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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE85F4 it is the complementary color #417A0B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE85F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE85F4 shade: #C385EF, #D497FF, #E5A9FF, #F6BBFF and #FFCDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE85F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE85F4 shade: #BE85F4, #AD73E1, #9C61CE, #8B4FBB and #7A3DA8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE85F4 shade: #BE85F3, #DB85F3, #F385ED, #F385D0 and #F385B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE85F4 shade: #BE85F3, #A085F3 and #8585F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE85F4 shade matches the following richer shades: #BE85F3 and #BE7AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE85F4 shade: #BE85F3, #BD90E9, #BD9BDE, #BDA5D3 and #BDB0C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE85F4 shade: #8589F3, #9F85F3, #BC85F3, #DA85F3 and #F385F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE85F4 shade: #953AEC, #AA5FF0, #BE85F3, #D2ABF7 and #E6D1FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE85F4 shade: #BE85F4, #F385A6 and #85F390

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE85F4 shade: #BE85F4, #F3BC85 and #85F3BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE85F4 shade: #BE85F4, #F385A6, #BCF385 and #85F3D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE85F4 shade: #BE85F4, #F38585, #BCF385 and #85F3F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 45 / 0 / 4

HEX #BE85F4

RGB 190 133 244

HSL 270.81, 0.83%, 0.74%

LAB 65.16, 42.58, -47.61

 

Complementary color

CMYK 47 / 0 / 91 / 52

HEX #417A0B

RGB 65 122 11

HSL 90.81, 0.83%, 0.26%

LAB 45.73, -36.49, 47.82

 

CMYK 18 / 44 / 0 / 6

HEX #C385EF

RGB 195 133 239

HSL 275.09, 0.77%, 0.73%

LAB 65.44, 42.86, -44.38

 

CMYK 17 / 41 / 0 / 0

HEX #D497FF

RGB 212 151 255

HSL 275.19, 1%, 0.8%

LAB 71.79, 41.42, -43.05

 

CMYK 10 / 34 / 0 / 0

HEX #E5A9FF

RGB 229 169 255

HSL 281.86, 1%, 0.83%

LAB 77.43, 36.77, -34.15

 

CMYK 4 / 27 / 0 / 0

HEX #F6BBFF

RGB 246 187 255

HSL 292.06, 1%, 0.87%

LAB 83.1, 32.46, -25.31

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 22 / 45 / 0 / 4

HEX #BE85F4

RGB 190 133 244

HSL 270.81, 0.83%, 0.74%

LAB 65.16, 42.58, -47.61

 

CMYK 23 / 49 / 0 / 12

HEX #AD73E1

RGB 173 115 225

HSL 271.64, 0.65%, 0.67%

LAB 58.59, 43.45, -47.58

 

CMYK 24 / 53 / 0 / 19

HEX #9C61CE

RGB 156 97 206

HSL 272.48, 0.53%, 0.59%

LAB 51.92, 44.33, -47.53

 

CMYK 26 / 58 / 0 / 27

HEX #8B4FBB

RGB 139 79 187

HSL 273.33, 0.44%, 0.52%

LAB 45.18, 45.21, -47.44

 

CMYK 27 / 64 / 0 / 34

HEX #7A3DA8

RGB 122 61 168

HSL 274.21, 0.47%, 0.45%

LAB 38.38, 46, -47.24

 

CMYK 22 / 45 / 0 / 5

HEX #BE85F3

RGB 190 133 243

HSL 271.09, 0.82%, 0.74%

LAB 65.12, 42.36, -47.13

 

CMYK 10 / 45 / 0 / 5

HEX #DB85F3

RGB 219 133 243

HSL 286.91, 0.82%, 0.74%

LAB 68.25, 50.42, -42

 

CMYK 0 / 45 / 2 / 5

HEX #F385ED

RGB 243 133 237

HSL 303.27, 0.82%, 0.74%

LAB 70.83, 56.15, -34.46

 

CMYK 0 / 45 / 14 / 5

HEX #F385D0

RGB 243 133 208

HSL 319.09, 0.82%, 0.74%

LAB 69.74, 51.41, -20.12

 

CMYK 0 / 45 / 27 / 5

HEX #F385B2

RGB 243 133 178

HSL 335.45, 0.82%, 0.74%

LAB 68.78, 47.09, -4.8

 

CMYK 22 / 45 / 0 / 5

HEX #BE85F3

RGB 190 133 243

HSL 271.09, 0.82%, 0.74%

LAB 65.12, 42.36, -47.13

 

CMYK 34 / 45 / 0 / 5

HEX #A085F3

RGB 160 133 243

HSL 254.73, 0.82%, 0.74%

LAB 62.27, 34.37, -51.82

 

CMYK 45 / 45 / 0 / 5

HEX #8585F3

RGB 133 133 243

HSL 240, 0.82%, 0.74%

LAB 60.1, 27.75, -55.4

 

CMYK 22 / 45 / 0 / 5

HEX #BE85F3

RGB 190 133 243

HSL 271.09, 0.82%, 0.74%

LAB 65.12, 42.36, -47.13

 

CMYK 25 / 52 / 0 / 0

HEX #BE7AFE

RGB 190 122 254

HSL 270.91, 0.99%, 0.74%

LAB 63.36, 50.73, -55.95

 

CMYK 22 / 45 / 0 / 5

HEX #BE85F3

RGB 190 133 243

HSL 271.09, 0.82%, 0.74%

LAB 65.12, 42.36, -47.13

 

