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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEA97D it is the complementary color #415682. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEA97D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEA97D shade: #C3A978, #D4BB8B, #E5CD9E, #F6DFB1 and #FFF1C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEA97D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEA97D shade: #BEA97D, #AD976A, #9C8557, #8B7344 and #7A6131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEA97D shade: #BEA97E, #BE987E, #BE867E and #BE7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEA97D shade: #BEA97E, #BEBA7E, #B0BE7E, #9EBE7E and #8DBE7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEA97D shade matches the following richer shades: #BEA97E, #CDAE6E, #DDB45E, #EDBA4F and #FCBF3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEA97D shade: #BEA97E, #AEA38D, #9E9E9D, #8F98AD and #7F93BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEA97D shade: #BE867E, #BE977E, #BEA87E, #BEB97E and #B1BE7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEA97D shade: #9B824E, #B09762, #BEA97E, #CBBB99 and #D9CDB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEA97D shade: #BEA97D, #86BE7E and #8F7EBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEA97D shade: #BEA97D, #7EBEA8 and #A87EBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEA97D shade: #BEA97D, #86BE7E, #7E93BE and #B57EBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEA97D shade: #BEA97D, #7EBE88, #7E93BE and #BE7EB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 34 / 25

HEX #BEA97D

RGB 190 169 125

HSL 40.62, 0.33%, 0.62%

LAB 70.04, 1.09, 25.52

 

Complementary color

CMYK 50 / 34 / 0 / 49

HEX #415682

RGB 65 86 130

HSL 220.62, 0.33%, 0.38%

LAB 36.73, 5.07, -27.21

 

CMYK 0 / 13 / 38 / 24

HEX #C3A978

RGB 195 169 120

HSL 39.2, 0.38%, 0.62%

LAB 70.41, 2.5, 28.78

 

CMYK 0 / 12 / 34 / 17

HEX #D4BB8B

RGB 212 187 139

HSL 39.45, 0.46%, 0.69%

LAB 76.92, 1.97, 27.61

 

CMYK 0 / 10 / 31 / 10

HEX #E5CD9E

RGB 229 205 158

HSL 39.72, 0.58%, 0.76%

LAB 83.33, 1.52, 26.5

 

CMYK 0 / 9 / 28 / 4

HEX #F6DFB1

RGB 246 223 177

HSL 40, 0.79%, 0.83%

LAB 89.65, 1.11, 25.45

 

CMYK 0 / 5 / 23 / 0

HEX #FFF1C4

RGB 255 241 196

HSL 45.76, 1%, 0.88%

LAB 95.23, -2.17, 23.47

 

CMYK 0 / 11 / 34 / 25

HEX #BEA97D

RGB 190 169 125

HSL 40.62, 0.33%, 0.62%

LAB 70.04, 1.09, 25.52

 

CMYK 0 / 13 / 39 / 32

HEX #AD976A

RGB 173 151 106

HSL 40.3, 0.29%, 0.55%

LAB 63.39, 1.61, 26.72

 

CMYK 0 / 15 / 44 / 39

HEX #9C8557

RGB 156 133 87

HSL 40, 0.28%, 0.48%

LAB 56.62, 2.23, 28.01

 

CMYK 0 / 17 / 51 / 45

HEX #8B7344

RGB 139 115 68

HSL 39.72, 0.34%, 0.41%

LAB 49.7, 2.99, 29.38

 

CMYK 0 / 20 / 60 / 52

HEX #7A6131

RGB 122 97 49

HSL 39.45, 0.43%, 0.34%

LAB 42.63, 3.96, 30.82

 

CMYK 0 / 11 / 34 / 25

HEX #BEA97E

RGB 190 169 126

HSL 40.31, 0.33%, 0.62%

LAB 70.06, 1.21, 25.01

 

CMYK 0 / 20 / 34 / 25

HEX #BE987E

RGB 190 152 126

HSL 24.38, 0.33%, 0.62%

LAB 65.68, 10.47, 19.07

 

CMYK 0 / 29 / 34 / 25

HEX #BE867E

RGB 190 134 126

HSL 7.5, 0.33%, 0.62%

LAB 61.22, 20.42, 12.89

 

