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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE3585 it is the complementary color #41CA7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE3585. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE3585 shade: #C33580, #D44793, #E559A6, #F66BB9 and #FF7DCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE3585. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE3585 shade: #BE3585, #AD2372, #9C115F, #8B004C and #7A0039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE3585 shade: #BE3585, #BE3560, #BE353B and #BE3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE3585 shade: #BE3585, #BE35AA, #AE35BE, #8935BE and #6435BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE3585 shade matches the following richer shades: #BE3585, #D22289 and #E60E8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE3585 shade: #BE3585, #AB4982, #975D7F, #83717B and #6F8578

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE3585 shade: #AC35BE, #BE35AC, #BE3588, #BE3563 and #BE353E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE3585 shade: #7E2358, #9E2C6F, #BE3585, #CD5099 and #D670AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE3585 shade: #BE3585, #BE8835 and #35BEBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE3585 shade: #BE3585, #88BE35 and #3588BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE3585 shade: #BE3585, #BE8835, #35BE6C and #356CBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE3585 shade: #BE3585, #BEB135, #35BE6C and #3543BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 30 / 25

HEX #BE3585

RGB 190 53 133

HSL 324.96, 0.56%, 0.48%

LAB 45.89, 60.87, -13.62

 

Complementary color

CMYK 68 / 0 / 40 / 21

HEX #41CA7A

RGB 65 202 122

HSL 144.96, 0.56%, 0.52%

LAB 72.74, -54.58, 29.49

 

CMYK 0 / 73 / 34 / 24

HEX #C33580

RGB 195 53 128

HSL 328.31, 0.57%, 0.49%

LAB 46.59, 61.63, -9.44

 

CMYK 0 / 67 / 31 / 17

HEX #D44793

RGB 212 71 147

HSL 327.66, 0.62%, 0.55%

LAB 52.52, 61.91, -11.65

 

CMYK 0 / 61 / 28 / 10

HEX #E559A6

RGB 229 89 166

HSL 327, 0.73%, 0.62%

LAB 58.56, 61.76, -13.42

 

CMYK 0 / 57 / 25 / 4

HEX #F66BB9

RGB 246 107 185

HSL 326.33, 0.89%, 0.69%

LAB 64.65, 61.35, -14.88

 

CMYK 0 / 51 / 20 / 0

HEX #FF7DCC

RGB 255 125 204

HSL 323.54, 1%, 0.75%

LAB 69.67, 58.38, -17.85

 

CMYK 0 / 72 / 30 / 25

HEX #BE3585

RGB 190 53 133

HSL 324.96, 0.56%, 0.48%

LAB 45.89, 60.87, -13.62

 

CMYK 0 / 80 / 34 / 32

HEX #AD2372

RGB 173 35 114

HSL 325.65, 0.66%, 0.41%

LAB 40.08, 59.92, -11

 

CMYK 0 / 89 / 39 / 39

HEX #9C115F

RGB 156 17 95

HSL 326.33, 0.8%, 0.34%

LAB 34.59, 57.88, -7.55

 

CMYK 0 / 100 / 45 / 45

HEX #8B004C

RGB 139 0 76

HSL 327.19, 1%, 0.27%

LAB 29.44, 54.64, -3.16

 

CMYK 0 / 100 / 53 / 52

HEX #7A0039

RGB 122 0 57

HSL 331.97, 1%, 0.24%

LAB 25.05, 48.93, 2.86

 

CMYK 0 / 72 / 30 / 25

HEX #BE3585

RGB 190 53 133

HSL 324.96, 0.56%, 0.48%

LAB 45.89, 60.87, -13.62

 

CMYK 0 / 72 / 49 / 25

HEX #BE3560

RGB 190 53 96

HSL 341.17, 0.56%, 0.48%

LAB 44.71, 57.03, 7.38

 

CMYK 0 / 72 / 69 / 25

HEX #BE353B

RGB 190 53 59

HSL 357.37, 0.56%, 0.48%

LAB 43.96, 54.48, 29.11

 

CMYK 0 / 72 / 72 / 25

HEX #BE3535

RGB 190 53 53

HSL 0, 0.56%, 0.48%

LAB 43.87, 54.19, 32.57

 

CMYK 0 / 72 / 30 / 25

HEX #BE3585

RGB 190 53 133

HSL 324.96, 0.56%, 0.48%

LAB 45.89, 60.87, -13.62

 

CMYK 0 / 72 / 11 / 25

HEX #BE35AA

RGB 190 53 170

HSL 308.76, 0.56%, 0.48%

LAB 47.49, 65.88, -33.33

 

CMYK 8 / 72 / 0 / 25

HEX #AE35BE

RGB 174 53 190

HSL 292.99, 0.56%, 0.48%

LAB 45.99, 65.58, -47.61

 

CMYK 28 / 72 / 0 / 25

HEX #8935BE

RGB 137 53 190

HSL 276.79, 0.56%, 0.48%

LAB 40.54, 57.99, -56.66

 

CMYK 47 / 72 / 0 / 25

HEX #6435BE

RGB 100 53 190

HSL 260.58, 0.56%, 0.48%

LAB 35.93, 51.21, -64.36

 

CMYK 0 / 72 / 30 / 25

HEX #BE3585

RGB 190 53 133

HSL 324.96, 0.56%, 0.48%

LAB 45.89, 60.87, -13.62

 

CMYK 0 / 84 / 35 / 18

HEX #D22289

RGB 210 34 137

HSL 324.89, 0.72%, 0.48%

LAB 47.82, 71.54, -12.78

 

CMYK 0 / 94 / 39 / 10

HEX #E60E8C

RGB 230 14 140

HSL 325, 0.89%, 0.48%

LAB 50.72, 79.2, -9.84

 

