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Color name
HEX #BE728A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE728A it is the complementary color #418D75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE728A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE728A shade: #C37285, #D48498, #E596AB, #F6A8BE and #FFBAD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE728A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE728A shade: #BE728A, #AD6077, #9C4E64, #8B3C51 and #7A2A3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE728A shade: #BE738B, #BE7376 and #BE7373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE728A shade: #BE738B, #BE739F, #BE73B3, #B573BE and #A073BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE728A shade matches the following richer shades: #BE738B, #CF6285, #DF527E and #F04178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE728A shade: #BE738B, #AE8391, #9D9497, #8DA49D and #7CB5A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE728A shade: #BE73B3, #BE739F, #BE738B, #BE7377 and #BE8373

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE728A shade: #994660, #B15673, #BE738B, #CB8FA2 and #D8ABB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE728A shade: #BE728A, #BEB573 and #73A9BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE728A shade: #BE728A, #8BBE73 and #738BBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE728A shade: #BE728A, #BEB573, #73BEA6 and #737CBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE728A shade: #BE728A, #B0BE73, #73BEA6 and #8173BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 27 / 25

HEX #BE728A

RGB 190 114 138

HSL 341.05, 0.37%, 0.6%

LAB 56.9, 33.05, -0.21

 

Complementary color

CMYK 54 / 0 / 17 / 45

HEX #418D75

RGB 65 141 117

HSL 161.05, 0.37%, 0.4%

LAB 53.45, -29.65, 5.7

 

CMYK 0 / 42 / 32 / 24

HEX #C37285

RGB 195 114 133

HSL 345.93, 0.4%, 0.61%

LAB 57.4, 34.19, 3.5

 

CMYK 0 / 38 / 28 / 17

HEX #D48498

RGB 212 132 152

HSL 345, 0.48%, 0.67%

LAB 63.97, 33.3, 2.37

 

CMYK 0 / 34 / 25 / 10

HEX #E596AB

RGB 229 150 171

HSL 344.05, 0.6%, 0.74%

LAB 70.46, 32.47, 1.37

 

CMYK 0 / 32 / 23 / 4

HEX #F6A8BE

RGB 246 168 190

HSL 343.08, 0.81%, 0.81%

LAB 76.87, 31.7, 0.46

 

CMYK 0 / 27 / 18 / 0

HEX #FFBAD1

RGB 255 186 209

HSL 340, 1%, 0.86%

LAB 82.37, 28.19, -1.68

 

CMYK 0 / 40 / 27 / 25

HEX #BE728A

RGB 190 114 138

HSL 341.05, 0.37%, 0.6%

LAB 56.9, 33.05, -0.21

 

CMYK 0 / 45 / 31 / 32

HEX #AD6077

RGB 173 96 119

HSL 342.08, 0.32%, 0.53%

LAB 50.19, 33.95, 0.94

 

CMYK 0 / 50 / 36 / 39

HEX #9C4E64

RGB 156 78 100

HSL 343.08, 0.33%, 0.46%

LAB 43.41, 34.89, 2.31

 

CMYK 0 / 57 / 42 / 45

HEX #8B3C51

RGB 139 60 81

HSL 344.05, 0.4%, 0.39%

LAB 36.58, 35.82, 4

 

CMYK 0 / 66 / 49 / 52

HEX #7A2A3E

RGB 122 42 62

HSL 345, 0.49%, 0.32%

LAB 29.77, 36.58, 6.2

 

CMYK 0 / 39 / 27 / 25

HEX #BE738B

RGB 190 115 139

HSL 340.8, 0.37%, 0.6%

LAB 57.15, 32.64, -0.43

 

CMYK 0 / 39 / 38 / 25

HEX #BE7376

RGB 190 115 118

HSL 357.6, 0.37%, 0.6%

LAB 56.6, 29.88, 11

 

