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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEA9E3 it is the complementary color #41561C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEA9E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEA9E3 shade: #C3A9DE, #D4BBF1, #E5CDFF, #F6DFFF and #FFF1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEA9E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEA9E3 shade: #BEA9E3, #AD97D0, #9C85BD, #8B73AA and #7A6197

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEA9E3 shade: #BFAAE3, #CEAAE3, #DDAAE3, #E3AAD9 and #E3AACA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEA9E3 shade: #BFAAE3, #AFAAE3 and #AAAAE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEA9E3 shade matches the following richer shades: #BFAAE3, #BCA1EC, #B998F5 and #B78FFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEA9E3 shade: #BFAAE3, #C1B3DA, #C4BCD1, #C6C5C8 and #C9CEBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEA9E3 shade: #AAB4E3, #AFAAE3, #BEAAE3, #CDAAE3 and #DCAAE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEA9E3 shade: #8F6BCF, #A78BD9, #BFAAE3, #D6C9ED and #EEE8F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEA9E3 shade: #BEA9E3, #E3AAC4 and #ADE3AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEA9E3 shade: #BEA9E3, #E3BEAA and #AAE3BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEA9E3 shade: #BEA9E3, #E3AAC4, #CFE3AA and #AAE3C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEA9E3 shade: #BEA9E3, #E3AAB2, #CFE3AA and #AAE3DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 26 / 0 / 11

HEX #BEA9E3

RGB 190 169 227

HSL 261.72, 0.51%, 0.78%

LAB 72.81, 18.92, -26.4

 

Complementary color

CMYK 24 / 0 / 67 / 66

HEX #41561C

RGB 65 86 28

HSL 81.72, 0.51%, 0.22%

LAB 33.7, -18.3, 30.28

 

CMYK 12 / 24 / 0 / 13

HEX #C3A9DE

RGB 195 169 222

HSL 269.43, 0.45%, 0.77%

LAB 73.06, 19.43, -23.25

 

CMYK 12 / 22 / 0 / 5

HEX #D4BBF1

RGB 212 187 241

HSL 267.78, 0.66%, 0.84%

LAB 79.55, 18.96, -23.51

 

CMYK 10 / 20 / 0 / 0

HEX #E5CDFF

RGB 229 205 255

HSL 268.8, 1%, 0.9%

LAB 85.78, 17.51, -21.39

 

CMYK 4 / 13 / 0 / 0

HEX #F6DFFF

RGB 246 223 255

HSL 283.13, 1%, 0.94%

LAB 91.5, 13.48, -12.64

 

CMYK 0 / 5 / 0 / 0

HEX #FFF1FF

RGB 255 241 255

HSL 300, 1%, 0.97%

LAB 96.57, 7.12, -5.04

 

CMYK 16 / 26 / 0 / 11

HEX #BEA9E3

RGB 190 169 227

HSL 261.72, 0.51%, 0.78%

LAB 72.81, 18.92, -26.4

 

CMYK 17 / 27 / 0 / 18

HEX #AD97D0

RGB 173 151 208

HSL 263.16, 0.38%, 0.7%

LAB 66.19, 19.44, -26.22

 

CMYK 17 / 30 / 0 / 26

HEX #9C85BD

RGB 156 133 189

HSL 264.64, 0.3%, 0.63%

LAB 59.45, 20, -26.05

 

CMYK 18 / 32 / 0 / 33

HEX #8B73AA

RGB 139 115 170

HSL 266.18, 0.24%, 0.56%

LAB 52.57, 20.63, -25.91

 

CMYK 19 / 36 / 0 / 41

HEX #7A6197

RGB 122 97 151

HSL 267.78, 0.22%, 0.49%

LAB 45.53, 21.33, -25.8

 

CMYK 16 / 25 / 0 / 11

HEX #BFAAE3

RGB 191 170 227

HSL 262.11, 0.5%, 0.78%

LAB 73.14, 18.68, -25.89

 

