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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE4E8B it is the complementary color #41B174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE4E8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE4E8B shade: #C34E86, #D46099, #E572AC, #F684BF and #FF96D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE4E8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE4E8B shade: #BE4E8B, #AD3C78, #9C2A65, #8B1852 and #7A063F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE4E8B shade: #BE508C, #BE506E, #BE5050 and #BE5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE4E8B shade: #BE508C, #BE50A9, #B550BE, #9750BE and #7950BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE4E8B shade matches the following richer shades: #BE508C, #D13C8D, #E5298F and #F81591

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE4E8B shade: #BE508C, #AA638A, #977688, #848A86 and #709D85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE4E8B shade: #B550BE, #BE50AA, #BE508C, #BE506F and #BE5051

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE4E8B shade: #893261, #A73D77, #BE508C, #C96E9F and #D48CB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE4E8B shade: #BE4E8B, #BE9750 and #50B8BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE4E8B shade: #BE4E8B, #8CBE50 and #508CBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE4E8B shade: #BE4E8B, #BE9750, #50BE81 and #5076BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE4E8B shade: #BE4E8B, #BEB850, #50BE81 and #5055BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 27 / 25

HEX #BE4E8B

RGB 190 78 139

HSL 327.32, 0.46%, 0.53%

LAB 49.81, 51.47, -11.31

 

Complementary color

CMYK 63 / 0 / 34 / 31

HEX #41B174

RGB 65 177 116

HSL 147.32, 0.46%, 0.47%

LAB 64.83, -45.86, 22.1

 

CMYK 0 / 60 / 31 / 24

HEX #C34E86

RGB 195 78 134

HSL 331.28, 0.49%, 0.54%

LAB 50.42, 52.37, -7.33

 

CMYK 0 / 55 / 28 / 17

HEX #D46099

RGB 212 96 153

HSL 330.52, 0.57%, 0.6%

LAB 56.75, 51.8, -8.84

 

CMYK 0 / 50 / 25 / 10

HEX #E572AC

RGB 229 114 172

HSL 329.74, 0.69%, 0.67%

LAB 63.07, 51.11, -10.1

 

CMYK 0 / 46 / 22 / 4

HEX #F684BF

RGB 246 132 191

HSL 328.95, 0.86%, 0.74%

LAB 69.37, 50.36, -11.17

 

CMYK 0 / 41 / 18 / 0

HEX #FF96D2

RGB 255 150 210

HSL 325.71, 1%, 0.79%

LAB 74.65, 47, -13.67

 

CMYK 0 / 59 / 27 / 25

HEX #BE4E8B

RGB 190 78 139

HSL 327.32, 0.46%, 0.53%

LAB 49.81, 51.47, -11.31

 

CMYK 0 / 65 / 31 / 32

HEX #AD3C78

RGB 173 60 120

HSL 328.14, 0.48%, 0.46%

LAB 43.47, 51.79, -9.62

 

CMYK 0 / 73 / 35 / 39

HEX #9C2A65

RGB 156 42 101

HSL 328.95, 0.58%, 0.39%

LAB 37.23, 51.64, -7.42

 

CMYK 0 / 83 / 41 / 45

HEX #8B1852

RGB 139 24 82

HSL 329.74, 0.71%, 0.32%

LAB 31.23, 50.65, -4.46

 

CMYK 0 / 95 / 48 / 52

HEX #7A063F

RGB 122 6 63

HSL 330.52, 0.91%, 0.25%

LAB 25.64, 48.3, -0.4

 

CMYK 0 / 58 / 26 / 25

HEX #BE508C

RGB 190 80 140

HSL 327.27, 0.46%, 0.53%

LAB 50.19, 50.68, -11.34

 

CMYK 0 / 58 / 42 / 25

HEX #BE506E

RGB 190 80 110

HSL 343.64, 0.46%, 0.53%

LAB 49.27, 47.04, 5.32

 

