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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE8D33 it is the complementary color #4172CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE8D33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE8D33 shade: #C38D2E, #D49F41, #E5B154, #F6C367 and #FFD57A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE8D33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE8D33 shade: #BE8D33, #AD7B20, #9C690D, #8B5700 and #7A4500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE8D33 shade: #BD8C32, #BD6632, #BD4132 and #BD3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE8D33 shade: #BD8C32, #BDB132, #A3BD32, #7DBD32 and #58BD32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE8D33 shade matches the following richer shades: #BD8C32, #D0921E and #E4970B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE8D33 shade: #BD8C32, #A98645, #968059, #837B6C and #6F757F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE8D33 shade: #BD4032, #BD6532, #BD8A32, #BDAF32 and #A6BD32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE8D33 shade: #7C5C21, #9C7429, #BD8C32, #CEA04A and #D7B16A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE8D33 shade: #BE8D33, #49BD32 and #5232BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE8D33 shade: #BE8D33, #32BD8A and #8A32BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE8D33 shade: #BE8D33, #49BD32, #3265BD and #A632BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE8D33 shade: #BE8D33, #32BD44, #3265BD and #BD32AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 73 / 25

HEX #BE8D33

RGB 190 141 51

HSL 38.85, 0.58%, 0.47%

LAB 61.86, 9.9, 52.93

 

Complementary color

CMYK 68 / 44 / 0 / 20

HEX #4172CC

RGB 65 114 204

HSL 218.85, 0.58%, 0.53%

LAB 48.91, 13.08, -51.61

 

CMYK 0 / 28 / 76 / 24

HEX #C38D2E

RGB 195 141 46

HSL 38.26, 0.62%, 0.47%

LAB 62.38, 11.88, 55.69

 

CMYK 0 / 25 / 69 / 17

HEX #D49F41

RGB 212 159 65

HSL 38.37, 0.63%, 0.54%

LAB 68.88, 10.41, 54.84

 

CMYK 0 / 23 / 63 / 10

HEX #E5B154

RGB 229 177 84

HSL 38.48, 0.74%, 0.61%

LAB 75.29, 9.15, 53.69

 

CMYK 0 / 21 / 58 / 4

HEX #F6C367

RGB 246 195 103

HSL 38.6, 0.89%, 0.68%

LAB 81.62, 8.06, 52.44

 

CMYK 0 / 16 / 52 / 0

HEX #FFD57A

RGB 255 213 122

HSL 41.05, 1%, 0.74%

LAB 87.12, 3.9, 50.07

 

CMYK 0 / 26 / 73 / 25

HEX #BE8D33

RGB 190 141 51

HSL 38.85, 0.58%, 0.47%

LAB 61.86, 9.9, 52.93

 

CMYK 0 / 29 / 82 / 32

HEX #AD7B20

RGB 173 123 32

HSL 38.72, 0.69%, 0.4%

LAB 55.23, 11.51, 53.46

 

CMYK 0 / 33 / 92 / 39

HEX #9C690D

RGB 156 105 13

HSL 38.6, 0.85%, 0.33%

LAB 48.51, 13.44, 52.85

 

CMYK 0 / 37 / 100 / 45

HEX #8B5700

RGB 139 87 0

HSL 37.55, 1%, 0.27%

LAB 41.7, 15.71, 50.14

 

CMYK 0 / 43 / 100 / 52

HEX #7A4500

RGB 122 69 0

HSL 33.93, 1%, 0.24%

LAB 34.79, 18.33, 44.53

 

CMYK 0 / 26 / 74 / 26

HEX #BD8C32

RGB 189 140 50

HSL 38.85, 0.58%, 0.47%

LAB 61.49, 9.96, 52.95

 

CMYK 0 / 46 / 74 / 26

HEX #BD6632

RGB 189 102 50

HSL 22.45, 0.58%, 0.47%

LAB 52.46, 30.81, 43.66

 

