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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE5E7E it is the complementary color #41A181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE5E7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE5E7E shade: #C35E79, #D4708C, #E5829F, #F694B2 and #FFA6C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE5E7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE5E7E shade: #BE5E7E, #AD4C6B, #9C3A58, #8B2845 and #7A1632

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE5E7E shade: #BD5F7F, #BD5F65 and #BD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE5E7E shade: #BD5F7F, #BD5F98, #BD5FB1, #B05FBD and #975FBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE5E7E shade matches the following richer shades: #BD5F7F, #D04D79, #E23B72 and #F4296C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE5E7E shade: #BD5F7F, #AB7185, #99838B, #879691 and #75A897

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE5E7E shade: #BD5FB1, #BD5F98, #BD5F7F, #BD5F65 and #BD725F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE5E7E shade: #903A57, #AD4669, #BD5F7F, #C97C96 and #D59AAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE5E7E shade: #BE5E7E, #BDB15F and #5FA4BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE5E7E shade: #BE5E7E, #7FBD5F and #5F7FBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE5E7E shade: #BE5E7E, #BDB15F, #5FBD9E and #5F6CBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE5E7E shade: #BE5E7E, #AEBD5F, #5FBD9E and #6F5FBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 34 / 25

HEX #BE5E7E

RGB 190 94 126

HSL 340, 0.42%, 0.56%

LAB 52.35, 42, 0.21

 

Complementary color

CMYK 60 / 0 / 20 / 37

HEX #41A181

RGB 65 161 129

HSL 160, 0.42%, 0.44%

LAB 60.07, -36.1, 8.33

 

CMYK 0 / 52 / 38 / 24

HEX #C35E79

RGB 195 94 121

HSL 343.96, 0.46%, 0.57%

LAB 52.94, 43.14, 4.11

 

CMYK 0 / 47 / 34 / 17

HEX #D4708C

RGB 212 112 140

HSL 343.2, 0.54%, 0.64%

LAB 59.41, 42.24, 2.65

 

CMYK 0 / 43 / 31 / 10

HEX #E5829F

RGB 229 130 159

HSL 342.42, 0.66%, 0.7%

LAB 65.85, 41.34, 1.39

 

CMYK 0 / 40 / 28 / 4

HEX #F694B2

RGB 246 148 178

HSL 341.63, 0.84%, 0.77%

LAB 72.22, 40.48, 0.29

 

CMYK 0 / 35 / 23 / 0

HEX #FFA6C5

RGB 255 166 197

HSL 339.1, 1%, 0.83%

LAB 77.62, 36.89, -2.15

 

CMYK 0 / 51 / 34 / 25

HEX #BE5E7E

RGB 190 94 126

HSL 340, 0.42%, 0.56%

LAB 52.35, 42, 0.21

 

CMYK 0 / 56 / 38 / 32

HEX #AD4C6B

RGB 173 76 107

HSL 340.82, 0.39%, 0.49%

LAB 45.79, 42.83, 1.79

 

CMYK 0 / 63 / 44 / 39

HEX #9C3A58

RGB 156 58 88

HSL 341.63, 0.46%, 0.42%

LAB 39.24, 43.53, 3.75

 

CMYK 0 / 71 / 50 / 45

HEX #8B2845

RGB 139 40 69

HSL 342.42, 0.55%, 0.35%

LAB 32.78, 43.88, 6.31

 

CMYK 0 / 82 / 59 / 52

HEX #7A1632

RGB 122 22 50

HSL 343.2, 0.69%, 0.28%

LAB 26.57, 43.47, 9.78

 

CMYK 0 / 50 / 33 / 26

HEX #BD5F7F

RGB 189 95 127

HSL 339.57, 0.42%, 0.56%

LAB 52.44, 41.27, -0.28

 

CMYK 0 / 50 / 47 / 26

HEX #BD5F65

RGB 189 95 101

HSL 356.17, 0.42%, 0.56%

LAB 51.77, 38.29, 14.21

 