CMYK 19 / 38 / 0 / 9

HEX #BD90E9

RGB 189 144 233

HSL 270.34, 0.67%, 0.74%

LAB 67.01, 33.8, -38.66

 

CMYK 15 / 30 / 0 / 13

HEX #BD9BDE

RGB 189 155 222

HSL 270.45, 0.5%, 0.74%

LAB 69.14, 25.29, -29.31

 

CMYK 10 / 22 / 0 / 17

HEX #BDA5D3

RGB 189 165 211

HSL 271.3, 0.34%, 0.74%

LAB 71.17, 17.41, -20.15

 

CMYK 5 / 12 / 0 / 22

HEX #BDB0C8

RGB 189 176 200

HSL 272.5, 0.18%, 0.74%

LAB 73.57, 9.13, -10.49

 

CMYK 45 / 44 / 0 / 5

HEX #8589F3

RGB 133 137 243

HSL 237.82, 0.82%, 0.74%

LAB 61.09, 25.41, -53.83

 

CMYK 35 / 45 / 0 / 5

HEX #9F85F3

RGB 159 133 243

HSL 254.18, 0.82%, 0.74%

LAB 62.18, 34.12, -51.96

 

CMYK 23 / 45 / 0 / 5

HEX #BC85F3

RGB 188 133 243

HSL 270, 0.82%, 0.74%

LAB 64.91, 41.81, -47.46

 

CMYK 10 / 45 / 0 / 5

HEX #DA85F3

RGB 218 133 243

HSL 286.36, 0.82%, 0.74%

LAB 68.13, 50.14, -42.18

 

CMYK 0 / 45 / 1 / 5

HEX #F385F0

RGB 243 133 240

HSL 301.64, 0.82%, 0.74%

LAB 70.95, 56.67, -35.91

 

CMYK 37 / 75 / 0 / 7

HEX #953AEC

RGB 149 58 236

HSL 270.67, 0.82%, 0.58%

LAB 46.27, 68.37, -73.71

 

CMYK 29 / 60 / 0 / 6

HEX #AA5FF0

RGB 170 95 240

HSL 271.03, 0.83%, 0.66%

LAB 55.09, 56.65, -61.55

 

CMYK 22 / 45 / 0 / 5

HEX #BE85F3

RGB 190 133 243

HSL 271.09, 0.82%, 0.74%

LAB 65.12, 42.36, -47.13

 

CMYK 15 / 31 / 0 / 3

HEX #D2ABF7

RGB 210 171 247

HSL 270.79, 0.83%, 0.82%

LAB 75.79, 28.29, -32.52

 

CMYK 8 / 16 / 0 / 2

HEX #E6D1FA

RGB 230 209 250

HSL 270.73, 0.8%, 0.9%

LAB 86.67, 14.72, -17.39

 

CMYK 22 / 45 / 0 / 4

HEX #BE85F4

RGB 190 133 244

HSL 270.81, 0.83%, 0.74%

LAB 65.16, 42.58, -47.61

 

CMYK 0 / 45 / 32 / 5

HEX #F385A6

RGB 243 133 166

HSL 342, 0.82%, 0.74%

LAB 68.45, 45.55, 1.45

 

CMYK 45 / 0 / 41 / 5

HEX #85F390

RGB 133 243 144

HSL 126, 0.82%, 0.74%

LAB 87.53, -51.56, 38.14

 

CMYK 22 / 45 / 0 / 4

HEX #BE85F4

RGB 190 133 244

HSL 270.81, 0.83%, 0.74%

LAB 65.16, 42.58, -47.61

 

CMYK 0 / 23 / 45 / 5

HEX #F3BC85

RGB 243 188 133

HSL 30, 0.82%, 0.74%

LAB 80.02, 13.08, 35.38

 

CMYK 45 / 0 / 23 / 5

HEX #85F3BC

RGB 133 243 188

HSL 150, 0.82%, 0.74%

LAB 88.31, -43.86, 16.86

 

CMYK 22 / 45 / 0 / 4

HEX #BE85F4

RGB 190 133 244

HSL 270.81, 0.83%, 0.74%

LAB 65.16, 42.58, -47.61

 

CMYK 0 / 45 / 32 / 5

HEX #F385A6

RGB 243 133 166

HSL 342, 0.82%, 0.74%

LAB 68.45, 45.55, 1.45

 

CMYK 23 / 0 / 45 / 5

HEX #BCF385

RGB 188 243 133

HSL 90, 0.82%, 0.74%

LAB 90.08, -35.56, 47.29

 

CMYK 45 / 0 / 14 / 5

HEX #85F3D2

RGB 133 243 210

HSL 162, 0.82%, 0.74%

LAB 88.8, -39.26, 6.13

 

CMYK 22 / 45 / 0 / 4

HEX #BE85F4

RGB 190 133 244

HSL 270.81, 0.83%, 0.74%

LAB 65.16, 42.58, -47.61

 

CMYK 0 / 45 / 45 / 5

HEX #F38585

RGB 243 133 133

HSL 0, 0.82%, 0.74%

LAB 67.67, 41.87, 18.88

 

CMYK 23 / 0 / 45 / 5

HEX #BCF385

RGB 188 243 133

HSL 90, 0.82%, 0.74%

LAB 90.08, -35.56, 47.29

 

CMYK 45 / 0 / 0 / 5

HEX #85F3F3

RGB 133 243 243

HSL 180, 0.82%, 0.74%

LAB 89.65, -31.55, -9.83

 

Description

Color code: HEX #BE85F4 | qconv.com Color code: HEX #BE85F4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 133 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 133 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 45 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 45% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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