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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE6D4D it is the complementary color #4192B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE6D4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE6D4D shade: #C36D48, #D47F5B, #E5916E, #F6A381 and #FFB594

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE6D4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE6D4D shade: #BE6D4D, #AD5B3A, #9C4927, #8B3714 and #7A2501

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE6D4D shade: #BE6B4B, #BE4C4B and #BE4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE6D4D shade: #BE6B4B, #BE8A4B, #BEA94B, #B3BE4B and #94BE4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE6D4D shade matches the following richer shades: #BE6B4B, #D16337, #E55A23 and #F9510F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE6D4D shade: #BE6B4B, #AA745E, #967C72, #828586 and #6E8E9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE6D4D shade: #BE4B69, #BE4B4B, #BE694B, #BE884B and #BEA74B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE6D4D shade: #864830, #A4593B, #BE6B4B, #C98469 and #D39D87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE6D4D shade: #BE6D4D, #88BE4B and #4B5ABE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE6D4D shade: #BE6D4D, #4BBE69 and #694BBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE6D4D shade: #BE6D4D, #88BE4B, #4B9FBE and #804BBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE6D4D shade: #BE6D4D, #65BE4B, #4B9FBE and #A34BBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 59 / 25

HEX #BE6D4D

RGB 190 109 77

HSL 16.99, 0.47%, 0.52%

LAB 54.47, 29.11, 31.66

 

Complementary color

CMYK 63 / 18 / 0 / 30

HEX #4192B2

RGB 65 146 178

HSL 196.99, 0.47%, 0.48%

LAB 56.97, -14.72, -24.08

 

CMYK 0 / 44 / 63 / 24

HEX #C36D48

RGB 195 109 72

HSL 18.05, 0.51%, 0.52%

LAB 55.08, 30.78, 35.32

 

CMYK 0 / 40 / 57 / 17

HEX #D47F5B

RGB 212 127 91

HSL 17.85, 0.58%, 0.59%

LAB 61.59, 29.4, 33.46

 

CMYK 0 / 37 / 52 / 10

HEX #E5916E

RGB 229 145 110

HSL 17.65, 0.7%, 0.66%

LAB 68.05, 28.16, 31.77

 

CMYK 0 / 34 / 48 / 4

HEX #F6A381

RGB 246 163 129

HSL 17.44, 0.87%, 0.74%

LAB 74.43, 27.05, 30.24

 

CMYK 0 / 29 / 42 / 0

HEX #FFB594

RGB 255 181 148

HSL 18.5, 1%, 0.79%

LAB 79.87, 22.98, 27.52

 

CMYK 0 / 43 / 59 / 25

HEX #BE6D4D

RGB 190 109 77

HSL 16.99, 0.47%, 0.52%

LAB 54.47, 29.11, 31.66

 

CMYK 0 / 47 / 66 / 32

HEX #AD5B3A

RGB 173 91 58

HSL 17.22, 0.5%, 0.45%

LAB 47.84, 30.58, 33.65

 

CMYK 0 / 53 / 75 / 39

HEX #9C4927

RGB 156 73 39

HSL 17.44, 0.6%, 0.38%

LAB 41.18, 32.21, 35.83

 

CMYK 0 / 60 / 86 / 45

HEX #8B3714

RGB 139 55 20

HSL 17.65, 0.75%, 0.31%

LAB 34.54, 33.95, 37.97

 

CMYK 0 / 70 / 99 / 52

HEX #7A2501

RGB 122 37 1

HSL 17.85, 0.98%, 0.24%

LAB 28.01, 35.56, 39.36

 

CMYK 0 / 44 / 61 / 25

HEX #BE6B4B

RGB 190 107 75

HSL 16.7, 0.47%, 0.52%

LAB 54, 30.05, 32.18

 

CMYK 0 / 60 / 61 / 25

HEX #BE4C4B

RGB 190 76 75

HSL 0.52, 0.47%, 0.52%

LAB 47.78, 45.82, 24.35

 

