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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE8E18 it is the complementary color #4171E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE8E18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE8E18 shade: #C38E13, #D4A026, #E5B239, #F6C44C and #FFD65F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE8E18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE8E18 shade: #BE8E18, #AD7C05, #9C6A00, #8B5800 and #7A4600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE8E18 shade: #BE8E17, #BE6117, #BE3417 and #BE1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE8E18 shade: #BE8E17, #BEBB17, #94BE17, #67BE17 and #3ABE17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE8E18 shade matches the following richer shades: #BE8E17 and #CF9506

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE8E18 shade: #BE8E17, #AD8728, #9B7F3A, #8A784B and #79715C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE8E18 shade: #BE3317, #BE5F17, #BE8C17, #BEB917 and #97BE17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE8E18 shade: #75570E, #997213, #BE8E17, #E3A91C and #E7B741

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE8E18 shade: #BE8E18, #28BE17 and #4917BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE8E18 shade: #BE8E18, #17BE8C and #8C17BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE8E18 shade: #BE8E18, #28BE17, #1749BE and #AD17BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE8E18 shade: #BE8E18, #17BE38, #1749BE and #BE179D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 87 / 25

HEX #BE8E18

RGB 190 142 24

HSL 42.65, 0.78%, 0.42%

LAB 61.96, 8.4, 62.39

 

Complementary color

CMYK 72 / 51 / 0 / 9

HEX #4171E7

RGB 65 113 231

HSL 222.65, 0.78%, 0.58%

LAB 50.34, 23.4, -64.6

 

CMYK 0 / 27 / 90 / 24

HEX #C38E13

RGB 195 142 19

HSL 41.93, 0.82%, 0.42%

LAB 62.5, 10.53, 64.23

 

CMYK 0 / 25 / 82 / 17

HEX #D4A026

RGB 212 160 38

HSL 42.07, 0.7%, 0.49%

LAB 68.95, 8.74, 65.21

 

CMYK 0 / 22 / 75 / 10

HEX #E5B239

RGB 229 178 57

HSL 42.21, 0.77%, 0.56%

LAB 75.32, 7.21, 65.14

 

CMYK 0 / 20 / 69 / 4

HEX #F6C44C

RGB 246 196 76

HSL 42.35, 0.9%, 0.63%

LAB 81.62, 5.88, 64.49

 

CMYK 0 / 16 / 63 / 0

HEX #FFD65F

RGB 255 214 95

HSL 44.63, 1%, 0.69%

LAB 87.08, 1.44, 62.51

 

CMYK 0 / 25 / 87 / 25

HEX #BE8E18

RGB 190 142 24

HSL 42.65, 0.78%, 0.42%

LAB 61.96, 8.4, 62.39

 

CMYK 0 / 28 / 97 / 32

HEX #AD7C05

RGB 173 124 5

HSL 42.5, 0.94%, 0.35%

LAB 55.39, 10.35, 60.4

 

CMYK 0 / 32 / 100 / 39

HEX #9C6A00

RGB 156 106 0

HSL 40.77, 1%, 0.31%

LAB 48.73, 12.65, 55.84

 

CMYK 0 / 37 / 100 / 45

HEX #8B5800

RGB 139 88 0

HSL 37.99, 1%, 0.27%

LAB 41.95, 15.13, 50.31

 

CMYK 0 / 43 / 100 / 52

HEX #7A4600

RGB 122 70 0

HSL 34.43, 1%, 0.24%

LAB 35.04, 17.74, 44.69

 

CMYK 0 / 25 / 88 / 25

HEX #BE8E17

RGB 190 142 23

HSL 42.75, 0.78%, 0.42%

LAB 61.96, 8.37, 62.64

 

CMYK 0 / 49 / 88 / 25

HEX #BE6117

RGB 190 97 23

HSL 26.59, 0.78%, 0.42%

LAB 51.33, 32.94, 54.16

 

CMYK 0 / 73 / 88 / 25

HEX #BE3417

RGB 190 52 23

HSL 10.42, 0.78%, 0.42%

LAB 43.46, 53.57, 47.89

 

CMYK 0 / 88 / 88 / 25

HEX #BE1717

RGB 190 23 23

HSL 0, 0.78%, 0.42%

LAB 40.61, 61.57, 45.63

 

CMYK 0 / 25 / 88 / 25

HEX #BE8E17

RGB 190 142 23

HSL 42.75, 0.78%, 0.42%

LAB 61.96, 8.37, 62.64

 

CMYK 0 / 2 / 88 / 25

HEX #BEBB17

RGB 190 187 23

HSL 58.92, 0.78%, 0.42%

LAB 73.9, -15.45, 72.18

 

CMYK 22 / 0 / 88 / 25

HEX #94BE17

RGB 148 190 23

HSL 75.09, 0.78%, 0.42%

LAB 71.68, -34.57, 69.1

 

CMYK 46 / 0 / 88 / 25

HEX #67BE17

RGB 103 190 23

HSL 91.26, 0.78%, 0.42%

LAB 69.31, -50.97, 66.15

 

CMYK 69 / 0 / 88 / 25

HEX #3ABE17

RGB 58 190 23

HSL 107.43, 0.78%, 0.42%

LAB 67.86, -62.55, 64.34

 

CMYK 0 / 25 / 88 / 25

HEX #BE8E17

RGB 190 142 23

HSL 42.75, 0.78%, 0.42%

LAB 61.96, 8.37, 62.64

 

CMYK 0 / 28 / 97 / 19

HEX #CF9506

RGB 207 149 6

HSL 42.69, 0.94%, 0.42%

LAB 65.57, 11.87, 69.21

 

CMYK 0 / 25 / 88 / 25

HEX #BE8E17

RGB 190 142 23

HSL 42.75, 0.78%, 0.42%

LAB 61.96, 8.37, 62.64

 

