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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE9E88 it is the complementary color #416177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE9E88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE9E88 shade: #C39E83, #D4B096, #E5C2A9, #F6D4BC and #FFE6CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE9E88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE9E88 shade: #BE9E88, #AD8C75, #9C7A62, #8B684F and #7A563C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE9E88 shade: #BD9E88, #BD8F88 and #BD8888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE9E88 shade: #BD9E88, #BDAC88, #BDBA88, #B2BD88 and #A3BD88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE9E88 shade matches the following richer shades: #BD9E88, #CC9B79, #DB986A, #EA965C and #F9934D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE9E88 shade: #BD9E88, #AEA197, #A0A3A6, #91A6B5 and #82A9C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE9E88 shade: #BD888F, #BD8F88, #BD9D88, #BDAC88 and #BDBA88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE9E88 shade: #9D7356, #AF886D, #BD9E88, #CCB4A3 and #DBC9BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE9E88 shade: #BE9E88, #9DBD88 and #8888BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE9E88 shade: #BE9E88, #88BD9D and #9D88BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE9E88 shade: #BE9E88, #9DBD88, #88A8BD and #A888BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE9E88 shade: #BE9E88, #8DBD88, #88A8BD and #B888BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 28 / 25

HEX #BE9E88

RGB 190 158 136

HSL 24.44, 0.29%, 0.64%

LAB 67.41, 8.51, 15.92

 

Complementary color

CMYK 45 / 18 / 0 / 53

HEX #416177

RGB 65 97 119

HSL 204.44, 0.29%, 0.36%

LAB 39.59, -5.27, -16.04

 

CMYK 0 / 19 / 33 / 24

HEX #C39E83

RGB 195 158 131

HSL 25.31, 0.35%, 0.64%

LAB 67.79, 9.82, 19.29

 

CMYK 0 / 17 / 29 / 17

HEX #D4B096

RGB 212 176 150

HSL 25.16, 0.42%, 0.71%

LAB 74.35, 9.24, 18.21

 

CMYK 0 / 15 / 26 / 10

HEX #E5C2A9

RGB 229 194 169

HSL 25, 0.54%, 0.78%

LAB 80.8, 8.73, 17.2

 

CMYK 0 / 14 / 24 / 4

HEX #F6D4BC

RGB 246 212 188

HSL 24.83, 0.76%, 0.85%

LAB 87.15, 8.27, 16.25

 

CMYK 0 / 10 / 19 / 0

HEX #FFE6CF

RGB 255 230 207

HSL 28.75, 1%, 0.91%

LAB 92.73, 4.98, 14.31

 

CMYK 0 / 17 / 28 / 25

HEX #BE9E88

RGB 190 158 136

HSL 24.44, 0.29%, 0.64%

LAB 67.41, 8.51, 15.92

 

CMYK 0 / 19 / 32 / 32

HEX #AD8C75

RGB 173 140 117

HSL 24.64, 0.25%, 0.57%

LAB 60.72, 9.09, 17.01

 

CMYK 0 / 22 / 37 / 39

HEX #9C7A62

RGB 156 122 98

HSL 24.83, 0.23%, 0.5%

LAB 53.89, 9.77, 18.2

 

CMYK 0 / 25 / 43 / 45

HEX #8B684F

RGB 139 104 79

HSL 25, 0.28%, 0.43%

LAB 46.91, 10.58, 19.52

 

CMYK 0 / 30 / 51 / 52

HEX #7A563C

RGB 122 86 60

HSL 25.16, 0.34%, 0.36%

LAB 39.78, 11.57, 21.01

 

CMYK 0 / 16 / 28 / 26

HEX #BD9E88

RGB 189 158 136

HSL 24.91, 0.29%, 0.64%

LAB 67.31, 8.12, 15.77

 

CMYK 0 / 24 / 28 / 26

HEX #BD8F88

RGB 189 143 136

HSL 7.92, 0.29%, 0.64%

LAB 63.54, 16.39, 10.48

 

