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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE630E it is the complementary color #419CF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE630E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE630E shade: #C36309, #D4751C, #E5872F, #F69942 and #FFAB55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE630E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE630E shade: #BE630E, #AD5100, #9C3F00, #8B2D00 and #7A1B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE630E shade: #BD630E, #BD330E and #BD0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE630E shade: #BD630E, #BD920E, #B9BD0E, #8ABD0E and #5BBD0E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE630E shade matches the following richer shades: #BD630E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE630E shade: #BD630E, #AD631E, #9C642F, #8C643F and #7B6550

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE630E shade: #BD0E19, #BD310E, #BD600E, #BD8E0E and #BDBD0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE630E shade: #703A08, #974E0B, #BD630E, #E47711 and #EF8B2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE630E shade: #BE630E, #48BD0E and #190EBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE630E shade: #BE630E, #0EBD60 and #600EBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE630E shade: #BE630E, #48BD0E, #0E6BBD and #830EBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE630E shade: #BE630E, #14BD0E, #0E6BBD and #B70EBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 93 / 25

HEX #BE630E

RGB 190 99 14

HSL 28.98, 0.86%, 0.4%

LAB 51.73, 31.72, 57.05

 

Complementary color

CMYK 73 / 35 / 0 / 5

HEX #419CF1

RGB 65 156 241

HSL 208.98, 0.86%, 0.6%

LAB 62.72, 0.92, -50.34

 

CMYK 0 / 49 / 95 / 24

HEX #C36309

RGB 195 99 9

HSL 29.03, 0.91%, 0.4%

LAB 52.45, 33.72, 58.98

 

CMYK 0 / 45 / 87 / 17

HEX #D4751C

RGB 212 117 28

HSL 29.02, 0.77%, 0.47%

LAB 58.79, 31.59, 59.83

 

CMYK 0 / 41 / 79 / 10

HEX #E5872F

RGB 229 135 47

HSL 29.01, 0.78%, 0.54%

LAB 65.11, 29.66, 59.34

 

CMYK 0 / 38 / 73 / 4

HEX #F69942

RGB 246 153 66

HSL 29, 0.91%, 0.61%

LAB 71.4, 27.93, 58.24

 

CMYK 0 / 33 / 67 / 0

HEX #FFAB55

RGB 255 171 85

HSL 30.35, 1%, 0.67%

LAB 76.7, 23.15, 55.59

 

CMYK 0 / 48 / 93 / 25

HEX #BE630E

RGB 190 99 14

HSL 28.98, 0.86%, 0.4%

LAB 51.73, 31.72, 57.05

 

CMYK 0 / 53 / 100 / 32

HEX #AD5100

RGB 173 81 0

HSL 28.09, 1%, 0.34%

LAB 45.32, 33.97, 54.89

 

CMYK 0 / 60 / 100 / 39

HEX #9C3F00

RGB 156 63 0

HSL 24.23, 1%, 0.31%

LAB 38.94, 36.3, 49.79

 

CMYK 0 / 68 / 100 / 45

HEX #8B2D00

RGB 139 45 0

HSL 19.42, 1%, 0.27%

LAB 32.63, 38.32, 44.65

 

CMYK 0 / 78 / 100 / 52

HEX #7A1B00

RGB 122 27 0

HSL 13.28, 1%, 0.24%

LAB 26.51, 39.64, 38.47

 

CMYK 0 / 48 / 93 / 26

HEX #BD630E

RGB 189 99 14

HSL 29.14, 0.86%, 0.4%

LAB 51.58, 31.3, 56.88

 

CMYK 0 / 73 / 93 / 26

HEX #BD330E

RGB 189 51 14

HSL 12.69, 0.86%, 0.4%

LAB 43.09, 53.45, 50.99

 

CMYK 0 / 93 / 93 / 26

HEX #BD0E0E

RGB 189 14 14

HSL 0, 0.86%, 0.4%

LAB 39.86, 62.58, 48.88

 

CMYK 0 / 48 / 93 / 26

HEX #BD630E

RGB 189 99 14

HSL 29.14, 0.86%, 0.4%

LAB 51.58, 31.3, 56.88

 

CMYK 0 / 23 / 93 / 26

HEX #BD920E

RGB 189 146 14

HSL 45.26, 0.86%, 0.4%

LAB 62.85, 5.57, 65.17

 

CMYK 2 / 0 / 93 / 26

HEX #B9BD0E

RGB 185 189 14

HSL 61.37, 0.86%, 0.4%

LAB 74.02, -18.77, 73.52

 

CMYK 27 / 0 / 93 / 26

HEX #8ABD0E

RGB 138 189 14

HSL 77.49, 0.86%, 0.4%

LAB 70.75, -38.27, 69.56

 

CMYK 52 / 0 / 93 / 26

HEX #5BBD0E

RGB 91 189 14

HSL 93.6, 0.86%, 0.4%

LAB 68.5, -54.49, 66.79

 

CMYK 0 / 48 / 93 / 26

HEX #BD630E

RGB 189 99 14

HSL 29.14, 0.86%, 0.4%

LAB 51.58, 31.3, 56.88

 

CMYK 0 / 48 / 93 / 26

HEX #BD630E

RGB 189 99 14

HSL 29.14, 0.86%, 0.4%

LAB 51.58, 31.3, 56.88

 

CMYK 0 / 43 / 83 / 32

HEX #AD631E

RGB 173 99 30

HSL 28.95, 0.7%, 0.4%

LAB 49.38, 24.87, 48.96

 

