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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE55E1 it is the complementary color #41AA1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE55E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE55E1 shade: #C355DC, #D467EF, #E579FF, #F68BFF and #FF9DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE55E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE55E1 shade: #BE55E1, #AD43CE, #9C31BB, #8B1FA8 and #7A0D95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE55E1 shade: #BE55E1, #E155DE, #E155B8, #E15593 and #E1556D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE55E1 shade: #BE55E1, #9855E1, #7355E1 and #5555E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE55E1 shade matches the following richer shades: #BE55E1 and #C645F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE55E1 shade: #BE55E1, #B666D1, #AE76C0, #A686B0 and #9E96A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE55E1 shade: #7455E1, #9955E1, #BE55E1, #E155DE and #E155B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE55E1 shade: #9A22C2, #B032DA, #BE55E1, #CB79E7 and #D99CED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE55E1 shade: #BE55E1, #E1555C and #55E186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE55E1 shade: #BE55E1, #E1BE55 and #55E1BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE55E1 shade: #BE55E1, #E1555C, #78E155 and #55E1DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE55E1 shade: #BE55E1, #E17855, #78E155 and #55BEE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 62 / 0 / 12

HEX #BE55E1

RGB 190 85 225

HSL 285, 0.7%, 0.61%

LAB 54.95, 62.77, -53.23

 

Complementary color

CMYK 62 / 0 / 82 / 33

HEX #41AA1E

RGB 65 170 30

HSL 105, 0.7%, 0.39%

LAB 61.63, -54.05, 57.19

 

CMYK 11 / 61 / 0 / 14

HEX #C355DC

RGB 195 85 220

HSL 288.89, 0.66%, 0.6%

LAB 55.35, 62.98, -49.74

 

CMYK 11 / 57 / 0 / 6

HEX #D467EF

RGB 212 103 239

HSL 288.09, 0.81%, 0.67%

LAB 61.59, 62.56, -50.32

 

CMYK 10 / 53 / 0 / 0

HEX #E579FF

RGB 229 121 255

HSL 288.36, 1%, 0.74%

LAB 67.69, 61.41, -49.36

 

CMYK 4 / 45 / 0 / 0

HEX #F68BFF

RGB 246 139 255

HSL 295.34, 1%, 0.77%

LAB 73.07, 57.22, -40.77

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 16 / 62 / 0 / 12

HEX #BE55E1

RGB 190 85 225

HSL 285, 0.7%, 0.61%

LAB 54.95, 62.77, -53.23

 

CMYK 16 / 67 / 0 / 19

HEX #AD43CE

RGB 173 67 206

HSL 285.76, 0.59%, 0.54%

LAB 48.7, 62.97, -52.54

 

CMYK 17 / 74 / 0 / 27

HEX #9C31BB

RGB 156 49 187

HSL 286.52, 0.58%, 0.46%

LAB 42.54, 62.73, -51.54

 

CMYK 17 / 82 / 0 / 34

HEX #8B1FA8

RGB 139 31 168

HSL 287.3, 0.69%, 0.39%

LAB 36.55, 61.72, -50.06

 

CMYK 18 / 91 / 0 / 42

HEX #7A0D95

RGB 122 13 149

HSL 288.09, 0.84%, 0.32%

LAB 30.87, 59.47, -47.86

 

CMYK 16 / 62 / 0 / 12

HEX #BE55E1

RGB 190 85 225

HSL 285, 0.7%, 0.61%

LAB 54.95, 62.77, -53.23

 

CMYK 0 / 62 / 1 / 12

HEX #E155DE

RGB 225 85 222

HSL 301.29, 0.7%, 0.61%

LAB 59.69, 70.5, -43.72

 

CMYK 0 / 62 / 18 / 12

HEX #E155B8

RGB 225 85 184

HSL 317.57, 0.7%, 0.61%

LAB 58, 64.71, -24.72

 

CMYK 0 / 62 / 35 / 12

HEX #E15593

RGB 225 85 147

HSL 333.43, 0.7%, 0.61%

LAB 56.69, 60, -5.19

 

CMYK 0 / 62 / 52 / 12

HEX #E1556D

RGB 225 85 109

HSL 349.71, 0.7%, 0.61%

LAB 55.69, 56.26, 15.76

 

CMYK 16 / 62 / 0 / 12

HEX #BE55E1

RGB 190 85 225

HSL 285, 0.7%, 0.61%

LAB 54.95, 62.77, -53.23

 

CMYK 32 / 62 / 0 / 12

HEX #9855E1

RGB 152 85 225

HSL 268.71, 0.7%, 0.61%

LAB 50.23, 54.17, -61.07

 

CMYK 49 / 62 / 0 / 12

HEX #7355E1

RGB 115 85 225

HSL 252.86, 0.7%, 0.61%

LAB 46.42, 46.6, -67.42

 

CMYK 62 / 62 / 0 / 12

HEX #5555E1

RGB 85 85 225

HSL 240, 0.7%, 0.61%

LAB 44.04, 41.48, -71.39

 

CMYK 16 / 62 / 0 / 12

HEX #BE55E1

RGB 190 85 225

HSL 285, 0.7%, 0.61%

LAB 54.95, 62.77, -53.23

 

CMYK 18 / 71 / 0 / 5

HEX #C645F1

RGB 198 69 241

HSL 285, 0.86%, 0.61%

LAB 54.67, 74.07, -62.6

 

CMYK 16 / 62 / 0 / 12

HEX #BE55E1

RGB 190 85 225

HSL 285, 0.7%, 0.61%

LAB 54.95, 62.77, -53.23

 

