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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE34F8 it is the complementary color #41CB07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE34F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE34F8 shade: #C334F3, #D446FF, #E558FF, #F66AFF and #FF7CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE34F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE34F8 shade: #BE34F8, #AD22E5, #9C10D2, #8B00BF and #7A00AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE34F8 shade: #BE35F7, #F235F7, #F735C8, #F73593 and #F7355F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE34F8 shade: #BE35F7, #8935F7, #5535F7 and #3535F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE34F8 shade matches the following richer shades: #BE35F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE34F8 shade: #BE35F7, #B746E6, #B057D5, #A967C4 and #A278B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE34F8 shade: #5535F7, #8935F7, #BD35F7, #F135F7 and #F735CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE34F8 shade: #9607D2, #B10DF6, #BE35F7, #CA5DF9 and #D784FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE34F8 shade: #BE34F8, #F73548 and #35F76F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE34F8 shade: #BE34F8, #F7BD35 and #35F7BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE34F8 shade: #BE34F8, #F73548, #6FF735 and #35F7E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE34F8 shade: #BE34F8, #F75C35, #6FF735 and #35D0F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 79 / 0 / 3

HEX #BE34F8

RGB 190 52 248

HSL 282.24, 0.93%, 0.59%

LAB 52.04, 79.55, -70.82

 

Complementary color

CMYK 68 / 0 / 97 / 20

HEX #41CB07

RGB 65 203 7

HSL 102.24, 0.93%, 0.41%

LAB 72.13, -65.72, 70.24

 

CMYK 20 / 79 / 0 / 5

HEX #C334F3

RGB 195 52 243

HSL 284.92, 0.89%, 0.58%

LAB 52.43, 79.46, -67.36

 

CMYK 17 / 73 / 0 / 0

HEX #D446FF

RGB 212 70 255

HSL 286.05, 1%, 0.64%

LAB 57.65, 79.01, -65.49

 

CMYK 10 / 65 / 0 / 0

HEX #E558FF

RGB 229 88 255

HSL 290.66, 1%, 0.67%

LAB 62.39, 75.86, -57.77

 

CMYK 4 / 58 / 0 / 0

HEX #F66AFF

RGB 246 106 255

HSL 296.38, 1%, 0.71%

LAB 67.37, 72.44, -49.72

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 23 / 79 / 0 / 3

HEX #BE34F8

RGB 190 52 248

HSL 282.24, 0.93%, 0.59%

LAB 52.04, 79.55, -70.82

 

CMYK 24 / 85 / 0 / 10

HEX #AD22E5

RGB 173 34 229

HSL 282.77, 0.79%, 0.52%

LAB 46.56, 78, -69.14

 

CMYK 26 / 92 / 0 / 18

HEX #9C10D2

RGB 156 16 210

HSL 283.3, 0.86%, 0.44%

LAB 41.36, 75.35, -66.84

 

CMYK 27 / 100 / 0 / 25

HEX #8B00BF

RGB 139 0 191

HSL 283.66, 1%, 0.37%

LAB 36.46, 71.52, -63.87

 

CMYK 29 / 100 / 0 / 33

HEX #7A00AC

RGB 122 0 172

HSL 282.56, 1%, 0.34%

LAB 32.07, 65.81, -59.87

 

CMYK 23 / 79 / 0 / 3

HEX #BE35F7

RGB 190 53 247

HSL 282.37, 0.92%, 0.59%

LAB 52.07, 79.07, -70.21

 

CMYK 2 / 79 / 0 / 3

HEX #F235F7

RGB 242 53 247

HSL 298.45, 0.92%, 0.59%

LAB 60.01, 88.2, -57.02

 

CMYK 0 / 79 / 19 / 3

HEX #F735C8

RGB 247 53 200

HSL 314.54, 0.92%, 0.59%

LAB 58.5, 82.66, -32.85

 

CMYK 0 / 79 / 40 / 3

HEX #F73593

RGB 247 53 147

HSL 330.93, 0.92%, 0.59%

LAB 56.51, 76.85, -5.05

 

CMYK 0 / 79 / 62 / 3

HEX #F7355F

RGB 247 53 95

HSL 347.01, 0.92%, 0.59%

LAB 55.22, 72.92, 24.07

 

CMYK 23 / 79 / 0 / 3

HEX #BE35F7

RGB 190 53 247

HSL 282.37, 0.92%, 0.59%

LAB 52.07, 79.07, -70.21

 

CMYK 45 / 79 / 0 / 3

HEX #8935F7

RGB 137 53 247

HSL 265.98, 0.92%, 0.59%

LAB 45.05, 71.02, -81.95

 

CMYK 66 / 79 / 0 / 3

HEX #5535F7

RGB 85 53 247

HSL 249.9, 0.92%, 0.59%

LAB 39.9, 65.14, -90.62

 

CMYK 79 / 79 / 0 / 3

HEX #3535F7

RGB 53 53 247

HSL 240, 0.92%, 0.59%

LAB 37.88, 62.82, -94.04

 

CMYK 23 / 79 / 0 / 3

HEX #BE35F7

RGB 190 53 247

HSL 282.37, 0.92%, 0.59%

LAB 52.07, 79.07, -70.21

 

CMYK 23 / 79 / 0 / 3

HEX #BE35F7

RGB 190 53 247

HSL 282.37, 0.92%, 0.59%

LAB 52.07, 79.07, -70.21

 

CMYK 20 / 70 / 0 / 10

HEX #B746E6

RGB 183 70 230

HSL 282.38, 0.76%, 0.59%

LAB 52.02, 68.59, -60.8

 