CMYK 0 / 36 / 70 / 39

HEX #9C642F

RGB 156 100 47

HSL 29.17, 0.54%, 0.4%

LAB 47.48, 17.61, 38.49

 

CMYK 0 / 29 / 55 / 45

HEX #8C643F

RGB 140 100 63

HSL 28.83, 0.38%, 0.4%

LAB 45.7, 11.67, 27.23

 

CMYK 0 / 18 / 35 / 52

HEX #7B6550

RGB 123 101 80

HSL 29.3, 0.21%, 0.4%

LAB 44.37, 5.52, 15.2

 

CMYK 0 / 93 / 87 / 26

HEX #BD0E19

RGB 189 14 25

HSL 356.23, 0.86%, 0.4%

LAB 39.92, 62.76, 44.01

 

CMYK 0 / 74 / 93 / 26

HEX #BD310E

RGB 189 49 14

HSL 12, 0.86%, 0.4%

LAB 42.83, 54.16, 50.82

 

CMYK 0 / 49 / 93 / 26

HEX #BD600E

RGB 189 96 14

HSL 28.11, 0.86%, 0.4%

LAB 50.94, 32.89, 56.42

 

CMYK 0 / 25 / 93 / 26

HEX #BD8E0E

RGB 189 142 14

HSL 43.89, 0.86%, 0.4%

LAB 61.82, 7.76, 64.4

 

CMYK 0 / 0 / 93 / 26

HEX #BDBD0E

RGB 189 189 14

HSL 60, 0.86%, 0.4%

LAB 74.35, -17.05, 73.91

 

CMYK 0 / 48 / 93 / 56

HEX #703A08

RGB 112 58 8

HSL 28.85, 0.87%, 0.24%

LAB 30.61, 20.37, 37.83

 

CMYK 0 / 48 / 93 / 41

HEX #974E0B

RGB 151 78 11

HSL 28.71, 0.86%, 0.32%

LAB 41.3, 26.47, 47.62

 

CMYK 0 / 48 / 93 / 26

HEX #BD630E

RGB 189 99 14

HSL 29.14, 0.86%, 0.4%

LAB 51.58, 31.3, 56.88

 

CMYK 0 / 48 / 93 / 11

HEX #E47711

RGB 228 119 17

HSL 29, 0.86%, 0.48%

LAB 61.42, 36.87, 65.75

 

CMYK 0 / 42 / 80 / 6

HEX #EF8B2F

RGB 239 139 47

HSL 28.75, 0.86%, 0.56%

LAB 67.29, 31.66, 61.82

 

CMYK 0 / 48 / 93 / 25

HEX #BE630E

RGB 190 99 14

HSL 28.98, 0.86%, 0.4%

LAB 51.73, 31.72, 57.05

 

CMYK 62 / 0 / 93 / 26

HEX #48BD0E

RGB 72 189 14

HSL 100.11, 0.86%, 0.4%

LAB 67.88, -59.51, 66.02

 

CMYK 87 / 93 / 0 / 26

HEX #190EBD

RGB 25 14 189

HSL 243.77, 0.86%, 0.4%

LAB 24.31, 60.27, -83.19

 

CMYK 0 / 48 / 93 / 25

HEX #BE630E

RGB 190 99 14

HSL 28.98, 0.86%, 0.4%

LAB 51.73, 31.72, 57.05

 

CMYK 93 / 0 / 49 / 26

HEX #0EBD60

RGB 14 189 96

HSL 148.11, 0.86%, 0.4%

LAB 67.53, -60.22, 35.91

 

CMYK 49 / 93 / 0 / 26

HEX #600EBD

RGB 96 14 189

HSL 268.11, 0.86%, 0.4%

LAB 30.58, 64.32, -72.58

 

CMYK 0 / 48 / 93 / 25

HEX #BE630E

RGB 190 99 14

HSL 28.98, 0.86%, 0.4%

LAB 51.73, 31.72, 57.05

 

CMYK 62 / 0 / 93 / 26

HEX #48BD0E

RGB 72 189 14

HSL 100.11, 0.86%, 0.4%

LAB 67.88, -59.51, 66.02

 

CMYK 93 / 43 / 0 / 26

HEX #0E6BBD

RGB 14 107 189

HSL 208.11, 0.86%, 0.4%

LAB 44.64, 6.56, -49.89

 

CMYK 31 / 93 / 0 / 26

HEX #830EBD

RGB 131 14 189

HSL 280.11, 0.86%, 0.4%

LAB 35.62, 68.31, -64.11

 

CMYK 0 / 48 / 93 / 25

HEX #BE630E

RGB 190 99 14

HSL 28.98, 0.86%, 0.4%

LAB 51.73, 31.72, 57.05

 

CMYK 89 / 0 / 93 / 26

HEX #14BD0E

RGB 20 189 14

HSL 117.94, 0.86%, 0.4%

LAB 66.96, -67.47, 64.88

 

CMYK 93 / 43 / 0 / 26

HEX #0E6BBD

RGB 14 107 189

HSL 208.11, 0.86%, 0.4%

LAB 44.64, 6.56, -49.89

 

CMYK 3 / 93 / 0 / 26

HEX #B70EBD

RGB 183 14 189

HSL 297.94, 0.86%, 0.4%

LAB 44.31, 76.14, -49.63

 

Description

Color code: HEX #BE630E | qconv.com Color code: HEX #BE630E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 99 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 99 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 93 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 93% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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