CMYK 0 / 39 / 39 / 25

HEX #BE7373

RGB 190 115 115

HSL 0, 0.37%, 0.6%

LAB 56.53, 29.53, 12.64

 

CMYK 0 / 39 / 27 / 25

HEX #BE738B

RGB 190 115 139

HSL 340.8, 0.37%, 0.6%

LAB 57.15, 32.64, -0.43

 

CMYK 0 / 39 / 16 / 25

HEX #BE739F

RGB 190 115 159

HSL 324.8, 0.37%, 0.6%

LAB 57.76, 35.68, -11.11

 

CMYK 0 / 39 / 6 / 25

HEX #BE73B3

RGB 190 115 179

HSL 308.8, 0.37%, 0.6%

LAB 58.47, 39.08, -21.54

 

CMYK 5 / 39 / 0 / 25

HEX #B573BE

RGB 181 115 190

HSL 292.8, 0.37%, 0.6%

LAB 57.85, 38.29, -28.88

 

CMYK 16 / 39 / 0 / 25

HEX #A073BE

RGB 160 115 190

HSL 276, 0.37%, 0.6%

LAB 55.54, 31.79, -32.66

 

CMYK 0 / 39 / 27 / 25

HEX #BE738B

RGB 190 115 139

HSL 340.8, 0.37%, 0.6%

LAB 57.15, 32.64, -0.43

 

CMYK 0 / 53 / 36 / 19

HEX #CF6285

RGB 207 98 133

HSL 340.73, 0.53%, 0.6%

LAB 55.78, 46.69, 1.37

 

CMYK 0 / 63 / 43 / 13

HEX #DF527E

RGB 223 82 126

HSL 341.28, 0.69%, 0.6%

LAB 55.31, 58.43, 5.12

 

CMYK 0 / 73 / 50 / 6

HEX #F04178

RGB 240 65 120

HSL 341.14, 0.85%, 0.6%

LAB 55.75, 69.2, 9.7

 

CMYK 0 / 39 / 27 / 25

HEX #BE738B

RGB 190 115 139

HSL 340.8, 0.37%, 0.6%

LAB 57.15, 32.64, -0.43

 

CMYK 0 / 25 / 17 / 32

HEX #AE8391

RGB 174 131 145

HSL 340.47, 0.21%, 0.6%

LAB 59.23, 18.73, -1.06

 

CMYK 0 / 6 / 4 / 38

HEX #9D9497

RGB 157 148 151

HSL 340, 0.04%, 0.6%

LAB 62.15, 3.87, -0.4

 

CMYK 14 / 0 / 4 / 36

HEX #8DA49D

RGB 141 164 157

HSL 161.74, 0.11%, 0.6%

LAB 65.47, -9.44, 0.92

 

CMYK 31 / 0 / 10 / 29

HEX #7CB5A3

RGB 124 181 163

HSL 161.05, 0.28%, 0.6%

LAB 69.45, -22.51, 3.25

 

CMYK 0 / 39 / 6 / 25

HEX #BE73B3

RGB 190 115 179

HSL 308.8, 0.37%, 0.6%

LAB 58.47, 39.08, -21.54

 

CMYK 0 / 39 / 16 / 25

HEX #BE739F

RGB 190 115 159

HSL 324.8, 0.37%, 0.6%

LAB 57.76, 35.68, -11.11

 

CMYK 0 / 39 / 27 / 25

HEX #BE738B

RGB 190 115 139

HSL 340.8, 0.37%, 0.6%

LAB 57.15, 32.64, -0.43

 

CMYK 0 / 39 / 37 / 25

HEX #BE7377

RGB 190 115 119

HSL 356.8, 0.37%, 0.6%

LAB 56.62, 30.01, 10.45

 

CMYK 0 / 31 / 39 / 25

HEX #BE8373

RGB 190 131 115

HSL 12.8, 0.37%, 0.6%

LAB 60.26, 20.72, 17.81

 

