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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE648C it is the complementary color #419B73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE648C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE648C shade: #C36487, #D4769A, #E588AD, #F69AC0 and #FFACD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE648C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE648C shade: #BE648C, #AD5279, #9C4066, #8B2E53 and #7A1C40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE648C shade: #BE648C, #BE6474 and #BE6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE648C shade: #BE648C, #BE64A4, #BE64BC, #A764BE and #8F64BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE648C shade matches the following richer shades: #BE648C, #D0528A, #E14088 and #F32F86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE648C shade: #BE648C, #AC768E, #9A8790, #899992 and #77AB94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE648C shade: #BE64BC, #BE64A4, #BE648C, #BE6474 and #BE6B64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE648C shade: #923D63, #AF4977, #BE648C, #CA81A1 and #D69EB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE648C shade: #BE648C, #BEA764 and #64B0BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE648C shade: #BE648C, #8CBE64 and #648CBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE648C shade: #BE648C, #BEA764, #64BE95 and #647ABE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE648C shade: #BE648C, #B9BE64, #64BE95 and #6864BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 26 / 25

HEX #BE648C

RGB 190 100 140

HSL 333.33, 0.41%, 0.57%

LAB 53.98, 40.78, -5.68

 

Complementary color

CMYK 58 / 0 / 26 / 39

HEX #419B73

RGB 65 155 115

HSL 153.33, 0.41%, 0.43%

LAB 57.85, -36.63, 13.07

 

CMYK 0 / 49 / 31 / 24

HEX #C36487

RGB 195 100 135

HSL 337.89, 0.44%, 0.58%

LAB 54.52, 41.82, -1.86

 

CMYK 0 / 44 / 27 / 17

HEX #D4769A

RGB 212 118 154

HSL 337.02, 0.52%, 0.65%

LAB 61.03, 40.97, -3.06

 

CMYK 0 / 41 / 24 / 10

HEX #E588AD

RGB 229 136 173

HSL 336.13, 0.64%, 0.72%

LAB 67.49, 40.12, -4.1

 

CMYK 0 / 37 / 22 / 4

HEX #F69AC0

RGB 246 154 192

HSL 335.22, 0.84%, 0.78%

LAB 73.88, 39.31, -5.03

 

CMYK 0 / 33 / 17 / 0

HEX #FFACD3

RGB 255 172 211

HSL 331.81, 1%, 0.84%

LAB 79.31, 35.82, -7.26

 

CMYK 0 / 47 / 26 / 25

HEX #BE648C

RGB 190 100 140

HSL 333.33, 0.41%, 0.57%

LAB 53.98, 40.78, -5.68

 

CMYK 0 / 53 / 30 / 32

HEX #AD5279

RGB 173 82 121

HSL 334.29, 0.36%, 0.5%

LAB 47.36, 41.59, -4.41

 

CMYK 0 / 59 / 35 / 39

HEX #9C4066

RGB 156 64 102

HSL 335.22, 0.42%, 0.43%

LAB 40.73, 42.32, -2.86

 

CMYK 0 / 67 / 40 / 45

HEX #8B2E53

RGB 139 46 83

HSL 336.13, 0.5%, 0.36%

LAB 34.12, 42.79, -0.85

 

CMYK 0 / 77 / 48 / 52

HEX #7A1C40

RGB 122 28 64

HSL 337.02, 0.63%, 0.29%

LAB 27.68, 42.69, 1.88

 

CMYK 0 / 47 / 26 / 25

HEX #BE648C

RGB 190 100 140

HSL 333.33, 0.41%, 0.57%

LAB 53.98, 40.78, -5.68

 

CMYK 0 / 47 / 39 / 25

HEX #BE6474

RGB 190 100 116

HSL 349.33, 0.41%, 0.57%

LAB 53.3, 37.68, 7.5

 

CMYK 0 / 47 / 47 / 25

HEX #BE6464

RGB 190 100 100

HSL 0, 0.41%, 0.57%

LAB 52.93, 35.95, 16.42

 

CMYK 0 / 47 / 26 / 25

HEX #BE648C

RGB 190 100 140

HSL 333.33, 0.41%, 0.57%

LAB 53.98, 40.78, -5.68

 

CMYK 0 / 47 / 14 / 25

HEX #BE64A4

RGB 190 100 164

HSL 317.33, 0.41%, 0.57%

LAB 54.81, 44.42, -18.48

 

CMYK 0 / 47 / 1 / 25

HEX #BE64BC

RGB 190 100 188

HSL 301.33, 0.41%, 0.57%

LAB 55.78, 48.55, -30.86

 

CMYK 12 / 47 / 0 / 25

HEX #A764BE

RGB 167 100 190

HSL 284.67, 0.41%, 0.57%

LAB 53, 42.21, -36.56

 

CMYK 25 / 47 / 0 / 25

HEX #8F64BE

RGB 143 100 190

HSL 268.67, 0.41%, 0.57%

LAB 50.3, 35.34, -41

 

CMYK 0 / 47 / 26 / 25

HEX #BE648C

RGB 190 100 140

HSL 333.33, 0.41%, 0.57%

LAB 53.98, 40.78, -5.68

 

CMYK 0 / 61 / 34 / 18

HEX #D0528A

RGB 208 82 138

HSL 333.33, 0.57%, 0.57%

LAB 53.25, 55.09, -5.28

 

CMYK 0 / 72 / 40 / 12

HEX #E14088

RGB 225 64 136

HSL 333.17, 0.73%, 0.57%

LAB 53.44, 66.85, -3.5

 

CMYK 0 / 81 / 45 / 5

HEX #F32F86

RGB 243 47 134

HSL 333.37, 0.89%, 0.57%

LAB 54.87, 76.19, 0.18

 

