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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE368A it is the complementary color #41C975. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE368A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE368A shade: #C33685, #D44898, #E55AAB, #F66CBE and #FF7ED1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE368A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE368A shade: #BE368A, #AD2477, #9C1264, #8B0051 and #7A003E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE368A shade: #BE358A, #BE3565, #BE3540 and #BE3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE368A shade: #BE358A, #BE35AF, #A935BE, #8435BE and #5F35BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE368A shade matches the following richer shades: #BE358A, #D2228F and #E60E93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE368A shade: #BE358A, #AB4985, #975D81, #83717C and #6F8577

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE368A shade: #A835BE, #BE35B1, #BE358C, #BE3568 and #BE3543

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE368A shade: #7E235B, #9E2C73, #BE358A, #CD509D and #D670AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE368A shade: #BE368A, #BE8335 and #35BEBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE368A shade: #BE368A, #8CBE35 and #358CBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE368A shade: #BE368A, #BE8335, #35BE68 and #3571BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE368A shade: #BE368A, #BEAC35, #35BE68 and #3548BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 27 / 25

HEX #BE368A

RGB 190 54 138

HSL 322.94, 0.56%, 0.48%

LAB 46.2, 61.13, -16.18

 

Complementary color

CMYK 68 / 0 / 42 / 21

HEX #41C975

RGB 65 201 117

HSL 142.94, 0.56%, 0.52%

LAB 72.35, -55.09, 31.56

 

CMYK 0 / 72 / 32 / 24

HEX #C33685

RGB 195 54 133

HSL 326.38, 0.57%, 0.49%

LAB 46.89, 61.86, -12.03

 

CMYK 0 / 66 / 28 / 17

HEX #D44898

RGB 212 72 152

HSL 325.71, 0.62%, 0.56%

LAB 52.84, 62.13, -14.13

 

CMYK 0 / 61 / 25 / 10

HEX #E55AAB

RGB 229 90 171

HSL 325.04, 0.73%, 0.63%

LAB 58.89, 61.98, -15.81

 

CMYK 0 / 56 / 23 / 4

HEX #F66CBE

RGB 246 108 190

HSL 324.35, 0.88%, 0.69%

LAB 64.99, 61.57, -17.2

 

CMYK 0 / 51 / 18 / 0

HEX #FF7ED1

RGB 255 126 209

HSL 321.4, 1%, 0.75%

LAB 70.03, 58.62, -20.1

 

CMYK 0 / 72 / 27 / 25

HEX #BE368A

RGB 190 54 138

HSL 322.94, 0.56%, 0.48%

LAB 46.2, 61.13, -16.18

 

CMYK 0 / 79 / 31 / 32

HEX #AD2477

RGB 173 36 119

HSL 323.65, 0.66%, 0.41%

LAB 40.37, 60.21, -13.68

 

CMYK 0 / 88 / 36 / 39

HEX #9C1264

RGB 156 18 100

HSL 324.35, 0.79%, 0.34%

LAB 34.84, 58.22, -10.38

 

CMYK 0 / 100 / 42 / 45

HEX #8B0051

RGB 139 0 81

HSL 325.04, 1%, 0.27%

LAB 29.62, 55.11, -6.21

 

CMYK 0 / 100 / 49 / 52

HEX #7A003E

RGB 122 0 62

HSL 329.51, 1%, 0.24%

LAB 25.22, 49.36, -0.34

 

CMYK 0 / 72 / 27 / 25

HEX #BE358A

RGB 190 53 138

HSL 322.77, 0.56%, 0.48%

LAB 46.08, 61.48, -16.36

 

CMYK 0 / 72 / 47 / 25

HEX #BE3565

RGB 190 53 101

HSL 338.98, 0.56%, 0.48%

LAB 44.85, 57.47, 4.48

 

CMYK 0 / 72 / 66 / 25

HEX #BE3540

RGB 190 53 64

HSL 355.18, 0.56%, 0.48%

LAB 44.04, 54.75, 26.19

 

CMYK 0 / 72 / 72 / 25

HEX #BE3535

RGB 190 53 53

HSL 0, 0.56%, 0.48%

LAB 43.87, 54.19, 32.57

 

CMYK 0 / 72 / 27 / 25

HEX #BE358A

RGB 190 53 138

HSL 322.77, 0.56%, 0.48%

LAB 46.08, 61.48, -16.36

 

CMYK 0 / 72 / 8 / 25

HEX #BE35AF

RGB 190 53 175

HSL 306.57, 0.56%, 0.48%

LAB 47.74, 66.63, -35.89

 

CMYK 11 / 72 / 0 / 25

HEX #A935BE

RGB 169 53 190

HSL 290.8, 0.56%, 0.48%

LAB 45.22, 64.52, -48.89

 

CMYK 31 / 72 / 0 / 25

HEX #8435BE

RGB 132 53 190

HSL 274.6, 0.56%, 0.48%

LAB 39.86, 57.01, -57.79

 

CMYK 50 / 72 / 0 / 25

HEX #5F35BE

RGB 95 53 190

HSL 258.39, 0.56%, 0.48%

LAB 35.39, 50.39, -65.27

 

CMYK 0 / 72 / 27 / 25

HEX #BE358A

RGB 190 53 138

HSL 322.77, 0.56%, 0.48%

LAB 46.08, 61.48, -16.36

 

CMYK 0 / 84 / 32 / 18

HEX #D2228F

RGB 210 34 143

HSL 322.84, 0.72%, 0.48%

LAB 48.04, 72.18, -16.07

 

CMYK 0 / 94 / 36 / 10

HEX #E60E93

RGB 230 14 147

HSL 323.06, 0.89%, 0.48%

LAB 50.97, 79.86, -13.67

 