CMYK 0 / 22 / 77 / 32

HEX #AD8728

RGB 173 135 40

HSL 42.86, 0.62%, 0.42%

LAB 58.38, 5.13, 53.38

 

CMYK 0 / 18 / 63 / 39

HEX #9B7F3A

RGB 155 127 58

HSL 42.68, 0.46%, 0.42%

LAB 54.5, 2.5, 40.74

 

CMYK 0 / 13 / 46 / 46

HEX #8A784B

RGB 138 120 75

HSL 42.86, 0.3%, 0.42%

LAB 51.09, 0.43, 27.22

 

CMYK 0 / 7 / 24 / 53

HEX #79715C

RGB 121 113 92

HSL 43.45, 0.14%, 0.42%

LAB 47.81, -0.59, 12.79

 

CMYK 0 / 73 / 88 / 25

HEX #BE3317

RGB 190 51 23

HSL 10.06, 0.78%, 0.42%

LAB 43.33, 53.93, 47.79

 

CMYK 0 / 50 / 88 / 25

HEX #BE5F17

RGB 190 95 23

HSL 25.87, 0.78%, 0.42%

LAB 50.91, 33.99, 53.83

 

CMYK 0 / 26 / 88 / 25

HEX #BE8C17

RGB 190 140 23

HSL 42.04, 0.78%, 0.42%

LAB 61.45, 9.47, 62.23

 

CMYK 0 / 3 / 88 / 25

HEX #BEB917

RGB 190 185 23

HSL 58.2, 0.78%, 0.42%

LAB 73.35, -14.44, 71.75

 

CMYK 21 / 0 / 88 / 25

HEX #97BE17

RGB 151 190 23

HSL 74.01, 0.78%, 0.42%

LAB 71.87, -33.36, 69.34

 

CMYK 0 / 26 / 88 / 54

HEX #75570E

RGB 117 87 14

HSL 42.52, 0.79%, 0.26%

LAB 38.95, 5.5, 42.9

 

CMYK 0 / 25 / 88 / 40

HEX #997213

RGB 153 114 19

HSL 42.54, 0.78%, 0.34%

LAB 50.52, 7.03, 52.71

 

CMYK 0 / 25 / 88 / 25

HEX #BE8E17

RGB 190 142 23

HSL 42.75, 0.78%, 0.42%

LAB 61.96, 8.37, 62.64

 

CMYK 0 / 26 / 88 / 11

HEX #E3A91C

RGB 227 169 28

HSL 42.51, 0.78%, 0.5%

LAB 72.75, 10.22, 71.72

 

CMYK 0 / 21 / 72 / 9

HEX #E7B741

RGB 231 183 65

HSL 42.65, 0.78%, 0.58%

LAB 76.82, 5.78, 63.59

 

CMYK 0 / 25 / 87 / 25

HEX #BE8E18

RGB 190 142 24

HSL 42.65, 0.78%, 0.42%

LAB 61.96, 8.4, 62.39

 

CMYK 79 / 0 / 88 / 25

HEX #28BE17

RGB 40 190 23

HSL 113.89, 0.78%, 0.42%

LAB 67.53, -65.44, 63.93

 

CMYK 62 / 88 / 0 / 25

HEX #4917BE

RGB 73 23 190

HSL 257.96, 0.78%, 0.42%

LAB 28.76, 60.28, -76.26

 

CMYK 0 / 25 / 87 / 25

HEX #BE8E18

RGB 190 142 24

HSL 42.65, 0.78%, 0.42%

LAB 61.96, 8.4, 62.39

 

CMYK 88 / 0 / 26 / 25

HEX #17BE8C

RGB 23 190 140

HSL 162.04, 0.78%, 0.42%

LAB 68.68, -51.18, 14.31

 

CMYK 26 / 88 / 0 / 25

HEX #8C17BE

RGB 140 23 190

HSL 282.04, 0.78%, 0.42%

LAB 37.67, 68.09, -61.3

 

CMYK 0 / 25 / 87 / 25

HEX #BE8E18

RGB 190 142 24

HSL 42.65, 0.78%, 0.42%

LAB 61.96, 8.4, 62.39

 

CMYK 79 / 0 / 88 / 25

HEX #28BE17

RGB 40 190 23

HSL 113.89, 0.78%, 0.42%

LAB 67.53, -65.44, 63.93

 

CMYK 88 / 62 / 0 / 25

HEX #1749BE

RGB 23 73 190

HSL 222.04, 0.78%, 0.42%

LAB 35.33, 29.79, -65.54

 

CMYK 9 / 88 / 0 / 25

HEX #AD17BE

RGB 173 23 190

HSL 293.89, 0.78%, 0.42%

LAB 43.09, 73.33, -52.28

 

CMYK 0 / 25 / 87 / 25

HEX #BE8E18

RGB 190 142 24

HSL 42.65, 0.78%, 0.42%

LAB 61.96, 8.4, 62.39

 

CMYK 88 / 0 / 71 / 25

HEX #17BE38

RGB 23 190 56

HSL 131.86, 0.78%, 0.42%

LAB 67.5, -65.1, 53.99

 

CMYK 88 / 62 / 0 / 25

HEX #1749BE

RGB 23 73 190

HSL 222.04, 0.78%, 0.42%

LAB 35.33, 29.79, -65.54

 

CMYK 0 / 88 / 17 / 25

HEX #BE179D

RGB 190 23 157

HSL 311.86, 0.78%, 0.42%

LAB 44.22, 71.62, -30.7

 

Description

Color code: HEX #BE8E18 | qconv.com Color code: HEX #BE8E18 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 142 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 142 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 87 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 87% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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