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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE7233 it is the complementary color #418DCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE7233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE7233 shade: #C3722E, #D48441, #E59654, #F6A867 and #FFBA7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE7233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE7233 shade: #BE7233, #AD6020, #9C4E0D, #8B3C00 and #7A2A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE7233 shade: #BD7132, #BD4B32 and #BD3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE7233 shade: #BD7132, #BD9632, #BDBC32, #98BD32 and #73BD32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE7233 shade matches the following richer shades: #BD7132, #D06F1E and #E46D0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE7233 shade: #BD7132, #A97345, #967459, #83766C and #6F787F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE7233 shade: #BD323D, #BD4B32, #BD7032, #BD9532 and #BDBB32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE7233 shade: #7C4A21, #9C5D29, #BD7132, #CE864A and #D79C6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE7233 shade: #BE7233, #62BD32 and #3932BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE7233 shade: #BE7233, #32BD70 and #7032BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE7233 shade: #BE7233, #62BD32, #327EBD and #8C32BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE7233 shade: #BE7233, #39BD32, #327EBD and #B632BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 73 / 25

HEX #BE7233

RGB 190 114 51

HSL 27.19, 0.58%, 0.47%

LAB 55.3, 24.77, 46.21

 

Complementary color

CMYK 68 / 31 / 0 / 20

HEX #418DCC

RGB 65 141 204

HSL 207.19, 0.58%, 0.53%

LAB 56.62, -3.23, -39.37

 

CMYK 0 / 42 / 76 / 24

HEX #C3722E

RGB 195 114 46

HSL 27.38, 0.62%, 0.47%

LAB 55.92, 26.66, 49.38

 

CMYK 0 / 38 / 69 / 17

HEX #D48441

RGB 212 132 65

HSL 27.35, 0.63%, 0.54%

LAB 62.41, 24.99, 47.92

 

CMYK 0 / 34 / 63 / 10

HEX #E59654

RGB 229 150 84

HSL 27.31, 0.74%, 0.61%

LAB 68.83, 23.52, 46.35

 

CMYK 0 / 32 / 58 / 4

HEX #F6A867

RGB 246 168 103

HSL 27.27, 0.89%, 0.68%

LAB 75.19, 22.23, 44.8

 

CMYK 0 / 27 / 52 / 0

HEX #FFBA7A

RGB 255 186 122

HSL 28.87, 1%, 0.74%

LAB 80.62, 17.9, 42.06

 

CMYK 0 / 40 / 73 / 25

HEX #BE7233

RGB 190 114 51

HSL 27.19, 0.58%, 0.47%

LAB 55.3, 24.77, 46.21

 

CMYK 0 / 45 / 82 / 32

HEX #AD6020

RGB 173 96 32

HSL 27.23, 0.69%, 0.4%

LAB 48.7, 26.59, 47.52

 

CMYK 0 / 50 / 92 / 39

HEX #9C4E0D

RGB 156 78 13

HSL 27.27, 0.85%, 0.33%

LAB 42.07, 28.66, 47.95

 

CMYK 0 / 57 / 100 / 45

HEX #8B3C00

RGB 139 60 0

HSL 25.9, 1%, 0.27%

LAB 35.44, 30.93, 46.3

 

CMYK 0 / 66 / 100 / 52

HEX #7A2A00

RGB 122 42 0

HSL 20.66, 1%, 0.24%

LAB 28.89, 33.19, 40.48

 

CMYK 0 / 40 / 74 / 26

HEX #BD7132

RGB 189 113 50

HSL 27.19, 0.58%, 0.47%

LAB 54.93, 24.85, 46.26

 

CMYK 0 / 60 / 74 / 26

HEX #BD4B32

RGB 189 75 50

HSL 10.79, 0.58%, 0.47%

LAB 47.08, 44.47, 37.85

 

CMYK 0 / 74 / 74 / 26

HEX #BD3232

RGB 189 50 50

HSL 0, 0.58%, 0.47%

LAB 43.26, 54.81, 33.57

 

CMYK 0 / 40 / 74 / 26

HEX #BD7132

RGB 189 113 50

HSL 27.19, 0.58%, 0.47%

LAB 54.93, 24.85, 46.26

 

CMYK 0 / 21 / 74 / 26

HEX #BD9632

RGB 189 150 50

HSL 43.17, 0.58%, 0.47%

LAB 64.05, 4.49, 55.49

 

CMYK 0 / 1 / 74 / 26

HEX #BDBC32

RGB 189 188 50

HSL 59.57, 0.58%, 0.47%

LAB 74.2, -15.52, 65.26

 

CMYK 20 / 0 / 74 / 26

HEX #98BD32

RGB 152 189 50

HSL 75.97, 0.58%, 0.47%

LAB 71.76, -31.44, 61.97

 

CMYK 39 / 0 / 74 / 26

HEX #73BD32

RGB 115 189 50

HSL 91.94, 0.58%, 0.47%

LAB 69.66, -45.31, 59.21

 

CMYK 0 / 40 / 74 / 26

HEX #BD7132

RGB 189 113 50

HSL 27.19, 0.58%, 0.47%

LAB 54.93, 24.85, 46.26

 

CMYK 0 / 47 / 86 / 18

HEX #D06F1E

RGB 208 111 30

HSL 27.3, 0.75%, 0.47%

LAB 56.95, 33.14, 57.43

 

CMYK 0 / 52 / 95 / 11

HEX #E46D0B

RGB 228 109 11

HSL 27.1, 0.91%, 0.47%

LAB 59.39, 41.83, 65.57

 

CMYK 0 / 40 / 74 / 26

HEX #BD7132

RGB 189 113 50

HSL 27.19, 0.58%, 0.47%

LAB 54.93, 24.85, 46.26

 

