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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE8259 it is the complementary color #417DA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE8259. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE8259 shade: #C38254, #D49467, #E5A67A, #F6B88D and #FFCAA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE8259. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE8259 shade: #BE8259, #AD7046, #9C5E33, #8B4C20 and #7A3A0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE8259 shade: #BE8259, #BE6759 and #BE5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE8259 shade: #BE8259, #BE9D59, #BEB959, #A9BE59 and #8DBE59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE8259 shade matches the following richer shades: #BE8259, #D17F47, #E37B34 and #F67822

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE8259 shade: #BE8259, #AC866C, #99897E, #878D91 and #7490A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE8259 shade: #BE5967, #BE6759, #BE8259, #BE9D59 and #BEB859

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE8259 shade: #8E5A37, #AC6D42, #BE8259, #CA9977 and #D5AF95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE8259 shade: #BE8259, #82BE59 and #5959BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE8259 shade: #BE8259, #59BE82 and #8259BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE8259 shade: #BE8259, #82BE59, #5996BE and #9659BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE8259 shade: #BE8259, #63BE59, #5996BE and #B459BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 53 / 25

HEX #BE8259

RGB 190 130 89

HSL 24.36, 0.44%, 0.55%

LAB 59.56, 18.58, 31.41

 

Complementary color

CMYK 61 / 25 / 0 / 35

HEX #417DA6

RGB 65 125 166

HSL 204.36, 0.44%, 0.45%

LAB 50.15, -6.79, -27.73

 

CMYK 0 / 33 / 57 / 24

HEX #C38254

RGB 195 130 84

HSL 24.86, 0.48%, 0.55%

LAB 60.08, 20.24, 34.9

 

CMYK 0 / 30 / 51 / 17

HEX #D49467

RGB 212 148 103

HSL 24.77, 0.56%, 0.62%

LAB 66.64, 19.08, 33.34

 

CMYK 0 / 28 / 47 / 10

HEX #E5A67A

RGB 229 166 122

HSL 24.67, 0.67%, 0.69%

LAB 73.11, 18.07, 31.9

 

CMYK 0 / 25 / 43 / 4

HEX #F6B88D

RGB 246 184 141

HSL 24.57, 0.85%, 0.76%

LAB 79.5, 17.18, 30.57

 

CMYK 0 / 21 / 37 / 0

HEX #FFCAA0

RGB 255 202 160

HSL 26.53, 1%, 0.81%

LAB 85.02, 13.32, 28.14

 

CMYK 0 / 32 / 53 / 25

HEX #BE8259

RGB 190 130 89

HSL 24.36, 0.44%, 0.55%

LAB 59.56, 18.58, 31.41

 

CMYK 0 / 35 / 60 / 32

HEX #AD7046

RGB 173 112 70

HSL 24.47, 0.42%, 0.48%

LAB 52.86, 19.82, 33.04

 

CMYK 0 / 40 / 67 / 39

HEX #9C5E33

RGB 156 94 51

HSL 24.57, 0.51%, 0.41%

LAB 46.06, 21.28, 34.8

 

CMYK 0 / 45 / 77 / 45

HEX #8B4C20

RGB 139 76 32

HSL 24.67, 0.63%, 0.34%

LAB 39.18, 23, 36.58

 

CMYK 0 / 52 / 89 / 52

HEX #7A3A0D

RGB 122 58 13

HSL 24.77, 0.81%, 0.26%

LAB 32.24, 25.01, 37.91

 

CMYK 0 / 32 / 53 / 25

HEX #BE8259

RGB 190 130 89

HSL 24.36, 0.44%, 0.55%

LAB 59.56, 18.58, 31.41

 

CMYK 0 / 46 / 53 / 25

HEX #BE6759

RGB 190 103 89

HSL 8.32, 0.44%, 0.55%

LAB 53.35, 33.32, 23.4

 