CMYK 0 / 66 / 74 / 26

HEX #BD4132

RGB 189 65 50

HSL 6.47, 0.58%, 0.47%

LAB 45.4, 48.95, 35.98

 

CMYK 0 / 74 / 74 / 26

HEX #BD3232

RGB 189 50 50

HSL 0, 0.58%, 0.47%

LAB 43.26, 54.81, 33.57

 

CMYK 0 / 26 / 74 / 26

HEX #BD8C32

RGB 189 140 50

HSL 38.85, 0.58%, 0.47%

LAB 61.49, 9.96, 52.95

 

CMYK 0 / 6 / 74 / 26

HEX #BDB132

RGB 189 177 50

HSL 54.82, 0.58%, 0.47%

LAB 71.21, -9.89, 62.43

 

CMYK 14 / 0 / 74 / 26

HEX #A3BD32

RGB 163 189 50

HSL 71.22, 0.58%, 0.47%

LAB 72.5, -26.97, 62.95

 

CMYK 34 / 0 / 74 / 26

HEX #7DBD32

RGB 125 189 50

HSL 87.63, 0.58%, 0.47%

LAB 70.17, -41.79, 59.88

 

CMYK 53 / 0 / 74 / 26

HEX #58BD32

RGB 88 189 50

HSL 103.6, 0.58%, 0.47%

LAB 68.53, -53.71, 57.71

 

CMYK 0 / 26 / 74 / 26

HEX #BD8C32

RGB 189 140 50

HSL 38.85, 0.58%, 0.47%

LAB 61.49, 9.96, 52.95

 

CMYK 0 / 30 / 86 / 18

HEX #D0921E

RGB 208 146 30

HSL 39.1, 0.75%, 0.47%

LAB 65.01, 14.33, 64.09

 

CMYK 0 / 34 / 95 / 11

HEX #E4970B

RGB 228 151 11

HSL 38.71, 0.91%, 0.47%

LAB 68.5, 19.98, 71.74

 

CMYK 0 / 26 / 74 / 26

HEX #BD8C32

RGB 189 140 50

HSL 38.85, 0.58%, 0.47%

LAB 61.49, 9.96, 52.95

 

CMYK 0 / 21 / 59 / 34

HEX #A98645

RGB 169 134 69

HSL 39, 0.42%, 0.47%

LAB 57.96, 5.64, 39.55

 

CMYK 0 / 15 / 41 / 41

HEX #968059

RGB 150 128 89

HSL 38.36, 0.26%, 0.47%

LAB 54.7, 2.7, 24.29

 

CMYK 0 / 6 / 18 / 49

HEX #837B6C

RGB 131 123 108

HSL 39.13, 0.1%, 0.47%

LAB 51.92, 0.36, 9.3

 

CMYK 13 / 8 / 0 / 50

HEX #6F757F

RGB 111 117 127

HSL 217.5, 0.07%, 0.47%

LAB 49.05, -0.07, -6.26

 

CMYK 0 / 66 / 74 / 26

HEX #BD4032

RGB 189 64 50

HSL 6.04, 0.58%, 0.47%

LAB 45.24, 49.38, 35.81

 

CMYK 0 / 47 / 74 / 26

HEX #BD6532

RGB 189 101 50

HSL 22.01, 0.58%, 0.47%

LAB 52.24, 31.34, 43.43

 

CMYK 0 / 27 / 74 / 26

HEX #BD8A32

RGB 189 138 50

HSL 37.99, 0.58%, 0.47%

LAB 60.98, 11.06, 52.44

 

CMYK 0 / 7 / 74 / 26

HEX #BDAF32

RGB 189 175 50

HSL 53.96, 0.58%, 0.47%

LAB 70.67, -8.85, 61.91

 

CMYK 12 / 0 / 74 / 26

HEX #A6BD32

RGB 166 189 50

HSL 69.93, 0.58%, 0.47%

LAB 72.72, -25.73, 63.23

 