CMYK 0 / 28 / 28 / 26

HEX #BD8888

RGB 189 136 136

HSL 0, 0.29%, 0.64%

LAB 61.83, 20.27, 8.05

 

CMYK 0 / 16 / 28 / 26

HEX #BD9E88

RGB 189 158 136

HSL 24.91, 0.29%, 0.64%

LAB 67.31, 8.12, 15.77

 

CMYK 0 / 9 / 28 / 26

HEX #BDAC88

RGB 189 172 136

HSL 40.75, 0.29%, 0.64%

LAB 70.94, 0.52, 20.77

 

CMYK 0 / 2 / 28 / 26

HEX #BDBA88

RGB 189 186 136

HSL 56.6, 0.29%, 0.64%

LAB 74.64, -6.9, 25.8

 

CMYK 6 / 0 / 28 / 26

HEX #B2BD88

RGB 178 189 136

HSL 72.45, 0.29%, 0.64%

LAB 74.6, -12.7, 25.59

 

CMYK 14 / 0 / 28 / 26

HEX #A3BD88

RGB 163 189 136

HSL 89.43, 0.29%, 0.64%

LAB 73.52, -18.34, 23.95

 

CMYK 0 / 16 / 28 / 26

HEX #BD9E88

RGB 189 158 136

HSL 24.91, 0.29%, 0.64%

LAB 67.31, 8.12, 15.77

 

CMYK 0 / 24 / 41 / 20

HEX #CC9B79

RGB 204 155 121

HSL 24.58, 0.45%, 0.64%

LAB 67.77, 13.85, 24.9

 

CMYK 0 / 31 / 52 / 14

HEX #DB986A

RGB 219 152 106

HSL 24.42, 0.61%, 0.64%

LAB 68.43, 20.05, 34.18

 

CMYK 0 / 36 / 61 / 8

HEX #EA965C

RGB 234 150 92

HSL 24.51, 0.77%, 0.64%

LAB 69.52, 26.1, 43.26

 

CMYK 0 / 41 / 69 / 2

HEX #F9934D

RGB 249 147 77

HSL 24.42, 0.93%, 0.64%

LAB 70.55, 32.8, 52.39

 

CMYK 0 / 16 / 28 / 26

HEX #BD9E88

RGB 189 158 136

HSL 24.91, 0.29%, 0.64%

LAB 67.31, 8.12, 15.77

 

CMYK 0 / 7 / 13 / 32

HEX #AEA197

RGB 174 161 151

HSL 26.09, 0.12%, 0.64%

LAB 67.07, 2.99, 6.9

 

CMYK 4 / 2 / 0 / 35

HEX #A0A3A6

RGB 160 163 166

HSL 210, 0.03%, 0.64%

LAB 66.84, -0.48, -1.93

 

CMYK 20 / 8 / 0 / 29

HEX #91A6B5

RGB 145 166 181

HSL 205, 0.2%, 0.64%

LAB 67, -4.02, -10.18

 

CMYK 33 / 13 / 0 / 24

HEX #82A9C3

RGB 130 169 195

HSL 204, 0.35%, 0.64%

LAB 67.32, -6.87, -17.56

 

CMYK 0 / 28 / 24 / 26

HEX #BD888F

RGB 189 136 143

HSL 352.08, 0.29%, 0.64%

LAB 62.01, 21.29, 4.32

 

CMYK 0 / 24 / 28 / 26

HEX #BD8F88

RGB 189 143 136

HSL 7.92, 0.29%, 0.64%

LAB 63.54, 16.39, 10.48

 

CMYK 0 / 17 / 28 / 26

HEX #BD9D88

RGB 189 157 136

HSL 23.77, 0.29%, 0.64%

LAB 67.06, 8.66, 15.42

 

CMYK 0 / 9 / 28 / 26

HEX #BDAC88

RGB 189 172 136

HSL 40.75, 0.29%, 0.64%

LAB 70.94, 0.52, 20.77

 

