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Color name
HEX #BE815A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE815A it is the complementary color #417EA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE815A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE815A shade: #C38155, #D49368, #E5A57B, #F6B78E and #FFC9A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE815A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE815A shade: #BE815A, #AD6F47, #9C5D34, #8B4B21 and #7A390E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE815A shade: #BD815A, #BD665A and #BD5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE815A shade: #BD815A, #BD9C5A, #BDB65A, #A9BD5A and #8FBD5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE815A shade matches the following richer shades: #BD815A, #D07D48, #E27935 and #F57523

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE815A shade: #BD815A, #AB856D, #988980, #858D92 and #7391A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE815A shade: #BD5A69, #BD665A, #BD805A, #BD9B5A and #BDB55A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE815A shade: #8D5938, #AB6C44, #BD815A, #C99778 and #D5AE95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE815A shade: #BE815A, #84BD5A and #5A5CBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE815A shade: #BE815A, #5ABD80 and #805ABD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE815A shade: #BE815A, #84BD5A, #5A97BD and #945ABD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE815A shade: #BE815A, #66BD5A, #5A97BD and #B25ABD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 53 / 25

HEX #BE815A

RGB 190 129 90

HSL 23.4, 0.43%, 0.55%

LAB 59.33, 19.22, 30.57

 

Complementary color

CMYK 61 / 24 / 0 / 35

HEX #417EA5

RGB 65 126 165

HSL 203.4, 0.43%, 0.45%

LAB 50.41, -7.7, -26.75

 

CMYK 0 / 34 / 56 / 24

HEX #C38155

RGB 195 129 85

HSL 24, 0.48%, 0.55%

LAB 59.85, 20.87, 34.08

 

CMYK 0 / 31 / 51 / 17

HEX #D49368

RGB 212 147 104

HSL 23.89, 0.56%, 0.62%

LAB 66.42, 19.72, 32.52

 

CMYK 0 / 28 / 46 / 10

HEX #E5A57B

RGB 229 165 123

HSL 23.77, 0.67%, 0.69%

LAB 72.89, 18.7, 31.08

 

CMYK 0 / 26 / 42 / 4

HEX #F6B78E

RGB 246 183 142

HSL 23.65, 0.85%, 0.76%

LAB 79.28, 17.81, 29.75

 

CMYK 0 / 21 / 37 / 0

HEX #FFC9A1

RGB 255 201 161

HSL 25.53, 1%, 0.82%

LAB 84.8, 13.95, 27.31

 

CMYK 0 / 32 / 53 / 25

HEX #BE815A

RGB 190 129 90

HSL 23.4, 0.43%, 0.55%

LAB 59.33, 19.22, 30.57

 

CMYK 0 / 36 / 59 / 32

HEX #AD6F47

RGB 173 111 71

HSL 23.53, 0.42%, 0.48%

LAB 52.63, 20.46, 32.21

 

CMYK 0 / 40 / 67 / 39

HEX #9C5D34

RGB 156 93 52

HSL 23.65, 0.5%, 0.41%

LAB 45.83, 21.91, 34

 

CMYK 0 / 46 / 76 / 45

HEX #8B4B21

RGB 139 75 33

HSL 23.77, 0.62%, 0.34%

LAB 38.95, 23.62, 35.83

 

CMYK 0 / 53 / 89 / 52

HEX #7A390E

RGB 122 57 14

HSL 23.89, 0.79%, 0.27%

LAB 32.02, 25.6, 37.31

 

CMYK 0 / 32 / 52 / 26

HEX #BD815A

RGB 189 129 90

HSL 23.64, 0.43%, 0.55%

LAB 59.21, 18.8, 30.4

 

CMYK 0 / 46 / 52 / 26

HEX #BD665A

RGB 189 102 90

HSL 7.27, 0.43%, 0.55%

LAB 53.01, 33.56, 22.35

 

