21.15, 76.45

 

CMYK 95 / 0 / 45 / 22

HEX #09C76E

RGB 9 199 110

HSL 151.89, 0.91%, 0.41%

LAB 70.89, -61.38, 33.11

 

CMYK 92 / 95 / 0 / 22

HEX #0F09C7

RGB 15 9 199

HSL 241.89, 0.91%, 0.41%

LAB 25.02, 63.91, -87.91

 

CMYK 0 / 95 / 51 / 22

HEX #C70962

RGB 199 9 98

HSL 331.89, 0.91%, 0.41%

LAB 43.09, 69.27, 4.05

 

Description

Color code: HEX #BEC609 | qconv.com Color code: HEX #BEC609 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 198 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 198 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 95 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 95% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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