CMYK 0 / 26 / 73 / 51

HEX #7C5C21

RGB 124 92 33

HSL 38.9, 0.58%, 0.31%

LAB 41.29, 6.73, 37.65

 

CMYK 0 / 26 / 74 / 39

HEX #9C7429

RGB 156 116 41

HSL 39.13, 0.58%, 0.39%

LAB 51.52, 8.12, 45.61

 

CMYK 0 / 26 / 74 / 26

HEX #BD8C32

RGB 189 140 50

HSL 38.85, 0.58%, 0.47%

LAB 61.49, 9.96, 52.95

 

CMYK 0 / 22 / 64 / 19

HEX #CEA04A

RGB 206 160 74

HSL 39.09, 0.57%, 0.55%

LAB 68.58, 7.82, 50.22

 

CMYK 0 / 18 / 51 / 16

HEX #D7B16A

RGB 215 177 106

HSL 39.08, 0.58%, 0.63%

LAB 74.15, 4.99, 41.26

 

CMYK 0 / 26 / 73 / 25

HEX #BE8D33

RGB 190 141 51

HSL 38.85, 0.58%, 0.47%

LAB 61.86, 9.9, 52.93

 

CMYK 61 / 0 / 74 / 26

HEX #49BD32

RGB 73 189 50

HSL 110.07, 0.58%, 0.47%

LAB 68.05, -57.54, 57.07

 

CMYK 57 / 74 / 0 / 26

HEX #5232BD

RGB 82 50 189

HSL 253.81, 0.58%, 0.47%

LAB 33.45, 49.66, -67.91

 

CMYK 0 / 26 / 73 / 25

HEX #BE8D33

RGB 190 141 51

HSL 38.85, 0.58%, 0.47%

LAB 61.86, 9.9, 52.93

 

CMYK 74 / 0 / 27 / 26

HEX #32BD8A

RGB 50 189 138

HSL 157.99, 0.58%, 0.47%

LAB 68.68, -48.55, 15.46

 

CMYK 27 / 74 / 0 / 26

HEX #8A32BD

RGB 138 50 189

HSL 277.99, 0.58%, 0.47%

LAB 40.18, 59.2, -56.66

 

CMYK 0 / 26 / 73 / 25

HEX #BE8D33

RGB 190 141 51

HSL 38.85, 0.58%, 0.47%

LAB 61.86, 9.9, 52.93

 

CMYK 61 / 0 / 74 / 26

HEX #49BD32

RGB 73 189 50

HSL 110.07, 0.58%, 0.47%

LAB 68.05, -57.54, 57.07

 

CMYK 74 / 47 / 0 / 26

HEX #3265BD

RGB 50 101 189

HSL 217.99, 0.58%, 0.47%

LAB 43.74, 13.62, -51.28

 

CMYK 12 / 74 / 0 / 26

HEX #A632BD

RGB 166 50 189

HSL 290.07, 0.58%, 0.47%

LAB 44.32, 64.78, -49.77

 

CMYK 0 / 26 / 73 / 25

HEX #BE8D33

RGB 190 141 51

HSL 38.85, 0.58%, 0.47%

LAB 61.86, 9.9, 52.93

 

CMYK 74 / 0 / 64 / 26

HEX #32BD44

RGB 50 189 68

HSL 127.77, 0.58%, 0.47%

LAB 67.64, -60.4, 49.34

 

CMYK 74 / 47 / 0 / 26

HEX #3265BD

RGB 50 101 189

HSL 217.99, 0.58%, 0.47%

LAB 43.74, 13.62, -51.28

 

CMYK 0 / 74 / 10 / 26

HEX #BD32AA

RGB 189 50 170

HSL 308.2, 0.58%, 0.47%

LAB 46.98, 66.63, -34.14

 

Description

Color code: HEX #BE8D33 | qconv.com Color code: HEX #BE8D33 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 141 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 141 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 73 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 73% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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