CMYK 13 / 51 / 0 / 18

HEX #B666D1

RGB 182 102 209

HSL 284.86, 0.54%, 0.61%

LAB 56.14, 49.31, -42.36

 

CMYK 9 / 39 / 0 / 25

HEX #AE76C0

RGB 174 118 192

HSL 285.41, 0.37%, 0.61%

LAB 57.81, 34.86, -30.15

 

CMYK 6 / 24 / 0 / 31

HEX #A686B0

RGB 166 134 176

HSL 285.71, 0.21%, 0.61%

LAB 60.15, 19.91, -17.51

 

CMYK 1 / 6 / 0 / 37

HEX #9E96A0

RGB 158 150 160

HSL 288, 0.05%, 0.61%

LAB 63.03, 4.84, -4.2

 

CMYK 48 / 62 / 0 / 12

HEX #7455E1

RGB 116 85 225

HSL 253.29, 0.7%, 0.61%

LAB 46.51, 46.79, -67.26

 

CMYK 32 / 62 / 0 / 12

HEX #9955E1

RGB 153 85 225

HSL 269.14, 0.7%, 0.61%

LAB 50.34, 54.39, -60.88

 

CMYK 16 / 62 / 0 / 12

HEX #BE55E1

RGB 190 85 225

HSL 285, 0.7%, 0.61%

LAB 54.95, 62.77, -53.23

 

CMYK 0 / 62 / 1 / 12

HEX #E155DE

RGB 225 85 222

HSL 301.29, 0.7%, 0.61%

LAB 59.69, 70.5, -43.72

 

CMYK 0 / 62 / 18 / 12

HEX #E155B9

RGB 225 85 185

HSL 317.14, 0.7%, 0.61%

LAB 58.04, 64.85, -25.24

 

CMYK 21 / 82 / 0 / 24

HEX #9A22C2

RGB 154 34 194

HSL 285, 0.7%, 0.45%

LAB 41.07, 68.43, -58.02

 

CMYK 19 / 77 / 0 / 15

HEX #B032DA

RGB 176 50 218

HSL 285, 0.69%, 0.53%

LAB 47.72, 72.1, -60.98

 

CMYK 16 / 62 / 0 / 12

HEX #BE55E1

RGB 190 85 225

HSL 285, 0.7%, 0.61%

LAB 54.95, 62.77, -53.23

 

CMYK 12 / 48 / 0 / 9

HEX #CB79E7

RGB 203 121 231

HSL 284.73, 0.7%, 0.69%

LAB 63.46, 49.75, -43.01

 

CMYK 8 / 34 / 0 / 7

HEX #D99CED

RGB 217 156 237

HSL 285.19, 0.69%, 0.77%

LAB 72.66, 36.5, -31.87

 

CMYK 16 / 62 / 0 / 12

HEX #BE55E1

RGB 190 85 225

HSL 285, 0.7%, 0.61%

LAB 54.95, 62.77, -53.23

 

CMYK 0 / 62 / 59 / 12

HEX #E1555C

RGB 225 85 92

HSL 357, 0.7%, 0.61%

LAB 55.36, 54.97, 25.29

 

CMYK 62 / 0 / 40 / 12

HEX #55E186

RGB 85 225 134

HSL 141, 0.7%, 0.61%

LAB 80.46, -57.49, 33.6

 

CMYK 16 / 62 / 0 / 12

HEX #BE55E1

RGB 190 85 225

HSL 285, 0.7%, 0.61%

LAB 54.95, 62.77, -53.23

 

CMYK 0 / 16 / 62 / 12

HEX #E1BE55

RGB 225 190 85

HSL 45, 0.7%, 0.61%

LAB 78.16, 0.7, 56.32

 

CMYK 62 / 0 / 16 / 12

HEX #55E1BE

RGB 85 225 190

HSL 165, 0.7%, 0.61%

LAB 81.57, -45.95, 6

 

CMYK 16 / 62 / 0 / 12

HEX #BE55E1

RGB 190 85 225

HSL 285, 0.7%, 0.61%

LAB 54.95, 62.77, -53.23

 

CMYK 0 / 62 / 59 / 12

HEX #E1555C

RGB 225 85 92

HSL 357, 0.7%, 0.61%

LAB 55.36, 54.97, 25.29

 

CMYK 47 / 0 / 62 / 12

HEX #78E155

RGB 120 225 85

HSL 105, 0.7%, 0.61%

LAB 81.02, -55.37, 57.56

 

CMYK 62 / 0 / 3 / 12

HEX #55E1DA

RGB 85 225 218

HSL 177, 0.7%, 0.61%

LAB 82.29, -38.88, -7.77

 

CMYK 16 / 62 / 0 / 12

HEX #BE55E1

RGB 190 85 225

HSL 285, 0.7%, 0.61%

LAB 54.95, 62.77, -53.23

 

CMYK 0 / 47 / 62 / 12

HEX #E17855

RGB 225 120 85

HSL 15, 0.7%, 0.61%

LAB 61.74, 37.76, 37.28

 

CMYK 47 / 0 / 62 / 12

HEX #78E155

RGB 120 225 85

HSL 105, 0.7%, 0.61%

LAB 81.02, -55.37, 57.56

 

CMYK 62 / 16 / 0 / 12

HEX #55BEE1

RGB 85 190 225

HSL 195, 0.7%, 0.61%

LAB 72.36, -19.93, -26.52

 

Description

Color code: HEX #BE55E1 | qconv.com Color code: HEX #BE55E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 85 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 85 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 62 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 62% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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