CMYK 0 / 47 / 26 / 25

HEX #BE648C

RGB 190 100 140

HSL 333.33, 0.41%, 0.57%

LAB 53.98, 40.78, -5.68

 

CMYK 0 / 31 / 17 / 33

HEX #AC768E

RGB 172 118 142

HSL 333.33, 0.25%, 0.57%

LAB 55.77, 24.83, -4.45

 

CMYK 0 / 12 / 6 / 40

HEX #9A8790

RGB 154 135 144

HSL 331.58, 0.09%, 0.57%

LAB 58.24, 8.79, -2.18

 

CMYK 10 / 0 / 5 / 40

HEX #899992

RGB 137 153 146

HSL 153.75, 0.07%, 0.57%

LAB 61.81, -7.11, 1.73

 

CMYK 30 / 0 / 13 / 33

HEX #77AB94

RGB 119 171 148

HSL 153.46, 0.24%, 0.57%

LAB 65.89, -22.22, 6.37

 

CMYK 0 / 47 / 1 / 25

HEX #BE64BC

RGB 190 100 188

HSL 301.33, 0.41%, 0.57%

LAB 55.78, 48.55, -30.86

 

CMYK 0 / 47 / 14 / 25

HEX #BE64A4

RGB 190 100 164

HSL 317.33, 0.41%, 0.57%

LAB 54.81, 44.42, -18.48

 

CMYK 0 / 47 / 26 / 25

HEX #BE648C

RGB 190 100 140

HSL 333.33, 0.41%, 0.57%

LAB 53.98, 40.78, -5.68

 

CMYK 0 / 47 / 39 / 25

HEX #BE6474

RGB 190 100 116

HSL 349.33, 0.41%, 0.57%

LAB 53.3, 37.68, 7.5

 

CMYK 0 / 44 / 47 / 25

HEX #BE6B64

RGB 190 107 100

HSL 4.67, 0.41%, 0.57%

LAB 54.43, 32.22, 18.46

 

CMYK 0 / 58 / 32 / 43

HEX #923D63

RGB 146 61 99

HSL 333.18, 0.41%, 0.41%

LAB 38.46, 40.03, -4.51

 

CMYK 0 / 58 / 32 / 31

HEX #AF4977

RGB 175 73 119

HSL 332.94, 0.41%, 0.49%

LAB 45.92, 46.43, -5.31

 

CMYK 0 / 47 / 26 / 25

HEX #BE648C

RGB 190 100 140

HSL 333.33, 0.41%, 0.57%

LAB 53.98, 40.78, -5.68

 

CMYK 0 / 36 / 20 / 21

HEX #CA81A1

RGB 202 129 161

HSL 333.7, 0.41%, 0.65%

LAB 62.36, 32.62, -5.25

 

CMYK 0 / 26 / 14 / 16

HEX #D69EB7

RGB 214 158 183

HSL 333.21, 0.41%, 0.73%

LAB 70.99, 24.62, -4.72

 

CMYK 0 / 47 / 26 / 25

HEX #BE648C

RGB 190 100 140

HSL 333.33, 0.41%, 0.57%

LAB 53.98, 40.78, -5.68

 

CMYK 0 / 12 / 47 / 25

HEX #BEA764

RGB 190 167 100

HSL 44.67, 0.41%, 0.57%

LAB 69.12, -0.63, 37.57

 

CMYK 47 / 7 / 0 / 25

HEX #64B0BE

RGB 100 176 190

HSL 189.33, 0.41%, 0.57%

LAB 67.63, -19.77, -14.47

 

CMYK 0 / 47 / 26 / 25

HEX #BE648C

RGB 190 100 140

HSL 333.33, 0.41%, 0.57%

LAB 53.98, 40.78, -5.68

 

CMYK 26 / 0 / 47 / 25

HEX #8CBE64

RGB 140 190 100

HSL 93.33, 0.41%, 0.57%

LAB 71.77, -32.21, 40.05

 

CMYK 47 / 26 / 0 / 25

HEX #648CBE

RGB 100 140 190

HSL 213.33, 0.41%, 0.57%

LAB 57.25, -0.04, -30.35

 

CMYK 0 / 47 / 26 / 25

HEX #BE648C

RGB 190 100 140

HSL 333.33, 0.41%, 0.57%

LAB 53.98, 40.78, -5.68

 

CMYK 0 / 12 / 47 / 25

HEX #BEA764

RGB 190 167 100

HSL 44.67, 0.41%, 0.57%

LAB 69.12, -0.63, 37.57

 

CMYK 47 / 0 / 22 / 25

HEX #64BE95

RGB 100 190 149

HSL 152.67, 0.41%, 0.57%

LAB 70.67, -36.6, 12.49

 

CMYK 47 / 36 / 0 / 25

HEX #647ABE

RGB 100 122 190

HSL 225.33, 0.41%, 0.57%

LAB 52.23, 10.62, -38.21

 

CMYK 0 / 47 / 26 / 25

HEX #BE648C

RGB 190 100 140

HSL 333.33, 0.41%, 0.57%

LAB 53.98, 40.78, -5.68

 

CMYK 3 / 0 / 47 / 25

HEX #B9BE64

RGB 185 190 100

HSL 63.33, 0.41%, 0.57%

LAB 74.86, -14.72, 44.53

 

CMYK 47 / 0 / 22 / 25

HEX #64BE95

RGB 100 190 149

HSL 152.67, 0.41%, 0.57%

LAB 70.67, -36.6, 12.49

 

CMYK 45 / 47 / 0 / 25

HEX #6864BE

RGB 104 100 190

HSL 242.67, 0.41%, 0.57%

LAB 46.68, 25.04, -46.98

 

Description

Color code: HEX #BE648C | qconv.com Color code: HEX #BE648C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 100 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 100 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 26 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 26% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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