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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE645A it is the complementary color #419BA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE645A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE645A shade: #C36455, #D47668, #E5887B, #F69A8E and #FFACA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE645A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE645A shade: #BE645A, #AD5247, #9C4034, #8B2E21 and #7A1C0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE645A shade: #BD645A and #BD5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE645A shade: #BD645A, #BD7F5A, #BD9A5A, #BDB45A and #ABBD5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE645A shade matches the following richer shades: #BD645A, #D05548, #E24735 and #F53823

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE645A shade: #BD645A, #AB736D, #988280, #859192 and #73A0A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE645A shade: #BD5A85, #BD5A6B, #BD645A, #BD7F5A and #BD995A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE645A shade: #8D4038, #AB4E44, #BD645A, #C98078 and #D59C95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE645A shade: #BE645A, #9FBD5A and #5A78BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE645A shade: #BE645A, #5ABD64 and #645ABD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE645A shade: #BE645A, #9FBD5A, #5AB3BD and #785ABD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE645A shade: #BE645A, #82BD5A, #5AB3BD and #965ABD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 53 / 25

HEX #BE645A

RGB 190 100 90

HSL 6, 0.43%, 0.55%

LAB 52.73, 35, 22

 

Complementary color

CMYK 61 / 6 / 0 / 35

HEX #419BA5

RGB 65 155 165

HSL 186, 0.43%, 0.45%

LAB 59.24, -23.5, -13.25

 

CMYK 0 / 49 / 56 / 24

HEX #C36455

RGB 195 100 85

HSL 8.18, 0.48%, 0.55%

LAB 53.35, 36.51, 25.85

 

CMYK 0 / 44 / 51 / 17

HEX #D47668

RGB 212 118 104

HSL 7.78, 0.56%, 0.62%

LAB 59.85, 35.27, 23.95

 

CMYK 0 / 41 / 46 / 10

HEX #E5887B

RGB 229 136 123

HSL 7.36, 0.67%, 0.69%

LAB 66.29, 34.12, 22.29

 

CMYK 0 / 37 / 42 / 4

HEX #F69A8E

RGB 246 154 142

HSL 6.92, 0.85%, 0.76%

LAB 72.67, 33.07, 20.82

 

CMYK 0 / 33 / 37 / 0

HEX #FFACA1

RGB 255 172 161

HSL 7.02, 1%, 0.82%

LAB 78.07, 29.13, 18.1

 

CMYK 0 / 47 / 53 / 25

HEX #BE645A

RGB 190 100 90

HSL 6, 0.43%, 0.55%

LAB 52.73, 35, 22

 

CMYK 0 / 53 / 59 / 32

HEX #AD5247

RGB 173 82 71

HSL 6.47, 0.42%, 0.48%

LAB 46.14, 36.27, 24.07

 

CMYK 0 / 59 / 67 / 39

HEX #9C4034

RGB 156 64 52

HSL 6.92, 0.5%, 0.41%

LAB 39.55, 37.57, 26.54

 

CMYK 0 / 67 / 76 / 45

HEX #8B2E21

RGB 139 46 33

HSL 7.36, 0.62%, 0.34%

LAB 33.03, 38.78, 29.5

 

CMYK 0 / 77 / 89 / 52

HEX #7A1C0E

RGB 122 28 14

HSL 7.78, 0.79%, 0.27%

LAB 26.73, 39.58, 32.77

 

CMYK 0 / 47 / 52 / 26

HEX #BD645A

RGB 189 100 90

HSL 6.06, 0.43%, 0.55%

LAB 52.59, 34.62, 21.79

 

CMYK 0 / 52 / 52 / 26

HEX #BD5A5A

RGB 189 90 90

HSL 0, 0.43%, 0.55%

LAB 50.53, 39.81, 19.04

 

CMYK 0 / 47 / 52 / 26

HEX #BD645A

RGB 189 100 90

HSL 6.06, 0.43%, 0.55%

LAB 52.59, 34.62, 21.79

 

CMYK 0 / 33 / 52 / 26

HEX #BD7F5A

RGB 189 127 90

HSL 22.42, 0.43%, 0.55%

LAB 58.73, 19.91, 29.78

 

CMYK 0 / 19 / 52 / 26

HEX #BD9A5A

RGB 189 154 90

HSL 38.79, 0.43%, 0.55%

LAB 65.49, 5.03, 38.24

 

CMYK 0 / 5 / 52 / 26

HEX #BDB45A

RGB 189 180 90

HSL 54.55, 0.43%, 0.55%

LAB 72.36, -8.84, 46.5

 

CMYK 10 / 0 / 52 / 26

HEX #ABBD5A

RGB 171 189 90

HSL 70.91, 0.43%, 0.55%

LAB 73.41, -20.84, 47.38

 

CMYK 0 / 47 / 52 / 26

HEX #BD645A

RGB 189 100 90

HSL 6.06, 0.43%, 0.55%

LAB 52.59, 34.62, 21.79

 

CMYK 0 / 59 / 65 / 18

HEX #D05548

RGB 208 85 72

HSL 5.74, 0.59%, 0.55%

LAB 52.26, 47.84, 32.34

 

CMYK 0 / 69 / 77 / 11

HEX #E24735

RGB 226 71 53

HSL 6.24, 0.75%, 0.55%

LAB 52.88, 58.96, 44.36

 

CMYK 0 / 77 / 86 / 4

HEX #F53823

RGB 245 56 35

HSL 6, 0.91%, 0.55%

LAB 54.41, 69.24, 55.86

 

CMYK 0 / 47 / 52 / 26

HEX #BD645A

RGB 189 100 90

HSL 6.06, 0.43%, 0.55%

LAB 52.59, 34.62, 21.79

 