CMYK 0 / 61 / 61 / 25

HEX #BE4B4B

RGB 190 75 75

HSL 0, 0.47%, 0.52%

LAB 47.61, 46.28, 24.12

 

CMYK 0 / 44 / 61 / 25

HEX #BE6B4B

RGB 190 107 75

HSL 16.7, 0.47%, 0.52%

LAB 54, 30.05, 32.18

 

CMYK 0 / 27 / 61 / 25

HEX #BE8A4B

RGB 190 138 75

HSL 32.87, 0.47%, 0.52%

LAB 61.34, 13.01, 41.01

 

CMYK 0 / 11 / 61 / 25

HEX #BEA94B

RGB 190 169 75

HSL 49.04, 0.47%, 0.52%

LAB 69.35, -3.81, 50.18

 

CMYK 6 / 0 / 61 / 25

HEX #B3BE4B

RGB 179 190 75

HSL 65.74, 0.47%, 0.52%

LAB 74.14, -19.3, 55.2

 

CMYK 22 / 0 / 61 / 25

HEX #94BE4B

RGB 148 190 75

HSL 81.91, 0.47%, 0.52%

LAB 71.98, -31.77, 52.22

 

CMYK 0 / 44 / 61 / 25

HEX #BE6B4B

RGB 190 107 75

HSL 16.7, 0.47%, 0.52%

LAB 54, 30.05, 32.18

 

CMYK 0 / 53 / 74 / 18

HEX #D16337

RGB 209 99 55

HSL 17.14, 0.63%, 0.52%

LAB 54.82, 40.56, 44.55

 

CMYK 0 / 61 / 85 / 10

HEX #E55A23

RGB 229 90 35

HSL 17.01, 0.79%, 0.52%

LAB 56.18, 51.56, 56.19

 

CMYK 0 / 67 / 94 / 2

HEX #F9510F

RGB 249 81 15

HSL 16.92, 0.95%, 0.52%

LAB 58.09, 61.76, 65.62

 

CMYK 0 / 44 / 61 / 25

HEX #BE6B4B

RGB 190 107 75

HSL 16.7, 0.47%, 0.52%

LAB 54, 30.05, 32.18

 

CMYK 0 / 32 / 45 / 33

HEX #AA745E

RGB 170 116 94

HSL 17.37, 0.31%, 0.52%

LAB 53.86, 18.56, 20.73

 

CMYK 0 / 17 / 24 / 41

HEX #967C72

RGB 150 124 114

HSL 16.67, 0.15%, 0.52%

LAB 54.15, 8.41, 9.21

 

CMYK 3 / 1 / 0 / 47

HEX #828586

RGB 130 133 134

HSL 195, 0.02%, 0.52%

LAB 55.32, -0.9, -0.93

 

CMYK 29 / 8 / 0 / 40

HEX #6E8E9A

RGB 110 142 154

HSL 196.36, 0.18%, 0.52%

LAB 57.07, -8.26, -10.02

 

CMYK 0 / 61 / 45 / 25

HEX #BE4B69

RGB 190 75 105

HSL 344.35, 0.47%, 0.52%

LAB 48.26, 48.84, 6.91

 

CMYK 0 / 61 / 61 / 25

HEX #BE4B4B

RGB 190 75 75

HSL 0, 0.47%, 0.52%

LAB 47.61, 46.28, 24.12

 

CMYK 0 / 45 / 61 / 25

HEX #BE694B

RGB 190 105 75

HSL 15.65, 0.47%, 0.52%

LAB 53.56, 31.12, 31.64

 

CMYK 0 / 28 / 61 / 25

HEX #BE884B

RGB 190 136 75

HSL 31.83, 0.47%, 0.52%

LAB 60.84, 14.12, 40.43

 

CMYK 0 / 12 / 61 / 25

HEX #BEA74B

RGB 190 167 75

HSL 48, 0.47%, 0.52%

LAB 68.82, -2.75, 49.59

 

