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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEABE1 it is the complementary color #41541E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEABE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEABE1 shade: #C3ABDC, #D4BDEF, #E5CFFF, #F6E1FF and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEABE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEABE1 shade: #BEABE1, #AD99CE, #9C87BB, #8B75A8 and #7A6395

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEABE1 shade: #BFACE1, #CDACE1, #DBACE1, #E1ACD8 and #E1ACCA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEABE1 shade: #BFACE1, #B0ACE1 and #ACACE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEABE1 shade matches the following richer shades: #BFACE1, #BCA3EA, #B99AF3 and #B791FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEABE1 shade: #BFACE1, #C1B5D8, #C4BECF, #C7C7C6 and #C9D0BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEABE1 shade: #ACB6E1, #B0ACE1, #BEACE1, #CDACE1 and #DBACE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEABE1 shade: #906FCB, #A78ED6, #BFACE1, #D6CAEC and #EEE9F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEABE1 shade: #BEABE1, #E1ACC4 and #AFE1AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEABE1 shade: #BEABE1, #E1BEAC and #ACE1BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEABE1 shade: #BEABE1, #E1ACC4, #CEE1AC and #ACE1C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEABE1 shade: #BEABE1, #E1ACB4, #CEE1AC and #ACE1D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 24 / 0 / 12

HEX #BEABE1

RGB 190 171 225

HSL 261.11, 0.47%, 0.78%

LAB 73.23, 17.38, -24.67

 

Complementary color

CMYK 23 / 0 / 64 / 67

HEX #41541E

RGB 65 84 30

HSL 81.11, 0.47%, 0.22%

LAB 33.05, -17.02, 28.54

 

CMYK 11 / 22 / 0 / 14

HEX #C3ABDC

RGB 195 171 220

HSL 269.39, 0.41%, 0.77%

LAB 73.48, 17.91, -21.52

 

CMYK 11 / 21 / 0 / 6

HEX #D4BDEF

RGB 212 189 239

HSL 267.6, 0.61%, 0.84%

LAB 79.97, 17.47, -21.8

 

CMYK 10 / 19 / 0 / 0

HEX #E5CFFF

RGB 229 207 255

HSL 267.5, 1%, 0.91%

LAB 86.26, 16.45, -20.66

 

CMYK 4 / 12 / 0 / 0

HEX #F6E1FF

RGB 246 225 255

HSL 282, 1%, 0.94%

LAB 91.98, 12.44, -11.92

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 16 / 24 / 0 / 12

HEX #BEABE1

RGB 190 171 225

HSL 261.11, 0.47%, 0.78%

LAB 73.23, 17.38, -24.67

 

CMYK 16 / 26 / 0 / 19

HEX #AD99CE

RGB 173 153 206

HSL 262.64, 0.35%, 0.7%

LAB 66.61, 17.87, -24.46

 

CMYK 17 / 28 / 0 / 27

HEX #9C87BB

RGB 156 135 187

HSL 264.23, 0.28%, 0.63%

LAB 59.87, 18.4, -24.26

 

CMYK 17 / 30 / 0 / 34

HEX #8B75A8

RGB 139 117 168

HSL 265.88, 0.23%, 0.56%

LAB 52.99, 18.99, -24.09

 

CMYK 18 / 34 / 0 / 42

HEX #7A6395

RGB 122 99 149

HSL 267.6, 0.2%, 0.49%

LAB 45.95, 19.64, -23.95

 

CMYK 15 / 24 / 0 / 12

HEX #BFACE1

RGB 191 172 225

HSL 261.51, 0.47%, 0.78%

LAB 73.56, 17.15, -24.15

 

CMYK 9 / 24 / 0 / 12

HEX #CDACE1

RGB 205 172 225

HSL 277.36, 0.47%, 0.78%

LAB 74.77, 21.61, -22.19

 