CMYK 17 / 59 / 0 / 16

HEX #B057D5

RGB 176 87 213

HSL 282.38, 0.6%, 0.59%

LAB 52.79, 56.07, -50

 

CMYK 14 / 47 / 0 / 23

HEX #A967C4

RGB 169 103 196

HSL 282.58, 0.44%, 0.59%

LAB 54.16, 42.43, -38.18

 

CMYK 10 / 33 / 0 / 29

HEX #A278B4

RGB 162 120 180

HSL 282, 0.29%, 0.59%

LAB 56.5, 27.4, -25.42

 

CMYK 66 / 79 / 0 / 3

HEX #5535F7

RGB 85 53 247

HSL 249.9, 0.92%, 0.59%

LAB 39.9, 65.14, -90.62

 

CMYK 45 / 79 / 0 / 3

HEX #8935F7

RGB 137 53 247

HSL 265.98, 0.92%, 0.59%

LAB 45.05, 71.02, -81.95

 

CMYK 23 / 79 / 0 / 3

HEX #BD35F7

RGB 189 53 247

HSL 282.06, 0.92%, 0.59%

LAB 51.93, 78.9, -70.45

 

CMYK 2 / 79 / 0 / 3

HEX #F135F7

RGB 241 53 247

HSL 298.14, 0.92%, 0.59%

LAB 59.85, 88.02, -57.28

 

CMYK 0 / 79 / 18 / 3

HEX #F735CA

RGB 247 53 202

HSL 313.92, 0.92%, 0.59%

LAB 58.59, 82.91, -33.86

 

CMYK 29 / 97 / 0 / 18

HEX #9607D2

RGB 150 7 210

HSL 282.27, 0.94%, 0.43%

LAB 40.06, 75.63, -69

 

CMYK 28 / 95 / 0 / 4

HEX #B10DF6

RGB 177 13 246

HSL 282.23, 0.93%, 0.51%

LAB 47.35, 85.01, -77.42

 

CMYK 23 / 79 / 0 / 3

HEX #BE35F7

RGB 190 53 247

HSL 282.37, 0.92%, 0.59%

LAB 52.07, 79.07, -70.21

 

CMYK 19 / 63 / 0 / 2

HEX #CA5DF9

RGB 202 93 249

HSL 281.92, 0.93%, 0.67%

LAB 59.18, 66.7, -59.79

 

CMYK 14 / 47 / 0 / 2

HEX #D784FA

RGB 215 132 250

HSL 282.2, 0.92%, 0.75%

LAB 67.91, 51.23, -46.39

 

CMYK 23 / 79 / 0 / 3

HEX #BE34F8

RGB 190 52 248

HSL 282.24, 0.93%, 0.59%

LAB 52.04, 79.55, -70.82

 

CMYK 0 / 79 / 71 / 3

HEX #F73548

RGB 247 53 72

HSL 354.12, 0.92%, 0.59%

LAB 54.85, 71.77, 37.09

 

CMYK 79 / 0 / 55 / 3

HEX #35F76F

RGB 53 247 111

HSL 137.94, 0.92%, 0.59%

LAB 86.22, -73.56, 51.74

 

CMYK 23 / 79 / 0 / 3

HEX #BE34F8

RGB 190 52 248

HSL 282.24, 0.93%, 0.59%

LAB 52.04, 79.55, -70.82

 

CMYK 0 / 23 / 79 / 3

HEX #F7BD35

RGB 247 189 53

HSL 42.06, 0.92%, 0.59%

LAB 79.86, 8.96, 71.43

 

CMYK 79 / 0 / 23 / 3

HEX #35F7BD

RGB 53 247 189

HSL 162.06, 0.92%, 0.59%

LAB 87.46, -59.42, 14.85

 

CMYK 23 / 79 / 0 / 3

HEX #BE34F8

RGB 190 52 248

HSL 282.24, 0.93%, 0.59%

LAB 52.04, 79.55, -70.82

 

CMYK 0 / 79 / 71 / 3

HEX #F73548

RGB 247 53 72

HSL 354.12, 0.92%, 0.59%

LAB 54.85, 71.77, 37.09

 

CMYK 55 / 0 / 79 / 3

HEX #6FF735

RGB 111 247 53

HSL 102.06, 0.92%, 0.59%

LAB 87.07, -68.16, 74.93

 

CMYK 79 / 0 / 8 / 3

HEX #35F7E4

RGB 53 247 228

HSL 174.12, 0.92%, 0.59%

LAB 88.39, -49.77, -4.1

 

CMYK 23 / 79 / 0 / 3

HEX #BE34F8

RGB 190 52 248

HSL 282.24, 0.93%, 0.59%

LAB 52.04, 79.55, -70.82

 

CMYK 0 / 63 / 79 / 3

HEX #F75C35

RGB 247 92 53

HSL 12.06, 0.92%, 0.59%

LAB 59.6, 57.45, 52.37

 

CMYK 55 / 0 / 79 / 3

HEX #6FF735

RGB 111 247 53

HSL 102.06, 0.92%, 0.59%

LAB 87.07, -68.16, 74.93

 

CMYK 79 / 16 / 0 / 3

HEX #35D0F7

RGB 53 208 247

HSL 192.06, 0.92%, 0.59%

LAB 77.63, -26.36, -30.35

 

Description

Color code: HEX #BE34F8 | qconv.com Color code: HEX #BE34F8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 52 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 52 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 79 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 79% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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