CMYK 0 / 58 / 58 / 25

HEX #BE5050

RGB 190 80 80

HSL 0, 0.46%, 0.53%

LAB 48.59, 44.29, 22.42

 

CMYK 0 / 58 / 58 / 25

HEX #BE5050

RGB 190 80 80

HSL 0, 0.46%, 0.53%

LAB 48.59, 44.29, 22.42

 

CMYK 0 / 58 / 26 / 25

HEX #BE508C

RGB 190 80 140

HSL 327.27, 0.46%, 0.53%

LAB 50.19, 50.68, -11.34

 

CMYK 0 / 58 / 11 / 25

HEX #BE50A9

RGB 190 80 169

HSL 311.45, 0.46%, 0.53%

LAB 51.32, 54.97, -26.76

 

CMYK 5 / 58 / 0 / 25

HEX #B550BE

RGB 181 80 190

HSL 295.09, 0.46%, 0.53%

LAB 51.01, 56.14, -39.57

 

CMYK 21 / 58 / 0 / 25

HEX #9750BE

RGB 151 80 190

HSL 278.73, 0.46%, 0.53%

LAB 47.02, 48.4, -46.15

 

CMYK 36 / 58 / 0 / 25

HEX #7950BE

RGB 121 80 190

HSL 262.36, 0.46%, 0.53%

LAB 43.54, 41.01, -51.93

 

CMYK 0 / 58 / 26 / 25

HEX #BE508C

RGB 190 80 140

HSL 327.27, 0.46%, 0.53%

LAB 50.19, 50.68, -11.34

 

CMYK 0 / 71 / 33 / 18

HEX #D13C8D

RGB 209 60 141

HSL 327.38, 0.62%, 0.53%

LAB 50.35, 64.44, -11.39

 

CMYK 0 / 82 / 38 / 10

HEX #E5298F

RGB 229 41 143

HSL 327.45, 0.78%, 0.53%

LAB 52.09, 75.04, -9.61

 

CMYK 0 / 92 / 42 / 3

HEX #F81591

RGB 248 21 145

HSL 327.22, 0.94%, 0.53%

LAB 54.59, 82.78, -6.69

 

CMYK 0 / 58 / 26 / 25

HEX #BE508C

RGB 190 80 140

HSL 327.27, 0.46%, 0.53%

LAB 50.19, 50.68, -11.34

 

CMYK 0 / 42 / 19 / 33

HEX #AA638A

RGB 170 99 138

HSL 327.04, 0.29%, 0.53%

LAB 51.04, 34.04, -9.16

 

CMYK 0 / 22 / 10 / 41

HEX #977688

RGB 151 118 136

HSL 327.27, 0.14%, 0.53%

LAB 53.29, 15.97, -4.86

 

CMYK 4 / 0 / 3 / 46

HEX #848A86

RGB 132 138 134

HSL 140, 0.02%, 0.53%

LAB 56.88, -3, 1.37

 

CMYK 29 / 0 / 15 / 38

HEX #709D85

RGB 112 157 133

HSL 148, 0.19%, 0.53%

LAB 61, -20.46, 7.7

 

CMYK 5 / 58 / 0 / 25

HEX #B550BE

RGB 181 80 190

HSL 295.09, 0.46%, 0.53%

LAB 51.01, 56.14, -39.57

 

CMYK 0 / 58 / 11 / 25

HEX #BE50AA

RGB 190 80 170

HSL 310.91, 0.46%, 0.53%

LAB 51.37, 55.13, -27.28

 

CMYK 0 / 58 / 26 / 25

HEX #BE508C

RGB 190 80 140

HSL 327.27, 0.46%, 0.53%

LAB 50.19, 50.68, -11.34

 

CMYK 0 / 58 / 42 / 25

HEX #BE506F

RGB 190 80 111

HSL 343.09, 0.46%, 0.53%

LAB 49.29, 47.14, 4.75

 

CMYK 0 / 58 / 57 / 25

HEX #BE5051

RGB 190 80 81

HSL 359.45, 0.46%, 0.53%

LAB 48.61, 44.37, 21.85

 

