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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE2431 it is the complementary color #41DBCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE2431. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE2431 shade: #C3242C, #D4363F, #E54852, #F65A65 and #FF6C78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE2431. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE2431 shade: #BE2431, #AD121E, #9C000B, #8B0000 and #7A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE2431 shade: #BC2330 and #BC2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE2431 shade: #BC2330, #BC2359, #BC2383, #BC23AC and #A323BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE2431 shade matches the following richer shades: #BC2330 and #CE1121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE2431 shade: #BC2330, #AA363F, #98484E, #865A5E and #736C6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE2431 shade: #BC2384, #BC235B, #BC2333, #BC3D23 and #BC6623

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE2431 shade: #77161E, #991D27, #BC2330, #D7313F and #DE5460

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE2431 shade: #BE2431, #ADBC23 and #2370BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE2431 shade: #BE2431, #33BC23 and #2333BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE2431 shade: #BE2431, #ADBC23, #23BCAD and #3323BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE2431 shade: #BE2431, #7FBC23, #23BCAD and #6023BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 74 / 25

HEX #BE2431

RGB 190 36 49

HSL 354.94, 0.68%, 0.44%

LAB 41.89, 59.4, 32.65

 

Complementary color

CMYK 70 / 0 / 6 / 14

HEX #41DBCE

RGB 65 219 206

HSL 174.94, 0.68%, 0.56%

LAB 79.75, -42.29, -5.2

 

CMYK 0 / 82 / 77 / 24

HEX #C3242C

RGB 195 36 44

HSL 356.98, 0.69%, 0.45%

LAB 42.83, 60.64, 36.9

 

CMYK 0 / 75 / 70 / 17

HEX #D4363F

RGB 212 54 63

HSL 356.58, 0.65%, 0.52%

LAB 48.25, 61.07, 32.88

 

CMYK 0 / 69 / 64 / 10

HEX #E54852

RGB 229 72 82

HSL 356.18, 0.75%, 0.59%

LAB 53.92, 60.89, 29.41

 

CMYK 0 / 63 / 59 / 4

HEX #F65A65

RGB 246 90 101

HSL 355.77, 0.9%, 0.66%

LAB 59.75, 60.32, 26.47

 

CMYK 0 / 58 / 53 / 0

HEX #FF6C78

RGB 255 108 120

HSL 355.1, 1%, 0.71%

LAB 64.44, 56.9, 22.09

 

CMYK 0 / 81 / 74 / 25

HEX #BE2431

RGB 190 36 49

HSL 354.94, 0.68%, 0.44%

LAB 41.89, 59.4, 32.65

 

CMYK 0 / 90 / 83 / 32

HEX #AD121E

RGB 173 18 30

HSL 355.35, 0.81%, 0.37%

LAB 36.76, 58.02, 37.23

 

CMYK 0 / 100 / 93 / 39

HEX #9C000B

RGB 156 0 11

HSL 355.77, 1%, 0.31%

LAB 32.02, 55.64, 41.47

 

CMYK 0 / 100 / 100 / 45

HEX #8B0000

RGB 139 0 0

HSL 0, 1%, 0.27%

LAB 28.08, 51.01, 41.29

 

CMYK 0 / 100 / 100 / 52

HEX #7A0000

RGB 122 0 0

HSL 0, 1%, 0.24%

LAB 24.12, 46.42, 36.22

 

CMYK 0 / 81 / 74 / 26

HEX #BC2330

RGB 188 35 48

HSL 354.9, 0.69%, 0.44%

LAB 41.39, 59.05, 32.56

 

CMYK 0 / 81 / 81 / 26

HEX #BC2323

RGB 188 35 35

HSL 0, 0.69%, 0.44%

LAB 41.24, 58.61, 39.88

 

CMYK 0 / 81 / 74 / 26

HEX #BC2330

RGB 188 35 48

HSL 354.9, 0.69%, 0.44%

LAB 41.39, 59.05, 32.56

 

CMYK 0 / 81 / 53 / 26

HEX #BC2359

RGB 188 35 89

HSL 338.82, 0.69%, 0.44%

LAB 42.18, 61.46, 8.11

 

CMYK 0 / 81 / 30 / 26

HEX #BC2383

RGB 188 35 131

HSL 322.35, 0.69%, 0.44%

LAB 43.55, 65.51, -15.99

 

CMYK 0 / 81 / 9 / 26

HEX #BC23AC

RGB 188 35 172

HSL 306.27, 0.69%, 0.44%

LAB 45.46, 70.87, -37.73

 

CMYK 13 / 81 / 0 / 26

HEX #A323BC

RGB 163 35 188

HSL 290.2, 0.69%, 0.44%

LAB 42.18, 68.63, -52.64

 

CMYK 0 / 81 / 74 / 26

HEX #BC2330

RGB 188 35 48

HSL 354.9, 0.69%, 0.44%

LAB 41.39, 59.05, 32.56

 

CMYK 0 / 92 / 84 / 19

HEX #CE1121

RGB 206 17 33

HSL 354.92, 0.85%, 0.44%

LAB 43.7, 66.94, 44.59

 

CMYK 0 / 81 / 74 / 26

HEX #BC2330

RGB 188 35 48

HSL 354.9, 0.69%, 0.44%

LAB 41.39, 59.05, 32.56

 

CMYK 0 / 68 / 63 / 33

HEX #AA363F

RGB 170 54 63

HSL 355.34, 0.52%, 0.44%

LAB 40.48, 47.84, 21.53

 