CMYK 0 / 50 / 50 / 26

HEX #BD5F5F

RGB 189 95 95

HSL 0, 0.42%, 0.56%

LAB 51.64, 37.7, 17.58

 

CMYK 0 / 50 / 33 / 26

HEX #BD5F7F

RGB 189 95 127

HSL 339.57, 0.42%, 0.56%

LAB 52.44, 41.27, -0.28

 

CMYK 0 / 50 / 20 / 26

HEX #BD5F98

RGB 189 95 152

HSL 323.62, 0.42%, 0.56%

LAB 53.24, 44.77, -13.85

 

CMYK 0 / 50 / 6 / 26

HEX #BD5FB1

RGB 189 95 177

HSL 307.66, 0.42%, 0.56%

LAB 54.21, 48.82, -26.96

 

CMYK 7 / 50 / 0 / 26

HEX #B05FBD

RGB 176 95 189

HSL 291.7, 0.42%, 0.56%

LAB 53.05, 47.23, -35.84

 

CMYK 20 / 50 / 0 / 26

HEX #975FBD

RGB 151 95 189

HSL 275.74, 0.42%, 0.56%

LAB 50.02, 40.16, -40.81

 

CMYK 0 / 50 / 33 / 26

HEX #BD5F7F

RGB 189 95 127

HSL 339.57, 0.42%, 0.56%

LAB 52.44, 41.27, -0.28

 

CMYK 0 / 63 / 42 / 18

HEX #D04D79

RGB 208 77 121

HSL 339.85, 0.58%, 0.56%

LAB 51.95, 55.38, 2.94

 

CMYK 0 / 74 / 50 / 11

HEX #E23B72

RGB 226 59 114

HSL 340.24, 0.74%, 0.56%

LAB 52.41, 66.77, 8.22

 

CMYK 0 / 83 / 56 / 4

HEX #F4296C

RGB 244 41 108

HSL 340.2, 0.9%, 0.56%

LAB 53.92, 75.81, 14.44

 

CMYK 0 / 50 / 33 / 26

HEX #BD5F7F

RGB 189 95 127

HSL 339.57, 0.42%, 0.56%

LAB 52.44, 41.27, -0.28

 

CMYK 0 / 34 / 22 / 33

HEX #AB7185

RGB 171 113 133

HSL 339.31, 0.26%, 0.56%

LAB 54.2, 25.84, -1.52

 

CMYK 0 / 14 / 9 / 40

HEX #99838B

RGB 153 131 139

HSL 338.18, 0.1%, 0.56%

LAB 56.95, 9.78, -1.2

 

CMYK 10 / 0 / 3 / 41

HEX #879691

RGB 135 150 145

HSL 160, 0.07%, 0.56%

LAB 60.79, -6.37, 0.8

 

CMYK 30 / 0 / 10 / 34

HEX #75A897

RGB 117 168 151

HSL 160, 0.23%, 0.56%

LAB 64.98, -20.67, 3.37

 

CMYK 0 / 50 / 6 / 26

HEX #BD5FB1

RGB 189 95 177

HSL 307.66, 0.42%, 0.56%

LAB 54.21, 48.82, -26.96

 

CMYK 0 / 50 / 20 / 26

HEX #BD5F98

RGB 189 95 152

HSL 323.62, 0.42%, 0.56%

LAB 53.24, 44.77, -13.85

 

CMYK 0 / 50 / 33 / 26

HEX #BD5F7F

RGB 189 95 127

HSL 339.57, 0.42%, 0.56%

LAB 52.44, 41.27, -0.28

 

CMYK 0 / 50 / 47 / 26

HEX #BD5F65

RGB 189 95 101

HSL 356.17, 0.42%, 0.56%

LAB 51.77, 38.29, 14.21

 

CMYK 0 / 40 / 50 / 26

HEX #BD725F

RGB 189 114 95

HSL 12.13, 0.42%, 0.56%

LAB 55.77, 27.54, 23.11

 

