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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE6EFB it is the complementary color #419104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE6EFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE6EFB shade: #C36EF6, #D480FF, #E592FF, #F6A4FF and #FFB6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE6EFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE6EFB shade: #BE6EFB, #AD5CE8, #9C4AD5, #8B38C2 and #7A26AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE6EFB shade: #BE6EFB, #E46EFB, #FB6EEC, #FB6EC6 and #FB6EA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE6EFB shade: #BE6EFB, #986EFB, #726EFB and #6E6EFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE6EFB shade matches the following richer shades: #BE6EFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE6EFB shade: #BE6EFB, #BC7AEF, #BB86E3, #B992D7 and #B89ECB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE6EFB shade: #736EFB, #986EFB, #BE6EFB, #E36EFB and #FB6EED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE6EFB shade: #9A1EF9, #AC46FA, #BE6EFB, #D097FC and #E2BFFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE6EFB shade: #BE6EFB, #FB6E8F and #6EFB86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE6EFB shade: #BE6EFB, #FBBE6E and #6EFBBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE6EFB shade: #BE6EFB, #FB6E8F, #ABFB6E and #6EFBDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE6EFB shade: #BE6EFB, #FB786E, #ABFB6E and #6EF1FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 56 / 0 / 2

HEX #BE6EFB

RGB 190 110 251

HSL 274.04, 0.95%, 0.71%

LAB 60.84, 56.25, -58.33

 

Complementary color

CMYK 55 / 0 / 97 / 43

HEX #419104

RGB 65 145 4

HSL 94.04, 0.95%, 0.29%

LAB 53.37, -45.9, 55.45

 

CMYK 21 / 55 / 0 / 4

HEX #C36EF6

RGB 195 110 246

HSL 277.5, 0.88%, 0.7%

LAB 61.14, 56.38, -55.05

 

CMYK 17 / 50 / 0 / 0

HEX #D480FF

RGB 212 128 255

HSL 279.69, 1%, 0.75%

LAB 67.02, 53.5, -50.55

 

CMYK 10 / 43 / 0 / 0

HEX #E592FF

RGB 229 146 255

HSL 285.69, 1%, 0.79%

LAB 72.52, 48.9, -41.78

 

CMYK 4 / 36 / 0 / 0

HEX #F6A4FF

RGB 246 164 255

HSL 294.07, 1%, 0.82%

LAB 78.09, 44.53, -32.99

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 24 / 56 / 0 / 2

HEX #BE6EFB

RGB 190 110 251

HSL 274.04, 0.95%, 0.71%

LAB 60.84, 56.25, -58.33

 

CMYK 25 / 60 / 0 / 9

HEX #AD5CE8

RGB 173 92 232

HSL 274.71, 0.75%, 0.64%

LAB 54.41, 57.01, -58.15

 

CMYK 27 / 65 / 0 / 16

HEX #9C4AD5

RGB 156 74 213

HSL 275.4, 0.62%, 0.56%

LAB 47.97, 57.64, -57.85

 

CMYK 28 / 71 / 0 / 24

HEX #8B38C2

RGB 139 56 194

HSL 276.09, 0.55%, 0.49%

LAB 41.55, 57.99, -57.35

 

CMYK 30 / 78 / 0 / 31

HEX #7A26AF

RGB 122 38 175

HSL 276.79, 0.64%, 0.42%

LAB 35.24, 57.82, -56.49

 

CMYK 24 / 56 / 0 / 2

HEX #BE6EFB

RGB 190 110 251

HSL 274.04, 0.95%, 0.71%

LAB 60.84, 56.25, -58.33

 

CMYK 9 / 56 / 0 / 2

HEX #E46EFB

RGB 228 110 251

HSL 290.21, 0.95%, 0.71%

LAB 65.44, 65.56, -50.72

 

CMYK 0 / 56 / 6 / 2

HEX #FB6EEC

RGB 251 110 236

HSL 306.38, 0.95%, 0.71%

LAB 67.81, 68.85, -38.52

 

CMYK 0 / 56 / 21 / 2

HEX #FB6EC6

RGB 251 110 198

HSL 322.55, 0.95%, 0.71%

LAB 66.32, 63.22, -19.63

 

CMYK 0 / 56 / 36 / 2

HEX #FB6EA0

RGB 251 110 160

HSL 338.72, 0.95%, 0.71%

LAB 65.12, 58.51, 0.13

 

CMYK 24 / 56 / 0 / 2

HEX #BE6EFB

RGB 190 110 251

HSL 274.04, 0.95%, 0.71%

LAB 60.84, 56.25, -58.33

 

CMYK 39 / 56 / 0 / 2

HEX #986EFB

RGB 152 110 251

HSL 257.87, 0.95%, 0.71%

LAB 56.87, 47.45, -64.9

 

CMYK 55 / 56 / 0 / 2

HEX #726EFB

RGB 114 110 251

HSL 241.7, 0.95%, 0.71%

LAB 53.7, 39.72, -70.18

 

CMYK 56 / 56 / 0 / 2

HEX #6E6EFB

RGB 110 110 251

HSL 240, 0.95%, 0.71%

LAB 53.42, 39, -70.65

 

CMYK 24 / 56 / 0 / 2

HEX #BE6EFB

RGB 190 110 251

HSL 274.04, 0.95%, 0.71%

LAB 60.84, 56.25, -58.33

 

CMYK 24 / 56 / 0 / 2

HEX #BE6EFB

RGB 190 110 251

HSL 274.04, 0.95%, 0.71%

LAB 60.84, 56.25, -58.33

 

