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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE1DF0 it is the complementary color #41E20F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE1DF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE1DF0 shade: #C31DEB, #D42FFE, #E541FF, #F653FF and #FF65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE1DF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE1DF0 shade: #BE1DF0, #AD0BDD, #9C00CA, #8B00B7 and #7A00A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE1DF0 shade: #BE1DF0, #F01DE9, #F01DB0, #F01D77 and #F01D3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE1DF0 shade: #BE1DF0, #851DF0, #4C1DF0 and #1D1DF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE1DF0 shade matches the following richer shades: #BE1DF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE1DF0 shade: #BE1DF0, #B431DD, #AA44C9, #A057B6 and #956BA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE1DF0 shade: #4B1DF0, #831DF0, #BB1DF0, #F01DED and #F01DB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE1DF0 shade: #890BB0, #A70DD7, #BE1DF0, #C944F3 and #D46BF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE1DF0 shade: #BE1DF0, #F01D28 and #1DF067

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE1DF0 shade: #BE1DF0, #F0BB1D and #1DF0BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE1DF0 shade: #BE1DF0, #F01D28, #52F01D and #1DF0E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE1DF0 shade: #BE1DF0, #F0521D, #52F01D and #1DBBF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 88 / 0 / 6

HEX #BE1DF0

RGB 190 29 240

HSL 285.78, 0.88%, 0.53%

LAB 49.64, 83.48, -70.23

 

Complementary color

CMYK 71 / 0 / 93 / 11

HEX #41E20F

RGB 65 226 15

HSL 105.78, 0.88%, 0.47%

LAB 79.36, -72.64, 75.33

 

CMYK 17 / 88 / 0 / 8

HEX #C31DEB

RGB 195 29 235

HSL 288.35, 0.84%, 0.52%

LAB 50.07, 83.36, -66.68

 

CMYK 17 / 81 / 0 / 0

HEX #D42FFE

RGB 212 47 254

HSL 287.83, 0.99%, 0.59%

LAB 55.26, 85.56, -68.79

 

CMYK 10 / 75 / 0 / 0

HEX #E541FF

RGB 229 65 255

HSL 291.79, 1%, 0.63%

LAB 59.58, 83.83, -62.26

 

CMYK 4 / 67 / 0 / 0

HEX #F653FF

RGB 246 83 255

HSL 296.86, 1%, 0.66%

LAB 64.16, 81.36, -54.8

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 21 / 88 / 0 / 6

HEX #BE1DF0

RGB 190 29 240

HSL 285.78, 0.88%, 0.53%

LAB 49.64, 83.48, -70.23

 

CMYK 22 / 95 / 0 / 13

HEX #AD0BDD

RGB 173 11 221

HSL 286.29, 0.91%, 0.45%

LAB 44.72, 80.22, -67.57

 

CMYK 23 / 100 / 0 / 21

HEX #9C00CA

RGB 156 0 202

HSL 286.34, 1%, 0.4%

LAB 40.13, 75.69, -64.2

 

CMYK 24 / 100 / 0 / 28

HEX #8B00B7

RGB 139 0 183

HSL 285.57, 1%, 0.36%

LAB 35.81, 70.05, -60.21

 

CMYK 26 / 100 / 0 / 36

HEX #7A00A4

RGB 122 0 164

HSL 284.63, 1%, 0.32%

LAB 31.39, 64.29, -56.16

 

CMYK 21 / 88 / 0 / 6

HEX #BE1DF0

RGB 190 29 240

HSL 285.78, 0.88%, 0.53%

LAB 49.64, 83.48, -70.23

 

CMYK 0 / 88 / 3 / 6

HEX #F01DE9

RGB 240 29 233

HSL 301.99, 0.88%, 0.53%

LAB 57.35, 90.34, -53.45

 

CMYK 0 / 88 / 27 / 6

HEX #F01DB0

RGB 240 29 176

HSL 318.2, 0.88%, 0.53%

LAB 54.59, 83.12, -25.13

 

CMYK 0 / 88 / 50 / 6

HEX #F01D77

RGB 240 29 119

HSL 334.41, 0.88%, 0.53%

LAB 52.66, 77.82, 5.91

 

CMYK 0 / 88 / 74 / 6

HEX #F01D3F

RGB 240 29 63

HSL 350.33, 0.88%, 0.53%

LAB 51.57, 74.73, 38.12

 

CMYK 21 / 88 / 0 / 6

HEX #BE1DF0

RGB 190 29 240

HSL 285.78, 0.88%, 0.53%

LAB 49.64, 83.48, -70.23

 

CMYK 45 / 88 / 0 / 6

HEX #851DF0

RGB 133 29 240

HSL 269.57, 0.88%, 0.53%

LAB 41.46, 76.22, -83.93

 

CMYK 68 / 88 / 0 / 6

HEX #4C1DF0

RGB 76 29 240

HSL 253.36, 0.88%, 0.53%

LAB 35.41, 71.5, -94.14

 

CMYK 88 / 88 / 0 / 6

HEX #1D1DF0

RGB 29 29 240

HSL 240, 0.88%, 0.53%

LAB 32.77, 69.69, -98.61

 

CMYK 21 / 88 / 0 / 6

HEX #BE1DF0

RGB 190 29 240

HSL 285.78, 0.88%, 0.53%

LAB 49.64, 83.48, -70.23

 

CMYK 21 / 88 / 0 / 6

HEX #BE1DF0

RGB 190 29 240

HSL 285.78, 0.88%, 0.53%

LAB 49.64, 83.48, -70.23

 