CMYK 0 / 60 / 40 / 44

HEX #903A57

RGB 144 58 87

HSL 339.77, 0.43%, 0.4%

LAB 37.19, 39.31, 1.18

 

CMYK 0 / 60 / 39 / 32

HEX #AD4669

RGB 173 70 105

HSL 339.61, 0.42%, 0.48%

LAB 44.64, 45.5, 1.34

 

CMYK 0 / 50 / 33 / 26

HEX #BD5F7F

RGB 189 95 127

HSL 339.57, 0.42%, 0.56%

LAB 52.44, 41.27, -0.28

 

CMYK 0 / 38 / 25 / 21

HEX #C97C96

RGB 201 124 150

HSL 339.74, 0.42%, 0.64%

LAB 60.81, 33.34, -1.25

 

CMYK 0 / 28 / 18 / 16

HEX #D59AAE

RGB 213 154 174

HSL 339.66, 0.41%, 0.72%

LAB 69.69, 25, -1.63

 

CMYK 0 / 51 / 34 / 25

HEX #BE5E7E

RGB 190 94 126

HSL 340, 0.42%, 0.56%

LAB 52.35, 42, 0.21

 

CMYK 0 / 6 / 50 / 26

HEX #BDB15F

RGB 189 177 95

HSL 52.34, 0.42%, 0.56%

LAB 71.62, -6.83, 43.16

 

CMYK 50 / 13 / 0 / 26

HEX #5FA4BD

RGB 95 164 189

HSL 195.96, 0.42%, 0.56%

LAB 63.88, -14.91, -19.61

 

CMYK 0 / 51 / 34 / 25

HEX #BE5E7E

RGB 190 94 126

HSL 340, 0.42%, 0.56%

LAB 52.35, 42, 0.21

 

CMYK 33 / 0 / 50 / 26

HEX #7FBD5F

RGB 127 189 95

HSL 99.57, 0.42%, 0.56%

LAB 70.69, -36.98, 41.03

 

CMYK 50 / 33 / 0 / 26

HEX #5F7FBD

RGB 95 127 189

HSL 219.57, 0.42%, 0.56%

LAB 53.26, 6.09, -36.03

 

CMYK 0 / 51 / 34 / 25

HEX #BE5E7E

RGB 190 94 126

HSL 340, 0.42%, 0.56%

LAB 52.35, 42, 0.21

 

CMYK 0 / 6 / 50 / 26

HEX #BDB15F

RGB 189 177 95

HSL 52.34, 0.42%, 0.56%

LAB 71.62, -6.83, 43.16

 

CMYK 50 / 0 / 16 / 26

HEX #5FBD9E

RGB 95 189 158

HSL 160.21, 0.42%, 0.56%

LAB 70.38, -35.39, 7.16

 

CMYK 50 / 43 / 0 / 26

HEX #5F6CBD

RGB 95 108 189

HSL 231.7, 0.42%, 0.56%

LAB 48.05, 17.65, -44.26

 

CMYK 0 / 51 / 34 / 25

HEX #BE5E7E

RGB 190 94 126

HSL 340, 0.42%, 0.56%

LAB 52.35, 42, 0.21

 

CMYK 8 / 0 / 50 / 26

HEX #AEBD5F

RGB 174 189 95

HSL 69.57, 0.42%, 0.56%

LAB 73.69, -19.16, 45.36

 

CMYK 50 / 0 / 16 / 26

HEX #5FBD9E

RGB 95 189 158

HSL 160.21, 0.42%, 0.56%

LAB 70.38, -35.39, 7.16

 

CMYK 41 / 50 / 0 / 26

HEX #6F5FBD

RGB 111 95 189

HSL 250.21, 0.42%, 0.56%

LAB 45.96, 29.5, -47.52

 

Description

Color code: HEX #BE5E7E | qconv.com Color code: HEX #BE5E7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 94 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 94 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 34 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 34% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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