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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEADEA it is the complementary color #415215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEADEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEADEA shade: #C3ADE5, #D4BFF8, #E5D1FF, #F6E3FF and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEADEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEADEA shade: #BEADEA, #AD9BD7, #9C89C4, #8B77B1 and #7A659E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEADEA shade: #BEADEA, #CEADEA, #DFADEA, #EAADE4 and #EAADD4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEADEA shade: #BEADEA, #AEADEA and #ADADEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEADEA shade matches the following richer shades: #BEADEA, #BBA5F2 and #B79DFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEADEA shade: #BEADEA, #C2B6E1, #C5BED9, #C9C6D1 and #CDCEC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEADEA shade: #ADBDEA, #ADADEA, #BDADEA, #CEADEA and #DEADEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEADEA shade: #8A6CD9, #A48DE1, #BEADEA, #D8CEF2 and #F2EFFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEADEA shade: #BEADEA, #EAADCE and #B5EAAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEADEA shade: #BEADEA, #EABDAD and #ADEABD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEADEA shade: #BEADEA, #EAADCE, #DAEAAD and #ADEAC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEADEA shade: #BEADEA, #EAADBB, #DAEAAD and #ADEADC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 26 / 0 / 8

HEX #BEADEA

RGB 190 173 234

HSL 256.72, 0.59%, 0.8%

LAB 74.05, 18.25, -28.31

 

Complementary color

CMYK 21 / 0 / 74 / 68

HEX #415215

RGB 65 82 21

HSL 76.72, 0.59%, 0.2%

LAB 32.29, -16.72, 32.11

 

CMYK 15 / 24 / 0 / 10

HEX #C3ADE5

RGB 195 173 229

HSL 263.57, 0.52%, 0.79%

LAB 74.28, 18.71, -25.19

 

CMYK 15 / 23 / 0 / 3

HEX #D4BFF8

RGB 212 191 248

HSL 262.11, 0.8%, 0.86%

LAB 80.76, 18.25, -25.42

 

CMYK 10 / 18 / 0 / 0

HEX #E5D1FF

RGB 229 209 255

HSL 266.09, 1%, 0.91%

LAB 86.74, 15.39, -19.93

 

CMYK 4 / 11 / 0 / 0

HEX #F6E3FF

RGB 246 227 255

HSL 280.71, 1%, 0.95%

LAB 92.46, 11.4, -11.2

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 19 / 26 / 0 / 8

HEX #BEADEA

RGB 190 173 234

HSL 256.72, 0.59%, 0.8%

LAB 74.05, 18.25, -28.31

 

CMYK 20 / 28 / 0 / 16

HEX #AD9BD7

RGB 173 155 215

HSL 258, 0.43%, 0.73%

LAB 67.45, 18.76, -28.16

 

CMYK 20 / 30 / 0 / 23

HEX #9C89C4

RGB 156 137 196

HSL 259.32, 0.33%, 0.65%

LAB 60.73, 19.32, -28.03

 

CMYK 21 / 33 / 0 / 31

HEX #8B77B1

RGB 139 119 177

HSL 260.69, 0.27%, 0.58%

LAB 53.87, 19.94, -27.93

 

CMYK 23 / 36 / 0 / 38

HEX #7A659E

RGB 122 101 158

HSL 262.11, 0.23%, 0.51%

LAB 46.86, 20.64, -27.87

 

CMYK 19 / 26 / 0 / 8

HEX #BEADEA

RGB 190 173 234

HSL 256.72, 0.59%, 0.8%

LAB 74.05, 18.25, -28.31

 

CMYK 12 / 26 / 0 / 8

HEX #CEADEA

RGB 206 173 234

HSL 272.46, 0.59%, 0.8%

LAB 75.42, 23.23, -26.08

 

CMYK 5 / 26 / 0 / 8

HEX #DFADEA

RGB 223 173 234

HSL 289.18, 0.59%, 0.8%

LAB 76.99, 28.64, -23.55

 

CMYK 0 / 26 / 3 / 8

HEX #EAADE4

RGB 234 173 228

HSL 305.9, 0.59%, 0.8%

LAB 77.86, 31.09, -18.87

 

CMYK 0 / 26 / 9 / 8

HEX #EAADD4

RGB 234 173 212

HSL 321.64, 0.59%, 0.8%

LAB 77.36, 28.3, -10.94

 

CMYK 19 / 26 / 0 / 8

HEX #BEADEA

RGB 190 173 234

HSL 256.72, 0.59%, 0.8%

LAB 74.05, 18.25, -28.31

 

CMYK 26 / 26 / 0 / 8

HEX #AEADEA

RGB 174 173 234

HSL 240.98, 0.59%, 0.8%

LAB 72.78, 13.43, -30.37

 

CMYK 26 / 26 / 0 / 8

HEX #ADADEA

RGB 173 173 234

HSL 240, 0.59%, 0.8%

LAB 72.7, 13.13, -30.49

 

CMYK 19 / 26 / 0 / 8

HEX #BEADEA

RGB 190 173 234

HSL 256.72, 0.59%, 0.8%

LAB 74.05, 18.25, -28.31

 

CMYK 23 / 32 / 0 / 5

HEX #BBA5F2

RGB 187 165 242

HSL 257.14, 0.75%, 0.8%

LAB 72.15, 23.6, -35.6

 

CMYK 27 / 37 / 0 / 2

HEX #B79DFA

RGB 183 157 250

HSL 256.77, 0.9%, 0.8%

LAB 70.23, 28.78, -42.96

 

CMYK 19 / 26 / 0 / 8

HEX #BEADEA

RGB 190 173 234

HSL 256.72, 0.59%, 0.8%

LAB 74.05, 18.25, -28.31

 