CMYK 0 / 53 / 53 / 25

HEX #BE5959

RGB 190 89 89

HSL 0, 0.44%, 0.55%

LAB 50.47, 40.6, 19.57

 

CMYK 0 / 32 / 53 / 25

HEX #BE8259

RGB 190 130 89

HSL 24.36, 0.44%, 0.55%

LAB 59.56, 18.58, 31.41

 

CMYK 0 / 17 / 53 / 25

HEX #BE9D59

RGB 190 157 89

HSL 40.4, 0.44%, 0.55%

LAB 66.35, 3.74, 39.84

 

CMYK 0 / 3 / 53 / 25

HEX #BEB959

RGB 190 185 89

HSL 57.03, 0.44%, 0.55%

LAB 73.78, -11.09, 48.66

 

CMYK 11 / 0 / 53 / 25

HEX #A9BE59

RGB 169 190 89

HSL 72.48, 0.44%, 0.55%

LAB 73.53, -22.23, 47.96

 

CMYK 26 / 0 / 53 / 25

HEX #8DBE59

RGB 141 190 89

HSL 89.11, 0.44%, 0.55%

LAB 71.7, -33.09, 45.34

 

CMYK 0 / 32 / 53 / 25

HEX #BE8259

RGB 190 130 89

HSL 24.36, 0.44%, 0.55%

LAB 59.56, 18.58, 31.41

 

CMYK 0 / 39 / 66 / 18

HEX #D17F47

RGB 209 127 71

HSL 24.35, 0.6%, 0.55%

LAB 60.95, 26.78, 43.19

 

CMYK 0 / 46 / 77 / 11

HEX #E37B34

RGB 227 123 52

HSL 24.34, 0.76%, 0.55%

LAB 62.29, 35.29, 54.46

 

CMYK 0 / 51 / 86 / 4

HEX #F67822

RGB 246 120 34

HSL 24.34, 0.92%, 0.55%

LAB 64.28, 43.72, 64.3

 

CMYK 0 / 32 / 53 / 25

HEX #BE8259

RGB 190 130 89

HSL 24.36, 0.44%, 0.55%

LAB 59.56, 18.58, 31.41

 

CMYK 0 / 22 / 37 / 33

HEX #AC866C

RGB 172 134 108

HSL 24.38, 0.28%, 0.55%

LAB 58.88, 10.88, 19.57

 

CMYK 0 / 10 / 18 / 40

HEX #99897E

RGB 153 137 126

HSL 24.44, 0.12%, 0.55%

LAB 58.2, 4.12, 8.08

 

CMYK 7 / 3 / 0 / 43

HEX #878D91

RGB 135 141 145

HSL 204, 0.04%, 0.55%

LAB 58.27, -1.36, -2.89

 

CMYK 29 / 12 / 0 / 36

HEX #7490A4

RGB 116 144 164

HSL 205, 0.21%, 0.55%

LAB 58.36, -5.02, -13.77

 

CMYK 0 / 53 / 46 / 25

HEX #BE5967

RGB 190 89 103

HSL 351.68, 0.44%, 0.55%

LAB 50.77, 41.92, 11.65

 

CMYK 0 / 46 / 53 / 25

HEX #BE6759

RGB 190 103 89

HSL 8.32, 0.44%, 0.55%

LAB 53.35, 33.32, 23.4

 

CMYK 0 / 32 / 53 / 25

HEX #BE8259

RGB 190 130 89

HSL 24.36, 0.44%, 0.55%

LAB 59.56, 18.58, 31.41

 

CMYK 0 / 17 / 53 / 25

HEX #BE9D59

RGB 190 157 89

HSL 40.4, 0.44%, 0.55%

LAB 66.35, 3.74, 39.84

 

CMYK 0 / 3 / 53 / 25

HEX #BEB859

RGB 190 184 89

HSL 56.44, 0.44%, 0.55%

LAB 73.51, -10.58, 48.35

 