CMYK 3 / 24 / 0 / 12

HEX #DBACE1

RGB 219 172 225

HSL 293.21, 0.47%, 0.78%

LAB 76.07, 26.16, -20.1

 

CMYK 0 / 24 / 4 / 12

HEX #E1ACD8

RGB 225 172 216

HSL 310.19, 0.47%, 0.78%

LAB 76.36, 26.49, -14.72

 

CMYK 0 / 24 / 10 / 12

HEX #E1ACCA

RGB 225 172 202

HSL 326.04, 0.47%, 0.78%

LAB 75.93, 24.06, -7.72

 

CMYK 15 / 24 / 0 / 12

HEX #BFACE1

RGB 191 172 225

HSL 261.51, 0.47%, 0.78%

LAB 73.56, 17.15, -24.15

 

CMYK 22 / 24 / 0 / 12

HEX #B0ACE1

RGB 176 172 225

HSL 244.53, 0.47%, 0.78%

LAB 72.34, 12.48, -26.12

 

CMYK 24 / 24 / 0 / 12

HEX #ACACE1

RGB 172 172 225

HSL 240, 0.47%, 0.78%

LAB 72.04, 11.26, -26.62

 

CMYK 15 / 24 / 0 / 12

HEX #BFACE1

RGB 191 172 225

HSL 261.51, 0.47%, 0.78%

LAB 73.56, 17.15, -24.15

 

CMYK 20 / 30 / 0 / 8

HEX #BCA3EA

RGB 188 163 234

HSL 261.13, 0.63%, 0.78%

LAB 71.44, 23.18, -32.34

 

CMYK 24 / 37 / 0 / 5

HEX #B99AF3

RGB 185 154 243

HSL 260.9, 0.79%, 0.78%

LAB 69.4, 29.37, -40.45

 

CMYK 27 / 42 / 0 / 1

HEX #B791FC

RGB 183 145 252

HSL 261.31, 0.95%, 0.78%

LAB 67.54, 35.95, -48.29

 

CMYK 15 / 24 / 0 / 12

HEX #BFACE1

RGB 191 172 225

HSL 261.51, 0.47%, 0.78%

LAB 73.56, 17.15, -24.15

 

CMYK 11 / 16 / 0 / 15

HEX #C1B5D8

RGB 193 181 216

HSL 260.57, 0.31%, 0.78%

LAB 75.66, 10.96, -16.04

 

CMYK 5 / 8 / 0 / 19

HEX #C4BECF

RGB 196 190 207

HSL 261.18, 0.15%, 0.78%

LAB 77.91, 5.29, -7.77

 

CMYK 0 / 0 / 1 / 22

HEX #C7C7C6

RGB 199 199 198

HSL 60, 0.01%, 0.78%

LAB 80.22, -0.18, 0.49

 

CMYK 3 / 0 / 10 / 18

HEX #C9D0BC

RGB 201 208 188

HSL 81, 0.18%, 0.78%

LAB 82.46, -5.95, 9.1

 

CMYK 24 / 19 / 0 / 12

HEX #ACB6E1

RGB 172 182 225

HSL 228.68, 0.47%, 0.78%

LAB 74.61, 5.75, -22.68

 

CMYK 22 / 24 / 0 / 12

HEX #B0ACE1

RGB 176 172 225

HSL 244.53, 0.47%, 0.78%

LAB 72.34, 12.48, -26.12

 

CMYK 16 / 24 / 0 / 12

HEX #BEACE1

RGB 190 172 225

HSL 260.38, 0.47%, 0.78%

LAB 73.47, 16.83, -24.29

 

CMYK 9 / 24 / 0 / 12

HEX #CDACE1

RGB 205 172 225

HSL 277.36, 0.47%, 0.78%

LAB 74.77, 21.61, -22.19

 

CMYK 3 / 24 / 0 / 12

HEX #DBACE1

RGB 219 172 225

HSL 293.21, 0.47%, 0.78%

LAB 76.07, 26.16, -20.1

 

