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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE560E it is the complementary color #41A9F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE560E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE560E shade: #C35609, #D4681C, #E57A2F, #F68C42 and #FF9E55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE560E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE560E shade: #BE560E, #AD4400, #9C3200, #8B2000 and #7A0E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE560E shade: #BD560E, #BD260E and #BD0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE560E shade: #BD560E, #BD850E, #BDB40E, #97BD0E and #68BD0E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE560E shade matches the following richer shades: #BD560E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE560E shade: #BD560E, #AD591E, #9C5C2F, #8C5F3F and #7B6250

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE560E shade: #BD0E25, #BD250E, #BD540E, #BD830E and #BDB20E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE560E shade: #703308, #97440B, #BD560E, #E46711 and #EF7D2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE560E shade: #BE560E, #54BD0E and #0E0EBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE560E shade: #BE560E, #0EBD54 and #540EBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE560E shade: #BE560E, #54BD0E, #0E77BD and #770EBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE560E shade: #BE560E, #1FBD0E, #0E77BD and #AC0EBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 93 / 25

HEX #BE560E

RGB 190 86 14

HSL 24.55, 0.86%, 0.4%

LAB 49.05, 38.44, 55.16

 

Complementary color

CMYK 73 / 30 / 0 / 5

HEX #41A9F1

RGB 65 169 241

HSL 204.55, 0.86%, 0.6%

LAB 66.41, -6.48, -44.53

 

CMYK 0 / 56 / 95 / 24

HEX #C35609

RGB 195 86 9

HSL 24.84, 0.91%, 0.4%

LAB 49.83, 40.33, 57.25

 

CMYK 0 / 51 / 87 / 17

HEX #D4681C

RGB 212 104 28

HSL 24.78, 0.77%, 0.47%

LAB 56.07, 38.32, 57.64

 

CMYK 0 / 47 / 79 / 10

HEX #E57A2F

RGB 229 122 47

HSL 24.73, 0.78%, 0.54%

LAB 62.32, 36.42, 56.74

 

CMYK 0 / 43 / 73 / 4

HEX #F68C42

RGB 246 140 66

HSL 24.67, 0.91%, 0.61%

LAB 68.56, 34.68, 55.32

 

CMYK 0 / 38 / 67 / 0

HEX #FF9E55

RGB 255 158 85

HSL 25.76, 1%, 0.67%

LAB 73.78, 29.92, 52.34

 

CMYK 0 / 55 / 93 / 25

HEX #BE560E

RGB 190 86 14

HSL 24.55, 0.86%, 0.4%

LAB 49.05, 38.44, 55.16

 

CMYK 0 / 61 / 100 / 32

HEX #AD4400

RGB 173 68 0

HSL 23.58, 1%, 0.34%

LAB 42.79, 40.48, 53.47

 

CMYK 0 / 68 / 100 / 39

HEX #9C3200

RGB 156 50 0

HSL 19.23, 1%, 0.31%

LAB 36.65, 42.37, 48.59

 

CMYK 0 / 77 / 100 / 45

HEX #8B2000

RGB 139 32 0

HSL 13.81, 1%, 0.27%

LAB 30.69, 43.6, 43.33

 

CMYK 0 / 89 / 100 / 52

HEX #7A0E00

RGB 122 14 0

HSL 6.89, 1%, 0.24%

LAB 25.11, 43.58, 37.17

 

CMYK 0 / 54 / 93 / 26

HEX #BD560E

RGB 189 86 14

HSL 24.69, 0.86%, 0.4%

LAB 48.89, 38.04, 54.97

 

CMYK 0 / 80 / 93 / 26

HEX #BD260E

RGB 189 38 14

HSL 8.23, 0.86%, 0.4%

LAB 41.59, 57.64, 50

 

CMYK 0 / 93 / 93 / 26

HEX #BD0E0E

RGB 189 14 14

HSL 0, 0.86%, 0.4%

LAB 39.86, 62.58, 48.88

 

CMYK 0 / 54 / 93 / 26

HEX #BD560E

RGB 189 86 14

HSL 24.69, 0.86%, 0.4%

LAB 48.89, 38.04, 54.97

 

CMYK 0 / 30 / 93 / 26

HEX #BD850E

RGB 189 133 14

HSL 40.8, 0.86%, 0.4%

LAB 59.55, 12.71, 62.71

 

CMYK 0 / 5 / 93 / 26

HEX #BDB40E

RGB 189 180 14

HSL 56.91, 0.86%, 0.4%

LAB 71.89, -12.48, 72.03

 

CMYK 20 / 0 / 93 / 26

HEX #97BD0E

RGB 151 189 14

HSL 73.03, 0.86%, 0.4%

LAB 71.56, -33.09, 70.54

 

CMYK 45 / 0 / 93 / 26

HEX #68BD0E

RGB 104 189 14

HSL 89.14, 0.86%, 0.4%

LAB 69.02, -50.49, 67.43

 

CMYK 0 / 54 / 93 / 26

HEX #BD560E

RGB 189 86 14

HSL 24.69, 0.86%, 0.4%

LAB 48.89, 38.04, 54.97

 

CMYK 0 / 54 / 93 / 26

HEX #BD560E

RGB 189 86 14

HSL 24.69, 0.86%, 0.4%

LAB 48.89, 38.04, 54.97

 

CMYK 0 / 49 / 83 / 32

HEX #AD591E

RGB 173 89 30

HSL 24.76, 0.7%, 0.4%

LAB 47.14, 30.33, 46.93

 