CMYK 9 / 25 / 0 / 11

HEX #CEAAE3

RGB 206 170 227

HSL 277.89, 0.5%, 0.78%

LAB 74.46, 23.43, -23.75

 

CMYK 3 / 25 / 0 / 11

HEX #DDAAE3

RGB 221 170 227

HSL 293.68, 0.5%, 0.78%

LAB 75.86, 28.27, -21.48

 

CMYK 0 / 25 / 4 / 11

HEX #E3AAD9

RGB 227 170 217

HSL 310.53, 0.5%, 0.78%

LAB 76.12, 28.41, -15.59

 

CMYK 0 / 25 / 11 / 11

HEX #E3AACA

RGB 227 170 202

HSL 326.32, 0.5%, 0.78%

LAB 75.67, 25.83, -8.09

 

CMYK 16 / 25 / 0 / 11

HEX #BFAAE3

RGB 191 170 227

HSL 262.11, 0.5%, 0.78%

LAB 73.14, 18.68, -25.89

 

CMYK 23 / 25 / 0 / 11

HEX #AFAAE3

RGB 175 170 227

HSL 245.26, 0.5%, 0.78%

LAB 71.83, 13.75, -28

 

CMYK 25 / 25 / 0 / 11

HEX #AAAAE3

RGB 170 170 227

HSL 240, 0.5%, 0.78%

LAB 71.45, 12.24, -28.63

 

CMYK 16 / 25 / 0 / 11

HEX #BFAAE3

RGB 191 170 227

HSL 262.11, 0.5%, 0.78%

LAB 73.14, 18.68, -25.89

 

CMYK 20 / 32 / 0 / 7

HEX #BCA1EC

RGB 188 161 236

HSL 261.6, 0.66%, 0.78%

LAB 71.03, 24.74, -34.06

 

CMYK 24 / 38 / 0 / 4

HEX #B998F5

RGB 185 152 245

HSL 261.29, 0.82%, 0.78%

LAB 69.01, 30.95, -42.14

 

CMYK 28 / 44 / 0 / 0

HEX #B78FFE

RGB 183 143 254

HSL 261.62, 0.98%, 0.78%

LAB 67.18, 37.54, -49.95

 

CMYK 16 / 25 / 0 / 11

HEX #BFAAE3

RGB 191 170 227

HSL 262.11, 0.5%, 0.78%

LAB 73.14, 18.68, -25.89

 

CMYK 11 / 18 / 0 / 15

HEX #C1B3DA

RGB 193 179 218

HSL 261.54, 0.35%, 0.78%

LAB 75.23, 12.46, -17.79

 

CMYK 6 / 10 / 0 / 18

HEX #C4BCD1

RGB 196 188 209

HSL 262.86, 0.19%, 0.78%

LAB 77.46, 6.75, -9.53

 

CMYK 1 / 1 / 0 / 22

HEX #C6C5C8

RGB 198 197 200

HSL 260, 0.03%, 0.78%

LAB 79.68, 0.9, -1.39

 

CMYK 2 / 0 / 7 / 19

HEX #C9CEBF

RGB 201 206 191

HSL 80, 0.13%, 0.78%

LAB 82.01, -4.4, 6.86

 

CMYK 25 / 21 / 0 / 11

HEX #AAB4E3

RGB 170 180 227

HSL 229.47, 0.5%, 0.78%

LAB 74.02, 6.71, -24.68

 

CMYK 23 / 25 / 0 / 11

HEX #AFAAE3

RGB 175 170 227

HSL 245.26, 0.5%, 0.78%

LAB 71.83, 13.75, -28

 

CMYK 16 / 25 / 0 / 11

HEX #BEAAE3

RGB 190 170 227

HSL 261.05, 0.5%, 0.78%

LAB 73.05, 18.37, -26.03

 

CMYK 10 / 25 / 0 / 11

HEX #CDAAE3

RGB 205 170 227

HSL 276.84, 0.5%, 0.78%

LAB 74.37, 23.11, -23.9

 

CMYK 3 / 25 / 0 / 11

HEX #DCAAE3

RGB 220 170 227

HSL 292.63, 0.5%, 0.78%

LAB 75.77, 27.95, -21.64

 