CMYK 0 / 34 / 34 / 25

HEX #BE7E7E

RGB 190 126 126

HSL 0, 0.33%, 0.62%

LAB 59.32, 24.85, 10.22

 

CMYK 0 / 11 / 34 / 25

HEX #BEA97E

RGB 190 169 126

HSL 40.31, 0.33%, 0.62%

LAB 70.06, 1.21, 25.01

 

CMYK 0 / 2 / 34 / 25

HEX #BEBA7E

RGB 190 186 126

HSL 56.25, 0.33%, 0.62%

LAB 74.55, -7.79, 30.98

 

CMYK 7 / 0 / 34 / 25

HEX #B0BE7E

RGB 176 190 126

HSL 73.13, 0.33%, 0.62%

LAB 74.55, -15.34, 30.77

 

CMYK 17 / 0 / 34 / 25

HEX #9EBE7E

RGB 158 190 126

HSL 90, 0.33%, 0.62%

LAB 73.29, -22.16, 28.87

 

CMYK 26 / 0 / 34 / 25

HEX #8DBE7E

RGB 141 190 126

HSL 105.94, 0.33%, 0.62%

LAB 72.23, -28.28, 27.27

 

CMYK 0 / 11 / 34 / 25

HEX #BEA97E

RGB 190 169 126

HSL 40.31, 0.33%, 0.62%

LAB 70.06, 1.21, 25.01

 

CMYK 0 / 15 / 46 / 20

HEX #CDAE6E

RGB 205 174 110

HSL 40.42, 0.49%, 0.62%

LAB 72.48, 2.84, 36.92

 

CMYK 0 / 19 / 57 / 13

HEX #DDB45E

RGB 221 180 94

HSL 40.63, 0.65%, 0.62%

LAB 75.34, 4.9, 48.8

 

CMYK 0 / 22 / 67 / 7

HEX #EDBA4F

RGB 237 186 79

HSL 40.63, 0.81%, 0.62%

LAB 78.28, 7.47, 59.44

 

CMYK 0 / 24 / 75 / 1

HEX #FCBF3F

RGB 252 191 63

HSL 40.63, 0.97%, 0.62%

LAB 80.91, 10.4, 69.08

 

CMYK 0 / 11 / 34 / 25

HEX #BEA97E

RGB 190 169 126

HSL 40.31, 0.33%, 0.62%

LAB 70.06, 1.21, 25.01

 

CMYK 0 / 6 / 19 / 32

HEX #AEA38D

RGB 174 163 141

HSL 40, 0.17%, 0.62%

LAB 67.36, 0.28, 12.87

 

CMYK 0 / 0 / 1 / 38

HEX #9E9E9D

RGB 158 158 157

HSL 60, 0.01%, 0.62%

LAB 65.09, -0.19, 0.51

 

CMYK 17 / 12 / 0 / 32

HEX #8F98AD

RGB 143 152 173

HSL 222, 0.15%, 0.62%

LAB 62.77, 1.27, -12.04

 

CMYK 32 / 22 / 0 / 26

HEX #7F93BC

RGB 127 147 188

HSL 220.33, 0.31%, 0.62%

LAB 60.79, 2.74, -23.62

 

CMYK 0 / 29 / 34 / 25

HEX #BE867E

RGB 190 134 126

HSL 7.5, 0.33%, 0.62%

LAB 61.22, 20.42, 12.89

 

CMYK 0 / 21 / 34 / 25

HEX #BE977E

RGB 190 151 126

HSL 23.44, 0.33%, 0.62%

LAB 65.43, 11.02, 18.72

 

CMYK 0 / 12 / 34 / 25

HEX #BEA87E

RGB 190 168 126

HSL 39.38, 0.33%, 0.62%

LAB 69.8, 1.75, 24.66

 

CMYK 0 / 3 / 34 / 25

HEX #BEB97E

RGB 190 185 126

HSL 55.31, 0.33%, 0.62%

LAB 74.29, -7.27, 30.63

 