CMYK 19 / 78 / 0 / 13

HEX #B431DD

RGB 180 49 221

HSL 285.7, 0.72%, 0.53%

LAB 48.41, 73.69, -61.54

 

CMYK 15 / 66 / 0 / 21

HEX #AA44C9

RGB 170 68 201

HSL 286.02, 0.55%, 0.53%

LAB 48.13, 60.91, -50.6

 

CMYK 12 / 52 / 0 / 29

HEX #A057B6

RGB 160 87 182

HSL 286.11, 0.39%, 0.53%

LAB 49.09, 45.46, -38.15

 

CMYK 9 / 34 / 0 / 36

HEX #956BA3

RGB 149 107 163

HSL 285, 0.23%, 0.53%

LAB 51.32, 26.99, -23.67

 

CMYK 69 / 88 / 0 / 6

HEX #4B1DF0

RGB 75 29 240

HSL 253.08, 0.88%, 0.53%

LAB 35.33, 71.45, -94.27

 

CMYK 45 / 88 / 0 / 6

HEX #831DF0

RGB 131 29 240

HSL 269, 0.88%, 0.53%

LAB 41.21, 76.01, -84.36

 

CMYK 22 / 88 / 0 / 6

HEX #BB1DF0

RGB 187 29 240

HSL 284.93, 0.88%, 0.53%

LAB 49.17, 83.05, -71.01

 

CMYK 0 / 88 / 1 / 6

HEX #F01DED

RGB 240 29 237

HSL 300.85, 0.88%, 0.53%

LAB 57.58, 90.9, -55.34

 

CMYK 0 / 88 / 25 / 6

HEX #F01DB4

RGB 240 29 180

HSL 317.06, 0.88%, 0.53%

LAB 54.76, 83.57, -27.2

 

CMYK 22 / 94 / 0 / 31

HEX #890BB0

RGB 137 11 176

HSL 285.82, 0.88%, 0.37%

LAB 35.38, 67.09, -56.75

 

CMYK 22 / 94 / 0 / 16

HEX #A70DD7

RGB 167 13 215

HSL 285.74, 0.89%, 0.45%

LAB 43.37, 78.13, -66.36

 

CMYK 21 / 88 / 0 / 6

HEX #BE1DF0

RGB 190 29 240

HSL 285.78, 0.88%, 0.53%

LAB 49.64, 83.48, -70.23

 

CMYK 17 / 72 / 0 / 5

HEX #C944F3

RGB 201 68 243

HSL 285.6, 0.88%, 0.61%

LAB 55.1, 75.39, -63.01

 

CMYK 13 / 56 / 0 / 4

HEX #D46BF5

RGB 212 107 245

HSL 285.65, 0.87%, 0.69%

LAB 62.6, 61.84, -52.06

 

CMYK 21 / 88 / 0 / 6

HEX #BE1DF0

RGB 190 29 240

HSL 285.78, 0.88%, 0.53%

LAB 49.64, 83.48, -70.23

 

CMYK 0 / 88 / 83 / 6

HEX #F01D28

RGB 240 29 40

HSL 356.87, 0.88%, 0.53%

LAB 51.33, 74.06, 50.47

 

CMYK 88 / 0 / 57 / 6

HEX #1DF067

RGB 29 240 103

HSL 141.04, 0.88%, 0.53%

LAB 83.74, -74.56, 52.33

 

CMYK 21 / 88 / 0 / 6

HEX #BE1DF0

RGB 190 29 240

HSL 285.78, 0.88%, 0.53%

LAB 49.64, 83.48, -70.23

 

CMYK 0 / 22 / 88 / 6

HEX #F0BB1D

RGB 240 187 29

HSL 44.93, 0.88%, 0.53%

LAB 78.55, 6.38, 76.64

 

CMYK 88 / 0 / 22 / 6

HEX #1DF0BB

RGB 29 240 187

HSL 164.93, 0.88%, 0.53%

LAB 85.08, -59.03, 12.49

 

CMYK 21 / 88 / 0 / 6

HEX #BE1DF0

RGB 190 29 240

HSL 285.78, 0.88%, 0.53%

LAB 49.64, 83.48, -70.23

 

CMYK 0 / 88 / 83 / 6

HEX #F01D28

RGB 240 29 40

HSL 356.87, 0.88%, 0.53%

LAB 51.33, 74.06, 50.47

 

CMYK 66 / 0 / 88 / 6

HEX #52F01D

RGB 82 240 29

HSL 104.93, 0.88%, 0.53%

LAB 84.07, -73.43, 77.41

 

CMYK 88 / 0 / 4 / 6

HEX #1DF0E6

RGB 29 240 230

HSL 177.16, 0.88%, 0.53%

LAB 86.15, -47.9, -8.48

 

CMYK 21 / 88 / 0 / 6

HEX #BE1DF0

RGB 190 29 240

HSL 285.78, 0.88%, 0.53%

LAB 49.64, 83.48, -70.23

 

CMYK 0 / 66 / 88 / 6

HEX #F0521D

RGB 240 82 29

HSL 15.07, 0.88%, 0.53%

LAB 56.73, 58.6, 59.72

 

CMYK 66 / 0 / 88 / 6

HEX #52F01D

RGB 82 240 29

HSL 104.93, 0.88%, 0.53%

LAB 84.07, -73.43, 77.41

 

CMYK 88 / 22 / 0 / 6

HEX #1DBBF0

RGB 29 187 240

HSL 195.07, 0.88%, 0.53%

LAB 70.94, -19.77, -36.95

 

Description

Color code: HEX #BE1DF0 | qconv.com Color code: HEX #BE1DF0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 29 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 29 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 88 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 88% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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