CMYK 14 / 19 / 0 / 12

HEX #C2B6E1

RGB 194 182 225

HSL 256.74, 0.42%, 0.8%

LAB 76.29, 12.61, -19.97

 

CMYK 9 / 12 / 0 / 15

HEX #C5BED9

RGB 197 190 217

HSL 255.56, 0.26%, 0.8%

LAB 78.29, 7.6, -12.61

 

CMYK 4 / 5 / 0 / 18

HEX #C9C6D1

RGB 201 198 209

HSL 256.36, 0.11%, 0.8%

LAB 80.41, 3.09, -5.12

 

CMYK 0 / 0 / 2 / 19

HEX #CDCEC9

RGB 205 206 201

HSL 72, 0.05%, 0.8%

LAB 82.56, -1.24, 2.35

 

CMYK 26 / 19 / 0 / 8

HEX #ADBDEA

RGB 173 189 234

HSL 224.26, 0.59%, 0.8%

LAB 76.81, 4.33, -24.19

 

CMYK 26 / 26 / 0 / 8

HEX #ADADEA

RGB 173 173 234

HSL 240, 0.59%, 0.8%

LAB 72.7, 13.13, -30.49

 

CMYK 19 / 26 / 0 / 8

HEX #BDADEA

RGB 189 173 234

HSL 255.74, 0.59%, 0.8%

LAB 73.96, 17.95, -28.44

 

CMYK 12 / 26 / 0 / 8

HEX #CEADEA

RGB 206 173 234

HSL 272.46, 0.59%, 0.8%

LAB 75.42, 23.23, -26.08

 

CMYK 5 / 26 / 0 / 8

HEX #DEADEA

RGB 222 173 234

HSL 288.2, 0.59%, 0.8%

LAB 76.89, 28.32, -23.7

 

CMYK 36 / 50 / 0 / 15

HEX #8A6CD9

RGB 138 108 217

HSL 256.51, 0.59%, 0.64%

LAB 53.1, 36.3, -52.01

 

CMYK 27 / 37 / 0 / 12

HEX #A48DE1

RGB 164 141 225

HSL 256.43, 0.58%, 0.72%

LAB 63.65, 26.37, -39.65

 

CMYK 19 / 26 / 0 / 8

HEX #BEADEA

RGB 190 173 234

HSL 256.72, 0.59%, 0.8%

LAB 74.05, 18.25, -28.31

 

CMYK 11 / 15 / 0 / 5

HEX #D8CEF2

RGB 216 206 242

HSL 256.67, 0.58%, 0.88%

LAB 84.56, 10.24, -16.43

 

CMYK 4 / 5 / 0 / 2

HEX #F2EFFB

RGB 242 239 251

HSL 255, 0.6%, 0.96%

LAB 94.98, 3.16, -5.42

 

CMYK 19 / 26 / 0 / 8

HEX #BEADEA

RGB 190 173 234

HSL 256.72, 0.59%, 0.8%

LAB 74.05, 18.25, -28.31

 

CMYK 0 / 26 / 12 / 8

HEX #EAADCE

RGB 234 173 206

HSL 327.54, 0.59%, 0.8%

LAB 77.18, 27.31, -7.95

 

CMYK 23 / 0 / 26 / 8

HEX #B5EAAD

RGB 181 234 173

HSL 112.13, 0.59%, 0.8%

LAB 87.82, -28.27, 24.27

 

CMYK 19 / 26 / 0 / 8

HEX #BEADEA

RGB 190 173 234

HSL 256.72, 0.59%, 0.8%

LAB 74.05, 18.25, -28.31

 

CMYK 0 / 19 / 26 / 8

HEX #EABDAD

RGB 234 189 173

HSL 15.74, 0.59%, 0.8%

LAB 80.13, 13.8, 14.18

 

CMYK 26 / 0 / 19 / 8

HEX #ADEABD

RGB 173 234 189

HSL 135.74, 0.59%, 0.8%

LAB 87.68, -28.13, 15.72

 

CMYK 19 / 26 / 0 / 8

HEX #BEADEA

RGB 190 173 234

HSL 256.72, 0.59%, 0.8%

LAB 74.05, 18.25, -28.31

 

CMYK 0 / 26 / 12 / 8

HEX #EAADCE

RGB 234 173 206

HSL 327.54, 0.59%, 0.8%

LAB 77.18, 27.31, -7.95

 

CMYK 7 / 0 / 26 / 8

HEX #DAEAAD

RGB 218 234 173

HSL 75.74, 0.59%, 0.8%

LAB 90.21, -15.33, 27.93

 

CMYK 26 / 0 / 14 / 8

HEX #ADEAC9

RGB 173 234 201

HSL 147.54, 0.59%, 0.8%

LAB 87.94, -25.89, 9.84

 

CMYK 19 / 26 / 0 / 8

HEX #BEADEA

RGB 190 173 234

HSL 256.72, 0.59%, 0.8%

LAB 74.05, 18.25, -28.31

 

CMYK 0 / 26 / 20 / 8

HEX #EAADBB

RGB 234 173 187

HSL 346.23, 0.59%, 0.8%

LAB 76.66, 24.33, 1.64

 

CMYK 7 / 0 / 26 / 8

HEX #DAEAAD

RGB 218 234 173

HSL 75.74, 0.59%, 0.8%

LAB 90.21, -15.33, 27.93

 

CMYK 26 / 0 / 6 / 8

HEX #ADEADC

RGB 173 234 220

HSL 166.23, 0.59%, 0.8%

LAB 88.4, -22.09, 0.55

 

Description

Color code: HEX #BEADEA | qconv.com Color code: HEX #BEADEA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 173 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 173 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 26 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 26% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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