CMYK 0 / 52 / 52 / 26

HEX #BD5A5A

RGB 189 90 90

HSL 0, 0.43%, 0.55%

LAB 50.53, 39.81, 19.04

 

CMYK 0 / 32 / 52 / 26

HEX #BD815A

RGB 189 129 90

HSL 23.64, 0.43%, 0.55%

LAB 59.21, 18.8, 30.4

 

CMYK 0 / 17 / 52 / 26

HEX #BD9C5A

RGB 189 156 90

HSL 40, 0.43%, 0.55%

LAB 66.01, 3.94, 38.88

 

CMYK 0 / 4 / 52 / 26

HEX #BDB65A

RGB 189 182 90

HSL 55.76, 0.43%, 0.55%

LAB 72.9, -9.88, 47.13

 

CMYK 11 / 0 / 52 / 26

HEX #A9BD5A

RGB 169 189 90

HSL 72.12, 0.43%, 0.55%

LAB 73.26, -21.65, 47.17

 

CMYK 24 / 0 / 52 / 26

HEX #8FBD5A

RGB 143 189 90

HSL 87.88, 0.43%, 0.55%

LAB 71.54, -31.77, 44.7

 

CMYK 0 / 32 / 52 / 26

HEX #BD815A

RGB 189 129 90

HSL 23.64, 0.43%, 0.55%

LAB 59.21, 18.8, 30.4

 

CMYK 0 / 40 / 65 / 18

HEX #D07D48

RGB 208 125 72

HSL 23.38, 0.59%, 0.55%

LAB 60.38, 27.51, 41.99

 

CMYK 0 / 46 / 77 / 11

HEX #E27935

RGB 226 121 53

HSL 23.58, 0.75%, 0.55%

LAB 61.74, 35.96, 53.42

 

CMYK 0 / 52 / 86 / 4

HEX #F57523

RGB 245 117 35

HSL 23.43, 0.91%, 0.55%

LAB 63.55, 44.82, 63.32

 

CMYK 0 / 32 / 52 / 26

HEX #BD815A

RGB 189 129 90

HSL 23.64, 0.43%, 0.55%

LAB 59.21, 18.8, 30.4

 

CMYK 0 / 22 / 36 / 33

HEX #AB856D

RGB 171 133 109

HSL 23.23, 0.27%, 0.55%

LAB 58.54, 11.16, 18.52

 

CMYK 0 / 10 / 16 / 40

HEX #988980

RGB 152 137 128

HSL 22.5, 0.1%, 0.55%

LAB 58.16, 4.07, 6.87

 

CMYK 9 / 3 / 0 / 43

HEX #858D92

RGB 133 141 146

HSL 203.08, 0.06%, 0.55%

LAB 58.14, -1.87, -3.67

 

CMYK 30 / 12 / 0 / 35

HEX #7391A5

RGB 115 145 165

HSL 204, 0.22%, 0.55%

LAB 58.61, -5.64, -13.96

 

CMYK 0 / 52 / 44 / 26

HEX #BD5A69

RGB 189 90 105

HSL 350.91, 0.43%, 0.55%

LAB 50.86, 41.26, 10.57

 

CMYK 0 / 46 / 52 / 26

HEX #BD665A

RGB 189 102 90

HSL 7.27, 0.43%, 0.55%

LAB 53.01, 33.56, 22.35

 

CMYK 0 / 32 / 52 / 26

HEX #BD805A

RGB 189 128 90

HSL 23.03, 0.43%, 0.55%

LAB 58.97, 19.36, 30.09

 

CMYK 0 / 18 / 52 / 26

HEX #BD9B5A

RGB 189 155 90

HSL 39.39, 0.43%, 0.55%

LAB 65.75, 4.49, 38.56

 

CMYK 0 / 4 / 52 / 26

HEX #BDB55A

RGB 189 181 90

HSL 55.15, 0.43%, 0.55%

LAB 72.63, -9.36, 46.82

 

