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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE3C37 it is the complementary color #41C3C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE3C37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE3C37 shade: #C33C32, #D44E45, #E56058, #F6726B and #FF847E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE3C37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE3C37 shade: #BE3C37, #AD2A24, #9C1811, #8B0600 and #7A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE3C37 shade: #BD3C37 and #BD3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE3C37 shade: #BD3C37, #BD6037, #BD8437, #BDA837 and #AEBD37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE3C37 shade matches the following richer shades: #BD3C37, #D12923 and #E5170F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE3C37 shade: #BD3C37, #A94E4A, #96605E, #827372 and #6E8586

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE3C37 shade: #BD377A, #BD3756, #BD3B37, #BD5F37 and #BD8337

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE3C37 shade: #7D2724, #9D312D, #BD3C37, #CC5651 and #D57571

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE3C37 shade: #BE3C37, #9EBD37 and #3768BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE3C37 shade: #BE3C37, #37BD3B and #3B37BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE3C37 shade: #BE3C37, #9EBD37, #37B9BD and #5637BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE3C37 shade: #BE3C37, #75BD37, #37B9BD and #7E37BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 71 / 25

HEX #BE3C37

RGB 190 60 55

HSL 2.22, 0.55%, 0.48%

LAB 44.88, 51.59, 32.57

 

Complementary color

CMYK 68 / 3 / 0 / 22

HEX #41C3C8

RGB 65 195 200

HSL 182.22, 0.55%, 0.52%

LAB 72.44, -32.96, -12.84

 

CMYK 0 / 69 / 74 / 24

HEX #C33C32

RGB 195 60 50

HSL 4.14, 0.59%, 0.48%

LAB 45.72, 53.02, 36.64

 

CMYK 0 / 63 / 67 / 17

HEX #D44E45

RGB 212 78 69

HSL 3.78, 0.62%, 0.55%

LAB 51.7, 52.19, 33.53

 

CMYK 0 / 58 / 62 / 10

HEX #E56058

RGB 229 96 88

HSL 3.4, 0.73%, 0.62%

LAB 57.78, 51.16, 30.83

 

CMYK 0 / 54 / 57 / 4

HEX #F6726B

RGB 246 114 107

HSL 3.02, 0.89%, 0.69%

LAB 63.91, 50.05, 28.5

 

CMYK 0 / 48 / 51 / 0

HEX #FF847E

RGB 255 132 126

HSL 2.79, 1%, 0.75%

LAB 68.95, 46.06, 24.79

 

CMYK 0 / 68 / 71 / 25

HEX #BE3C37

RGB 190 60 55

HSL 2.22, 0.55%, 0.48%

LAB 44.88, 51.59, 32.57

 

CMYK 0 / 76 / 79 / 32

HEX #AD2A24

RGB 173 42 36

HSL 2.63, 0.66%, 0.41%

LAB 39.01, 52.01, 36.11

 

CMYK 0 / 85 / 89 / 39

HEX #9C1811

RGB 156 24 17

HSL 3.02, 0.8%, 0.34%

LAB 33.48, 51.64, 39.8

 

CMYK 0 / 96 / 100 / 45

HEX #8B0600

RGB 139 6 0

HSL 2.59, 1%, 0.27%

LAB 28.43, 50.01, 41.58

 

CMYK 0 / 100 / 100 / 52

HEX #7A0000

RGB 122 0 0

HSL 0, 1%, 0.24%

LAB 24.12, 46.42, 36.22

 

CMYK 0 / 68 / 71 / 26

HEX #BD3C37

RGB 189 60 55

HSL 2.24, 0.55%, 0.48%

LAB 44.7, 51.26, 32.31

 

CMYK 0 / 71 / 71 / 26

HEX #BD3737

RGB 189 55 55

HSL 0, 0.55%, 0.48%

LAB 43.98, 53.22, 31.47

 

CMYK 0 / 68 / 71 / 26

HEX #BD3C37

RGB 189 60 55

HSL 2.24, 0.55%, 0.48%

LAB 44.7, 51.26, 32.31

 

CMYK 0 / 49 / 71 / 26

HEX #BD6037

RGB 189 96 55

HSL 18.36, 0.55%, 0.48%

LAB 51.22, 34.24, 39.76

 

CMYK 0 / 30 / 71 / 26

HEX #BD8437

RGB 189 132 55

HSL 34.48, 0.55%, 0.48%

LAB 59.52, 14.63, 48.73

 

CMYK 0 / 11 / 71 / 26

HEX #BDA837

RGB 189 168 55

HSL 50.6, 0.55%, 0.48%

LAB 68.82, -4.94, 58.23

 

CMYK 8 / 0 / 71 / 26

HEX #AEBD37

RGB 174 189 55

HSL 66.72, 0.55%, 0.48%

LAB 73.33, -22.14, 62.26

 

CMYK 0 / 68 / 71 / 26

HEX #BD3C37

RGB 189 60 55

HSL 2.24, 0.55%, 0.48%

LAB 44.7, 51.26, 32.31

 

CMYK 0 / 80 / 83 / 18

HEX #D12923

RGB 209 41 35

HSL 2.07, 0.71%, 0.48%

LAB 45.99, 63.06, 45.86

 

CMYK 0 / 90 / 93 / 10

HEX #E5170F

RGB 229 23 15

HSL 2.24, 0.88%, 0.48%

LAB 48.64, 71.74, 58.09

 

CMYK 0 / 68 / 71 / 26

HEX #BD3C37

RGB 189 60 55

HSL 2.24, 0.55%, 0.48%

LAB 44.7, 51.26, 32.31

 