CMYK 21 / 49 / 0 / 6

HEX #BC7AEF

RGB 188 122 239

HSL 273.85, 0.79%, 0.71%

LAB 62.37, 46.84, -49.27

 

CMYK 18 / 41 / 0 / 11

HEX #BB86E3

RGB 187 134 227

HSL 274.19, 0.62%, 0.71%

LAB 64.29, 37.41, -39.61

 

CMYK 14 / 32 / 0 / 16

HEX #B992D7

RGB 185 146 215

HSL 273.91, 0.46%, 0.71%

LAB 66.35, 27.54, -29.77

 

CMYK 9 / 22 / 0 / 20

HEX #B89ECB

RGB 184 158 203

HSL 274.67, 0.3%, 0.71%

LAB 68.72, 17.99, -19.49

 

CMYK 54 / 56 / 0 / 2

HEX #736EFB

RGB 115 110 251

HSL 242.13, 0.95%, 0.71%

LAB 53.77, 39.91, -70.06

 

CMYK 39 / 56 / 0 / 2

HEX #986EFB

RGB 152 110 251

HSL 257.87, 0.95%, 0.71%

LAB 56.87, 47.45, -64.9

 

CMYK 24 / 56 / 0 / 2

HEX #BE6EFB

RGB 190 110 251

HSL 274.04, 0.95%, 0.71%

LAB 60.84, 56.25, -58.33

 

CMYK 10 / 56 / 0 / 2

HEX #E36EFB

RGB 227 110 251

HSL 289.79, 0.95%, 0.71%

LAB 65.32, 65.31, -50.93

 

CMYK 0 / 56 / 6 / 2

HEX #FB6EED

RGB 251 110 237

HSL 305.96, 0.95%, 0.71%

LAB 67.85, 69.01, -39.01

 

CMYK 38 / 88 / 0 / 2

HEX #9A1EF9

RGB 154 30 249

HSL 273.97, 0.95%, 0.55%

LAB 45.13, 80.25, -82.86

 

CMYK 31 / 72 / 0 / 2

HEX #AC46FA

RGB 172 70 250

HSL 274, 0.95%, 0.63%

LAB 51.9, 70.63, -72.28

 

CMYK 24 / 56 / 0 / 2

HEX #BE6EFB

RGB 190 110 251

HSL 274.04, 0.95%, 0.71%

LAB 60.84, 56.25, -58.33

 

CMYK 17 / 40 / 0 / 1

HEX #D097FC

RGB 208 151 252

HSL 273.86, 0.94%, 0.79%

LAB 71.26, 39.64, -42.27

 

CMYK 11 / 25 / 0 / 1

HEX #E2BFFD

RGB 226 191 253

HSL 273.87, 0.94%, 0.87%

LAB 82.12, 23.65, -25.9

 

CMYK 24 / 56 / 0 / 2

HEX #BE6EFB

RGB 190 110 251

HSL 274.04, 0.95%, 0.71%

LAB 60.84, 56.25, -58.33

 

CMYK 0 / 56 / 43 / 2

HEX #FB6E8F

RGB 251 110 143

HSL 345.96, 0.95%, 0.71%

LAB 64.68, 56.72, 9.21

 

CMYK 56 / 0 / 47 / 2

HEX #6EFB86

RGB 110 251 134

HSL 130.21, 0.95%, 0.71%

LAB 88.94, -61.95, 44.63

 

CMYK 24 / 56 / 0 / 2

HEX #BE6EFB

RGB 190 110 251

HSL 274.04, 0.95%, 0.71%

LAB 60.84, 56.25, -58.33

 

CMYK 0 / 24 / 56 / 2

HEX #FBBE6E

RGB 251 190 110

HSL 34.04, 0.95%, 0.71%

LAB 80.99, 13.23, 48.43

 

CMYK 56 / 0 / 24 / 2

HEX #6EFBBE

RGB 110 251 190

HSL 154.04, 0.95%, 0.71%

LAB 89.87, -52.12, 17.9

 

CMYK 24 / 56 / 0 / 2

HEX #BE6EFB

RGB 190 110 251

HSL 274.04, 0.95%, 0.71%

LAB 60.84, 56.25, -58.33

 

CMYK 0 / 56 / 43 / 2

HEX #FB6E8F

RGB 251 110 143

HSL 345.96, 0.95%, 0.71%

LAB 64.68, 56.72, 9.21

 

CMYK 32 / 0 / 56 / 2

HEX #ABFB6E

RGB 171 251 110

HSL 94.04, 0.95%, 0.71%

LAB 91.13, -47.4, 58.9

 

CMYK 56 / 0 / 13 / 2

HEX #6EFBDA

RGB 110 251 218

HSL 165.96, 0.95%, 0.71%

LAB 90.49, -45.97, 4.32

 

CMYK 24 / 56 / 0 / 2

HEX #BE6EFB

RGB 190 110 251

HSL 274.04, 0.95%, 0.71%

LAB 60.84, 56.25, -58.33

 

CMYK 0 / 52 / 56 / 2

HEX #FB786E

RGB 251 120 110

HSL 4.26, 0.95%, 0.71%

LAB 65.8, 49.18, 29.43

 

CMYK 32 / 0 / 56 / 2

HEX #ABFB6E

RGB 171 251 110

HSL 94.04, 0.95%, 0.71%

LAB 91.13, -47.4, 58.9

 

CMYK 56 / 4 / 0 / 2

HEX #6EF1FB

RGB 110 241 251

HSL 184.26, 0.95%, 0.71%

LAB 88.54, -33.19, -15.76

 

Description

Color code: HEX #BE6EFB | qconv.com Color code: HEX #BE6EFB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 110 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 110 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 56 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 56% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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