CMYK 0 / 53 / 49 / 40

HEX #98484E

RGB 152 72 78

HSL 355.5, 0.36%, 0.44%

LAB 40.99, 34.06, 12.39

 

CMYK 0 / 33 / 30 / 47

HEX #865A5E

RGB 134 90 94

HSL 354.55, 0.2%, 0.44%

LAB 43.05, 18.71, 5.08

 

CMYK 0 / 6 / 5 / 55

HEX #736C6D

RGB 115 108 109

HSL 351.43, 0.03%, 0.44%

LAB 46.28, 2.92, 0.42

 

CMYK 0 / 81 / 30 / 26

HEX #BC2384

RGB 188 35 132

HSL 321.96, 0.69%, 0.44%

LAB 43.59, 65.63, -16.54

 

CMYK 0 / 81 / 52 / 26

HEX #BC235B

RGB 188 35 91

HSL 338.04, 0.69%, 0.44%

LAB 42.23, 61.62, 6.92

 

CMYK 0 / 81 / 73 / 26

HEX #BC2333

RGB 188 35 51

HSL 353.73, 0.69%, 0.44%

LAB 41.43, 59.18, 30.81

 

CMYK 0 / 68 / 81 / 26

HEX #BC3D23

RGB 188 61 35

HSL 10.2, 0.69%, 0.44%

LAB 44.45, 49.72, 42.99

 

CMYK 0 / 46 / 81 / 26

HEX #BC6623

RGB 188 102 35

HSL 26.27, 0.69%, 0.44%

LAB 52.19, 29.78, 50.26

 

CMYK 0 / 82 / 75 / 53

HEX #77161E

RGB 119 22 30

HSL 355.05, 0.69%, 0.28%

LAB 25.53, 41.28, 21.76

 

CMYK 0 / 81 / 75 / 40

HEX #991D27

RGB 153 29 39

HSL 355.16, 0.68%, 0.36%

LAB 33.56, 50.09, 27.2

 

CMYK 0 / 81 / 74 / 26

HEX #BC2330

RGB 188 35 48

HSL 354.9, 0.69%, 0.44%

LAB 41.39, 59.05, 32.56

 

CMYK 0 / 77 / 71 / 16

HEX #D7313F

RGB 215 49 63

HSL 354.94, 0.67%, 0.52%

LAB 48.26, 63.51, 33.03

 

CMYK 0 / 62 / 57 / 13

HEX #DE5460

RGB 222 84 96

HSL 354.78, 0.68%, 0.6%

LAB 54.78, 54.69, 22.09

 

CMYK 0 / 81 / 74 / 25

HEX #BE2431

RGB 190 36 49

HSL 354.94, 0.68%, 0.44%

LAB 41.89, 59.4, 32.65

 

CMYK 8 / 0 / 81 / 26

HEX #ADBC23

RGB 173 188 35

HSL 65.88, 0.69%, 0.44%

LAB 72.87, -22.93, 68.09

 

CMYK 81 / 40 / 0 / 26

HEX #2370BC

RGB 35 112 188

HSL 209.8, 0.69%, 0.44%

LAB 46.41, 4.52, -46.45

 

CMYK 0 / 81 / 74 / 25

HEX #BE2431

RGB 190 36 49

HSL 354.94, 0.68%, 0.44%

LAB 41.89, 59.4, 32.65

 

CMYK 73 / 0 / 81 / 26

HEX #33BC23

RGB 51 188 35

HSL 113.73, 0.69%, 0.44%

LAB 67.12, -62.62, 60.76

 

CMYK 81 / 73 / 0 / 26

HEX #2333BC

RGB 35 51 188

HSL 233.73, 0.69%, 0.44%

LAB 30.29, 43.78, -72.64

 

CMYK 0 / 81 / 74 / 25

HEX #BE2431

RGB 190 36 49

HSL 354.94, 0.68%, 0.44%

LAB 41.89, 59.4, 32.65

 

CMYK 8 / 0 / 81 / 26

HEX #ADBC23

RGB 173 188 35

HSL 65.88, 0.69%, 0.44%

LAB 72.87, -22.93, 68.09

 

CMYK 81 / 0 / 8 / 26

HEX #23BCAD

RGB 35 188 173

HSL 174.12, 0.69%, 0.44%

LAB 69, -40.88, -3.25

 

CMYK 73 / 81 / 0 / 26

HEX #3323BC

RGB 51 35 188

HSL 246.27, 0.69%, 0.44%

LAB 28.21, 53.41, -76.05

 

CMYK 0 / 81 / 74 / 25

HEX #BE2431

RGB 190 36 49

HSL 354.94, 0.68%, 0.44%

LAB 41.89, 59.4, 32.65

 

CMYK 32 / 0 / 81 / 26

HEX #7FBC23

RGB 127 188 35

HSL 83.92, 0.69%, 0.44%

LAB 69.89, -41.39, 64.32

 

CMYK 81 / 0 / 8 / 26

HEX #23BCAD

RGB 35 188 173

HSL 174.12, 0.69%, 0.44%

LAB 69, -40.88, -3.25

 

CMYK 49 / 81 / 0 / 26

HEX #6023BC

RGB 96 35 188

HSL 263.92, 0.69%, 0.44%

LAB 32.52, 58.02, -68.79

 

Description

Color code: HEX #BE2431 | qconv.com Color code: HEX #BE2431 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 36 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 36 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 74 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 74% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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