CMYK 0 / 54 / 56 / 34

HEX #A94E4A

RGB 169 78 74

HSL 2.53, 0.39%, 0.48%

LAB 44.77, 37.04, 20.38

 

CMYK 0 / 36 / 37 / 41

HEX #96605E

RGB 150 96 94

HSL 2.14, 0.23%, 0.48%

LAB 46.52, 21.73, 10.28

 

CMYK 0 / 12 / 12 / 49

HEX #827372

RGB 130 115 114

HSL 3.75, 0.07%, 0.48%

LAB 49.76, 5.64, 2.68

 

CMYK 18 / 1 / 0 / 47

HEX #6E8586

RGB 110 133 134

HSL 182.5, 0.1%, 0.48%

LAB 53.83, -8, -3.3

 

CMYK 0 / 71 / 35 / 26

HEX #BD377A

RGB 189 55 122

HSL 330, 0.55%, 0.48%

LAB 45.57, 58.61, -7.41

 

CMYK 0 / 71 / 54 / 26

HEX #BD3756

RGB 189 55 86

HSL 346.12, 0.55%, 0.48%

LAB 44.55, 55.17, 13.32

 

CMYK 0 / 69 / 71 / 26

HEX #BD3B37

RGB 189 59 55

HSL 1.79, 0.55%, 0.48%

LAB 44.55, 51.66, 32.14

 

CMYK 0 / 50 / 71 / 26

HEX #BD5F37

RGB 189 95 55

HSL 17.91, 0.55%, 0.48%

LAB 51.01, 34.76, 39.53

 

CMYK 0 / 31 / 71 / 26

HEX #BD8337

RGB 189 131 55

HSL 34.03, 0.55%, 0.48%

LAB 59.28, 15.18, 48.47

 

CMYK 0 / 69 / 71 / 51

HEX #7D2724

RGB 125 39 36

HSL 2.02, 0.55%, 0.32%

LAB 29.26, 36.98, 22.63

 

CMYK 0 / 69 / 71 / 38

HEX #9D312D

RGB 157 49 45

HSL 2.14, 0.55%, 0.4%

LAB 37.03, 44.46, 27.77

 

CMYK 0 / 68 / 71 / 26

HEX #BD3C37

RGB 189 60 55

HSL 2.24, 0.55%, 0.48%

LAB 44.7, 51.26, 32.31

 

CMYK 0 / 58 / 60 / 20

HEX #CC5651

RGB 204 86 81

HSL 2.44, 0.55%, 0.56%

LAB 51.94, 46.53, 26.61

 

CMYK 0 / 45 / 47 / 16

HEX #D57571

RGB 213 117 113

HSL 2.4, 0.54%, 0.64%

LAB 59.94, 37.02, 18.98

 

CMYK 0 / 68 / 71 / 25

HEX #BE3C37

RGB 190 60 55

HSL 2.22, 0.55%, 0.48%

LAB 44.88, 51.59, 32.57

 

CMYK 16 / 0 / 71 / 26

HEX #9EBD37

RGB 158 189 55

HSL 73.88, 0.55%, 0.48%

LAB 72.19, -28.74, 60.75

 

CMYK 71 / 45 / 0 / 26

HEX #3768BD

RGB 55 104 189

HSL 218.06, 0.55%, 0.48%

LAB 44.78, 12.41, -49.6

 

CMYK 0 / 68 / 71 / 25

HEX #BE3C37

RGB 190 60 55

HSL 2.22, 0.55%, 0.48%

LAB 44.88, 51.59, 32.57

 

CMYK 71 / 0 / 69 / 26

HEX #37BD3B

RGB 55 189 59

HSL 121.79, 0.55%, 0.48%

LAB 67.67, -60.48, 53.14

 

CMYK 69 / 71 / 0 / 26

HEX #3B37BD

RGB 59 55 189

HSL 241.79, 0.55%, 0.48%

LAB 32.56, 43.97, -69.44

 

CMYK 0 / 68 / 71 / 25

HEX #BE3C37

RGB 190 60 55

HSL 2.22, 0.55%, 0.48%

LAB 44.88, 51.59, 32.57

 

CMYK 16 / 0 / 71 / 26

HEX #9EBD37

RGB 158 189 55

HSL 73.88, 0.55%, 0.48%

LAB 72.19, -28.74, 60.75

 

CMYK 71 / 2 / 0 / 26

HEX #37B9BD

RGB 55 185 189

HSL 181.79, 0.55%, 0.48%

LAB 68.88, -32.75, -12.18

 

CMYK 54 / 71 / 0 / 26

HEX #5637BD

RGB 86 55 189

HSL 253.88, 0.55%, 0.48%

LAB 34.77, 47.64, -65.73

 

CMYK 0 / 68 / 71 / 25

HEX #BE3C37

RGB 190 60 55

HSL 2.22, 0.55%, 0.48%

LAB 44.88, 51.59, 32.57

 

CMYK 38 / 0 / 71 / 26

HEX #75BD37

RGB 117 189 55

HSL 92.24, 0.55%, 0.48%

LAB 69.79, -44.29, 57.56

 

CMYK 71 / 2 / 0 / 26

HEX #37B9BD

RGB 55 185 189

HSL 181.79, 0.55%, 0.48%

LAB 68.88, -32.75, -12.18

 

CMYK 33 / 71 / 0 / 26

HEX #7E37BD

RGB 126 55 189

HSL 271.79, 0.55%, 0.48%

LAB 39.31, 54.73, -58.13

 

Description

Color code: HEX #BE3C37 | qconv.com Color code: HEX #BE3C37 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 60 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 60 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 71 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 71% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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