CMYK 0 / 37 / 61 / 44

HEX #8E5A37

RGB 142 90 55

HSL 24.14, 0.44%, 0.39%

LAB 43.27, 17.7, 28.83

 

CMYK 0 / 37 / 62 / 33

HEX #AC6D42

RGB 172 109 66

HSL 24.34, 0.45%, 0.47%

LAB 51.95, 20.77, 34.1

 

CMYK 0 / 32 / 53 / 25

HEX #BE8259

RGB 190 130 89

HSL 24.36, 0.44%, 0.55%

LAB 59.56, 18.58, 31.41

 

CMYK 0 / 24 / 41 / 21

HEX #CA9977

RGB 202 153 119

HSL 24.58, 0.44%, 0.63%

LAB 67.03, 13.91, 24.96

 

CMYK 0 / 18 / 30 / 16

HEX #D5AF95

RGB 213 175 149

HSL 24.38, 0.43%, 0.71%

LAB 74.17, 10.03, 18.52

 

CMYK 0 / 32 / 53 / 25

HEX #BE8259

RGB 190 130 89

HSL 24.36, 0.44%, 0.55%

LAB 59.56, 18.58, 31.41

 

CMYK 32 / 0 / 53 / 25

HEX #82BE59

RGB 130 190 89

HSL 95.64, 0.44%, 0.55%

LAB 71.07, -37.08, 44.45

 

CMYK 53 / 53 / 0 / 25

HEX #5959BE

RGB 89 89 190

HSL 240, 0.44%, 0.55%

LAB 42.74, 28.44, -53.36

 

CMYK 0 / 32 / 53 / 25

HEX #BE8259

RGB 190 130 89

HSL 24.36, 0.44%, 0.55%

LAB 59.56, 18.58, 31.41

 

CMYK 53 / 0 / 32 / 25

HEX #59BE82

RGB 89 190 130

HSL 144.36, 0.44%, 0.55%

LAB 69.87, -43.22, 21.55

 

CMYK 32 / 53 / 0 / 25

HEX #8259BE

RGB 130 89 190

HSL 264.36, 0.44%, 0.55%

LAB 46.46, 38.12, -47.2

 

CMYK 0 / 32 / 53 / 25

HEX #BE8259

RGB 190 130 89

HSL 24.36, 0.44%, 0.55%

LAB 59.56, 18.58, 31.41

 

CMYK 32 / 0 / 53 / 25

HEX #82BE59

RGB 130 190 89

HSL 95.64, 0.44%, 0.55%

LAB 71.07, -37.08, 44.45

 

CMYK 53 / 21 / 0 / 25

HEX #5996BE

RGB 89 150 190

HSL 203.76, 0.44%, 0.55%

LAB 59.58, -8.32, -26.8

 

CMYK 21 / 53 / 0 / 25

HEX #9659BE

RGB 150 89 190

HSL 276.24, 0.44%, 0.55%

LAB 48.69, 43.39, -43.5

 

CMYK 0 / 32 / 53 / 25

HEX #BE8259

RGB 190 130 89

HSL 24.36, 0.44%, 0.55%

LAB 59.56, 18.58, 31.41

 

CMYK 48 / 0 / 53 / 25

HEX #63BE59

RGB 99 190 89

HSL 114.06, 0.44%, 0.55%

LAB 69.61, -47.12, 42.35

 

CMYK 53 / 21 / 0 / 25

HEX #5996BE

RGB 89 150 190

HSL 203.76, 0.44%, 0.55%

LAB 59.58, -8.32, -26.8

 

CMYK 5 / 53 / 0 / 25

HEX #B459BE

RGB 180 89 190

HSL 294.06, 0.44%, 0.55%

LAB 52.47, 51.57, -37.28

 

Description

Color code: HEX #BE8259 | qconv.com Color code: HEX #BE8259 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 130 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 130 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 53 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 53% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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