CMYK 0 / 33 / 36 / 33

HEX #AB736D

RGB 171 115 109

HSL 5.81, 0.27%, 0.55%

LAB 54.05, 21.31, 12.32

 

CMYK 0 / 14 / 16 / 40

HEX #988280

RGB 152 130 128

HSL 5, 0.1%, 0.55%

LAB 56.29, 8.04, 4.18

 

CMYK 9 / 1 / 0 / 43

HEX #859192

RGB 133 145 146

HSL 184.62, 0.06%, 0.55%

LAB 59.26, -4.11, -2.02

 

CMYK 30 / 3 / 0 / 35

HEX #73A0A5

RGB 115 160 165

HSL 186, 0.22%, 0.55%

LAB 62.93, -13.85, -7.49

 

CMYK 0 / 52 / 30 / 26

HEX #BD5A85

RGB 189 90 133

HSL 333.94, 0.43%, 0.55%

LAB 51.64, 44.58, -5.02

 

CMYK 0 / 52 / 43 / 26

HEX #BD5A6B

RGB 189 90 107

HSL 349.7, 0.43%, 0.55%

LAB 50.91, 41.47, 9.44

 

CMYK 0 / 47 / 52 / 26

HEX #BD645A

RGB 189 100 90

HSL 6.06, 0.43%, 0.55%

LAB 52.59, 34.62, 21.79

 

CMYK 0 / 33 / 52 / 26

HEX #BD7F5A

RGB 189 127 90

HSL 22.42, 0.43%, 0.55%

LAB 58.73, 19.91, 29.78

 

CMYK 0 / 19 / 52 / 26

HEX #BD995A

RGB 189 153 90

HSL 38.18, 0.43%, 0.55%

LAB 65.23, 5.58, 37.93

 

CMYK 0 / 55 / 60 / 45

HEX #8D4038

RGB 141 64 56

HSL 5.65, 0.43%, 0.39%

LAB 37.14, 32.02, 20.56

 

CMYK 0 / 54 / 60 / 33

HEX #AB4E44

RGB 171 78 68

HSL 5.83, 0.43%, 0.47%

LAB 44.98, 37.33, 24.3

 

CMYK 0 / 47 / 52 / 26

HEX #BD645A

RGB 189 100 90

HSL 6.06, 0.43%, 0.55%

LAB 52.59, 34.62, 21.79

 

CMYK 0 / 36 / 40 / 21

HEX #C98078

RGB 201 128 120

HSL 5.93, 0.43%, 0.63%

LAB 60.97, 27.29, 16.15

 

CMYK 0 / 27 / 30 / 16

HEX #D59C95

RGB 213 156 149

HSL 6.56, 0.43%, 0.71%

LAB 69.54, 20.3, 12.04

 

CMYK 0 / 47 / 53 / 25

HEX #BE645A

RGB 190 100 90

HSL 6, 0.43%, 0.55%

LAB 52.73, 35, 22

 

CMYK 16 / 0 / 52 / 26

HEX #9FBD5A

RGB 159 189 90

HSL 78.18, 0.43%, 0.55%

LAB 72.56, -25.62, 46.17

 

CMYK 52 / 37 / 0 / 26

HEX #5A78BD

RGB 90 120 189

HSL 221.82, 0.43%, 0.55%

LAB 51.01, 9.13, -39.58

 

CMYK 0 / 47 / 53 / 25

HEX #BE645A

RGB 190 100 90

HSL 6, 0.43%, 0.55%

LAB 52.73, 35, 22

 

CMYK 52 / 0 / 47 / 26

HEX #5ABD64

RGB 90 189 100

HSL 126.06, 0.43%, 0.55%

LAB 69.1, -47.69, 36.21

 

CMYK 47 / 52 / 0 / 26

HEX #645ABD

RGB 100 90 189

HSL 246.06, 0.43%, 0.55%

LAB 43.79, 29.92, -51.04

 

CMYK 0 / 47 / 53 / 25

HEX #BE645A

RGB 190 100 90

HSL 6, 0.43%, 0.55%

LAB 52.73, 35, 22

 

CMYK 16 / 0 / 52 / 26

HEX #9FBD5A

RGB 159 189 90

HSL 78.18, 0.43%, 0.55%

LAB 72.56, -25.62, 46.17

 

CMYK 52 / 5 / 0 / 26

HEX #5AB3BD

RGB 90 179 189

HSL 186.06, 0.43%, 0.55%

LAB 68.09, -23.82, -13.28

 

CMYK 37 / 52 / 0 / 26

HEX #785ABD

RGB 120 90 189

HSL 258.18, 0.43%, 0.55%

LAB 45.61, 34.73, -48.03

 

CMYK 0 / 47 / 53 / 25

HEX #BE645A

RGB 190 100 90

HSL 6, 0.43%, 0.55%

LAB 52.73, 35, 22

 

CMYK 31 / 0 / 52 / 26

HEX #82BD5A

RGB 130 189 90

HSL 95.76, 0.43%, 0.55%

LAB 70.79, -36.52, 43.62

 

CMYK 52 / 5 / 0 / 26

HEX #5AB3BD

RGB 90 179 189

HSL 186.06, 0.43%, 0.55%

LAB 68.09, -23.82, -13.28

 

CMYK 21 / 52 / 0 / 26

HEX #965ABD

RGB 150 90 189

HSL 276.36, 0.43%, 0.55%

LAB 48.85, 42.62, -42.68

 

Description

Color code: HEX #BE645A | qconv.com Color code: HEX #BE645A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 100 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 100 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 53 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 53% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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