CMYK 0 / 54 / 37 / 40

HEX #994660

RGB 153 70 96

HSL 341.2, 0.37%, 0.44%

LAB 41.21, 37.51, 1.53

 

CMYK 0 / 51 / 35 / 31

HEX #B15673

RGB 177 86 115

HSL 340.88, 0.37%, 0.52%

LAB 48.56, 40.16, 1.03

 

CMYK 0 / 39 / 27 / 25

HEX #BE738B

RGB 190 115 139

HSL 340.8, 0.37%, 0.6%

LAB 57.15, 32.64, -0.43

 

CMYK 0 / 30 / 20 / 20

HEX #CB8FA2

RGB 203 143 162

HSL 341, 0.37%, 0.68%

LAB 65.71, 25.51, -0.88

 

CMYK 0 / 21 / 14 / 15

HEX #D8ABB9

RGB 216 171 185

HSL 341.33, 0.37%, 0.76%

LAB 74.34, 18.61, -0.87

 

CMYK 0 / 40 / 27 / 25

HEX #BE728A

RGB 190 114 138

HSL 341.05, 0.37%, 0.6%

LAB 56.9, 33.05, -0.21

 

CMYK 0 / 5 / 39 / 25

HEX #BEB573

RGB 190 181 115

HSL 52.8, 0.37%, 0.6%

LAB 73.04, -6.47, 34.77

 

CMYK 39 / 11 / 0 / 25

HEX #73A9BE

RGB 115 169 190

HSL 196.8, 0.37%, 0.6%

LAB 66.32, -12.32, -16.38

 

CMYK 0 / 40 / 27 / 25

HEX #BE728A

RGB 190 114 138

HSL 341.05, 0.37%, 0.6%

LAB 56.9, 33.05, -0.21

 

CMYK 27 / 0 / 39 / 25

HEX #8BBE73

RGB 139 190 115

HSL 100.8, 0.37%, 0.6%

LAB 71.93, -30.61, 32.61

 

CMYK 39 / 27 / 0 / 25

HEX #738BBE

RGB 115 139 190

HSL 220.8, 0.37%, 0.6%

LAB 57.87, 4.47, -29.31

 

CMYK 0 / 40 / 27 / 25

HEX #BE728A

RGB 190 114 138

HSL 341.05, 0.37%, 0.6%

LAB 56.9, 33.05, -0.21

 

CMYK 0 / 5 / 39 / 25

HEX #BEB573

RGB 190 181 115

HSL 52.8, 0.37%, 0.6%

LAB 73.04, -6.47, 34.77

 

CMYK 39 / 0 / 13 / 25

HEX #73BEA6

RGB 115 190 166

HSL 160.8, 0.37%, 0.6%

LAB 71.71, -28.89, 4.81

 

CMYK 39 / 35 / 0 / 25

HEX #737CBE

RGB 115 124 190

HSL 232.8, 0.37%, 0.6%

LAB 53.79, 13.32, -35.68

 

CMYK 0 / 40 / 27 / 25

HEX #BE728A

RGB 190 114 138

HSL 341.05, 0.37%, 0.6%

LAB 56.9, 33.05, -0.21

 

CMYK 7 / 0 / 39 / 25

HEX #B0BE73

RGB 176 190 115

HSL 71.2, 0.37%, 0.6%

LAB 74.38, -16.71, 36.25

 

CMYK 39 / 0 / 13 / 25

HEX #73BEA6

RGB 115 190 166

HSL 160.8, 0.37%, 0.6%

LAB 71.71, -28.89, 4.81

 

CMYK 32 / 39 / 0 / 25

HEX #8173BE

RGB 129 115 190

HSL 251.2, 0.37%, 0.6%

LAB 52.56, 22.6, -37.53

 

Description

Color code: HEX #BE728A | qconv.com Color code: HEX #BE728A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 114 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 114 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 27 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 27% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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