CMYK 0 / 72 / 30 / 25

HEX #BE3585

RGB 190 53 133

HSL 324.96, 0.56%, 0.48%

LAB 45.89, 60.87, -13.62

 

CMYK 0 / 57 / 24 / 33

HEX #AB4982

RGB 171 73 130

HSL 325.1, 0.4%, 0.48%

LAB 45.68, 46.64, -12.41

 

CMYK 0 / 38 / 16 / 41

HEX #975D7F

RGB 151 93 127

HSL 324.83, 0.24%, 0.48%

LAB 46.9, 28.79, -9.05

 

CMYK 0 / 14 / 6 / 49

HEX #83717B

RGB 131 113 123

HSL 326.67, 0.07%, 0.48%

LAB 49.58, 8.88, -2.92

 

CMYK 17 / 0 / 10 / 48

HEX #6F8578

RGB 111 133 120

HSL 144.55, 0.09%, 0.48%

LAB 53.5, -10.69, 4.36

 

CMYK 9 / 72 / 0 / 25

HEX #AC35BE

RGB 172 53 190

HSL 292.12, 0.56%, 0.48%

LAB 45.68, 65.15, -48.12

 

CMYK 0 / 72 / 9 / 25

HEX #BE35AC

RGB 190 53 172

HSL 307.88, 0.56%, 0.48%

LAB 47.59, 66.18, -34.35

 

CMYK 0 / 72 / 28 / 25

HEX #BE3588

RGB 190 53 136

HSL 323.65, 0.56%, 0.48%

LAB 46, 61.24, -15.27

 

CMYK 0 / 72 / 48 / 25

HEX #BE3563

RGB 190 53 99

HSL 339.85, 0.56%, 0.48%

LAB 44.79, 57.29, 5.64

 

CMYK 0 / 72 / 67 / 25

HEX #BE353E

RGB 190 53 62

HSL 356.06, 0.56%, 0.48%

LAB 44, 54.64, 27.36

 

CMYK 0 / 72 / 30 / 51

HEX #7E2358

RGB 126 35 88

HSL 325.05, 0.57%, 0.32%

LAB 30.26, 44.02, -10.11

 

CMYK 0 / 72 / 30 / 38

HEX #9E2C6F

RGB 158 44 111

HSL 324.74, 0.56%, 0.4%

LAB 38.23, 52.69, -12.19

 

CMYK 0 / 72 / 30 / 25

HEX #BE3585

RGB 190 53 133

HSL 324.96, 0.56%, 0.48%

LAB 45.89, 60.87, -13.62

 

CMYK 0 / 61 / 25 / 20

HEX #CD5099

RGB 205 80 153

HSL 324.96, 0.56%, 0.56%

LAB 52.97, 56.95, -14.63

 

CMYK 0 / 48 / 20 / 16

HEX #D670AC

RGB 214 112 172

HSL 324.71, 0.55%, 0.64%

LAB 60.66, 47.27, -13.92

 

CMYK 0 / 72 / 30 / 25

HEX #BE3585

RGB 190 53 133

HSL 324.96, 0.56%, 0.48%

LAB 45.89, 60.87, -13.62

 

CMYK 0 / 28 / 72 / 25

HEX #BE8835

RGB 190 136 53

HSL 36.35, 0.56%, 0.48%

LAB 60.62, 12.75, 50.8

 

CMYK 72 / 0 / 0 / 25

HEX #35BEBE

RGB 53 190 190

HSL 180, 0.56%, 0.48%

LAB 70.39, -35.07, -10.48

 

CMYK 0 / 72 / 30 / 25

HEX #BE3585

RGB 190 53 133

HSL 324.96, 0.56%, 0.48%

LAB 45.89, 60.87, -13.62

 

CMYK 28 / 0 / 72 / 25

HEX #88BE35

RGB 136 190 53

HSL 83.65, 0.56%, 0.48%

LAB 71.09, -37.97, 59.93

 

CMYK 72 / 28 / 0 / 25

HEX #3588BE

RGB 53 136 190

HSL 203.65, 0.56%, 0.48%

LAB 54.11, -6.99, -35.39

 

CMYK 0 / 72 / 30 / 25

HEX #BE3585

RGB 190 53 133

HSL 324.96, 0.56%, 0.48%

LAB 45.89, 60.87, -13.62

 

CMYK 0 / 28 / 72 / 25

HEX #BE8835

RGB 190 136 53

HSL 36.35, 0.56%, 0.48%

LAB 60.62, 12.75, 50.8

 

CMYK 72 / 0 / 43 / 25

HEX #35BE6C

RGB 53 190 108

HSL 144.09, 0.56%, 0.48%

LAB 68.51, -54.55, 31.15

 

CMYK 72 / 43 / 0 / 25

HEX #356CBE

RGB 53 108 190

HSL 215.91, 0.56%, 0.48%

LAB 45.91, 9.96, -48.38

 

CMYK 0 / 72 / 30 / 25

HEX #BE3585

RGB 190 53 133

HSL 324.96, 0.56%, 0.48%

LAB 45.89, 60.87, -13.62

 

CMYK 0 / 7 / 72 / 25

HEX #BEB135

RGB 190 177 53

HSL 54.31, 0.56%, 0.48%

LAB 71.32, -9.32, 61.47

 

CMYK 72 / 0 / 43 / 25

HEX #35BE6C

RGB 53 190 108

HSL 144.09, 0.56%, 0.48%

LAB 68.51, -54.55, 31.15

 

CMYK 72 / 65 / 0 / 25

HEX #3543BE

RGB 53 67 190

HSL 233.87, 0.56%, 0.48%

LAB 34.98, 36.34, -66.07

 

Description

Color code: HEX #BE3585 | qconv.com Color code: HEX #BE3585 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 53 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 53 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 30 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 30% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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