CMYK 0 / 2 / 28 / 26

HEX #BDBA88

RGB 189 186 136

HSL 56.6, 0.29%, 0.64%

LAB 74.64, -6.9, 25.8

 

CMYK 0 / 27 / 45 / 38

HEX #9D7356

RGB 157 115 86

HSL 24.51, 0.29%, 0.48%

LAB 51.95, 12.77, 22.51

 

CMYK 0 / 22 / 38 / 31

HEX #AF886D

RGB 175 136 109

HSL 24.55, 0.29%, 0.56%

LAB 59.73, 11.12, 20.2

 

CMYK 0 / 16 / 28 / 26

HEX #BD9E88

RGB 189 158 136

HSL 24.91, 0.29%, 0.64%

LAB 67.31, 8.12, 15.77

 

CMYK 0 / 12 / 20 / 20

HEX #CCB4A3

RGB 204 180 163

HSL 24.88, 0.29%, 0.72%

LAB 74.9, 5.89, 11.82

 

CMYK 0 / 8 / 14 / 14

HEX #DBC9BD

RGB 219 201 189

HSL 24, 0.29%, 0.8%

LAB 82.11, 4.31, 8.26

 

CMYK 0 / 17 / 28 / 25

HEX #BE9E88

RGB 190 158 136

HSL 24.44, 0.29%, 0.64%

LAB 67.41, 8.51, 15.92

 

CMYK 17 / 0 / 28 / 26

HEX #9DBD88

RGB 157 189 136

HSL 96.23, 0.29%, 0.64%

LAB 73.12, -20.54, 23.34

 

CMYK 28 / 28 / 0 / 26

HEX #8888BD

RGB 136 136 189

HSL 240, 0.29%, 0.64%

LAB 58.52, 12.03, -27.62

 

CMYK 0 / 17 / 28 / 25

HEX #BE9E88

RGB 190 158 136

HSL 24.44, 0.29%, 0.64%

LAB 67.41, 8.51, 15.92

 

CMYK 28 / 0 / 17 / 26

HEX #88BD9D

RGB 136 189 157

HSL 143.77, 0.29%, 0.64%

LAB 72.27, -24.03, 10.66

 

CMYK 17 / 28 / 0 / 26

HEX #9D88BD

RGB 157 136 189

HSL 263.77, 0.29%, 0.64%

LAB 60.29, 18.6, -24.74

 

CMYK 0 / 17 / 28 / 25

HEX #BE9E88

RGB 190 158 136

HSL 24.44, 0.29%, 0.64%

LAB 67.41, 8.51, 15.92

 

CMYK 17 / 0 / 28 / 26

HEX #9DBD88

RGB 157 189 136

HSL 96.23, 0.29%, 0.64%

LAB 73.12, -20.54, 23.34

 

CMYK 28 / 11 / 0 / 26

HEX #88A8BD

RGB 136 168 189

HSL 203.77, 0.29%, 0.64%

LAB 67.21, -6.04, -14.36

 

CMYK 11 / 28 / 0 / 26

HEX #A888BD

RGB 168 136 189

HSL 276.23, 0.29%, 0.64%

LAB 61.31, 22.17, -23.09

 

CMYK 0 / 17 / 28 / 25

HEX #BE9E88

RGB 190 158 136

HSL 24.44, 0.29%, 0.64%

LAB 67.41, 8.51, 15.92

 

CMYK 25 / 0 / 28 / 26

HEX #8DBD88

RGB 141 189 136

HSL 114.34, 0.29%, 0.64%

LAB 72.12, -26.19, 21.81

 

CMYK 28 / 11 / 0 / 26

HEX #88A8BD

RGB 136 168 189

HSL 203.77, 0.29%, 0.64%

LAB 67.21, -6.04, -14.36

 

CMYK 3 / 28 / 0 / 26

HEX #B888BD

RGB 184 136 189

HSL 294.34, 0.29%, 0.64%

LAB 62.9, 27.45, -20.52

 

Description

Color code: HEX #BE9E88 | qconv.com Color code: HEX #BE9E88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 158 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 158 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 28 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 28% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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