CMYK 0 / 37 / 60 / 45

HEX #8D5938

RGB 141 89 56

HSL 23.29, 0.43%, 0.39%

LAB 42.9, 17.92, 27.79

 

CMYK 0 / 37 / 60 / 33

HEX #AB6C44

RGB 171 108 68

HSL 23.3, 0.43%, 0.47%

LAB 51.61, 21.05, 32.57

 

CMYK 0 / 32 / 52 / 26

HEX #BD815A

RGB 189 129 90

HSL 23.64, 0.43%, 0.55%

LAB 59.21, 18.8, 30.4

 

CMYK 0 / 25 / 40 / 21

HEX #C99778

RGB 201 151 120

HSL 22.96, 0.43%, 0.63%

LAB 66.45, 14.71, 23.62

 

CMYK 0 / 18 / 30 / 16

HEX #D5AE95

RGB 213 174 149

HSL 23.44, 0.43%, 0.71%

LAB 73.93, 10.57, 18.18

 

CMYK 0 / 32 / 53 / 25

HEX #BE815A

RGB 190 129 90

HSL 23.4, 0.43%, 0.55%

LAB 59.33, 19.22, 30.57

 

CMYK 30 / 0 / 52 / 26

HEX #84BD5A

RGB 132 189 90

HSL 94.55, 0.43%, 0.55%

LAB 70.9, -35.8, 43.78

 

CMYK 52 / 51 / 0 / 26

HEX #5A5CBD

RGB 90 92 189

HSL 238.79, 0.43%, 0.55%

LAB 43.51, 26.46, -51.53

 

CMYK 0 / 32 / 53 / 25

HEX #BE815A

RGB 190 129 90

HSL 23.4, 0.43%, 0.55%

LAB 59.33, 19.22, 30.57

 

CMYK 52 / 0 / 32 / 26

HEX #5ABD80

RGB 90 189 128

HSL 143.03, 0.43%, 0.55%

LAB 69.56, -42.93, 22.21

 

CMYK 32 / 52 / 0 / 26

HEX #805ABD

RGB 128 90 189

HSL 263.03, 0.43%, 0.55%

LAB 46.41, 36.78, -46.7

 

CMYK 0 / 32 / 53 / 25

HEX #BE815A

RGB 190 129 90

HSL 23.4, 0.43%, 0.55%

LAB 59.33, 19.22, 30.57

 

CMYK 30 / 0 / 52 / 26

HEX #84BD5A

RGB 132 189 90

HSL 94.55, 0.43%, 0.55%

LAB 70.9, -35.8, 43.78

 

CMYK 52 / 20 / 0 / 26

HEX #5A97BD

RGB 90 151 189

HSL 203.03, 0.43%, 0.55%

LAB 59.87, -8.96, -25.77

 

CMYK 22 / 52 / 0 / 26

HEX #945ABD

RGB 148 90 189

HSL 275.15, 0.43%, 0.55%

LAB 48.61, 42.08, -43.06

 

CMYK 0 / 32 / 53 / 25

HEX #BE815A

RGB 190 129 90

HSL 23.4, 0.43%, 0.55%

LAB 59.33, 19.22, 30.57

 

CMYK 46 / 0 / 52 / 26

HEX #66BD5A

RGB 102 189 90

HSL 112.73, 0.43%, 0.55%

LAB 69.44, -45.7, 41.68

 

CMYK 52 / 20 / 0 / 26

HEX #5A97BD

RGB 90 151 189

HSL 203.03, 0.43%, 0.55%

LAB 59.87, -8.96, -25.77

 

CMYK 6 / 52 / 0 / 26

HEX #B25ABD

RGB 178 90 189

HSL 293.33, 0.43%, 0.55%

LAB 52.34, 50.33, -36.92

 

Description

Color code: HEX #BE815A | qconv.com Color code: HEX #BE815A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 129 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 129 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 53 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 53% 25% C M Y K

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Provide designers and agencies with accurate color values.

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