CMYK 0 / 41 / 70 / 39

HEX #9C5C2F

RGB 156 92 47

HSL 24.77, 0.54%, 0.4%

LAB 45.53, 22.16, 36.34

 

CMYK 0 / 32 / 55 / 45

HEX #8C5F3F

RGB 140 95 63

HSL 24.94, 0.38%, 0.4%

LAB 44.4, 14.59, 25.6

 

CMYK 0 / 20 / 35 / 52

HEX #7B6250

RGB 123 98 80

HSL 25.12, 0.21%, 0.4%

LAB 43.54, 7.3, 14.07

 

CMYK 0 / 93 / 80 / 26

HEX #BD0E25

RGB 189 14 37

HSL 352.11, 0.86%, 0.4%

LAB 40.03, 63.05, 37.61

 

CMYK 0 / 80 / 93 / 26

HEX #BD250E

RGB 189 37 14

HSL 7.89, 0.86%, 0.4%

LAB 41.49, 57.92, 49.93

 

CMYK 0 / 56 / 93 / 26

HEX #BD540E

RGB 189 84 14

HSL 24, 0.86%, 0.4%

LAB 48.5, 39.04, 54.7

 

CMYK 0 / 31 / 93 / 26

HEX #BD830E

RGB 189 131 14

HSL 40.11, 0.86%, 0.4%

LAB 59.05, 13.81, 62.34

 

CMYK 0 / 6 / 93 / 26

HEX #BDB20E

RGB 189 178 14

HSL 56.23, 0.86%, 0.4%

LAB 71.34, -11.45, 71.61

 

CMYK 0 / 54 / 93 / 56

HEX #703308

RGB 112 51 8

HSL 24.81, 0.87%, 0.24%

LAB 28.98, 24.42, 36.55

 

CMYK 0 / 55 / 93 / 41

HEX #97440B

RGB 151 68 11

HSL 24.43, 0.86%, 0.32%

LAB 39.14, 31.89, 46.03

 

CMYK 0 / 54 / 93 / 26

HEX #BD560E

RGB 189 86 14

HSL 24.69, 0.86%, 0.4%

LAB 48.89, 38.04, 54.97

 

CMYK 0 / 55 / 93 / 11

HEX #E46711

RGB 228 103 17

HSL 24.45, 0.86%, 0.48%

LAB 58.26, 44.82, 63.56

 

CMYK 0 / 48 / 80 / 6

HEX #EF7D2F

RGB 239 125 47

HSL 24.38, 0.86%, 0.56%

LAB 64.34, 38.85, 59.12

 

CMYK 0 / 55 / 93 / 25

HEX #BE560E

RGB 190 86 14

HSL 24.55, 0.86%, 0.4%

LAB 49.05, 38.44, 55.16

 

CMYK 56 / 0 / 93 / 26

HEX #54BD0E

RGB 84 189 14

HSL 96, 0.86%, 0.4%

LAB 68.25, -56.46, 66.48

 

CMYK 93 / 93 / 0 / 26

HEX #0E0EBD

RGB 14 14 189

HSL 240, 0.86%, 0.4%

LAB 23.94, 60.08, -83.81

 

CMYK 0 / 55 / 93 / 25

HEX #BE560E

RGB 190 86 14

HSL 24.55, 0.86%, 0.4%

LAB 49.05, 38.44, 55.16

 

CMYK 93 / 0 / 56 / 26

HEX #0EBD54

RGB 14 189 84

HSL 144, 0.86%, 0.4%

LAB 67.37, -62.08, 41.61

 

CMYK 56 / 93 / 0 / 26

HEX #540EBD

RGB 84 14 189

HSL 264, 0.86%, 0.4%

LAB 29.09, 63.25, -75.1

 

CMYK 0 / 55 / 93 / 25

HEX #BE560E

RGB 190 86 14

HSL 24.55, 0.86%, 0.4%

LAB 49.05, 38.44, 55.16

 

CMYK 56 / 0 / 93 / 26

HEX #54BD0E

RGB 84 189 14

HSL 96, 0.86%, 0.4%

LAB 68.25, -56.46, 66.48

 

CMYK 93 / 37 / 0 / 26

HEX #0E77BD

RGB 14 119 189

HSL 204, 0.86%, 0.4%

LAB 48.21, -0.91, -44.18

 

CMYK 37 / 93 / 0 / 26

HEX #770EBD

RGB 119 14 189

HSL 276, 0.86%, 0.4%

LAB 33.8, 66.8, -67.18

 

CMYK 0 / 55 / 93 / 25

HEX #BE560E

RGB 190 86 14

HSL 24.55, 0.86%, 0.4%

LAB 49.05, 38.44, 55.16

 

CMYK 84 / 0 / 93 / 26

HEX #1FBD0E

RGB 31 189 14

HSL 114.17, 0.86%, 0.4%

LAB 67.07, -66.5, 65.01

 

CMYK 93 / 37 / 0 / 26

HEX #0E77BD

RGB 14 119 189

HSL 204, 0.86%, 0.4%

LAB 48.21, -0.91, -44.18

 

CMYK 9 / 93 / 0 / 26

HEX #AC0EBD

RGB 172 14 189

HSL 294.17, 0.86%, 0.4%

LAB 42.4, 74.33, -52.81

 

Description

Color code: HEX #BE560E | qconv.com Color code: HEX #BE560E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 86 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 86 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 93 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 93% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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