CMYK 0 / 64 / 29 / 46

HEX #893261

RGB 137 50 97

HSL 327.59, 0.47%, 0.37%

LAB 34.93, 42.1, -8.68

 

CMYK 0 / 63 / 29 / 35

HEX #A73D77

RGB 167 61 119

HSL 327.17, 0.46%, 0.45%

LAB 42.59, 49.42, -10.42

 

CMYK 0 / 58 / 26 / 25

HEX #BE508C

RGB 190 80 140

HSL 327.27, 0.46%, 0.53%

LAB 50.19, 50.68, -11.34

 

CMYK 0 / 45 / 21 / 21

HEX #C96E9F

RGB 201 110 159

HSL 327.69, 0.46%, 0.61%

LAB 58.11, 42.08, -10.45

 

CMYK 0 / 34 / 16 / 17

HEX #D48CB3

RGB 212 140 179

HSL 327.5, 0.46%, 0.69%

LAB 66.53, 33.02, -9.13

 

CMYK 0 / 59 / 27 / 25

HEX #BE4E8B

RGB 190 78 139

HSL 327.32, 0.46%, 0.53%

LAB 49.81, 51.47, -11.31

 

CMYK 0 / 21 / 58 / 25

HEX #BE9750

RGB 190 151 80

HSL 38.73, 0.46%, 0.53%

LAB 64.69, 6.26, 42.42

 

CMYK 58 / 3 / 0 / 25

HEX #50B8BE

RGB 80 184 190

HSL 183.27, 0.46%, 0.53%

LAB 69.26, -28.04, -12.1

 

CMYK 0 / 59 / 27 / 25

HEX #BE4E8B

RGB 190 78 139

HSL 327.32, 0.46%, 0.53%

LAB 49.81, 51.47, -11.31

 

CMYK 26 / 0 / 58 / 25

HEX #8CBE50

RGB 140 190 80

HSL 87.27, 0.46%, 0.53%

LAB 71.54, -34.37, 49.35

 

CMYK 58 / 26 / 0 / 25

HEX #508CBE

RGB 80 140 190

HSL 207.27, 0.46%, 0.53%

LAB 56.27, -4.59, -31.96

 

CMYK 0 / 59 / 27 / 25

HEX #BE4E8B

RGB 190 78 139

HSL 327.32, 0.46%, 0.53%

LAB 49.81, 51.47, -11.31

 

CMYK 0 / 21 / 58 / 25

HEX #BE9750

RGB 190 151 80

HSL 38.73, 0.46%, 0.53%

LAB 64.69, 6.26, 42.42

 

CMYK 58 / 0 / 32 / 25

HEX #50BE81

RGB 80 190 129

HSL 146.73, 0.46%, 0.53%

LAB 69.55, -45.51, 21.61

 

CMYK 58 / 38 / 0 / 25

HEX #5076BE

RGB 80 118 190

HSL 219.27, 0.46%, 0.53%

LAB 49.95, 8.48, -41.87

 

CMYK 0 / 59 / 27 / 25

HEX #BE4E8B

RGB 190 78 139

HSL 327.32, 0.46%, 0.53%

LAB 49.81, 51.47, -11.31

 

CMYK 0 / 3 / 58 / 25

HEX #BEB850

RGB 190 184 80

HSL 56.73, 0.46%, 0.53%

LAB 73.42, -11.29, 52.44

 

CMYK 58 / 0 / 32 / 25

HEX #50BE81

RGB 80 190 129

HSL 146.73, 0.46%, 0.53%

LAB 69.55, -45.51, 21.61

 

CMYK 58 / 55 / 0 / 25

HEX #5055BE

RGB 80 85 190

HSL 237.27, 0.46%, 0.53%

LAB 41.09, 29.14, -56.06

 

Description

Color code: HEX #BE4E8B | qconv.com Color code: HEX #BE4E8B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 78 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 78 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 27 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 27% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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