CMYK 0 / 72 / 27 / 25

HEX #BE358A

RGB 190 53 138

HSL 322.77, 0.56%, 0.48%

LAB 46.08, 61.48, -16.36

 

CMYK 0 / 57 / 22 / 33

HEX #AB4985

RGB 171 73 133

HSL 323.27, 0.4%, 0.48%

LAB 45.79, 47.07, -14.06

 

CMYK 0 / 38 / 15 / 41

HEX #975D81

RGB 151 93 129

HSL 322.76, 0.24%, 0.48%

LAB 46.97, 29.13, -10.15

 

CMYK 0 / 14 / 5 / 49

HEX #83717C

RGB 131 113 124

HSL 323.33, 0.07%, 0.48%

LAB 49.61, 9.07, -3.47

 

CMYK 17 / 0 / 11 / 48

HEX #6F8577

RGB 111 133 119

HSL 141.82, 0.09%, 0.48%

LAB 53.48, -10.9, 4.91

 

CMYK 12 / 72 / 0 / 25

HEX #A835BE

RGB 168 53 190

HSL 290.36, 0.56%, 0.48%

LAB 45.07, 64.31, -49.14

 

CMYK 0 / 72 / 7 / 25

HEX #BE35B1

RGB 190 53 177

HSL 305.69, 0.56%, 0.48%

LAB 47.84, 66.94, -36.9

 

CMYK 0 / 72 / 26 / 25

HEX #BE358C

RGB 190 53 140

HSL 321.9, 0.56%, 0.48%

LAB 46.16, 61.73, -17.45

 

CMYK 0 / 72 / 45 / 25

HEX #BE3568

RGB 190 53 104

HSL 337.66, 0.56%, 0.48%

LAB 44.93, 57.75, 2.74

 

CMYK 0 / 72 / 65 / 25

HEX #BE3543

RGB 190 53 67

HSL 353.87, 0.56%, 0.48%

LAB 44.09, 54.92, 24.43

 

CMYK 0 / 72 / 28 / 51

HEX #7E235B

RGB 126 35 91

HSL 323.08, 0.57%, 0.32%

LAB 30.38, 44.42, -11.88

 

CMYK 0 / 72 / 27 / 38

HEX #9E2C73

RGB 158 44 115

HSL 322.63, 0.56%, 0.4%

LAB 38.39, 53.2, -14.46

 

CMYK 0 / 72 / 27 / 25

HEX #BE358A

RGB 190 53 138

HSL 322.77, 0.56%, 0.48%

LAB 46.08, 61.48, -16.36

 

CMYK 0 / 61 / 23 / 20

HEX #CD509D

RGB 205 80 157

HSL 323.04, 0.56%, 0.56%

LAB 53.11, 57.49, -16.77

 

CMYK 0 / 48 / 18 / 16

HEX #D670AF

RGB 214 112 175

HSL 322.94, 0.55%, 0.64%

LAB 60.76, 47.72, -15.49

 

CMYK 0 / 72 / 27 / 25

HEX #BE368A

RGB 190 54 138

HSL 322.94, 0.56%, 0.48%

LAB 46.2, 61.13, -16.18

 

CMYK 0 / 31 / 72 / 25

HEX #BE8335

RGB 190 131 53

HSL 34.16, 0.56%, 0.48%

LAB 59.38, 15.51, 49.52

 

CMYK 72 / 0 / 2 / 25

HEX #35BEBA

RGB 53 190 186

HSL 178.25, 0.56%, 0.48%

LAB 70.27, -36.22, -8.47

 

CMYK 0 / 72 / 27 / 25

HEX #BE368A

RGB 190 54 138

HSL 322.94, 0.56%, 0.48%

LAB 46.2, 61.13, -16.18

 

CMYK 26 / 0 / 72 / 25

HEX #8CBE35

RGB 140 190 53

HSL 81.9, 0.56%, 0.48%

LAB 71.32, -36.45, 60.24

 

CMYK 72 / 26 / 0 / 25

HEX #358CBE

RGB 53 140 190

HSL 201.9, 0.56%, 0.48%

LAB 55.31, -9.28, -33.52

 

CMYK 0 / 72 / 27 / 25

HEX #BE368A

RGB 190 54 138

HSL 322.94, 0.56%, 0.48%

LAB 46.2, 61.13, -16.18

 

CMYK 0 / 31 / 72 / 25

HEX #BE8335

RGB 190 131 53

HSL 34.16, 0.56%, 0.48%

LAB 59.38, 15.51, 49.52

 

CMYK 72 / 0 / 45 / 25

HEX #35BE68

RGB 53 190 104

HSL 142.34, 0.56%, 0.48%

LAB 68.45, -55.25, 33.13

 

CMYK 72 / 41 / 0 / 25

HEX #3571BE

RGB 53 113 190

HSL 213.72, 0.56%, 0.48%

LAB 47.35, 6.82, -46.08

 

CMYK 0 / 72 / 27 / 25

HEX #BE368A

RGB 190 54 138

HSL 322.94, 0.56%, 0.48%

LAB 46.2, 61.13, -16.18

 

CMYK 0 / 9 / 72 / 25

HEX #BEAC35

RGB 190 172 53

HSL 52.12, 0.56%, 0.48%

LAB 69.97, -6.71, 60.16

 

CMYK 72 / 0 / 45 / 25

HEX #35BE68

RGB 53 190 104

HSL 142.34, 0.56%, 0.48%

LAB 68.45, -55.25, 33.13

 

CMYK 72 / 62 / 0 / 25

HEX #3548BE

RGB 53 72 190

HSL 231.68, 0.56%, 0.48%

LAB 36.19, 33.17, -64.09

 

Description

Color code: HEX #BE368A | qconv.com Color code: HEX #BE368A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 54 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 54 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 27 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 27% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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