CMYK 0 / 32 / 59 / 34

HEX #A97345

RGB 169 115 69

HSL 27.6, 0.42%, 0.47%

LAB 53.09, 16.33, 33.75

 

CMYK 0 / 23 / 41 / 41

HEX #967459

RGB 150 116 89

HSL 26.56, 0.26%, 0.47%

LAB 51.49, 9.55, 20.04

 

CMYK 0 / 10 / 18 / 49

HEX #83766C

RGB 131 118 108

HSL 26.09, 0.1%, 0.47%

LAB 50.53, 3.24, 7.33

 

CMYK 13 / 6 / 0 / 50

HEX #6F787F

RGB 111 120 127

HSL 206.25, 0.07%, 0.47%

LAB 49.91, -1.82, -4.98

 

CMYK 0 / 74 / 68 / 26

HEX #BD323D

RGB 189 50 61

HSL 355.25, 0.58%, 0.47%

LAB 43.41, 55.34, 27.2

 

CMYK 0 / 60 / 74 / 26

HEX #BD4B32

RGB 189 75 50

HSL 10.79, 0.58%, 0.47%

LAB 47.08, 44.47, 37.85

 

CMYK 0 / 41 / 74 / 26

HEX #BD7032

RGB 189 112 50

HSL 26.76, 0.58%, 0.47%

LAB 54.7, 25.39, 46.02

 

CMYK 0 / 21 / 74 / 26

HEX #BD9532

RGB 189 149 50

HSL 42.73, 0.58%, 0.47%

LAB 63.79, 5.03, 55.24

 

CMYK 0 / 1 / 74 / 26

HEX #BDBB32

RGB 189 187 50

HSL 59.14, 0.58%, 0.47%

LAB 73.93, -15.02, 65

 

CMYK 0 / 40 / 73 / 51

HEX #7C4A21

RGB 124 74 33

HSL 27.03, 0.58%, 0.31%

LAB 36.54, 17.45, 32.62

 

CMYK 0 / 40 / 74 / 39

HEX #9C5D29

RGB 156 93 41

HSL 27.13, 0.58%, 0.39%

LAB 45.71, 21.27, 39.62

 

CMYK 0 / 40 / 74 / 26

HEX #BD7132

RGB 189 113 50

HSL 27.19, 0.58%, 0.47%

LAB 54.93, 24.85, 46.26

 

CMYK 0 / 35 / 64 / 19

HEX #CE864A

RGB 206 134 74

HSL 27.27, 0.57%, 0.55%

LAB 62.23, 21.94, 43.03

 

CMYK 0 / 27 / 51 / 16

HEX #D79C6A

RGB 215 156 106

HSL 27.52, 0.58%, 0.63%

LAB 68.94, 16.25, 34.74

 

CMYK 0 / 40 / 73 / 25

HEX #BE7233

RGB 190 114 51

HSL 27.19, 0.58%, 0.47%

LAB 55.3, 24.77, 46.21

 

CMYK 48 / 0 / 74 / 26

HEX #62BD32

RGB 98 189 50

HSL 99.28, 0.58%, 0.47%

LAB 68.91, -50.8, 58.22

 

CMYK 70 / 74 / 0 / 26

HEX #3932BD

RGB 57 50 189

HSL 243.02, 0.58%, 0.47%

LAB 31.41, 46.59, -71.35

 

CMYK 0 / 40 / 73 / 25

HEX #BE7233

RGB 190 114 51

HSL 27.19, 0.58%, 0.47%

LAB 55.3, 24.77, 46.21

 

CMYK 74 / 0 / 41 / 26

HEX #32BD70

RGB 50 189 112

HSL 146.76, 0.58%, 0.47%

LAB 68.2, -53.91, 28.66

 

CMYK 41 / 74 / 0 / 26

HEX #7032BD

RGB 112 50 189

HSL 266.76, 0.58%, 0.47%

LAB 36.74, 54.41, -62.39

 

CMYK 0 / 40 / 73 / 25

HEX #BE7233

RGB 190 114 51

HSL 27.19, 0.58%, 0.47%

LAB 55.3, 24.77, 46.21

 

CMYK 48 / 0 / 74 / 26

HEX #62BD32

RGB 98 189 50

HSL 99.28, 0.58%, 0.47%

LAB 68.91, -50.8, 58.22

 

CMYK 74 / 33 / 0 / 26

HEX #327EBD

RGB 50 126 189

HSL 207.19, 0.58%, 0.47%

LAB 51.01, -1.89, -39.71

 

CMYK 26 / 74 / 0 / 26

HEX #8C32BD

RGB 140 50 189

HSL 278.85, 0.58%, 0.47%

LAB 40.46, 59.58, -56.19

 

CMYK 0 / 40 / 73 / 25

HEX #BE7233

RGB 190 114 51

HSL 27.19, 0.58%, 0.47%

LAB 55.3, 24.77, 46.21

 

CMYK 70 / 0 / 74 / 26

HEX #39BD32

RGB 57 189 50

HSL 116.98, 0.58%, 0.47%

LAB 67.65, -60.89, 56.53

 

CMYK 74 / 33 / 0 / 26

HEX #327EBD

RGB 50 126 189

HSL 207.19, 0.58%, 0.47%

LAB 51.01, -1.89, -39.71

 

CMYK 4 / 74 / 0 / 26

HEX #B632BD

RGB 182 50 189

HSL 296.98, 0.58%, 0.47%

LAB 46.84, 68.1, -45.59

 

Description

Color code: HEX #BE7233 | qconv.com Color code: HEX #BE7233 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 114 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 114 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 73 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 73% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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