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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE646A it is the complementary color #419B95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE646A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE646A shade: #C36465, #D47678, #E5888B, #F69A9E and #FFACB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE646A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE646A shade: #BE646A, #AD5257, #9C4044, #8B2E31 and #7A1C1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE646A shade: #BE646A and #BE6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE646A shade: #BE646A, #BE6482, #BE649A, #BE64B3 and #B164BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE646A shade matches the following richer shades: #BE646A, #D0525B, #E1404B and #F32F3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE646A shade: #BE646A, #AC7679, #9A8789, #899998 and #77ABA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE646A shade: #BE649A, #BE6482, #BE646A, #BE7664 and #BE8E64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE646A shade: #923D43, #AF4950, #BE646A, #CA8186 and #D69EA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE646A shade: #BE646A, #B2BE64 and #648EBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE646A shade: #BE646A, #6ABE64 and #646ABE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE646A shade: #BE646A, #B2BE64, #64BEB8 and #7064BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE646A shade: #BE646A, #97BE64, #64BEB8 and #8B64BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 44 / 25

HEX #BE646A

RGB 190 100 106

HSL 356, 0.41%, 0.57%

LAB 53.06, 36.57, 13.07

 

Complementary color

CMYK 58 / 0 / 4 / 39

HEX #419B95

RGB 65 155 149

HSL 176, 0.41%, 0.43%

LAB 58.73, -28.09, -4.92

 

CMYK 0 / 49 / 48 / 24

HEX #C36465

RGB 195 100 101

HSL 359.37, 0.44%, 0.58%

LAB 53.66, 37.93, 16.94

 

CMYK 0 / 44 / 43 / 17

HEX #D47678

RGB 212 118 120

HSL 358.72, 0.52%, 0.65%

LAB 60.17, 36.84, 15.25

 

CMYK 0 / 41 / 39 / 10

HEX #E5888B

RGB 229 136 139

HSL 358.06, 0.64%, 0.72%

LAB 66.62, 35.81, 13.79

 

CMYK 0 / 37 / 36 / 4

HEX #F69A9E

RGB 246 154 158

HSL 357.39, 0.84%, 0.78%

LAB 73.01, 34.86, 12.49

 

CMYK 0 / 33 / 31 / 0

HEX #FFACB1

RGB 255 172 177

HSL 356.39, 1%, 0.84%

LAB 78.43, 31.07, 9.92

 

CMYK 0 / 47 / 44 / 25

HEX #BE646A

RGB 190 100 106

HSL 356, 0.41%, 0.57%

LAB 53.06, 36.57, 13.07

 

CMYK 0 / 53 / 50 / 32

HEX #AD5257

RGB 173 82 87

HSL 356.7, 0.36%, 0.5%

LAB 46.45, 37.66, 14.9

 

CMYK 0 / 59 / 56 / 39

HEX #9C4044

RGB 156 64 68

HSL 357.39, 0.42%, 0.43%

LAB 39.84, 38.74, 17.12

 

CMYK 0 / 67 / 65 / 45

HEX #8B2E31

RGB 139 46 49

HSL 358.06, 0.5%, 0.36%

LAB 33.27, 39.68, 19.92

 

CMYK 0 / 77 / 75 / 52

HEX #7A1C1E

RGB 122 28 30

HSL 358.72, 0.63%, 0.29%

LAB 26.91, 40.17, 23.53

 

CMYK 0 / 47 / 44 / 25

HEX #BE646A

RGB 190 100 106

HSL 356, 0.41%, 0.57%

LAB 53.06, 36.57, 13.07

 

CMYK 0 / 47 / 47 / 25

HEX #BE6464

RGB 190 100 100

HSL 0, 0.41%, 0.57%

LAB 52.93, 35.95, 16.42

 

CMYK 0 / 47 / 44 / 25

HEX #BE646A

RGB 190 100 106

HSL 356, 0.41%, 0.57%

LAB 53.06, 36.57, 13.07

 

CMYK 0 / 47 / 32 / 25

HEX #BE6482

RGB 190 100 130

HSL 340, 0.41%, 0.57%

LAB 53.68, 39.42, -0.22

 

CMYK 0 / 47 / 19 / 25

HEX #BE649A

RGB 190 100 154

HSL 324, 0.41%, 0.57%

LAB 54.44, 42.84, -13.2

 

CMYK 0 / 47 / 6 / 25

HEX #BE64B3

RGB 190 100 179

HSL 307.33, 0.41%, 0.57%

LAB 55.4, 46.95, -26.27

 

CMYK 7 / 47 / 0 / 25

HEX #B164BE

RGB 177 100 190

HSL 291.33, 0.41%, 0.57%

LAB 54.22, 45.12, -34.57

 

CMYK 0 / 47 / 44 / 25

HEX #BE646A

RGB 190 100 106

HSL 356, 0.41%, 0.57%

LAB 53.06, 36.57, 13.07

 

CMYK 0 / 61 / 56 / 18

HEX #D0525B

RGB 208 82 91

HSL 355.71, 0.57%, 0.57%

LAB 52.06, 50.5, 21.02

 

CMYK 0 / 72 / 67 / 12

HEX #E1404B

RGB 225 64 75

HSL 355.9, 0.73%, 0.57%

LAB 52.04, 62.19, 31

 

CMYK 0 / 81 / 75 / 5

HEX #F32F3C

RGB 243 47 60

HSL 356.02, 0.89%, 0.57%

LAB 53.4, 71.75, 42.04

 

CMYK 0 / 47 / 44 / 25

HEX #BE646A

RGB 190 100 106

HSL 356, 0.41%, 0.57%

LAB 53.06, 36.57, 13.07

 