CMYK 29 / 45 / 0 / 20

HEX #906FCB

RGB 144 111 203

HSL 261.52, 0.47%, 0.62%

LAB 53.61, 32.51, -43.22

 

CMYK 22 / 34 / 0 / 16

HEX #A78ED6

RGB 167 142 214

HSL 260.83, 0.47%, 0.7%

LAB 63.69, 24.05, -33.47

 

CMYK 15 / 24 / 0 / 12

HEX #BFACE1

RGB 191 172 225

HSL 261.51, 0.47%, 0.78%

LAB 73.56, 17.15, -24.15

 

CMYK 9 / 14 / 0 / 7

HEX #D6CAEC

RGB 214 202 236

HSL 261.18, 0.47%, 0.86%

LAB 83.23, 10.52, -15.26

 

CMYK 4 / 6 / 0 / 3

HEX #EEE9F7

RGB 238 233 247

HSL 261.43, 0.47%, 0.94%

LAB 93.09, 4.2, -6.17

 

CMYK 16 / 24 / 0 / 12

HEX #BEABE1

RGB 190 171 225

HSL 261.11, 0.47%, 0.78%

LAB 73.23, 17.38, -24.67

 

CMYK 0 / 24 / 13 / 12

HEX #E1ACC4

RGB 225 172 196

HSL 332.83, 0.47%, 0.78%

LAB 75.76, 23.07, -4.7

 

CMYK 22 / 0 / 24 / 12

HEX #AFE1AC

RGB 175 225 172

HSL 116.6, 0.47%, 0.78%

LAB 84.97, -26.13, 20.8

 

CMYK 16 / 24 / 0 / 12

HEX #BEABE1

RGB 190 171 225

HSL 261.11, 0.47%, 0.78%

LAB 73.23, 17.38, -24.67

 

CMYK 0 / 16 / 24 / 12

HEX #E1BEAC

RGB 225 190 172

HSL 20.38, 0.47%, 0.78%

LAB 79.51, 9.76, 13.73

 

CMYK 24 / 0 / 16 / 12

HEX #ACE1BE

RGB 172 225 190

HSL 140.38, 0.47%, 0.78%

LAB 85.17, -23.93, 11.64

 

CMYK 16 / 24 / 0 / 12

HEX #BEABE1

RGB 190 171 225

HSL 261.11, 0.47%, 0.78%

LAB 73.23, 17.38, -24.67

 

CMYK 0 / 24 / 13 / 12

HEX #E1ACC4

RGB 225 172 196

HSL 332.83, 0.47%, 0.78%

LAB 75.76, 23.07, -4.7

 

CMYK 8 / 0 / 24 / 12

HEX #CEE1AC

RGB 206 225 172

HSL 81.51, 0.47%, 0.78%

LAB 86.97, -15.35, 23.88

 

CMYK 24 / 0 / 11 / 12

HEX #ACE1C9

RGB 172 225 201

HSL 152.83, 0.47%, 0.78%

LAB 85.42, -21.82, 6.22

 

CMYK 16 / 24 / 0 / 12

HEX #BEABE1

RGB 190 171 225

HSL 261.11, 0.47%, 0.78%

LAB 73.23, 17.38, -24.67

 

CMYK 0 / 24 / 20 / 12

HEX #E1ACB4

RGB 225 172 180

HSL 350.94, 0.47%, 0.78%

LAB 75.33, 20.55, 3.42

 

CMYK 8 / 0 / 24 / 12

HEX #CEE1AC

RGB 206 225 172

HSL 81.51, 0.47%, 0.78%

LAB 86.97, -15.35, 23.88

 

CMYK 24 / 0 / 4 / 12

HEX #ACE1D9

RGB 172 225 217

HSL 170.94, 0.47%, 0.78%

LAB 85.82, -18.57, -1.64

 

Description

Color code: HEX #BEABE1 | qconv.com Color code: HEX #BEABE1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 171 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 171 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 24 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 24% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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