CMYK 0 / 46 / 64 / 47

HEX #864830

RGB 134 72 48

HSL 16.74, 0.47%, 0.36%

LAB 37.69, 24.07, 25.86

 

CMYK 0 / 46 / 64 / 36

HEX #A4593B

RGB 164 89 59

HSL 17.14, 0.47%, 0.44%

LAB 46.11, 28.03, 30.71

 

CMYK 0 / 44 / 61 / 25

HEX #BE6B4B

RGB 190 107 75

HSL 16.7, 0.47%, 0.52%

LAB 54, 30.05, 32.18

 

CMYK 0 / 34 / 48 / 21

HEX #C98469

RGB 201 132 105

HSL 16.88, 0.47%, 0.6%

LAB 61.6, 23.51, 25.46

 

CMYK 0 / 26 / 36 / 17

HEX #D39D87

RGB 211 157 135

HSL 17.37, 0.46%, 0.68%

LAB 69.26, 17.19, 19.36

 

CMYK 0 / 43 / 59 / 25

HEX #BE6D4D

RGB 190 109 77

HSL 16.99, 0.47%, 0.52%

LAB 54.47, 29.11, 31.66

 

CMYK 28 / 0 / 61 / 25

HEX #88BE4B

RGB 136 190 75

HSL 88.17, 0.47%, 0.52%

LAB 71.26, -36.31, 51.22

 

CMYK 61 / 53 / 0 / 25

HEX #4B5ABE

RGB 75 90 190

HSL 232.17, 0.47%, 0.52%

LAB 42.04, 25.05, -54.54

 

CMYK 0 / 43 / 59 / 25

HEX #BE6D4D

RGB 190 109 77

HSL 16.99, 0.47%, 0.52%

LAB 54.47, 29.11, 31.66

 

CMYK 61 / 0 / 45 / 25

HEX #4BBE69

RGB 75 190 105

HSL 135.65, 0.47%, 0.52%

LAB 69, -50.94, 33.43

 

CMYK 45 / 61 / 0 / 25

HEX #694BBE

RGB 105 75 190

HSL 255.65, 0.47%, 0.52%

LAB 40.82, 40.27, -56.39

 

CMYK 0 / 43 / 59 / 25

HEX #BE6D4D

RGB 190 109 77

HSL 16.99, 0.47%, 0.52%

LAB 54.47, 29.11, 31.66

 

CMYK 28 / 0 / 61 / 25

HEX #88BE4B

RGB 136 190 75

HSL 88.17, 0.47%, 0.52%

LAB 71.26, -36.31, 51.22

 

CMYK 61 / 16 / 0 / 25

HEX #4B9FBE

RGB 75 159 190

HSL 196.17, 0.47%, 0.52%

LAB 61.66, -16.14, -23.63

 

CMYK 33 / 61 / 0 / 25

HEX #804BBE

RGB 128 75 190

HSL 267.65, 0.47%, 0.52%

LAB 43.27, 45.41, -52.31

 

CMYK 0 / 43 / 59 / 25

HEX #BE6D4D

RGB 190 109 77

HSL 16.99, 0.47%, 0.52%

LAB 54.47, 29.11, 31.66

 

CMYK 47 / 0 / 61 / 25

HEX #65BE4B

RGB 101 190 75

HSL 106.43, 0.47%, 0.52%

LAB 69.54, -48.14, 48.81

 

CMYK 61 / 16 / 0 / 25

HEX #4B9FBE

RGB 75 159 190

HSL 196.17, 0.47%, 0.52%

LAB 61.66, -16.14, -23.63

 

CMYK 14 / 61 / 0 / 25

HEX #A34BBE

RGB 163 75 190

HSL 285.91, 0.47%, 0.52%

LAB 47.67, 53.9, -45.02

 

Description

Color code: HEX #BE6D4D | qconv.com Color code: HEX #BE6D4D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 109 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 109 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 59 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 59% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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