CMYK 0 / 31 / 30 / 33

HEX #AC7679

RGB 172 118 121

HSL 356.67, 0.25%, 0.57%

LAB 55.18, 21.63, 6.94

 

CMYK 0 / 12 / 11 / 40

HEX #9A8789

RGB 154 135 137

HSL 353.68, 0.09%, 0.57%

LAB 58.04, 7.52, 1.56

 

CMYK 10 / 0 / 1 / 40

HEX #899998

RGB 137 153 152

HSL 176.25, 0.07%, 0.57%

LAB 61.97, -5.88, -1.42

 

CMYK 30 / 0 / 2 / 33

HEX #77ABA7

RGB 119 171 167

HSL 175.38, 0.24%, 0.57%

LAB 66.4, -17.98, -3.46

 

CMYK 0 / 47 / 19 / 25

HEX #BE649A

RGB 190 100 154

HSL 324, 0.41%, 0.57%

LAB 54.44, 42.84, -13.2

 

CMYK 0 / 47 / 32 / 25

HEX #BE6482

RGB 190 100 130

HSL 340, 0.41%, 0.57%

LAB 53.68, 39.42, -0.22

 

CMYK 0 / 47 / 44 / 25

HEX #BE646A

RGB 190 100 106

HSL 356, 0.41%, 0.57%

LAB 53.06, 36.57, 13.07

 

CMYK 0 / 38 / 47 / 25

HEX #BE7664

RGB 190 118 100

HSL 12, 0.41%, 0.57%

LAB 56.9, 26.25, 21.79

 

CMYK 0 / 25 / 47 / 25

HEX #BE8E64

RGB 190 142 100

HSL 28, 0.41%, 0.57%

LAB 62.69, 12.99, 29.4

 

CMYK 0 / 58 / 54 / 43

HEX #923D43

RGB 146 61 67

HSL 355.76, 0.41%, 0.41%

LAB 37.58, 36.44, 14.43

 

CMYK 0 / 58 / 54 / 31

HEX #AF4950

RGB 175 73 80

HSL 355.88, 0.41%, 0.49%

LAB 44.88, 42.27, 17.06

 

CMYK 0 / 47 / 44 / 25

HEX #BE646A

RGB 190 100 106

HSL 356, 0.41%, 0.57%

LAB 53.06, 36.57, 13.07

 

CMYK 0 / 36 / 34 / 21

HEX #CA8186

RGB 202 129 134

HSL 355.89, 0.41%, 0.65%

LAB 61.64, 28.83, 9.12

 

CMYK 0 / 26 / 24 / 16

HEX #D69EA2

RGB 214 158 162

HSL 355.71, 0.41%, 0.73%

LAB 70.43, 21.4, 6.11

 

CMYK 0 / 47 / 44 / 25

HEX #BE646A

RGB 190 100 106

HSL 356, 0.41%, 0.57%

LAB 53.06, 36.57, 13.07

 

CMYK 6 / 0 / 47 / 25

HEX #B2BE64

RGB 178 190 100

HSL 68, 0.41%, 0.57%

LAB 74.33, -17.55, 43.76

 

CMYK 47 / 25 / 0 / 25

HEX #648EBE

RGB 100 142 190

HSL 212, 0.41%, 0.57%

LAB 57.82, -1.19, -29.47

 

CMYK 0 / 47 / 44 / 25

HEX #BE646A

RGB 190 100 106

HSL 356, 0.41%, 0.57%

LAB 53.06, 36.57, 13.07

 

CMYK 44 / 0 / 47 / 25

HEX #6ABE64

RGB 106 190 100

HSL 116, 0.41%, 0.57%

LAB 70.04, -43.59, 37.52

 

CMYK 47 / 44 / 0 / 25

HEX #646ABE

RGB 100 106 190

HSL 236, 0.41%, 0.57%

LAB 47.92, 20.38, -45.01

 

CMYK 0 / 47 / 44 / 25

HEX #BE646A

RGB 190 100 106

HSL 356, 0.41%, 0.57%

LAB 53.06, 36.57, 13.07

 

CMYK 6 / 0 / 47 / 25

HEX #B2BE64

RGB 178 190 100

HSL 68, 0.41%, 0.57%

LAB 74.33, -17.55, 43.76

 

CMYK 47 / 0 / 3 / 25

HEX #64BEB8

RGB 100 190 184

HSL 176, 0.41%, 0.57%

LAB 71.55, -28.39, -5.32

 

CMYK 41 / 47 / 0 / 25

HEX #7064BE

RGB 112 100 190

HSL 248, 0.41%, 0.57%

LAB 47.34, 27.02, -45.89

 

CMYK 0 / 47 / 44 / 25

HEX #BE646A

RGB 190 100 106

HSL 356, 0.41%, 0.57%

LAB 53.06, 36.57, 13.07

 

CMYK 21 / 0 / 47 / 25

HEX #97BE64

RGB 151 190 100

HSL 86, 0.41%, 0.57%

LAB 72.45, -28.13, 41.03

 

CMYK 47 / 0 / 3 / 25

HEX #64BEB8

RGB 100 190 184

HSL 176, 0.41%, 0.57%

LAB 71.55, -28.39, -5.32

 

CMYK 27 / 47 / 0 / 25

HEX #8B64BE

RGB 139 100 190

HSL 266, 0.41%, 0.57%

LAB 49.88, 34.23, -41.69

 

Description

Color code: HEX #BE646A | qconv.com Color code: HEX #BE646A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 100 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 100 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 44 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 44% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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