CMYK 31 / 48 / 0 / 19

HEX #8F6BCF

RGB 143 107 207

HSL 261.6, 0.51%, 0.62%

LAB 52.8, 35.55, -46.79

 

CMYK 23 / 36 / 0 / 15

HEX #A78BD9

RGB 167 139 217

HSL 261.54, 0.51%, 0.7%

LAB 63.09, 26.46, -36.07

 

CMYK 16 / 25 / 0 / 11

HEX #BFAAE3

RGB 191 170 227

HSL 262.11, 0.5%, 0.78%

LAB 73.14, 18.68, -25.89

 

CMYK 10 / 15 / 0 / 7

HEX #D6C9ED

RGB 214 201 237

HSL 261.67, 0.5%, 0.86%

LAB 83.01, 11.25, -16.12

 

CMYK 4 / 6 / 0 / 3

HEX #EEE8F7

RGB 238 232 247

HSL 264, 0.48%, 0.94%

LAB 92.84, 4.71, -6.54

 

CMYK 16 / 26 / 0 / 11

HEX #BEA9E3

RGB 190 169 227

HSL 261.72, 0.51%, 0.78%

LAB 72.81, 18.92, -26.4

 

CMYK 0 / 25 / 14 / 11

HEX #E3AAC4

RGB 227 170 196

HSL 332.63, 0.5%, 0.78%

LAB 75.49, 24.85, -5.07

 

CMYK 24 / 0 / 25 / 11

HEX #ADE3AA

RGB 173 227 170

HSL 116.84, 0.5%, 0.78%

LAB 85.36, -28.09, 22.37

 

CMYK 16 / 26 / 0 / 11

HEX #BEA9E3

RGB 190 169 227

HSL 261.72, 0.51%, 0.78%

LAB 72.81, 18.92, -26.4

 

CMYK 0 / 16 / 25 / 11

HEX #E3BEAA

RGB 227 190 170

HSL 21.05, 0.5%, 0.78%

LAB 79.65, 10.23, 15.03

 

CMYK 25 / 0 / 16 / 11

HEX #AAE3BE

RGB 170 227 190

HSL 141.05, 0.5%, 0.78%

LAB 85.61, -25.53, 12.25

 

CMYK 16 / 26 / 0 / 11

HEX #BEA9E3

RGB 190 169 227

HSL 261.72, 0.51%, 0.78%

LAB 72.81, 18.92, -26.4

 

CMYK 0 / 25 / 14 / 11

HEX #E3AAC4

RGB 227 170 196

HSL 332.63, 0.5%, 0.78%

LAB 75.49, 24.85, -5.07

 

CMYK 9 / 0 / 25 / 11

HEX #CFE3AA

RGB 207 227 170

HSL 81.05, 0.5%, 0.78%

LAB 87.54, -16.27, 25.7

 

CMYK 25 / 0 / 11 / 11

HEX #AAE3C9

RGB 170 227 201

HSL 152.63, 0.5%, 0.78%

LAB 85.86, -23.42, 6.83

 

CMYK 16 / 26 / 0 / 11

HEX #BEA9E3

RGB 190 169 227

HSL 261.72, 0.51%, 0.78%

LAB 72.81, 18.92, -26.4

 

CMYK 0 / 25 / 22 / 11

HEX #E3AAB2

RGB 227 170 178

HSL 351.58, 0.5%, 0.78%

LAB 75.01, 22.06, 4.08

 

CMYK 9 / 0 / 25 / 11

HEX #CFE3AA

RGB 207 227 170

HSL 81.05, 0.5%, 0.78%

LAB 87.54, -16.27, 25.7

 

CMYK 25 / 0 / 4 / 11

HEX #AAE3DA

RGB 170 227 218

HSL 170.53, 0.5%, 0.78%

LAB 86.28, -19.95, -1.51

 

Description

Color code: HEX #BEA9E3 | qconv.com Color code: HEX #BEA9E3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 169 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 169 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 26 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 26% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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