CMYK 7 / 0 / 34 / 25

HEX #B1BE7E

RGB 177 190 126

HSL 72.19, 0.33%, 0.62%

LAB 74.62, -14.95, 30.88

 

CMYK 0 / 16 / 50 / 39

HEX #9B824E

RGB 155 130 78

HSL 40.52, 0.33%, 0.46%

LAB 55.57, 2.53, 31.58

 

CMYK 0 / 14 / 44 / 31

HEX #B09762

RGB 176 151 98

HSL 40.77, 0.33%, 0.54%

LAB 63.54, 1.96, 31.31

 

CMYK 0 / 11 / 34 / 25

HEX #BEA97E

RGB 190 169 126

HSL 40.31, 0.33%, 0.62%

LAB 70.06, 1.21, 25.01

 

CMYK 0 / 8 / 25 / 20

HEX #CBBB99

RGB 203 187 153

HSL 40.8, 0.32%, 0.7%

LAB 76.4, 0.32, 19.3

 

CMYK 0 / 6 / 17 / 15

HEX #D9CDB4

RGB 217 205 180

HSL 40.54, 0.33%, 0.78%

LAB 82.76, 0.08, 13.94

 

CMYK 0 / 11 / 34 / 25

HEX #BEA97D

RGB 190 169 125

HSL 40.62, 0.33%, 0.62%

LAB 70.04, 1.09, 25.52

 

CMYK 29 / 0 / 34 / 25

HEX #86BE7E

RGB 134 190 126

HSL 112.5, 0.33%, 0.62%

LAB 71.83, -30.69, 26.67

 

CMYK 25 / 34 / 0 / 25

HEX #8F7EBE

RGB 143 126 190

HSL 255.94, 0.33%, 0.62%

LAB 56.56, 20.24, -31.18

 

CMYK 0 / 11 / 34 / 25

HEX #BEA97D

RGB 190 169 125

HSL 40.62, 0.33%, 0.62%

LAB 70.04, 1.09, 25.52

 

CMYK 34 / 0 / 12 / 25

HEX #7EBEA8

RGB 126 190 168

HSL 159.38, 0.33%, 0.62%

LAB 72.29, -25.32, 4.63

 

CMYK 12 / 34 / 0 / 25

HEX #A87EBE

RGB 168 126 190

HSL 279.38, 0.33%, 0.62%

LAB 58.94, 28.06, -27.31

 

CMYK 0 / 11 / 34 / 25

HEX #BEA97D

RGB 190 169 125

HSL 40.62, 0.33%, 0.62%

LAB 70.04, 1.09, 25.52

 

CMYK 29 / 0 / 34 / 25

HEX #86BE7E

RGB 134 190 126

HSL 112.5, 0.33%, 0.62%

LAB 71.83, -30.69, 26.67

 

CMYK 34 / 23 / 0 / 25

HEX #7E93BE

RGB 126 147 190

HSL 220.31, 0.33%, 0.62%

LAB 60.8, 2.97, -24.74

 

CMYK 5 / 34 / 0 / 25

HEX #B57EBE

RGB 181 126 190

HSL 291.56, 0.33%, 0.62%

LAB 60.3, 32.23, -25.09

 

CMYK 0 / 11 / 34 / 25

HEX #BEA97D

RGB 190 169 125

HSL 40.62, 0.33%, 0.62%

LAB 70.04, 1.09, 25.52

 

CMYK 34 / 0 / 28 / 25

HEX #7EBE88

RGB 126 190 136

HSL 129.38, 0.33%, 0.62%

LAB 71.58, -31.64, 20.95

 

CMYK 34 / 23 / 0 / 25

HEX #7E93BE

RGB 126 147 190

HSL 220.31, 0.33%, 0.62%

LAB 60.8, 2.97, -24.74

 

CMYK 0 / 34 / 6 / 25

HEX #BE7EB3

RGB 190 126 179

HSL 310.31, 0.33%, 0.62%

LAB 60.89, 33.11, -17.86

 

Description

Color code: HEX #BEA97D | qconv.com Color code: HEX #BEA97D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 169 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 169 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 34 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 34% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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